A letter written to Maurice Keppel by John William Lindt in 1903.A letter written to Maurice Keppel by John William Lindt in 1903. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913. Maurice Keppel, from Ireland, was one of the first landholders in the newly surveyed town of Marysville in 1864. He and his wife ran the successful Keppel’s Australian Hotel. Two of their sons, John and Jerry, established a farm and opened up the surrounding high country. The Keppel lease was one of the longest held in the high country and the Keppel Family were amongst Marysville's pioneering families.maurice keppel, keppel family, keppel's australian hotel, marysville, victoria, john william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A copy of an early pencil sketch of Fernshaw in Victoria.A copy of an early pencil sketch of Fernshaw in Victoria by Louis Buvelot. Louis Buvelot ( 1814–1888), born Abram-Louis Buvelot, was a Swiss landscape painter who lived 17 years in Brazil and following 5 years back in Switzerland stayed 23 years in Australia, where he influenced the Heidelberg School of painters. Arriving in Melbourne in February 1865, after leaving the cold of Switzerland, which was impacting on his health, for the warmth of Australia, Buvelot was in business as a photographer in Bourke Street for a year but soon resumed his painting. He lived in Melbourne for a number of years before moving to Fitzroy. The National Gallery of Victoria purchased two of his paintings and he continued painting until his death in 1888. He was buried at the Boroondara Cemetery, where a large monument was erected in his memory. Fernshaw was a rural township 63 km northeast of Melbourne and 10 km northeast of Healesville. Situated on the Watts River, near where a log had fallen making a convenient crossing, Fernshaw was settled in the 1860s. It provided good country for orchards and berry growing. The location was at the foot of Blacks Spur, with Mounts Juliet and Mondah rising on either side, providing spectacular scenery. There were nearby fern gullies giving rise to the name – ‘shaw’ is old English for thicket or wood. By 1875 Fernshaw had a post office (1865), two hotels, a school (1871), and stores. It was famed for its beauty, attracting tourists. In 1886 the Melbourne and Metropolitan Board of Works began work on the Watts River water catchment scheme – later to become Maroondah – and the Board obtained approval for the catchment country to be reserved and kept free of settlement. This required the removal of the Fernshaw township, which was completed by about 1890.Fernshaw 17.2.83louis buvelot, fernshaw, victoria, national gallery of victoria, switzerland, boroondara cemetery, kew cemetery, artist

A copy of a black and white photograph on the Watts River near Fernshaw in Victoria.A copy of a black and white photograph on the Watts River near Fernshaw in Victoria taken by Fred Kruger. Fred Kruger (born Johan Friedrich Carl Kruger, 18 April 1831 – 15 February 1888) was a German-born photographer noted for his early photography of landscape and indigenous peoples in Victoria, Australia. Fernshaw was a rural township 63 km northeast of Melbourne and 10 km northeast of Healesville. Situated on the Watts River, near where a log had fallen making a convenient crossing, Fernshaw was settled in the 1860s. It provided good country for orchards and berry growing. The location was at the foot of Blacks Spur, with Mounts Juliet and Mondah rising on either side, providing spectacular scenery. There were nearby fern gullies giving rise to the name – ‘shaw’ is old English for thicket or wood. By 1875 Fernshaw had a post office (1865), two hotels, a school (1871), and stores. It was famed for its beauty, attracting tourists. In 1886 the Melbourne and Metropolitan Board of Works began work on the Watts River water catchment scheme – later to become Maroondah – and the Board obtained approval for the catchment country to be reserved and kept free of settlement. This required the removal of the Fernshaw township, which was completed by about 1890.fernshaw, watts river, victoria, fred kruger, photograph

Ceramics was taught at the Ballarat School of Mines Technical Art School. Three students at work at the Ballarat School of Mines Ceramics Studio. Two work on the pottery wheel while the third wedges clay, and makes balls of clay in preparation for throwing on the wheel. The person on the left hand side is Chinese born Raymond Hsu.ballarat school of mines, wilson, ballarat technical art school, ceramics, pottery, pottery wheel, raymond hsu, alumni, international students, sculpture, 3d, visual arts

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .3) A tintype portrait of a woman, attached to a card. little gem, tintype, woman, unidentified woman, women

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .8)A tintype portrait of a man's head, attached to a card. The cheeks have been hand coloured.little gem

The Prince of Wales visited BCAE on 28 October 1974. At that time the Mt Helen campus had been open for 4 years. In September 2020, after the death of Queen Elizabeth II, the Prince became King Charles III.Four men gather around Ballarat College of Advanced Education Metallurgy Student, Michael Martin, as he demonstrates a projection microscope to Prince Charles. From left to right: Lindsay Thompson (State Minister for Education), E.J. Barker (Director Ballarat College of Advanced Education), Brian Sunter (Head of Metallurgy), Michael Martin (student).ballarat college of advanced education, prince of wales, bcae, prince charles, michael martin, brian sunter, king charles, king charles iii

Black and White photographs of the Mount Helen Campus under construction. .1) Preparing for the site of the Student Amenities Building (now Albert Coates Centre). View from the north-west, from the site of 'S' building. federation university, federation university australia, feduni, university of ballarat, mount helen, construction, big tree, tree of knowledge, mount helen campus

3 x four page broadsheet, including an advertisement for the Ballarat School of Mines, and many other Ballarat organisations. ballarat, ballarat star, hewitt, hewett, church, chuck photography, boradbent, robbins carnells, kugelmann, herbalist, abrahams, ballarat horticultural society, vigneron, ballarat liedertafel, liedertafel, chinese, chinese hawker, loo sing, chinese furniture, sweating commission, isaac walker, carngham, george mcpherson. great combined reaper, brickmaking, william dunstan, mount pleasant, j. tweedale, figgis, dentist, lowther, jeweller, marks, sing loo, chinese furniture (sweating), ballarat gas company, mount pleasant brickmaking, chuck photographer, broadbent brothers, cherry and robbins, sadlery, h.f. kugelmann, herbalist, a. and g abrahams, clearing sales, isaac wilks, george mcpherson, great combined reaper and binder, brickmaking for william dunstan, j. tweedale estate, j.j. lowther, dentist, john latta, george downing, chalres lennon, james hayes, lenore pearce, robert e. mactagagrt, m. o'connell, e.t. dunn, crown lands

The Ballarat School of Mines Botanical Gardens are locate at the rear of the current Administration Building. The gardens were important for the teaching of Materia Medica and Pharmacy at the Ballarat SChool of Mines. Ferdinand Von Mueller, a one time examiner in Botany at the School, is thought to have supplied or suggested plants. Black and white photograph of the path and stairs in the centre of the Ballarat School of Mines Botanical Garden. The photograph depicts mature trees in the gardenballarat school of mines botanical gardens, ballarat school of mines, botanical gardens, materia medica, pharmacy, ferdinand von mueller, noel l. harvey

Blue/green soft covered book of 96 pages. photography, lenses, conrad beck, photographic equipment

Ernest Scott was a Professor in History at the University of Melbourne.Red hard covered book of 922 pages with 67 illustrationsworld war, world war one, aif, anzac, censorship, germans, internment, spying, war correspondents, official photographers, propaganda, equipment, munitions, conscription, conscription referendum, recruiting, horses, patriotic funds, red cross, australian comforts fund, junior red cross, peace conference, treaty, repatriation, soldier settlement, andrew fisher, legacy

The photographic postcard was made in 1915-1916 by Willets Photography in Geelong. It is one of a series called 'Victorian Training Ships and it featured the sailing ships John Murry and the Dart'. The John Murry was commissioned by the Victorian Government for the training of juvenile offenders from 1910-1918 and anchored just off Williamstown, Victoria. The ship was previously named Loch Ryan. The Dart was named such in 1882, and in 1904 the New South Wales Government purchased her for use as a training ship. ln 1912 the Victorian Government bought her for use as a tender, to support the John Murry training ship until she was again sold in 1919 to the owner of a shipping and trading agency. The postcard is significant for its association with sailing ships and with training ships. It is also significant for its representation of two training ships used for rehabilitation. This form of treatment became controversial so the project didn't last for many years. None-the-less, it is part of our Victorian history.Black and white postcard picturing two sailing ships plus printed and handwritten text. The ships are the John Murry and the Dart. The postcard is in the series 'Victorian Training Ships'. Made by Willets of Geelong. Printed on front "Victorian Training Ships", "Greetings 1915-1916" and "Willets PHOTO / GEELONG" Written in ink below ships "John Murry" & "Dart". flagstaff hill, warrnambool, willets photo geelong, greeting card, 1915-1916, postcard, victorian training ships, sailing ships, john murry, dart, maritime museum, maritime village, maritine photograph, training ships, juvenile reformation, loch ryan, willis photography, geelong photographer, williamstown

Photograph shows the members of the Ballarat College of Advanced Education Council and its Senior Officers for 1980. The Director of the College was E J Barker who is seated 5th from the left in the front row. Other notable people from Ballarat and SMB are shown to be on the Council.Coloured photograph of people posed for group photo. Arranged in three row, front row seated. Names of people are printed on mounting below photoballarat college of advanced education, council, director of college, e j barker, dr e phillips, s j harris, r m hook, m m walsh, l c yandell, dr p alcorn, n a crouch, g holmes, l a fryar, t d norwood, j crump, a k webb, crj a parkin, j c harley, n m gower, k l clements, rev g pell, r j dobell, d j woolley, m w boyce, b r rollins, dr b c fitzgerald, e t oppy, l f hillman, dr d a alexander, e j tippett, m b john, i a gordon, dr p j creed, mrs d e molloy, sir arthur nicholson, r t morrell, university women, ken clements, tom norwood, john crump, alan webb, robert hook, jack barker, robert morrell, david alexander, george pell

Harry Hale 1861-1937, a silk spinner, builder, migrated from England c1890 and built his house using 2nd hand material from the old Mentone Baths, old Co-op Stores, and some windows from the old St Matthew's Church Cheltenham .Harry with wife Frances raised 9 children. Following an accident Harry lost his leg and dissatisfied with the artificial limb he found a 'peg- leg ' more comfortable. Harry built many houses in Cheltenham unhindered by his 'peg-leg' . Harry also worked as an Insurance Agent. \ The house was demolished 1962. ( T. Sheehy, Moorabbin News 1962 H. Stanley )Harry Hale was a typical resourceful early settler who courageously worked with disability as he established his family in Cheltenham c1900a) Black & White photograph of the Harry Hale's House c 1930 North Cheltenham b) Sepia photograph c1906 of Harry Hale 1861 - 1937, Builder, Insurance Agent Cheltenham a) Handwritten information b) Mount ; TALMA, PARIS PANEL , 119 Swanston Street Melbourne and at Sydney hale harry, st matthews church of england cheltenham, talma photographers melbourne, photography, horse drawn carts, toll gates brighton, motor cars 1900, steam engines, early settlers, bentleigh, mckinnon, parish of moorabbin, city of moorabbin, county of bourke, moorabbin roads board, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, market gardeners, vineyards, orchards

Date unknown: Mrs Caroll and children. In 'Moorabbin A Pictorial History 1862 - 1994 ' by John Cribbin, The Carroll family migrated from Ireland and purchased land in the East Brighton ( now Bentleigh ) area of Henry Dendy's Special Survey 1841. Edward, J.W. & Daniel are shown in the Rate Book 1862 as owner occupiers and owner of property in Tuckers Road, Bryants Road and Centre Road.Photograph is black and white. There are three women in this photograph, a mother and her two children. The mother is sitting down on a chair to the left and her daughter sitting next to her, on the right (they are both holding hands), and her other daughter (child) right in between her mother and sister, with he arm around the mother's shoulder. All three of them are wearing their best dresses that have lace collars. As the clothes are similar to MAV Cat No. 00519 the photo may have been taken c 1910Front of Mount : Yeoman Co 287 Chapel St. Prahran, Victoria.children, chapel st, 287, prahran, carroll edward, carroll, j.w., carroll daniel, ireland, brighton, henry dendy's special survey 1841, market gardeners, pioneers, early settlers, dairy farmers, poultry farmers, bentleigh, mckinnon, ormond, prahran, yeoman photographers co.

Alonzo Box, who lived in Oakleigh, was the nephew of William and Elizabeth Box, a pioneer settler of Dendy's Special Survey 1841 who purchased 'Box Cottage ' in 1865 and lived there until 1914. Alonzo Box married Mary Kloster/ Closter in 1918. On the Marriage Certificate Mary Box has spelt "Closter" with a "C" and not the "K" of her German heritage. This marriage was taking place during World War 1. Many immigrants would have altered their name at that time. The Box family were early pioneers of the district and raised their family in reconstructed 'Box Cottage'. They established a market garden and sold produce to the Melbourne markets for the colony's increasing population.A large, glass covered, wooden-framed, wedding photograph of Alonzo and Mary Box (nee Kloster/ Closter),married June 12th 1918 is displayed in the reconstructed 'Box Cottage' Museum, Joyce Park, Ormond, Victoria. At front base of mounting of photograph 'Muntz Malvern' is stamped. On back of photograph is written, unsigned, 'Mr & Mrs Alonzo Box/ June 12th 1918/ (Mary Kloster )/photographs, brighton, moorabbin, malvern, box william, box elizabeth, box alonzo, box mary, oakleigh, muntz

Kodak was founded by George Eastman and Henry A. Strong on September 4, 1888 in New York USA. During most of the 20th century, Kodak held a dominant position in photographic film. Kodak began to struggle financially in the late 1990s, as a result of the decline in sales of photographic film and its slowness in transitioning to digital photography, despite developing the first self-contained digital camera. The first model of the Kodak camera appeared in 1888. It took round pictures 6.4 cm (2.5 in) in diameter, was of the fixed focus type, and carried a roll of film enough for 100 exposures. Its invention practically marked the advent of amateur photography, as before that time both apparatus and processes were too burdensome to classify photography as recreation. The first films had to be loaded into the camera and unloaded in the dark room, but the film cartridge system with its protecting strip of opaque paper made it possible to load and unload the camera in ordinary light. The Brownie camera was introduced in 1900, creating a new mass market for photography. This Kodak Brownie Box Camera is typical of the cameras used by amateur photographers c 1940A metal Kodak Brownie Box camera with a leather case, and an empty folder for negatives and prints Front ; KODAK / 'KODET' LENS / Brownie Flash 11 / CAMERA / MADE IN ENGLAND BY KODAK LTD LONDON Folder The Pleasures of PHOTOGRAPHY / Make Photography Your Hobby kodak ltd, eastman george, strong henry, photography. brownie box camera, digital photography,

George Eastman (1854 – 1932) was an American entrepreneur who founded the Eastman Kodak Company with Henry A. Strong on September 4, 1888 in New York USA.and helped to bring the photographic use of roll film to the general population with an affordable box camera. During most of the 20th century, Kodak held a dominant position in photographic film. Kodak began to struggle financially in the late 1990s, as a result of the decline in sales of photographic film and its slowness in transitioning to digital photography, despite developing the first self-contained digital camera.and helped to bring the photographic use of roll film to the general population with an affordable box camera. This Eastman Box Camera is typical of the cameras used by amateur photographers c 1916 and some of the photographs in CMHS collection may have been taken with this cameraA small black Eastman Camera No.0 Model A Plate : MADE IN USA / BY / EASTMAN / KODAK COMPANY / ROCHESTER N.Y / USA/ ..... Circular stamp : USE FILM / NO. / 127 US Patents, 1903,08,16; Film 127 kodak ltd, eastman george, strong henry, photography. brownie box camera, digital photography, eastman camera, early settlers, moorabbin, bentleigh, cheltenham

Black and white image mounted on buff board Man is dressed in formal suit, white wing collar, white bow tie. Woman dressed in dark dress, lace sleeves, jet necklace. Man wearing glasses, woman horn rimmed glasses. Written on bottom on board ' Vincent Kelly, Bendigo' in handwriting.cottage, miners, man and woman portrait. photographer vincent kelly bendigo.

Black and white photo on grey mount. Five rows of men standing and sitting in doorway of brick building. On door of building 'Municipal Offices' is visible. Brass plaque on LH side ( difficult to read ) has 'City of (unclear) Is most probably City of Bendigo. Men are dressed in three piece suits, ties. Front row has two younger males seated. Photo appears to be taken early 1900's.Vincent Kellyperson, group, municipal offices, bendigo, municipal offices, sandhurst, council. photographer, vincent kelly, bendigo.

Black and white image mounted on cream board : image shows group of men, women and children, picnicking in bushland. People are standing, sitting in front of a rectangular white tablecloth on which are placed four bottles of champagne, some with bush cuttings in them. One man is pouring a glass of beer ? For another man . Appears to be same group as in 3801. Picnic at Ravenswood ? Stamped on back of board ' W.H. Robinson, photography, Mundy St., Bendigo.W.H. Robinson, Bendigocottage, miners, bendigo, bush picnic, ravenswood. photographer, w. h. robinson, photography, mundy street, bendigo.

Black and white image mounted on cream board : image shows large group of men, women and children, sitting, standing and reclining on grass. Eucalyptus trees in background, horse grazing. Man at rear of group is seated on a horse. Man behind horse's head is pouring a bottle into a glass. Circa late 1800's ? Potentially picnic is at Ravenswood. Appears to have Big Hill range in background, road with white posts running across background. On bottom of image on board ' W.H. Robinson, photo, Bendigo'W.H. Robinson, Bendigocottage, miners, bendigo, picnic, family, ravenswood. photographer w. h. robinson, bendigo.