Coloured print of oil painting by Michael McCarthy titled 'Pall Mall, Bendigo, Victoria' showing tram passing Post Office and Law Court buildings. Signed 'Michael McCarthy 91'painting, print, pall mall

Painting of Tom Goode whilst he was serving in Vietnam. Oil painting of Vietnam Veteran Tom Goode seated on a log in front of bamboo, helicopter in sky in the background. Depicts Tom Goode 'No Longer 19 reflecting back' Plain wooden frameSigned 'Bodaan'tom goode, 9 rar, painting

Starter Pistols were fired to start cycling races in the 20th century. Blank shells or caps were used. In recent years electronic timing has become the norm. http://www.muzzle.de/N4/Schreckschuss/Perfecta__S____G____GThis starter pistol is a great example of the pistols used by cycling clubs in mid to late 20th century.Starters Pistol. Includes (oil stained) directions for use and specifications. German made. The pistol is in its original green cardboard box. Also has two circular containers of blank caps."Mayer & Sonne KG/StartPistole/Kal.6mm Flob.Platz/Made in Germany"starter pistol, sporting event, race, starting pistol

Oil portrait of Col. John Purdue O.B.E. in full army uniform with 5 campaign medals on left breast painted on canvas stretched over hardboard in ornate gilt wooden frame.Plaque affixed to bottom of frame reads: COL. JOHN PURDUE O.B.E. 24-5-1890/25-3-1980. / FIRED THE FIRST SHOT IN W.W. I FROM FORT NEPEAN ACROSS BOW OF / GERMAN STEAMER "PFALZ' MERCHANT RAIDER ON AUG 5 - 1914 AT 12.50 PM.purdue, j foley, ww1, "pfalz"

This work was completed during Harper's Laughing Waters residency at Boomerang House, 2001. The Laughing Waters Artist in Residence Program was run by Nillumbik Shire Council (in partnership with Parks Victoria) 2001-2015. "My painting is about colour and form, and their relationship. I am interested in what one colour does to another colour, the weight of a colour and the feeling of a colour. Colour is very complex; I am looking and responding to what I see and what interests me." Melinda Harper in Artist Profile journal article by Melissa Pesa, 2015.The painting is representative of Harper's artistic practice and the vivid colours and abstraction particular to her work. Small-medium sized oil painting of vivid, bold, coloured shapes arranged in a kaleidoscope pattern. There is an array of colours each placed in proximity to each other to create a vibrant, lively atmosphere. Anna Schwartz sticker on back of canvas. harper, untitled, 2002, contemporary, laughing waters, boomerang, abstract

0007-013. Bream A Project , Bass Strait 1987. The project is just starting. This photograph shows Anchor Handling Tug Supply (AHTS) vessels Lady Lorraine, Lady Cynthia, and Lady Carojine, Anchor Handling Tug (AHT)Lady Florence, and Derrick Barge DB 29 alongside Barry Beach Marine Terminal, Gippsland, Victoria. The DB 21 is taking on board equipment for the project prior to be towed out and positioned at the location in Bass Strait where the production platform Bream A will be installed. 0007-014. Bream A Project , Bass Strait 1987. Derrick barge DB 29 loading project equipment with Lady Lorraine alongside Barry Beach Marine Terminal, Gippsland Victoria. Also alongside the wharf is the barge Intermac 256 which is being prepared to having the Bream A Jacket (a Jacket is the base of the platform that will be landed on the sea floor and will then be pinned in place with piles driven down into the sea bed). 0007-017. Bream A Project , Bass Strait 1987. Helicopter on DB 29 helipad ready for take off with Lady Lorraine, Lady Gay and Lady Cynthia at Barry Beach Marine Terminal, Gippsland, Victoria. 0007-016. Bream A Project , Bass Strait 1987. Helicopter taking off from DB 29 with Lady Lorraine and Lady Gay at Barry Beach Marine Terminal, Gippsland, Victoria.Green, with gold border trimming photo album, containing 38 photographs depicting ships, barges and the construction of the Bream A oil and gas production platform in Bass Strait, Victoria, Australia 1987.

Oil painting of German internee, Cesare Vagarini and POW graves at a Cemetery. A large tree - left foreground - overlooks the grave plot and the white crosses - portion of a tree. Fawn coloured framepainting - oil, hoopmann l, camp 3, tatura, illustrations, oil

Framed oil painting on canvas by B. Polletti. Features a landscape. Decorative wood frame. Engraved brass plaque on lower edge of frame. Signed and dated by the artist lower left corner.

35mm Kodak white cardboard colour slide by Keith Kings of SW2 644 after a repaint at Preston Workshops 17/8/1968. Has adverts for Sasso Olive Oil and Reddi.Keith Kings stamp and number "32-30", with details of exposure. "MMTB SW2 644 at Preston W/s 17/8/68"trams, tramways, sw2 class, overhauls, preston workshops, tram 644

A small oil painting set in an ornate gold-gilded frame with a small brass plaque detailing donor information. The painting depicts a Katoomba urban streetscape featuring a parked delivery van.Inscription on the brass plaque. "DELIVERY VAN KATOOMBA / By HARRY SHERWIN / Presented by Douglas Joseph Dean 1980–1982"art, artwork, painting, streetscape, urban art, urban sketching

Purchased by Christian Ziebell on one of his two visits back to Germany.This object is of primary significance. Christian Ziebell brought it back from Germany on his return visit to Germany in 1856. It always hung where it is now and it is retractable to different heights. It hung on the lowest chain length over the table and was only raised when the family had festive events such as dances when Dorothea would accompany them on the piano. Great care had to be exercised when the lamp was raised because if it went up too high, and therefore became too close to the wooden ceiling, it could cause a fire. Francis Adams – son of Sylvia Adams (Ziebell) restored the lamp in the 1990’s.Original Miller hanging lamp, made of brass and opaque white glass. Lamp has chain-operated raising and lowering mechanism. Decorative brass trimming around widest edge of glass lampshade. Contains tubular wick.B & H Valpirfor written on lowering mechanism on top of the lamp. Rayo 24.98, PAT'D. NOV. 20.94, FEB 28.95, written on top of oil compartment.lighting, kerosene & oil, oil lamp, hanging lamp, original.

Images of upstairs living room at Walsh St with two Arthur Boyd oil paintings and Featherston and Boyd sofas, from late 1990s perhaps.Set of 6 colour photographs

Men standing in front of Young and Ledgar’s Garage at corner of Scallan and Wimmera Streets. Oil advertising above display window. Mid 1920'sstawell transport industry

This photographic portrait was commissioned to commemorate Dr Genevieve Goulding's term as President of ANZCA. Traditionally, ANZCA presidents have been commemorated at the end of their term with a commissioned oil painting. In 2015, the decision was made by ANZCA Council to change to photographic portraiture. This meant the existing oil paintings of College presidents became a formed collection which will not be added to and this portrait is the first to be commissioned in the new medium. It was unveiled at the ANZCA Council dinner on 22 July 2016. Framed colour photographic portrait of Dr Genevieve Goulding holding the President's medal.goulding, genevieve, anzca president, anzca council, budgeon, chris, photographic artist

With the establishment of the large heavy industrial zone at Hastings in the late 1960s, which included the BP oil refinery using the Port of Hastings at the north-western arm of Western Port, a number of environmental problems predicted by both scientists and conservationists arose. The main shipping channel on the western arm of Western Port was dredged, causing suspended particles affecting seagrass beds. With inadequate regulation around discharge of bilge water within the bay, and oil spillage, oil pollution affecting both seabirds and coastal areas was not uncommon. This report of 40 penguins actually known to have been killed by an oil spill event was typical of reports at the time. The 2 men quoted – Vernon Johnson and Ken Pound – were well known conservationists. Vernon and his wife Nora owned the Kingston Gardens picnic and zoo business where they cared for many injured wildlife. Ken was a Phillip Island counsellor for a few years, and instrumental in the establishment of the Phillip Island conservation Society. He also contributed various documents and newspaper cuttings to this archive.This article is significant for being a record of an exact number of penguins found dead from oil spill pollution in Western Port. Also as a record of conservationists in the early years of community and environment movements both locally and in Australia. The article further gives evidence of linking tourism with wildlife.Photocopy of newspaper cutting. Black print with very dark black and white photo of Fairy (Little) Penguin. Poor reproduction due to older photocopy machine.(indecipherable) - late/1960s.little penguins, fairy penguins, eudyptula minor, penguin behaviour, phillip island tourist attractions, phillip island conservation society, oil spills, bp refinery hastings, port of hastings, western port, marine pollution, oil tankers, vernon johnson, ken pound, phillip island promotion association

Watering Can A watering can, with a large spout. Its former use is currently no known, but may have been used for oil, chemicals or even sand.Historic - Railway Permanent Way and Works - track equipment - Watering CanWatering Can with a large spout made of tin puffing billy, watering can

CEMA Art collection. Winner of 1966 Portland art Society Art Prize for category oil. Included in the 1999 "Salvage" exhibition at CEMA Arts Centre.AbstractAbstract depiction of a person with a bunch of bananas completed in shades of red, brown and black. The focus of the work is the standing human figure with brown clothing and red skin tones. The person is looking to their right at the bunch of bananas they are holding. The work has a two tiered wooden frame and exposed canvas.Front: Von(lower left, etched into black paint) Back: Taped label:"Banana Grower" Yvonne Cohen Porter St Templestow $ 90.00 Glued label: Yvonne Cohen :Banana Grower"(1966) Yellow sticker: 1966cema, portland artists society, female artists, female, women, bannana, agriculture

Nos. 895, 896 and 897 have the same pattern etched in glass and could be a set. NA895 - Vinegar and oil set NA896 - salt and pepper setGlass bottle with hinged metal lid possibly used for castor sugar at the tabledomestic items, containers

Has a strong association with the artist and demonstrates activities the Ballarat Tramway MuseumFramed painting - wooden frame - black and gold colour of Horse Tram No. 1 in Wendouree Parade, titled "Oil Painting of Horse Drawn Tram", fitted with a plastic gold engraved sign "Oil Painting of Horse Drawn Tram / painted and donated by Edna Stephens". Framed with a white card back and brown plastic tape - with metal hanging wire framed by Macarthur Framework and Gallery 1008 Sturt St Ballarat. See Inscriptions for note on artist.On rear in ink "Edna Stephens painted 2012 / Horse Drawn Tram Lake Wendouree Ballarat"trams, tramways, wendouree parade, painting, art work

Masthead lamp, single wick oil or kerosene type. Hinged top lid, removable burner and shade. Galvanised iron construction with brass fittings and glass lens. Brass plaques on lid and burner.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, masthead lamp

Framed oil painting titled: "Coastline near Inverloch" painted by Mary Hennekam. Set in cream card window mount with brass plaque affixed to lower edge. Gold painted wood frame.

This artwork is unsigned, but believed to be by John 'Jack' Courier. It is likely this item was received from Courier's estate. Courier left a bequest to the College consisting of a significant number of artworks by himself and others.Oil painting on board featuring a still life scene in muted colours. The scene features a number of objects sitting on a table, including a pot plant, a bulbous vase, and a maquette of a nude female torso.