One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - nest and three eggs of White Fronted Chat Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, white fronted chat, birds eggs

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - Grey Shrike Thrush on nest. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, grey shrike thrush

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - head of Grey Shrike Thrush (hand held) Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, grey shrike thrush

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - young Red Wattle Birds in nest. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, red wattle bird

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - nest and two eggs of Red Wattle Bird. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, red wattle bird, birds eggs

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - two eggs of the Red Capped Dotterel. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, red-capped dotterel, birds eggs

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - Sacred Kingfisher - hand held. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, sacred kingfisher

One of a collection of thirty-six photographs selected for inclusion in the National Photographic Index of Australian BirdsColour Photograph - nest and two eggs of the Bronzewing Pigeon. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, bronzewing pigeon, birds eggs

One of a collection of thirty-six photographs selected for inclusion in the National Photographic Index of Australian BirdsColour Photograph - nest and three eggs of White Naped Honeyeater. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, whte-naped honeyeater, birds eggs

One of a collection of thirty-six photographs selected for inclusion in the National Photographic Index of Australian BirdsColour Photograph - two eggs and nest of Grey-breasted Silvereye. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, grey-breasted silvereye, birds eggs

One of a collection of thirty-six photographs selected for inclusion in the National Photographic Index of Australian BirdsColour Photograph - head of White-faced Heron. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, white-faced heron

One of a collection of thirty-six photographs selected for inclusion in the National Photographic Index of Australian BirdsColour Photograph - nest and two young of New Holland Honeyeater. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, new holland honeyeater, birds eggs

One of a collection of thirty-six photographs selected for inclusion in the National Photographic Index of Australian BirdsColour Photograph - Kookaburra held in hand. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, kookaburra

One of a collection of thirty-six photographs selected for inclusion in the National Photographic Index of Australian BirdsColour Photograph - newly hatched Eastern Rosellas in nest. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, eastern rosellas

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - Black Swan's nest and eggs. Rhyll Swamp. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, black swan's nest, birds eggs, rhyll swamp, phillip island

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - Yellow Robin sitting on nest. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, yellow robin, birds nests

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - Yellow Robin perched on edge of nest. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, yellow robin, birds nests

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - nest and eggs of the Yellow Robin. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, yellow robin, birds nests

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - Baby Little Wattle Bird in nest. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, young wattle bird

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - Yellow Robin perched above nest. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, yellow robin, birds nests

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip Island D. McLardy was born on Phillip Island in 1909. He was never beaten for the Australian National 110 metres hurdles. An official error prevented him from representing Australia at the Los Angeles Olympics. He won the Victorian championships five years in succession. He was trained by K. G. West, also an Islander.Photograph of Donald McLardy (Victorian Hurdle Champion five years in succession) in action over hurdle.local history, photographs, donald mclardy, black & white photograph, foot racing, hurdling, champion hurdler

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip Island The race in this photograph was the Australian Junior Tourist Trophy race over 75 miles/12 laps. The winner, Cec Weatherby received 20 pounds prize money and a sash. The race was run concurrectly with the Lightweight race, which was common back then. Peter Shannon's brother has the actual bike that came 3rd in that 1935 Lightweight race.Photograph of C. Weatherby leading other Motor Cyclists rounding "Tin Pot Corner" in a Motor Cycle Race in 1935. Corrections to the above given by Peter Shannon 2/11/2018. No. 11 was Don Bain actually leading the group, who came 3rd, No. 64 was Cec Weatherby who won the race and No. 25 was Ron Walters who came 4th. The Flyer was also given to us by Peter Shannon.local history, photography, motor cycle race, black & white photograph, sport, motor cycle racing, "tin pot corner", c weatherby, john jenner, bryant west

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of an aeroplane and the first aerial bread delivery in Australia at Rhylston Park, Cowes, Phillip Island about 1920local history, photography, aeroplane, bread delivery, black & white photograph, air transport, john jenner, bryant west

EXHIBITION in the DOME The Sea is All Around Us - Margaret Woodward 11-21 May 2015 Dome Gallery – Mission to Seafarers, 717 Flinders Street, Melbourne, Australia. 37 º 49'21" S 144º 57'03"E Hours: Daily 11.00am - 4.00pm The sea is all around us is a multi-layered event which will create a memorable experience for those visiting the Dome Gallery and the Mission to Seafarers in Melbourne’s Docklands. The event will acknowledge and raise awareness of the working lives and journeys of seafarers by making visible their role in transporting commodities, materials and objects to and from Australia’s shores. This installation invites seafarers and visitors to participate in a global project which aims to witness sea journeys and trace the mobile life of seafarers and souvenirs. For a fortnight in May 2015, the Dome Gallery will become an architectural large scale compass, with the circular floor marking the intersection of its latitude and longitude (37 º 49'21" S 144º 57'03"E). Over these two weeks the Dome Gallery will be inscribed with marks recording journeys made by seafarers, recording destination and departure ports, home lands and waterways, and in doing so making visible a small segment of the global patterns of seafaring. Custom-made souvenirs designed for the installation will be given to seafarers as gestures of welcome and a memento of their visit. The souvenirs originating in Poland will continue their journey by sea, to destinations beyond the Dome becoming part of the global network of seafaring, with an invitation for seafarers to record their future journeys using QR code scanning technologies. It is hoped that by releasing the 200 limited edition souvenirs accompanying the seafarers the mobile life of souvenirs and seafarers will also become visible. For more information visit the website: sensingtheremote.net Margaret Woodward is Associate Professor of Design at Charles Sturt University For a fortnight in May 2015, Margaret Woodward was ‘in residence’ at the Mission to Seafarers Norla Dome Gallery with her participatory installation project "The Sea is All Around Us". The floor of the gallery became a large scale compass. Seafarers were welcomed to the gallery their ships, journeys and destinations were recorded and mapped on the floor drawing. Seafarers were welcomed with cake and souvenir mugs of tea. These mugs, a momento for the seafarers, were inscribed with a scannable QR code and an invitation for seafarers to record their journeys on a dedicated project website. Around 120 souvenirs are now continuing their journey by sea and seafarers have scanned the mugs from locations including Singapore, Brisbane, Fremantle, Adelaide, Busan and Johor! After the exhibition Margaret Woodward was able to follow the seafarers' whereabout: ""The Sea is all Around Us". I am in awe of where this project might go, well done Margaret. One week has passed since finishing up at the Mission to Seafarers Victoria. Today I check my website and can see that the cup-carrying seafarers are reaching warmer climates, they tell me it’s getting hot as some are already in Suva and Port Lautoka. I’ve watched the souvenirs travel and fan out from Melbourne, some West to Adelaide and Fremantle, others going north to Sydney Brisbane, Singapore and Busan. Another seafarer scans in from Changi Airport, excited to be going home for some time with his family in the Phillipines. I keep an eye on my ‘fleet’ of 22 ships that visited the Dome Gallery, and see where they are on the Live Shipping website, watch some of them sail up the coast of Western Australia and marvel at the steady pace this journey takes. I am so used to flying over coastlines and countries in a matter of hours, impatiently watching the tracking screen from my airline seat, this shipping pace seems so much more real, so much more of a passage. I feel connected to these ships, to the people on board, to know that an object has passed from my hands to theirs, now holding in it my cargo of concern."margaret woodward, installation, exhibition, norla dome, 2015, sea voyage, sea journey, cultural events

The letter was written by Allen Quinn to his mother. Allen started working as a seafarer when he was 16 years old, and frequently wrote to his mother during his travels. He also created an extensive photograph collection, which corresponds with the letters.The letter is part of an ongoing correspondence between Allan and his mother. This letter mentions the S.S 'Morgenster', the South African ship Allan was working on at the time, and also which he was signed off from because of South African law.Letter addressed to Mrs S. Quinn, "Sanlorenzo", 63 Ocean Beach, Manly, N.S.W, Australia, in three parts. Part 0152.1 Envelope Part 0152.2 Letter Page, 0152.3 Letter Page. Both the envelope and letter were white paper, which is now a yellow-white. The letter begins "My darling Mum, I hope that you have not worried..." and concludes with "Your loving son, Allan...". Printed across the top of 0152.2: SOUTH AFRICAN MARINE CORPORATION, and handwritten beneath: S.S 'Morgenster', 23rd April, Baltimore.Front of envelope: SENATOR HOTEL / 136 WEST SECOND STREET / RENO, NEVADA (printed) / MRS. S. QUINN, / "SANLORENZO", / 63 OCEAN BEACH, / MANLY, N.S.W., AUSTRALIA (handwritten in blue ink). In the top right hand corner are three U.S.A stamps, for the value of 5, 20 amd 50 cents.. In the middle of the top of the envelope is a stamped postmark: JUL 18 / 12 M / 1945 / NEV. Back of envelope: A. QUINN / MV. JOONAWARRA / 61 (indecipherable) STEAMSHIP SO. / SAN FRANCISCO, CAL. U.S.A (handwritten in blue ink).allan-quinn, letter, handwriting, south-africa

Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions)

Willows in the Plenty River, looking south west to cliffs. The Blackjack property, house and acres of fruit orchards ran down to the Plenty River off Hume Street Greensborough and was the home of the Robinson family to late 1956. The photographs were taken as slides by Frank Robinson and digitised by his son James in 2015. Oral history has it that Anthony Beale was the first to bring willow cuttings from the island of St Helena, to Australia.Digital copy of colour photograph.robinson family, blackjack, plenty river

An early photograph of the Commercial Bank of Australia, Greensborough Branch in Main Street Greensborough, taken before 1914. Teller Walter West stands on the left (according to his grandson John Cramp). The rings on the white posts are for tethering the horses. After service in World War 1 West married the daughter of Greensborough butcher Mr. N. Elliot and moved to a soldier settlement fruit block at Redcliffs.Digital copy of black and white photograph.commercial bank of australia, main street greensborough