At the Arthritis Foundation of Victoria's Malvern Opportunity Shop, two volunteers sort through boxes of donations in the crowded shop.COL photo of two women inside a shop. They are sorting through bags and boxes of donations in a crowded room. Behind them is a large dresser, with drawers at the bottom and a hutch with shelves at the top. There are soft toys across the top shelf, and various other items on the shelves below. On the perpendicular wall, there are more shelves with various items, including cane baskets, a large straw hat, bric-a-brac, crockery, glassware, plastic kitchen storage containers, and some boxed items on the top shelf. The floor is crowded with boxes, baskets, and other miscellaneous items - including a portalbe television set. In the foreground, there are piles of clothing or fabric.[Handwritten in blue ink] Jenni and Missy "in a mess"arthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, teddy bear, soft toys, glassware, bric-a-brac, prints, pictures, plastic kitchen storage containers, television, clothing, bedding, volunteers, members, moonee ponds, 2000

At the Arthritis Foundation of Victoria's Moonee Ponds Opportunity Shop, two volunteers stop for a playful moment as they sort through boxes of donations in the crowded shop.COL photo of two women inside a shop. They are sorting through bags and boxes of donations in a crowded room. One of them holds some pieces of black netting and white fabric on her head. Behind them is a counter with various items on top. The floor is crowded with boxes and trolleys full of clothing and other miscellaneous items.[Handwritten in blue ink] An audience for Trisharthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, clothing, hats, donations, volunteers, members, moonee ponds, 2000

At the Arthritis Foundation of Victoria's Moonee Ponds Opportunity Shop, two volunteers tidy up clothing and other items in the shop.COL photo of two women inside a shop. One woman is tidying up some clothes which are hanging from racks, while another woman looks on from near a doorway. There is a dress, scarf, and handbag affixed to a partition, on display. In front of the partition are several pairs of shoes, lined up on the floor.[Handwritten in blue ink] Tidying up with "Lorraine"arthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, donations, clothing, sales display, dress, scarf, handbag, volunteers, members, moonee ponds, 2000

Volunteers at the Arthritis Foundation of Victoria's Malvern Op Shop sort through clothes in a large clothing bin while another person peruses the shelves. The op shop was located at 1428 High Street, Malvern. A slightly cropped version of this photo appears on page 15 of the No 42, November 1986 issue of the Arthritis Foundation of Victoria's quarterly newsletter, News Review. It accompanies a brief article titled, "Opportunity Shop Annual General Meeting", in which the op shop's "facelift" of new carpeting and lighting is mentioned. Two more photos and a second brief article on the op shop's refurbishment appear on page 16 (the back cover) of the same issue.B&W photo of three people inside a shop. In the foreground, there are several large display bins filled with clothing in the centre aisle of the store, while shelving filled with miscellaneous goods have been placed against the walls. At the rear of the store, two women are sorting and tidying clothes from one of the clothing display bins while, beside them, a man is perusing items from one of the shelves.[Handwritten in blue ink] P15 75% [On a yellow sticky note, handwritten in pencil in top right corner] 86 [On the same yellow sticky note, handwritten in black ink] Opportunity Shop following renovations and new carpetarthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, fundraising, refurbishment, carpet, lighting, volunteers, malvern, news review, 1986

This overcoat was designed and tailored by Dominex, a company that sold clothing in high end department stores such as Myer and David Jones in the 1940s through to the 2000s. As pictured in the accompanying advertising, Dominex looked to produce clothes for women to “casually, confidently wear … the exquisite styling and superb tailoring of… Dominex Coats”. This sentiment was carried by the company for more than 60 years. Amanda Morgan, a director of the Dominex fashion label in an interview from 2003 said “Not everybody wants sass, or sex, or high fashion for that matter. Au contraire. Our customers will be stylish, sophisticated and womanly, but we don’t do shoestring straps or asymmetrical lines." Dominex was a label specialising in exceptional quality "traditional" dressing for corporate wear. Their clothes looked to provide women with a return to the tried and true values of elegant, unpretentious, classic dressing. "Our look is European-influenced," Morgan explained further. "Inspired by Armani, Valentino, Chanel and Escada. Suits have been specially dyed in France to ensure the perfect shade of ice blue, lemon, grey, or slate. Fabrics are natural, silk and linen. Shapes are stylish, with an almost 1930s feel; classic pants, silk shirts, structured overcoats with elegant-length” Returning to this overcoat, it has a label on the inside which reads “Pure Wool Material by Godfrey Hirst of Geelong”. Nowadays Godfrey Hirst produce flooring products and are the largest manufacturer and exporter of residential and commercial carpets in Australasia. They have expanded into hard flooring and left their fashion days behind. This overcoat serves as a useful example of a different time for the company; before they made the change to concentrating exclusively on flooring, when they produced fabrics to be tailored for the height of Australian fashion. This overcoat was purchased and worn by Joan Waller, aunty of the donor, Kim Rosenow. Kim said her aunty was from Ballarat but frequently shopped in Melbourne to keep up with the latest trends. Her aunty Joan fitted the target demographic of Dominex well, as she needed to look sophisticated and elegant at social events and work. Kim donated the overcoat to the National Wool Museum in 2021. Green singled breasted overcoat with a narrow overlap and one column of buttons for fastening. The overcoat features notched lapels of a medium width and two large buttons of a green & dark green marble. The overcoat has two semi-visible jetted pockets at the hips. Internally, the overcoat features a black silk lining for comfort. It also features a stitched patch on the left side of the opening which reads “Pure Wool Material by Godfrey Hirst of Geelong”. At the collar, another patch reads “Dominex REGD”. At the cuffs, the overcoat finishes in a type of gauntlet cuff which stretches back over 200mm. The decorative finish utilises no buttons and has thick piping to accentuate this design feature. The overcoat finishes with a simple invisible hem at the bottom.Wording, gold. Patch stitched at collar: “DomineX / REGD.” Wording, black. Patch stitched at left off opening: “PURE WOOL MATERIAL BY / Godfrey Hirst / OF GEELONG”dominex, fashion, women's corporate wear, godfrey hirst, overcoat, wool clothing

This handkerchief was a commonly carried item and is believed to be early 19th century. Its original owner is unknown, but it was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc - all of which have been donated to the Museum. The donor was informed at the time of purchase that the garments were over 100 years old.This lovely hand-made lace handkerchief was a typical everyday item carried by women in the early 19th century. Lawn hand-stitched handkerchief decorated with 3 lines of vertical and horizontal pleating which is hemmed and finished off with a lace border. female, point d'esprit, lynne findlay collection, handkerchief

An article in the Melbourne Age (2 March 1978, p. 25) recorded the retirement of Clare Ralph of Goullet of Melbourne (active 1953-78). "One of Australia's most talented milliners, Clare Ralph, of Goullet, is selling her business because she wants to spend more time in her garden. "I have been in the business for 25 years and last week I turned 60 and so I thought now is the time," Mrs. Ralph said at her Richmond shop yesterday. ... Mrs. Ralph is selling cheaply $10,000 for the label, which also covers sportswear, and tenancy and lease of the premises which have a showroom and workroom. ... Mrs. Ralph is as unpretentious as the relaxed Goullet styling which brought the new concept of millinery to Australia non-hatty hats with none of the "Melbourne Mum" quality so rife at the time. She said she started off making hats rather than dressmaking because she couldn't afford to buy the three yards of material necessary for a dress. "I wanted to get out of the house and so I did millinery night classes at Caulfield Tech." Her first efforts were sun-hats of natural straw which Mrs. Ralph trimmed extravagantly … "gold fishnet and braiding and sparkly jewels all over the crown. "They were ridiculous but a lot of fun," she said. She carted them by train to the city and nervously showed them to a store buyer. After the meeting, she couldn't face taking the samples home again on the train and left them. Before she could collect them, to everyone's amazement particularly Clare Ralph's, they had been sold. "The next thing was people were asking me what I was going to do for winter. I hadn't thought I was in the industry. I just thought I had sold a couple of sun hats and that was marvellous because I needed the money," she said. If the new buyer is interested, Clare Ralph will continue designing hats on a consultancy basis for them, which would be great for all the fans she has collected since those crazy sun-hat days.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Wide brimmed woman’s hat designed by Clare Ralph of Goullet of Melbourne, constructed of white stiffened fabric with a white fabric cord surrounding the crown of the hat.Label: Designed by Goullet of Melbournegoullet of melbourne, clare ralph -- milliner, women's clothing -- hats, headwear

Tibetan felt hats, typically made from wool felt crafted from sheep or yak wool, are well-suited to the harsh, cold climate of the Tibetan Plateau. A lining and decorative elements, such as embroidery or patterns, are often added. The fur flaps, made from rabbit or fox fur, provide extra warmth. Felt hats are worn by both men and women.Tibetan hats (also known as ‘chuba hats’ or ‘tsamtha’) are rich in cultural significance. They are often worn during religious ceremonies, festivals, and other important occasions. The design and quality of a hat can indicate the wearer's social status or role within the community.Traditional Tibetan hat with silk brocaded crown in blue and purple colours, with red and white flower pattern, and large fur flaps.everyday life, clothing, hats

Lace collars and cuffs were used by women in the late 19th and early 20th century to embellish their clothing. They were able to be detached which made them suitable as a decorative object on clothing that could be easily changed when required. Duchesse lace, was produced in Belgium from about the mid-nineteenth century onwards. In general, it was regarded as a cheaper version of 'true' Brussels lace and is a form of bobbin lace. The lace set was part of a collection belonging to Alice Matilda Barrie. Alice was born on October 17th, 1885 at Willowie, SA, she died on May 10th, 1981 in Adelaide. Alice was the daughter of Thomas and Luisse Mathilde Wood. Thomas was the publican of the Willowie hotel and Alice's brother Frank owned the Willowie store where the lace set may have been purchased. A family photo shows Alice wearing a lace collar in the early 1940’s which confirms her use of similar articles.The lace set has significance historically and socially as an example of textile accessories women used to embellish their clothing in the late 19th and early 20th century.A Duchesse lace set comprising three collars, a pair of cuffs and a hanky. Two of the collars are rounded and the third has a rectangular back and falls to points at the front. The lace on the hanky has been handstitched to the fine linen centre shape. In each piece the lace motifs are flower based (petals, stems, leaves) and are joined by thin bars.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, lace, brussels duchesse lace, duchesse lace, cotton, linen, flower motifs, bobbin lace, lace collar, lace cuff, lace hanky, lace handkerchief, lace set, lace accessories

Pair of navy blue kid or doeskin women's gloves, wrist length with triangular suede inset and bow trim near wrist. Pull on gloves with 'V' shaped 'cut' on inner wrist. Label on inner left wrist is indecipherable.costume accessories, female

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). This textile is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.Hand made white cotton doily with hand stitched cotton fringe c.1919-1928textiles, sewing, handiwork, women's history, domestic, craft, family, wodonga, haeusler collection, haeusler

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). This textile is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.Hand embroidered doily with floral design and word "CAKE" stitched around outer rim of fabric "CAKE"textiles, sewing, handiwork, women's history, domestic, craft

Edie Robertson, nee Megee, married Henry Francis in 1922.Black and white copy of original photograph showing two women with two toddlers. The younger woman, wearing dark clothing with a row of buttons down the front of dress standing, behind two children, who are sitting and the smaller child is holding a ball. The older woman is sitting beside everyone.edie francis (nee megee), jane megee (nee head), cibbald francis, lionel francis

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women.The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.A handmade white pillow sham with needlework.textiles, sewing, handiwork, women's history, domestic, craft, family, social history, hauseler, haeusler collection, wodonga

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. A group of women holding hands in a circle. All are wearing long dresses and hats. They were attending a picnic in Wodonga West, Victoria C. 1910wodonga pioneers, haeusler family, glass negatives, dry plate photography, women's clothing c. 1910, community activities

This iron was used by women to press the clothes from the mid 19th century. Coal embers were put inside, heating the base of the iron. Small bellows could be used to fire up the embers in order to keep the iron hot. This item is significant as it represents the appliances used by women from the mid 19th century until the advent of electricity.This charcoal iron is made of cast iron. It has a hinged lid so that embers can be put inside as the source of heat. The lid has a curved funnel and a wooden handle. The funnel kept the smoke away from the clothing. Bellows would be used to blow air into the iron and keep the coals burning. It has a wooden handle and the lever used to open the lid is also made from wood. There is a hole with a swivel cover at the back of the iron to check the coals. "S" on the swivel cover.domestic appliances, household items, women's work

Fancy Dress Ball held at Edithvale Boat Club.A photograph of men, women and children attending a fancy dress bal at Edithvale Boat Club. On the rear of the photo ten people have been identified: 1 - Mr Case; 2 - Mr and Mrs Plain (owner of the Unity Theatre); 3 - Mr Rowe; 4 - Mrs Bert Smith; 5 - Alf Case; 6 - Sid Munro; 7 - Bert Richardson; 8 - Marg Upton; 9 - Nellie Cameron; 10 - Arthur Upton. F. Cumming Studio. Frankston Road, Chelseacarrum, chelsea, carrum mechanics hall, fancy dress ball, social function, clothing

This lace modesty panel is believed to be late 19th century. Its original owner is unknown, but it was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc - all of which have been donated to the Museum. The donor was informed at the time of purchase that the garments were over 100 years old.This lovely hand-made modesty panel was typically worn by women to conceal a plunging neckline in the late 19th or early 20th centuries. Ecru coloured, fine lace modesty panel. Rectangular in shape with handsewn satin binding on the two short ends and lacy edge on upper part and bound seam on the bottom edge.female, lynne findlay collection, modesty panel

A4 size book with photograph of 7 women and 3 children in c1890sworking clothing and long white aprons, sitting and standing in front of a hedge with washing draped over the hedge. The two girls on the right are wearing wide-brimmed hats. The title is in white print on a band of dark blue across the middle. The bottom third features an early image of Warrnambool and the author's name in dark blue.non-fictionA history documenting the lives of women in Warrnambool and district between 1840 and 1910.warrnambool, history of warrnambool, 19th century women, women pioneers, silent lives, elizabeth o'callaghan, cover design james colquhoun

Round Hat Box containing a collection of lace women's wedding items. hat box, wedding