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Beaufort Historical Society
Photograph - Beaufort Business, T W Schlicht Auctioneer
T W Schlicht Auctioneer Office and residence. Converted from the previous Commercial Hotel at Cnr Neil and Lawrence Streets in 1921. Now the site of the IGA supermarketBlack and White Photograph mounted on card -
Ballarat Tramway Museum
Functional Object - Bogie Bolsters, Moore - see Destination City, 1928
Bolster sections of W2 505 body - fabricated steel component with centre king pin trunnion, side wearing plates- have been extended at both ends, to support tramcar bodies being moved around depot. This was done by the BTPS. See original worksheet for dimensions and sketches. See Destination Citytramways, trams, mmtb, tramcar component, bolsters, w2 class -
University of Melbourne, School of Chemistry
Glass Washing Bottle
Glass Washing Bottles: (a) Cloez, (b) Dresch's) -
Hand Tool Preservation Association of Australia Inc
Plane
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.plane, wood, moulding, full round no 6 5/8"J.Finlay -
Glenelg Shire Council Cultural Collection
Painting, W.V. Tippel (?), English Farm Scene, 1853
Unknown. "Item of the Month", 2006 (Jan-July) - on display in Council Foyer (Portland Office).Scene of a man herding cattle and sheep down a country lane. To the left is a wooden pole fence and trees edging the road. On right, a path curves up and behind bushes. A man in a red coat is walking at the end of this path with his back to the viewer. In mid-ground on right is a white, thatched roof building and a church is evident behind it. In background are mountains, painted in rose and violet. Clouds sweep across the sky and mist fills the valley in front of the mountains. Framed in ornate gold-painted frame.Front: (no inscriptions evident) Back: Conservation Centre label. From previous Worksheet: W.V. Tippel, 1853. Jefferson, Artists Colours, Crystal House Baths, BRISTOL (stamp). -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Helicopters: Vietnam
Coloured film of helicopters in flight & on the ground.sioux (helicopter), sikorsky skycrane -
Flagstaff Hill Maritime Museum and Village
Furniture - Screen, Thomas Hope, 1905-1913
The fire screen was part of the original furnishings of the Lighthouse Keeper's Quarters in Merri Street, Warrnambool. It was made by Lighthouse Keeper, Thomas Hope. Thomas served two terms as an assistant lighthouse keeper in Warrnambool. His first term was from 1905 to 1907. He later returned from 1910 to 1913, when he was appointed as Keeper five months after the untimely death of his predecessor Peter Quinn. Woodworking was one of Thomas Hope’s hobbies, and the three-panel fire screen he made as a lighthouse keeper is now in the Flagstaff collection and is displayed in the Lighthouse Keeper’s Cottage. Thomas Hope 1857 - 1928 Thomas James Hope was born in Camden, Surrey, England in 1857. His father, also called Thomas, was reputed to be a member of the Royal Family, and Thomas Hope Junior his illegitimate son. Thomas was subsequently brought up on the estate of the Earl of Hopetoun in Somerset and it was thought that Thomas was the Earl’s grandson. Against the wishes of those in charge of Thomas, he joined the navy at an early age, seeing much of the world until he settled in New Zealand at the age of twenty-four. After some years in New Zealand, he came to Australia to live. One of the jobs Thomas Hope had prior to becoming an assistant lighthouse keeper in 1896 was as a cook in the Lunatic Asylum at Sunbury, Victoria. He served as an assistant keeper at Shortlands Bluff, Gabo Island, Split Point and Warrnambool, retiring in 1918. He bought a house in Nicholson St, Warrnambool and died in March 1928. He is buried in the Warrnambool cemetery. Thomas Hope is recorded in family history as being of short stature and, not surprisingly given his alleged aristocratic connections, possessed a beautiful speaking voice. He and his wife Elizabeth nee Waters, whom he married in New Zealand, had six children (Thomas, killed in World War One), Ellen (Nell), Nora (who was married at the Warrnambool lighthouse keepers cottage), William (who died in Warrnambool), Marion and Alan. Joseph Hoover (Dec 29, 1830, to Aug 7, 1913) Joseph Hoover, the printer of the pictures on the screen, was born in Baltimore, of Swiss-German heritage. He was trained as an architectural woodturner. In 1856 Hoover moved to Philadelphia and began producing elaborate wooden frames in his wood-turning and framing business. By 1865 Hoover had started to produce popular prints for publishers and artists, which included noted Philadelphia artist James F. Queen. In the 1880s Hoover set up a complete plant specialising in chromatography, the process of producing colour prints from lithographic plates. The coloured prints he produced were affordable to business and private customers. In 1893 his son Henry L., a trained lithographer, joined the company as overseer and it was called J. Hoover & Son. It became one of the largest in America by the turn of the century. Hoover won a medal for Excellence for his Chromolithographs of James Queen’s works. In 1904 Joseph’s other son, Joseph W, joined the business as a partner and the company was called Jos. Hoover & Sons. Hoover died of a heart attack in 1913. He was survived by his wife and six children: two sons who were also his business partners, and four daughters. The firm continued in production until around 1985. Hoover’s prints included scenes, still life and landscapes of America and other locations. They were sold in America and overseas to countries including Canada, Germany, Mexico and England. The three-panelled screen in the Lighthouse Keeper’s Cottage was made by the Assistant Lighthouse Keeper, Thomas Hope during one of his two terms at the Lighthouse Keepers' Quarters. It is the only object in the collection known to be connected to Hope. The Lighthouse Keeper's Cottage is part of the Lady Bay Lighthouse Complex, which is listed on the Victorian Heritage Register for being of historical, scientific (technological) and architectural significance to the State of Victoria.Fire screen comprising three black wood framed panels hinged together. Each panel contains a glass-encased print depicting a rural landscape. Ornate stencil cut wood edging and quilt-inspired parquetry sits above each panel. The central panel is taller than those either side. Screen is lined in black-painted cardboard.Printed at the base of each of the three prints “COPYRIGHT 1896 BY J. HOOVER & SON, PHILAD’’A.”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, firescreen, thomas hope junior, ellen (nell) hope, nora hope, william hope, marion hope, alan hope, jos. hoover & sons of philadelphia, lighthouse keeper, assistant lighthouse keeper, carved screen, merri street, lighthouse keeper's cottage, lighthouse residence, lighthouse, wood carving, lighthouse complex, lady bay lighthouse, fire screen -
Melbourne Tram Museum
Ephemera - Ticket Blocks, Public Transport Corporation (PTC), Set of 12 blocks of The Met Daily tickets, 1989
Set of 12 blocks of The Met Daily tickets for use between Jul 1989 and June 1990 All blocks of 20 tickets except the Zone 1 daily and daily concession which are blocks of 50. Each block stapled at the top to one or two staples, to a stub and heavy brown cardboard backing. .1. Zone 1 Daily – J952951 to 953000 – $2.50 .2 Zone 2 Daily - B353041 - 60 - $1.80 .3 Zone 3 Daily - A871661 - 80 - $1.80 .4 Zone 1 Daily concession – E279051 - 100 - $1.30 .5 Zone 2 Daily concession – A984901 - 20 - 90c .6 Zone 3 Daily concession – A998121 - 40 - 90c .7 Zones 1, 2 and 3 – Daily – A910001 - 20 - $5.30 .8 Ditto – concession B 315621 - 40 - $2.00 .9 Zones 1 and 2 – Daily – A972041 - 60 - $4.30 .10 Zones 2 and 3 Daily – A322981 - 323000 - $3.60 .11 60 Plus daily – E752021 - 40 - $1.00 .12 City Saver – A185041 - 60 - $5 with a map of the available CBD area on the back. - has space for 10 punch marks. Items .1 to .11 are all July 1989 to Jun 1990, with dates along the sides. See also Reg item 258 for other examples.trams, tramways, tickets, the met, ptc -
Torquay and District Historical Society
Unknown - Metal Object, empty, Pre 1890
This article is the binnacle cover from the compass of the Scammell wrecked off Point Danger Torquay in 1891.This is an original artefact discovered at Point Danger Torquay in 1934. Its whereabouts were unknown until 1996 when it was donated to the Society.Round metal object, possibly cover from ships compass.Brass plate attached with provenance of itemshipwreck, great ocean road, torquay, joseph h. scammell, 1891, arnold goetz -
Bacchus Marsh & District Historical Society
Book - Book of Poetry, Bush Ballads and Other Verses
Published by Fraser & Morphett company in Melbourne, 1911.Robert Lidgett was a prominent resident of Bacchus Marsh in the early part of the 20th century.71 pagesfictionliterature, poetry -
Australian Lace Guild - Victorian Branch
Textile - Torchon lace, Late 19th or early 20th Century
Use: Domestic. Household trimmingBobbin lace edging. Sample -
Ringwood and District Historical Society
Photograph, Ringwood Baths, Ringwood Street, Ringwood - circa 1940
Black and white photograph of people swimming in pool with building in background. 2 copies- 1 large, 1 small.Typed below large photograph, "A day at the Old Ringwood Baths, Ringwood Street". Written on back of smaller copy, "The Mayor, Cr. J.K. McCaskill, JP, inspecting swimming pool". -
Bendigo Historical Society Inc.
Photograph - T C WATTS & SON COLLECTION: GRAHAM STREET, BENDIGO, 1931
Black and white photograph mounted on rectangular brown board. House, weather board and cement render, corrugated iron roof, leadlight windows, woven crinkled wire fence. House name cast on verandar ''ALEDA'' On back of photo: Mrs. Fraser, Graham St. 1st. Off Russell St., 17 November, 1931. £625. Written in pencil 'reduced to £600 on 10 October, 1933' 2012 photo of house attached to record.Frank A. Jeffree, Bendigoplace, building, residential -
Eltham District Historical Society Inc
Book, Geoffrey A Sandy, Saint Margaret's Anglican Church Eltham by Geoffrey A Sandy, 2011
History of first 150 years of St Margaret's Anglican Parish Eltham24 p. : ill. (some col.), ports. ; 21 x 23 cm.ISBN 9780646562674 [signed by author on inside front cover and dated 17/11/11]st margaret's anglican parish -
Eltham District Historical Society Inc
Book, Mick Woiwod, Once around the Sugarloaf : the transformation of a Victorian landscape and the story of its people / Mick Woiwod, 1992
Paperback; 301 p. : ill., ports., maps ; 21 x 30 cm.ISBN 0646106198 [signed by author on title page]sugarloaf mountain -
RMIT GSBL Justice Smith Collection
Painting 15 - Top
15 Top Right whiteboard panel 'Queens Council', 21/100, Briqdale[?] -
Kew Historical Society Inc
Book, Federation of Australian Historical Societies, FAHS Heritage Handbook : A guide for historical societies, 2002
Heritage handbook. Federation of Australian Historical Societies heritage handbookCanberra, ACT : FAHS, 2002 iv, 80 p. : ill. ; 21 cm. non-fictionHeritage handbook. Federation of Australian Historical Societies heritage handbookhistory -- societies --australia -- handbooks -- manuals, historic sites -- australia -- information services -- handbooks, australia -- history -- societies etc -- handbooks -- manuals -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Architecture in Seclusion, 1967
Boyd discusses Australia and New Zealand's search for their own 'modern' architectural style. Boyd points out the influence of the natural landscape that affects these designs and architectural decisions. In addition, he argues that the search for 'modern' architecture isn't rushed due to the need of respecting the natural landscape of both Australia and New ZealandOriginal manuscript of an article 'Australia in seclusion’ published in Journal of the New Zealand Institute of Architects, Vol. 34, September 1967, pp.270-275.Typewritten (c copy), foolscap, 21 pages (two copies of page 9)walter burley griffin, harold desbrowe annear, robert haddon, seabrook and fildes, roy grounds, geoffrey mewton, edward f. billson, best overent (overend), modern architecture, sydney opera house, ian mckay's c/b/ alexander presbyterian agriculture college, ernest kump, sydney school, california, robin boyd, manuscript -
Koorie Heritage Trust
Book, Briggs-Pattison, Sue et al, Rafting on the river, 1998
Based on the lifestyle of the Yorta Yorta people of the Murray River, bear Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up this area. Illustrated by Craig Charles[15 p.] : col. ill. ; 21 cm. + 2 sheets (double-sided)Based on the lifestyle of the Yorta Yorta people of the Murray River, bear Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up this area. Illustrated by Craig Charleschildren, aboriginal australian -- juvenile literature. | readers (primary) | reading (primary) -
Koorie Heritage Trust
Book, Brooke, Brian (Brian J.) et al, A story of Horsham : a municipal century, 1982
Copy signed by both authors.278 p. : ill., facsims., plan, ports. ; 21 x 29 cm. Copy signed by both authors.1. horsham (vic.) -- history. i. finch, alan, 1934-, 2. aboriginal inhabitants. p.2-4, 3."mulga fred" -
Koorie Heritage Trust
Book, Briggs-Pattison, Sue et al, Mmm Turtle!, 1998
How turtles were cooked traditional style. Based on the lifestyle of the Yorta Yorta people of the Murray River, bear Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Shane Russell.[15] p. : col. ill. ; 21 cm. + 2 sheets (double-sided)How turtles were cooked traditional style. Based on the lifestyle of the Yorta Yorta people of the Murray River, bear Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Shane Russell.children, aboriginal australian -- juvenile literature. | readers (primary) | reading (primary) | yorta yorta -
Koorie Heritage Trust
Book, Briggs-Pattison, Sue et al, Too many rabbits, 1998
When there were lots of rabbits along the river, rabbits were the only source of fresh meat for the Yorta Yorta people. Based on the lifestyle of the Yorta Yorta people of the Murray River, bear Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Karen Briggs.[15] p. : col. ill. ; 21 cm. + 2 sheets (double-sided)When there were lots of rabbits along the river, rabbits were the only source of fresh meat for the Yorta Yorta people. Based on the lifestyle of the Yorta Yorta people of the Murray River, bear Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Karen Briggs.children, aboriginal australian -- juvenile literature. | reading (primary) | readers (primary) | rabbits, | yorta yorta -
Koorie Heritage Trust
Book, Briggs-Pattison, Sue et al, Last winter, 1998
Many hours were spent on the river by the Yorta Yorta children using whatever materials that could be found to amuse themselves. Based on the lifestyle of the Yorta Yorta people of the Murray River, near Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Shane Russell.[15] p. : col. ill. ; 21 cm. + 2 sheets (double-sided)Many hours were spent on the river by the Yorta Yorta children using whatever materials that could be found to amuse themselves. Based on the lifestyle of the Yorta Yorta people of the Murray River, near Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Shane Russell.children, aboriginal australian -- juvenile literature. | readers -- animals -- infancy. | readers (primary) -
Koorie Heritage Trust
Book, Briggs-Pattison, Sue et al, Possums on the roof, 1998
Based on the lifestyle of the Yorta Yorta people of the Murray River, bear Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Elaine Russell.[15] p. : col. ill. ; 21 cm. + 2 sheets (double-sided)Based on the lifestyle of the Yorta Yorta people of the Murray River, bear Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Elaine Russell.children, aboriginal australian -- juvenile literature. | reading (primary) | readers (primary) | yorta yorta -
Orbost & District Historical Society
black and white photograph, late 19th century
Bendoc is in the far east of the State close to the border. Benduck is Aboriginal for plain, Wagra meaning `black-eyed crow' and Wagra Benduck means ‘noise in the trees'. On the 13th of December 1872 the Bendoc people had 2 roods of land reserved for a school and again on 22nd of May 1874 1 acre was also reserved. It was not until 7th of July 1876 that the Government authorised the building of the school. It was 24ft x 16ft with quarters (three rooms) for the teacher, total cost £446 1s 6d. The teacher paid £9 per year rent. School began on 11th of July 1873 which suggests that classes were held prior to the erection of the school building. The head teacher then was Frederick Jones. In 1962 the Department erected a new school of two rooms and the following year a new residence was provided. (info. from Schools East Gippsland) Bendoc Primary School closed mid 1980s.This item is associated with education in Far East Gippsland.A black / white photograph of 21 students standing outside a wooden school building.education-bendoc-state-school -
Eltham District Historical Society Inc
Photograph, William McLaughlin's Kangaroo Hotel, and Post Office, Eltham-Yarra Glen Road, Kangaroo Ground, c.1875
The photos is dated between 1871 and 1882. Initially known as the Kangaroo Hotel. On February 7, 1866, Edmund Pickett, publican, residing at Kangaroo Ground, applied at the Court of Petty Sessions held at Eltham for a Publican’s License for a house situated at the Kangaroo Ground, containing six bedrooms and two sitting rooms, rented and occupied by himself and licensed under the sign of the 'Kangaroo Hotel.' At the Court of Petty Sessions held at Eltham on 5 December 1871, William McLaughlin applied for a license for the Kangaroo Hotel, Kangaroo Ground. He had previously obtained a wine license, March 28. The Kangaroo Hotel predated Sep. 1865 In June 1882, William McLaughlin of Madeline Street, Carlton, (late of Kangaroo Ground, hotelkeeper) was found insolvent due to losses in connection with the Kangaroo Ground Hotel. The license for the hotel was later transferred from Mr John Donaldson to Mrs Sophia Greenaway. It appears during McLaughlin’s tenure the hotel became known as the Kangaroo Ground Hotel. It is believed a new Kangaroo Ground Hotel was erected at some stage during William McLauglin's period, which was later destroyed by fire in 1930.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image (neg copy missing) Print 21 x 26.5 cmeltham-yarra glen road, kangaroo ground, kangaroo ground hotel, post office, shire of eltham pioneers photograph collection, gas lamp, hotels, kangaroo hotel, william mclaughlin -
Eltham District Historical Society Inc
Photograph, Harry Gilham on field adjacent to Memorial Park, Kangaroo Ground, 2015
Harry Gilham standing in the field adjacent to the Memorial Park purchased by Eltham Shire Council in 1973 on the western side of the park. The Moor-rul Viewing Platform is behind the photographger's view. It was planned to utilise this field for improved access to the park and parkingColour photo inkjet print on glossy paper 15 x 21 cmkangaroo ground, shire of eltham memorial park, harry gilham, nillumbik shire council, moor-rul viewing platform -
Eltham District Historical Society Inc
Photograph, Post Master General, Montsalvat, Eltham, c.1971
The gatehouse, one of the heritage buildings on the grounds of Montsalvat, the artists' colony in Eltham founded in 1934. This area was built 1939/41 originally as a garage, store and cool room with a painting studio above.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image Print 16 x 21 cm (Held at Eltham Library)P.M.G. Department (Neg. No. 4695J)eltham, shire of eltham pioneers photograph collection, montsalvat, sepp, gatehouse -
Eltham District Historical Society Inc
Slide - Photograph, Jacky Talbot, River of Life: Eltham Peace Banner, Sep 1986
A River of Life: Eltham Peace Banner 1986 The Hiroshima Day Banner was conceived by Shire of Eltham Artist in Residence, Jacky Talbot and a number of other Eltham women as part of the “As We Are” community banner project. The women wanted to do something for Hiroshima Day and suggested that a workshop be set aside to make a banner. The group promoted it at the new Community Notice Board (Arthur Street and Main Road) on Hiroshima Day (August 6) and were photographed by the local newspaper publicising the group and drawing wider community attention to the remembrance of the day. Jacky Talbot, led the team who produced the banner, approximately 4.5 metres by 1.5 metres, of sewn and painted Australian flora and fauna. Workshops were held at the Eltham Community Arts Centre at Meruka House. Peace Banner Group members included Laurel Eckersall, Anne Laurence, Betty Johnson, Margaret Johnson and Joan Maclagan. One of the creators, Joan Maclagan, further gave expression in verse – Banner for Peace The 'River of Life' with about 30 other banners went on display in the “As We Are” exhibition held at the Eltham Community Centre on 9 October 1986, previewed by the Member for Greensborough, Ms Pauline Toner, and Eltham Shire President, Mr Bob Manuell. The full display continued in Woolworths (now Coles) Arcade. The banner was also carried by the group in the 1986 Eltham Festival Grand Parade on November 8, along with other group banner projects including that of the Eltham District Historical Society, after which they were displayed in the Shire of Eltham’s tent in Alistair Knox Park.betty johnson, eltham peace banner, hiroshima day banner, laurel eckersall, "as we are" community banner project, banner project, river of life banner, margaret johnson, meruka house, community arts centre, jacky talbot, eltham shire council artist in residence -
Eltham District Historical Society Inc
Slide - Photograph, Jacky Talbot, River of Life: Eltham Peace Banner, Sep 1986
A River of Life: Eltham Peace Banner 1986 The Hiroshima Day Banner was conceived by Shire of Eltham Artist in Residence, Jacky Talbot and a number of other Eltham women as part of the “As We Are” community banner project. The women wanted to do something for Hiroshima Day and suggested that a workshop be set aside to make a banner. The group promoted it at the new Community Notice Board (Arthur Street and Main Road) on Hiroshima Day (August 6) and were photographed by the local newspaper publicising the group and drawing wider community attention to the remembrance of the day. Jacky Talbot, led the team who produced the banner, approximately 4.5 metres by 1.5 metres, of sewn and painted Australian flora and fauna. Workshops were held at the Eltham Community Arts Centre at Meruka House. Peace Banner Group members included Laurel Eckersall, Anne Laurence, Betty Johnson, Margaret Johnson and Joan Maclagan. One of the creators, Joan Maclagan, further gave expression in verse – Banner for Peace The 'River of Life' with about 30 other banners went on display in the “As We Are” exhibition held at the Eltham Community Centre on 9 October 1986, previewed by the Member for Greensborough, Ms Pauline Toner, and Eltham Shire President, Mr Bob Manuell. The full display continued in Woolworths (now Coles) Arcade. The banner was also carried by the group in the 1986 Eltham Festival Grand Parade on November 8, along with other group banner projects including that of the Eltham District Historical Society, after which they were displayed in the Shire of Eltham’s tent in Alistair Knox Park.betty johnson, eltham peace banner, hiroshima day banner, laurel eckersall, "as we are" community banner project, banner project, river of life banner, margaret johnson, meruka house, community arts centre, jacky talbot, eltham shire council artist in residence