20th Light Horse Regiment serving in a infantry role was posted to Merauke on the southern coast of Dutch New Guinea (now the Indoneasian province of Papua) in 1943. It was the only Australian Light Horse regiment to serve overseas in WWII. Sergeant Adrian Dunne, a native of Tocumwal NSW, was killed in action 12 November 1944. He was aged 25.Rare evidence of the service of the only Australian Light Horse regiment to serve overseas in World War II (1939-45). Timber framed display panel containing Australian Commonwealth Military Forces hat badge (Rising Sun), 'Australia' metal shoulder title, 1939-45 Star, Pacific Star, 1939-45 British War Medal and 1939-45 Australian Service Medal; and Colour patch of 20th Light Horse Regiment, black over gold. Objects are protected by a Perspex front cover sheet. Sgt Dunne's name is spelled incorrectly on the panel.20th Light Horse / Sgt Adrian Dunn / VX81616 Tocumwal / Killed Dutch New Guinea 1943.military, world war two, wwii, dunn, merauke, new guinea

Captain Robert Westrup Salmon was born at Daisy Hill near Talbot 12 July 1862. He joined the Victorian Mounted Rifles in 1883; was commissioned Lieutenant in 1892 and appointed Adjutant (Volunteer) of 2nd Battalion VMR in 1892. He embarked with the 1st Contingent VMR to South Africa in 1899 with the rank of captain. At the battle of Jasfontein (Garsfontein) he was highly complimented in the London Times and other English newspapers for the skilful manner in which he handled the Mounted Infantry under his command. At the time of his death from Enteric Fever on 16 March 1900 at Naauwpoort South Africa he was Staff Captain of the Australian Regiment. Captain Salmon was a councillor of the Borough of Talbot, trustee of the Racing Club and the Cemetery; member of the Board of Directors of the MUIOOF; past master of the Masonic Lodge; church warden of St Michael’s Church Talbot and secretary of the Fire Brigade. The plaque was discovered by retired Military Police officer, Captain Watson and donated to 8/13 VMR Museum circa 1983. Rare example of a memorial plaque to an officer of the Boer War. It is not known where or if it was originally mounted but a church building would seem likely. Large bronze plaque to the memory of Captain Robert Westrup Salmon who died of Enteric Fever while serving with the 1st Contingent Victorian Mounted Rifles during the Boer War. A framed display with photograph of the donor Captain Watson handing the plaque to Officer Commanding 'A' Squadron 8/13 VMR at Buna Barracks Albury in 1984 now accompanies the bronze plaque.Cast in raised lettering surrounding a Victorian Mounted Rifles badge "The tribute of the Officers of the Victorian Mounted Rifles Non-Commissioned Officers & Men to the memory of Captain RS Salmon Talbot who died at Naauwpoort South Africa 16th Mar. 1900"salmon robert westrup captain, talbot, boer war

The dress was in the cupboard of Muriel Kerr, the donor's recently deceased mother. The donor remembers being shown it and trying it on in the late '70s or early '80s and being told that it belonged to her great-grandmother, Lilian Armstrong Ballantine (nee Power) [1887-1967]. Lilian Ballantine lived at 31 Harp Road (now the site of the Leo Baeck Centre) from the early 1920s to 1967. Lilian's married Archibald Dill Ballantine [1883-1947], in 1910. He was a member of the Monumental firm of A&G Ballantine, responsible for the Kew War Memorial (and possibly the Springthorpe Memorial). Lilian was highly involved with the Finlay McQueen Memorial Church [ie the East Kew Presbyterian Church]. Lilian's daughter, Mary (the donor's grandmother) married Alan McQueen, the son of Finlay McQueen, the first Minister of the East Kew Church. Mary Macqueen lived at 1 Oswin Street; she was a well-known artist. The dress is significant due to its associations with a family with strong connections, through a number of generations, to Kew East and its spiritual institutions. The garment's integrity and design also contribute to its aesthetic significance as a representative item of women's outerwear during the first decades of the twentieth century.Pale blue striped muslin single-piece dress with lace, tulle and embroidery at the neck and on the cuffs. The lace at the neck and cuffs is embroidered with coloured flowers, and edged with tulle. Bordering the v-neckline is a deeper blue guipure lace (possibly added later). There is a satin flower on the right side of the skirt which gathers the hem, exposing the deeper blue cotton underskirt. The dress has a narrow band of blue satin at the high waist. The cotton underskirt is attached by thread in places to the outer layer. Both the outer and under layers are attached with metal hooks and eyes. Edging the cuffs and hem of the dress is blue commercial fringing. The exterior of the dress has a slight brown tinge which is not apparent on the inside hem, suggesting that it has been discoloured through exposure. There are minor stains.women's clothing, edwardian dresses, lilian ballantine, australian fashion - 1910s, mary macqueen, finlay mcqueen memorial church, east kew presbyterian church, alan mcqueen, kew war memorial, archibald dill ballantine, leo baeck centre, 31 harp road -- kew (vic.), a&g ballantine, women's clothing -- 1900s, fashion - 1900s, fashion design

Stories from Australian fighting men. Successor to "Active Service" and "Soldier On"Hardcover book, khaki green cover

stories written by service personnel both men and womenkhaki green hardcover bookas you were, 1949, non-fiction, world war two, second world war, wwii, ww2

the contribution of the RAAF to WWIIKhaki greenWings on bottom of hardcover

With the Australian Army in the South-West PacificBrown hardcover booklogo in gold of soldier in jungle on front cover on inside front cover the name N.E.Gulliver

Active service recollection from service personnel in the middle eastBrown hardcover book with pagesWith Australia in the Middle East

Part of a series of books called Australia in the War 1939-1945Blue hardcover book with pagesSeries Three volume 3 Inside: Property of C.M.Fraser 7 Mountainview Road Highett 3190

"Signals" is an outline of the achievements of the Australian Corps of Signals over the years from the campaigns in the Middle East to the present day of the victories in New Guinea.The rise of the Australian Signal Corpsblue hard cover non-fiction book

"Soldiering On" continues the practise of the soldiers contributing to the development of the bookred coloured hard cover non-fiction bookwater damage to pages

Completion of WW2 after the defeat of Japan.After the sudden completion of the war, this book was revised to include pictures of the final scenes of the war.khaki green coloured hard cover non-fiction book

The volunteer defence corps was raised and maintained in the early years by the RSL. The early members of the corps were men with distinguished service from WW1.the early formation and activity of the volunteer corps.grey hard cover non-fiction book

written by serving personnel of the RANpublished for RAN by the Australian War MemorialHard cover non fiction book

written and prepared by serving personnel of the RANWritten by serving personnel and published b y the Australian War Memorialhard cover non fiction book

Local SceneImpressionistic view of valley with a creek running through it. Three horses in the foreground - AR0064Information about the artist on the back. "James Farrell is a member of the Victorian Artists Society" and "is represented at the Australian War Memorial, Canberra".keilor, maribyrnong, river, painting, impressionist, landscape

stawell ww2

Gives photographs and brief profiles of the RSL members commemorated on the Wall of Remembrance at the North Balwyn RSL Memorial Hall. The building was opened in 1959 and closed in June 2015. The North Balwyn RSL clubrooms were then incorporated into the newly-created Greythorn Community Hub.north balwyn rsl sub-branch (vic), returned services league of australia, greythorn community hub, veterans - victoria- biographies, war memorials, plaques, plaquettes

Copy negative by Ken Hall from a c1933 City of Camberwell brochure. The original appears to have had a crease mark across it as this is evident on both copies.Black and white photo of the First World War memorial erected on the high point in Beckett Park, Balwyn. Taken with the memorial in the foreground and looking to the south-west. The Australian flag is flying on top of the monument and in the background are rows of trees dividing largely clear land.On the rear: Copy 1: "1153 Repeat of No 164" in top left hand corner in lead pencil in Jocelyn Hall's hand. Copy 2: "1153 Repeat of No 164" in top left hand corner in lead pencil in Jocelyn Hall's hand and "Soldiers War Memorial / Beckett Park / Erected 1918" in blue biro centre right.first world war, war memorial, beckett park

The Shrine was opened on Sunday 7 April 1918. Mrs C H D Steele, President of the local Patriotic League, is credited with the idea of building The Shrine as a fitting memorial to the WW1 soldiers of the district. The Surrey Hills Progress Association coordinated raising funds from local residents. John Kendrick Blogg carved the beautiful honor roll in Indian teak and Australian white mahogany and the design of the Shrine was by John Stevens Gawler, architect of Gawler & Drummond. Both men donated their services. It was one of the first WW1 memorials to be built and is noted for its use of Australian motifs, wattle blossom and gum leaves. The boomerang over the full width of the monument was said to be symbolic of both those who did and did not return. Surrey Hills Progress Association coordinated fundraising to build the memorial. The photo comes from a souvenir brochure printed for the dedication of The Shrine on 7 April 1918. There is a bound copy of a history of The Shrine by Robin Doble in the collection.Black & white photo of the artist's impression of The Shrine in the Surrey Gardens. The photo is part of a souvenir booklet, a copy of which is also held in the collection.surrey gardens, john kendrick blogg (mr), surrey hills progress association, john stevens gawler, gawler and drummond, the shrine, war memorials, sarah margaret russell (miss), sarah margaret steele (mrs), mrs charles henry dillon steele

The Honor Roll and Shrine in the Surrey Gardens were opened on Sunday 7 April 1918, prior to the cessation of fighting. Mrs Charles H D Steele (MS: Sarah Margaret Russell), president of the local Patriotic League, is credited with the idea of building The Shrine as a fitting memorial to the soldiers of the district. The Surrey Hills Progress Association coordinated raising funds from local residents. John Kendrick Blogg carved the beautiful honor roll in Indian teak and Australian white mahogany and the design of The Shrine was by architectural firm Gawler & Drummond. John Stevens Gawler was a partner in the firm, lived locally and also enlisted. Although he may have been overseas during some of the design process he is often credited with the design. Both men donated their services. The 2 cannons in the gardens were acquired by Mr Arthur Brookes in 1901 to commemorate the end of the Boer War. He was popularly known as 'Empire Brooks' and the cannons as 'Brooks' Babies'. They were originally placed in the grounds of the Guildford Road Recreation Oval. Arthur Brooks was an active community member and one of the founding members of the Surrey Hills Progress Association. Original photo was contained in a booklet printed by Camberwell Council in 1933.This is one of the earliest known photos of 3 elements important in designating the Surrey Gardens as one of the City of Boroondara's heritage gardens, now protected by a heritage overlay. The Shrine was one of the first WW1 memorials to be built in Australia and possibly the first in Victoria. It was unveiled prior to the end of hostilities and was built entirely through local community effort. The design of The Shrine, reflective of domestic architecture, is unusual. Its Honor Roll is also a noted example of sculptor John Kendrick Blogg's work and valued especially for its incorporation of Australian motifs, wattle blossom and gum leaves. The boomerang over the full width of the monument was said to be symbolic of both those who did and did not return. Black and white photo of part of the Surrey Gardens, located between Union Road and Norfolk Road, Surrey Hills. It shows The Shrine, the cannons installed to commemorate the end of the Boer War and the Memorial Cross. Taken from within the park looking east. surrey gardens, shrine of remembrance, monuments and memorials, boer war, mr john kendrick blogg, mr arthur brooks, mrs charles steele, mrs sarah steele, miss sarah margaret russell, cannons, mr john gawler

Images of John Wicking at the Association's Christmas Party held at the Malvern Town Hall. In the first picture Mr Wicking reads from a prepared speech on the stage, with a Christmas model of a reindeer and sleigh behind him as well as seated people. In the second image John and Janet Wicking are talking to another couple in the foyer of the Malvern Town Hall, with the Gilbert/Montford war memorial in the background. The third image is of John Wicking and John Wilson, sitting side by side at long tables, talking to the people around them.3 x B/W photographsXMas Party 77 40A/3, 10, 15john wicking, janet wicking, john wilson, association for the blind

In particular I have been using these methods of construction [slab] to interpret the traditionally spherical form of the teapot as a cubist painter might by squaring it up and transposing curved surfaces into planes and angles. These geometric versions provide flat surfaces for pattern making and light reflection, and the objects become increasingly more decorative than functional. I find enormous pleasure in bending convention to the verge of impracticality. But not so radically that l miss the challenge of producing a form that still incorporates most of the elements of a properly functioning teapot, such as the height of the spout to the pot, the ease of filling, emptying, and handling. Surface decoration plays a vital role in reinforcing the abstraction. Bold areas of black underglaze are applied with distinct boundaries dictated by the form’s angles and planes. In pairs or ad hoc groupings the teapots react with each other and the spaces between to present complex geometric patterns. High firing produces a dense, almost vitrified body and the surface quality I admire without the need for glaze. Although some with more functionality may be glazed inside.(http://www.diannepeach.com/, accessed 23 July 2021)Dianne PEACH (1947- ) Since being introduced to pottery by Milton Moon and David Smith in the mid 60s Dianne Peach initially focused on wheel thrown functional war, which expnded include the infinite possibilities of slab building and casting. This work was purchased from the "Fresh Clay' Exhibition in 1983.Electric kiln fired slip cast earthenware teapot with stencils and coloured glazes. Purchased from the 'Fresh Clay' exhibition, 1883.dianne peach, jan feder memorial ceramics collection, jan feder, ceramics, teapot, fresh clay exhibition

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