Negative No. N311 and black and white print made by a laser printer (stored in folder ) of the MMTB's tower wagons (the oldest at the time) and No. 2 in Nicholson St. Melbourne, near Parliament House working on a section insulator. Truck No. 2 and Albion No. 8. Negative scanned hi res and imaged updated 21/5/2020.trams, tramways, melbourne, bourke st., nicholson st, tower truck, tram tower wagon

Yields information about No. 28 late 1930's how the tram appeared at the time.Black and white photograph of Geelong No. 15, Birney, at the Eastern Park terminus, 1930's or 1940's? Tram has the destination of City. Photographer not known. The house behind the tram was able to be identified as 493 Ryrie St Geelong, shows up in Google Street View the verandah details. Two copies held.trams, tramways, geelong, eastern park, tram 15

Yields information the appearance and details about SEC Tram No. 30 in the 1950's in bound along Ripon St on the View Point Line.Digital scan from the Ben Parle collection of SEC No. 30 in Ripon St, in bound to the City of the View Point line. Photo 1950's or early 1960 prior to introduction of dash canopy lighting. Has the houses either side of the street in view. Photo received with the Ben Parle slides 09/2004. trams, tramways, ripon st, view point, tram 30

Yields information the appearance and details about the depot and trams 20 and 36 in the late 1950's.Digital scan from the Ben Parle collection of SEC No. 36 on No. 2 road at the depot and No. 20 on 0 road at the depot. Photo 1950's or early 1960 prior to introduction of dash canopy lighting. Has the houses either side of the street in view. Photo received with the Ben Parle slides 09/2004. trams, tramways, depot, tram 20, tram 36

sandringham, aerial, victoria, suburbs, photograph, airspy, beach street, bridge street, crisp street, seaview, hampton reserve, hampton, trevor barker beach oval

Painted wood panel with carved relief with title text 'WIMBLEDON/TENNIS CLUB'. Curved upper edge. Depicts trees, house and a tennis court with a male figure seated next to net. Separate piece of wood carved in relief and attached to surface depicts a male tennis player in action. Materials: Pigment, Woodtennis

A bottle of Avon 'Mixed Doubles Windjammer' after shave, shaped like a Spalding 'Championship' tennis ball, mounted onto a green pedestal. Bottle is housed in a yellow carton, with text: EXTRA DUTY/SPALDING/1 CHAMPIONSHIP BALL/2. Materials: Alcohol, Perfume, Plastic, Felt, Adhesive label, Cardboard, Inktennis

In 1979, a series of photographs of significant gardens in Kew (Victoria) were taken during a tour by Peter Watts, Historic Gardens Coordinator of National Trust Victoria. These were later purchased to add to the collection. In the case of each photo the colour had badly degraded over time. Original colour (degraded) positive photograph of 'Inverkelty' (later Kiora, Baroona), 11 Redmond Street , Kew. The original attribution of the house as Red Bluff (or Yarra Bluff) owned by the Nott family is incorrect. An analysis of ownership from 1888 was completed by Lovell Chen (2005), Boroondara Heritage Review B Graded BuildingsAnnotated in ink on reverse INCORRECTLY AS : "Red Bluffs / 11 Redmond Street / Nott family 1888 / Front garden with fountain / Home in foreground / October 1979"gardens -- kew (vic.), inverkelty, kiora, redmond street -- kew (vic.), baroona

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Interior, D'Estaville. A chiffonaire owned by the artist Alma Figuerola and located in her house, D'Estaville in Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

Date is approximate. His full name was William John Willaton - Service Number - VX68674 : Date of birth - 20 Mar 1909 : Place of birth - SURREY HILLS VIC : Place of enlistment - CAULFIELD VIC : Next of Kin - MURIEL WILLATON He was the son of Herbert Charles Leopold Willaton and Lily Jenkins and had a sister Lille Louise (Lil) who taught callisthenics and dance in Surrey Hills. Photo references also in this collection. Bill married Muriel Pearl Blake in 1935 and they lived at 18 Grovedale Road. He died Heidelberg in 1972. Bill was a driver (carter) for C E Gray & Son, bakers of Canterbury during the 1930's also recorded in this collection.Black and white photo of Bill Willaton in army uniform including a slouch hat. He is standing with his arms behind his back in front of a fairly young deciduous tree beyond which is a boundary fence and a timber building with a tiled roof. A child's pedal-car can be seen adjacent to the house of the garden. world war, 1939-1945, uniforms, william john willaton, bill willaton,

‘Self portrait at home’ This artwork was conceived after a series of paintings depicting the interior of my home in Ballarat. Those paintings began as glimpses around the house, mostly captured at night, of hallways, darkened corners, and ominous entrances into bedrooms. Later on I began to fill these spaces with a figure, that of my girlfriend (now wife), and conducted portraits of her placed amongst the shadows in a deliberate attempt to conjure up associations of Baroque painting as well as still images from horror films. I wanted to see what was sinister in this house, to imagine it, as well as observing it directly. ‘Self portrait at home’ is an attempt at summarising the combination of imagination and observation, of wandering through interior spaces as well as being absorbed in it: that what we see is then also taken into our consciousness, or in the case of this painting what we see is about to be swallowed. This concept of combining what is observed with what is imagined and using references to the physical body as a kind of mediator of this process is expressed in Kenneth Slessor’s poem ‘South Country’, a poem that partly inspired my approach to this painting. The following verses provide an example: And over the flat earth of empty farms The monstrous continent of air floats back Coloured with rotting sunlight and the black, Bruised flesh of thunderstorms: Air arched, enormous, pounding the bony ridge, Ditches and hutches, with a drench of light, So huge, from such infinities of height, You walk on the sky’s beach ‘Self portrait at home’ may not express itself as seriously as Slessor’s poem does but I hope it shows the impact as well as the texture and flavour that houses of the Ballarat landscape, and those of the imagination, can have. Duncan LannanDuncan LANNAN (1972- ) Duncan Lannan undertook a Diploma of Arts (Visual Arts) at RMIT between 1995 and 1996. A further two years study at the University of Ballarat (now Federation University Australia) saw Duncan Lannan awarded a Bachelor of Arts (Visual Arts) in 2000. He completed a Graduate Diploma of Education at the University of Melbourne in 2001. Duncan Lannan's exhibition 'Young, Dumb and Full of Ambition!' was held at the Art Gallery of Ballarat from 13 July to 11 September 2014.ContemporarySelf portrait of the artist with mouth open, and a house on the tongue. This piece was exhibited at the Art Gallery of Ballarat in 2007 in the "Eye to I" exhibition which was curated by former Federation University Art theory lecturer Geoff Wallis. The exhibition was a survey of self portraits by Australian contemporary artists. Gift of Geoff and Nola Wallis, 2017duncan lannan, painting, portrait, alumni, available

Used in the early 20th CenturyAn early 20th Century glass and rusted tin "hurricane" lamp with curved wire protecting the clear chimney glass. This is a portable lantern with an oil tank at the bottom that forms the base of the lamp. The tank is filled through a metal tube with a screw top lid and it also houses a wick and knob that increases or decreases the length of the wick.lamps, kerosene lamps, lighting equipment, lanterns

Rae Alexander Anderson OAM (1903-1986) was connected to St Paul's Church and a pharmacist at the Bendigo Hospital. Rae was the organist and choir master of the parish church of St Paul, Bendigo, 1931 - 1965. Rae's son Stuart Anderson from the Balgownie Winery 1969-1999; had also been a pharmacist. Rae Anderson was a former President of the Royal Historical Society of Victoria, Bendigo Branch; now the Bendigo Historical Society. Rae died on the 8th. February, 1986 aged 82 years. He was a dedicated pharmacist; an outstanding musician; choir master and organist at St. Paul's Anglican Cathedral; a craftsman who loved to fashion things in wood and brass; interested tn the preservation of our heritage. Rae established "the Anderson Library" at the Society for reading and research.Fifteen Photos of the St Paul's Church of England and an unknown dam. They were restored from a box of glass plate negatives found under a house in Mckenzie Street, Bendigo,.when it was sold. The photos are assumed to be taken by Rae Alexander Anderson and were processed through his pharmacy. One of the slides was marked 1935.bendigo history, sandhurst victoria, david anderson chemist, collins, dorman, holdsworth, rae anderson, st paul's church of england bendigo, bendigo hospital, stuart anderson

Date made 22 February 1997Colour photograph showing aspect of the former Johnsonville Post Office and residence. A substantial timber residence painted white, hipped roof, bullnose veranda on front and east side. The Post Office was originally detached, later moved to south east corner of house. Situated on Princes Highway western end of Johnsonville Victoriahouses, heritage study, postal services

The date is approximate. Tavistock was built c1890. In 1897 it was the home of the Walker family; Joyce Walker later became matron of Mosgiel Hospital. In 1902 it became the first site of Milverton Girls School. From 1930s to 1960s it was home to Miss Marjorie Vahland, a locally well-known nursing sister. This cottage is shown on the 1906 maps and also on a 1906 photo taken from Mosgiel Hospital in Mont Albert Road down Vincent Street. At this time there was no chimney on the cottage. See History Walks No 5, p 11 and p32 Surrey Hills In Celebration of its Centennial 1883-1983.Colour photo taken at the back of Tavistock at 192 Union Road, Surrey Hills. It shows part of a timber cottage painted in a light colour with a red corrugated iron roof (paint in a degraded condition) and a red brick chimney and the back of the main house. Taken during the period of restoration of the property during 1978-1982.tavistock, milverton girls school, victorian style, houses, union road, 1890-1900, joyce walker, marjorie vahland

The date is approximate. Tavistock was built c1890. In 1897 it was the home of the Walker family; Joyce Walker later became matron of Mosgiel Hospital. In 1902 it became the first site of Milverton Girls School. From 1930s to 1960s it was home to Miss Marjorie Vahland, a locally well-known nursing sister. See History Walks No 5, p 11 and p32 Surrey Hills In Celebration of its Centennial 1883-1983.Colour photo of the front steps at Tavistock at 192 Union Road, Surrey Hills taken from the front garden during the period of restoration during 1978-1982. The house is Victorian in style, of red brick construction with a patterned slate tile roof and decorative chimneys. The photo shows the wrought iron detail on the verandah.tavistock, milverton girls school, victorian style, houses, 1890-1900, union road, joyce walker, marjorie vahland

The date is approximate. Tavistock was built c1890. In 1897 it was the home of the Walker family; Joyce Walker later became matron of Mosgiel Hospital. In 1902 it became the first site of Milverton Girls School. From 1930s to 1960s it was home to Miss Marjorie Vahland, a locally well-known nursing sister. See History Walks No 5, p 11 and p32 Surrey Hills In Celebration of its Centennial 1883-1983.Colour photo of the detail of the wrought iron decoration and the decorative tiles on the front verandah at Tavistock at 192 Union Road, Surrey Hills taken from the under the verandah during the period of restoration during 1978-1982. The house is Victorian in style, of red brick construction with a patterned slate tile roof and decorative chimneys.tavistock, milverton girls school, victorian style, houses, union road, 1890-1900, joyce walker, marjorie vahland

Rae Alexander Anderson OAM (1903-1986) was connected to St Paul's Church and a pharmacist at the Bendigo Hospital. Rae was the organist and choir master of the parish church of St Paul, Bendigo, 1931 - 1965. Rae's son Stuart Anderson from the Balgownie Winery 1969-1999; had also been a pharmacist. Rae Anderson was a former President of the Royal Historical Society of Victoria, Bendigo Branch; now the Bendigo Historical Society. Rae died on the 8th. February, 1986 aged 82 years. He was a dedicated pharmacist; an outstanding musician; choir master and organist at St. Paul's Anglican Cathedral; a craftsman who loved to fashion things in wood and brass; interested tn the preservation of our heritage. Rae established "the Anderson Library" at the Society for reading and research.Eleven Photos of the St Paul's Church of England and an unknown dam. They were restored from a box of glass plate negatives found under a house in Mckenzie Street, Bendigo,.when it was sold. The photos are assumed to be taken by Rae Alexander Anderson and were processed through his pharmacy. One of the slides was marked 1935.bendigo history, sandhurst victoria, david anderson chemist, collins, dorman, holdsworth, rae anderson, st paul's church of england bendigo, bendigo hospital, stuart anderson

Photocopy of a black and white photograph of four women. Written notes identify them as the Misses Brumgartnen and Miss Pfaff who were three of the Swiss girls who came to Bendigo in 1926 to train the Bendigo Hanro Staff, also Goether (Gerda) who was their house keeper. See 1100.224 Ethel Sertori Memoir.Photographer Bartlett Bros.photo, group, hanro employees

Black and white photograph showing Paddle Steamer Avon at old Bairnsdale wharf shows steep sets of steps and roadway and fence down side of bank to wharf. Two sheds and dray on wharf. Fence and roadway along top of bank, and house and two storey building. People on boat and at shed. Bairnsdale Victoriaships and shipping, waterways, wharfs

Colour tinted large format postcard showing lifting bridge over the Tambo River, at Swan Reach, Victoria. Bridge is closed to allow road traffic through. Rough gravel road to Metung on right. Landing on left near bridge. Vegetation on river bank right. Houses in distance on both sides of river.The Swan Reach Bridgeboats and boating, bridges, waterways

Set of three photocopied plans or drawings on A3 sheet of Camberwell Depot - c1937 .1 - P? - Plan showing depot block and building plan with adjacent private houses and properties .2 - P8410 - Detail plan of depot - part missing on the left hand side. .3 - P8411 - Plan of Mess Rooms and offices.trams, tramways, drawings, depots, property, camberwell depot

Set of four photocopied plans or drawings on A3 sheets of "Wattle Park" .1 - P8504 - Curator's Lodge, Wattle Park - 1939 .2 - P8503 - Wattle Park Chalet - 20/2/1939 .3 - P8574 - Office and Sheds - 29/6/1939 .4 - P8505 - Golf House - 20/2/1939trams, tramways, drawings, depots, property, wattle park

Newspaper cutting from The Age 23/5/1975 titled "Swedish design for our new tram "giving a detail description of the new Z class trams with many details about the ASEA equipment, but nothing about Comeng. Has a photo of a Z tram inbound in Spring St with Parliament House behind."Age 23/5/75" in ink along the top edge.trams, tramways, z class, new trams, asea

Black and white illustration of PMTT No. 15 at the corner of Kooyong and Balaclava Rds, 1917c. Tram has route No. 4 in the window. Has a very large house entry gates in the background. Has person stepping off the tramcar. See Also Reg Item 2011-23 for a similar image. Orrong Rd intersection?trams, tramways, balaclava rd, pmtt, tram 15

(a) A black and white photograph of Camp Hill State School the third site of Bendigo Teachers' College. The top right hand rooms were used from 1945 to house the college until May, 1959. (b) A Bendigo 'Advertiser' photo of the Central State School situated in Rosalind Park, Bendigo. See 3320.100bendigo, education, camp hill state school, la trobe university bendigo collection, collection, bendigo, education, tertiary education, teacher training, photo, photos, photograph, photographs, photography, state school, primary school, bendigo teachers' college, central state school, camp hill state school, rosalind park, ms. j.c. burnett, mr. geoff pryor, newspaper, advertiser, place, building

A black and white photograph of Bendigo 'At the end of 1940's.' The photo shows 'The approach to the Bendigo Teachers' College, housed in the Camp Hill S.S. Showing on the left of picture (behind trees).' On the left of the photograph is a statue of George Lansell and on the right is the Bendigo Post Office.Of note is the lack of traffic as compared with today. c. 3320.100bendigo, education, camp hill state school, la trobe university bendigo collection, collection, bendigo, education, bendigo teachers' college, tertiary education, tertiary education, teacher training, miss j.c. burnett, mr. geoff pryor, teaching, photo, photos, photograph, photographs, history, buildings, george lansell, bendigo post office, camp hill state school, post office, statue, pall mall

Black and white photograph of Hoopers Maranui Guest House, after losing balcony in severe windstorm. Upstairs doorway is barricaded. Sun shields over upstairs veranda front windows. Water tank on high tank stand at rear of Maranui. Fibro cement picture theatre at right of picture. Lakes Entrance Victoriaarchitecture, guesthouses, cinema