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Benalla Art Gallery
Painting, William OWEN, Naval battle, English v. Dutch, Not dated
Born Ludlow, Shropshire, England 1769; Died: London, England 1825 RomanticismGift of Wooleen Pty. Ltd., 1980Six battleships on water in smoky atmosphere. Gold gesso wood moulding with decorative corners.Recto: Not signed, not dated, not titledpainting, seascape, sea, ships, boats, sails, naval -
Benalla Art Gallery
Watercolour, John RUSSELL, Morning light, Liguria, 1920
Born: Darlinghurst, New South Wales, Australia 1858; Lived and worked: England, Spain, France, Italy, New Zealand 1881-1923; Died: Randwick, New South Wales, Australia 1930ImpressionismLedger Gift, 1985Expressive brightly coloured brushstrokes of rural farm houses and trees. Gold brushed timber frame.Recto: Not signed, not dated, not titledwatercolour, buildings, chimney, impressionist -
Benalla Art Gallery
Watercolour, Eric WILSON, Berowra, 1940
Born: Annandale, New South Wales, Australia 1911; Lived and worked: England and France 1937-1940; Died: Sydney, New South Wales, Australia 1946ModernismGift of Mrs E.E. Ledger, 1987Watercolour depicting a creek bed with rock in the foreground. Unframed, hinged taped with two pieces of white tape to cream mat boardRecto: Not signed, not dated, not titledwatercolour, landscape, trees, water, rock, roots -
Benalla Art Gallery
Print, Conrad MARTENS, View of Sydney. NSW, 1855
Born: London, England 1801; Arrived: Sydney, New South Wales, Australia 1835; Died: Sydney, New South Wales, Australia 1878ColonialBennett Bequest, 1999 Hand-coloured lithograph depicting industrial waterscape with rocky shoreline and ships and buildings in background. Black painted timber frame with off white arched window mount and gold brushed internal window edgeRecto: Not signed, not dated, not titled print, waterscape, sea, harbour, land, figures, boats, tress, sydney harbour, buildings -
Benalla Art Gallery
Painting, Joseph BACKLER, Henry Johnson (portrait pair), c. 1843
Born: London, Middlesex, England 1813; Arrived: Sydney, New South Wales, Australia 1832; Died: Sydney, New South Wales 1895VictorianBennett Bequest, 1999 Oil on canvas depicting portrait of seated Henry Johnson in black suit and bowtie. Polished timber frame with gold gesso inlayRecto: Not signed, not dated, not titled painting, portrait, colonial, man, face, hands, figure -
Benalla Art Gallery
Painting, Joseph BACKLER, Caroline Johnson (portrait pair), c. 1843
Born: London, Middlesex, England 1813; Arrived: Sydney, New South Wales, Australia 1832; Died: Sydney, New South Wales 1895VictorianBennett Bequest, 1999 Oil on canvas depicting portrait of seated Caroline Johnson in grey dress. Polished timber frame with gold gesso inlayRecto: Not signed, not dated, not titled painting, portrait, colonial, woman, face, dress, flower, figure -
Benalla Art Gallery
Painting, Peter PURVES SMITH, Burke and Wills, c. 1937
Born: East Melbourne, Victoria, Australia 1912; Lived and worked: England 1935-1949; Died: Melbourne, Victoria, Australia 1949SurrealismBennett Bequest, 1999 Explorers Burke and Wills rest against a large rock with a bottle at their feet. Gold and grey brushed timber frameRecto: Not signed, not dated, not titled painting, figures, abstract, rock, water, bottle -
Benalla Art Gallery
Painting, Rupert BUNNY, (Landscape, France), Not dated
Born: St Kilda, Victoria, Australia 1864; Lived and worked: England and France 1884 - 1933; Died: Melbourne, Victoria, Australia 1947ImpressionismGift of Mr Alan Harris in memory of his wife Lynette Harris (née Burnell), 2004Oil painting on board depicting rural landscape with trees and farmhouses. Gold brushed timber frame with decorative gesso corners.Recto: Not signed, not dated, not titled painting, landscape, buildings, tree, impressionist, hills -
Benalla Art Gallery
Painting, Rupert BUNNY, (Coastal landscape), Not dated
Born: St Kilda, Victoria, Australia 1864; Lived and worked: England and France 1884 - 1933; Died: Melbourne, Victoria, Australia 1947ImpressionismGift of Mr Alan Harris in memory of his wife Lynette Harris (née Burnell), 2004Oil painting depicting coastal landscape with buildings and cliffs in background. Gold brushed timber frame with decorative gesso cornersRecto: Not signed, not dated, not titled painting, landscape, sea, trees, impressionist, buildings, cliff -
Benalla Art Gallery
Photograph, Sidney NOLAN, ‘Central Australia’ series, 1949
Born: Carlton, Victoria, Australia 1917; Lived and worked: England 1953-1992; Died: London, Middlesex, England 1992Post WarGift of the Friends of the Benalla Art Gallery, 2005 Black and white photogaph of makeshift horse arena. Unframed in archival folder.Recto: Not signed, not dated, not titledphotograph, fence, hill, rural, arid, tree, building, figures, fence, bush, child, woman, rock painting, paddock -
Benalla Art Gallery
Painting, George W. LAMBERT, The actress, c. 1913
Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930EdwardianGift of Mr Wayne N. Kratzmann, 2005Oil painting on canvas depicting figure in a red dress, looking at her face in a mirror held by cherubs. Gold brushed, carved timber frame with decorative corners and edges.Recto: Not signed, not dated, not titledpainting, woman, figure, angels, cherubs, clouds, glove, mirror, face, flowers -
Benalla Art Gallery
Painting, Henry BURN, Studley Park bridge over the Yarra, c. 1860
Born: Birmingham, Warwickshire, England 1807; Arrived: Melbourne, Victoria, Australia 1853; Died: Melbounre, Victoria, Australia 1884RomanticismGift of Beverley Brown, 2015Oil painting on board, depicting sparse rural landscape by a river and bridge.Gold brushed timber frame and decorative gesso inner corners. Recto: Not signed, not dated, not titledpainting, landscape, figures, boat, tree, bridge, river, animals, water -
Benalla Art Gallery
Painting, ADNATE, You and the space between, 2015
Contemporary ArtAcquired with funds raised by The Friends of Benalla Art Gallery, 2014Partial portrait depicting indigenous person with paint covering part of face. Unframed work. Recto: Not signed, not dated, not titledpainting, portrait, indigenous, paint -
Horsham Regional Art Gallery
Photograph, Tracey MOFFATT, Self portrait, 1999
Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Robert Salzer Foundation, 2012.hand coloured photographSigned on verso, lower righthand-coloured, tracey moffatt, self portrait, desert, cameras -
Horsham Regional Art Gallery
Photograph, Darren SYLVESTER, Our future was ours, 2005
Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Robert Salzer Foundation, 2011lightjet printSigned on verso, top rightuniversity of melbourne, baillieu library, students, darren sylvester, photograph -
St Kilda Historical Society
Ephemera - Seasonal card, Australian Club Christmas, 1918, 1918
Also at same location, the Australasian Officers Club, established 1916Cream card that has discoloured with age. On the front, Australia's coat of arms and the text are printed in gold/brown, and they are surrounded by a border in green, red and blue (representing shamrocks, Scottish thistles, red roses and elements of the UK flag). Personnel of the Australia Club are listed on the back of the card in blue.Front signed by Sylvia Fenwickaustralian cub - london -
Tatura Irrigation & Wartime Camps Museum
Book, Edward M. Curr. The Tide of History
Map of the runs of the late E. M. Curr, St. Helliers. Recollections of squatting in Victoria. Map of Angerang Territory.Front cover profile in red of E. M. Curr. Cover images. Signed by Samuel Furphy, authoredward m curr, st helliers, angerang territory -
Tatura Irrigation & Wartime Camps Museum
Photograph, Hoefer Family
Photograph of Hoefer family with Anna Sawatsky. Left to right at back: Rudolf and Helene Hoefer; front: Karl Heinz, Traude and Uli Hoefer and Anna Sawatsky. Camp 3 internees.Black and white photograph of 3 adults and 3 children. Two adults are standing. Tree in background with hut behind that.791 on sign in front centrerudolf hoefer, helene hoefer, karl heinz hoefer, traude hoefer, uli hoefer, anna sawatsky, camp 3 internees -
Tatura Irrigation & Wartime Camps Museum
Photograph, Stoll and Cluss Families 1946
Wilhelm Stoll and family were internees in Camp 3 during WW2. In the picture are: Wilhelm Stoll, Katharina Stoll, Ruth Stoll, Wilhelm Stoll, Theodor Stoll, Gerhard Stoll, Siegfried Stoll, Arthur Cluss, Clara Cluss, Walter Cluss and Vera Cluss. Foam backed photograph in file.Black and white photograph of a group of men, women and children, some sitting, some standing. Trees in background, shrubs directly behind the group and a hut to the right.826 sign in front of the groupwilhelm stoll, stoll family, camp 3 ww2, cluss family, katharina stoll, ruth stoll, theodor stoll, gerhard stoll, siegfried stoll, arthur cluss, clara cluss, walter cluss, vera cluss -
Anglesea and District Historical Society
Painting, Jane Robley, Unknown
Water colour painting of the Alcoa Anglesea coal mine. Painted by Jan Robley.Signed by artist Jan Robley.jane robley, alcoa power station, painting -
Box Hill Historical Society
Book, Lemon, Andrew, Box Hill, 1978
History of Box Hill from its beginning to 1978. Index; photos; plan of Box Hill in 1905 on endpapers; Members of Council in order of election. Presentation Edition: #15box hill -
Nillumbik Shire Council
Painting, Clifton PUGH, White Choughs in the Landscape, 1958
Pugh was one of many artists who brought an Australian experience to attention. His landscapes reveal the colour and textures of the natural bush, often with a dramatic emphasis. His reference to the harshness of the bush consistently arises, with angular forms dominating the composition. White Choughs in the Landscape is typical of his representations of the bush as a dynamic environment. White Choughs in the Landscape, 1958, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come White Choughs in the Landscape is typical of Pughs' representations of the bush as a dynamic environment. The brittleness and fragility of the landscape is recorded in the surface of the work, where paint is applied in thin layers.Signed 'Clifton Sept. 1958'clifton pugh, dunmoochin, white choughs -
Peterborough History Group
Letter - Peterborough Tennis Club early records, c 1963
miscellaneous information about the past Tennis Club, member residentsMakes mention of local residentsLetters and notessigned letters, financial recordspeterborough 3270, peterborough tennis club, j thurlow, tennis -
Stawell Historical Society Inc
Photograph, “Overdale” Homestead in Concongella
“Overdale” Holden Homestead Concongella. James Holden settled on "Overdale" in the late 1860's. The Holden Family still live at "Overdale" The Holden Family have served on the Stawell Shire Council for over 100 years.Black and White enlarged photograph of house in file and small original photo in album. Building has prominent stone wall and trees around the house which has an inner timber and wire fence. Overdale sign on the stone wall.stawell -
Latrobe Regional Gallery
Painting, HENG, Euan b. 1945 Scotland. Arrived Australia 1977, Jeeralang Still Life, 1985
Oil on canvasSigned, dated and inscribed verso -
Latrobe Regional Gallery
Painting, MARTIN, Mandy b. 1952, Adelaide, South Australia, Briquette Factory Site, 1989
Oil on canvasSigned, titled and dated versofactory, industry, power, landscape, industrial -
Latrobe Regional Gallery
Painting, LINCOLN, Kevin b. 1941 Hobart, Tasmania, Still life with covered bowl, 1983
Oil on canvasSigned top left of painting. -
Highett RSL Sub Branch Inc
Map, Changi POW camp, C 1950s
Changi POW camp SingaporeAustralian POWs Copy of originalSigned Frank Holland-Stabbacksecond world war -
Ballarat Heritage Services
Photograph, B.E. Minns, Drawing by Arthur Lindsay
A pencil landscapesigned lower left "A. Lindsay"b.e. minns, etching horses -
Ballarat Heritage Services
Photograph - Colour, Dorothy Wickham, Mason's Marks, Carlisle Cathedral 27 October 2016, 2016
Carlisle Cathedral The Priory near the cathedral was founded in 1122 by King Henry I. There were earlier buildings on the site. Ten years later the priory church became the Cathedral and the Kind created the diocese of Carlisle. The building is constructed of red sandstone. Celebrated architect Ivo de Raughton who lived a few miles south of Carlisle designed the intricate masonry. Many interesting features are recorded about Carlisle Cathedral in tourist brochures and its homepage, however they do not mention the many mason’s marks clearly visible on the stone columns inside the Cathedral. There have been hundreds of marks recorded, some being similar to those on the Yarrowee Channel in Ballarat. The sign of Thomas Crump, stonemasoncarlisle, cathedral, stonemasons, mason's marks, thomas crump, crump