New Birds Reef Consolidated G. M. Co. N. L. to Miss G. Alice Jones. Pink paper dated August 1 to October 1923. re Sievers. To costs herein as arranged with Manager £3.3.0. "r338 Delivered by KD 4-12-23" written in the top left corner.miss g. alice jones - solicitor - account, new birds reef consolidated g. m. co n l, sievers

Music book, white cover with black harp design enclosing text. Headed Allan Edition, Song titles: "(Like a Bird that's on the Wing) I'm Wingin' Home" (Fox-trot) & "Last Night I Dreamed You Kissed Me" (Fox-trot), for orchestra. Published by Allan & Co. MelbourneSep. 1928

Colour photograph of the Laurel St Under 13 netball 2005. Their names are: Back: Alice Townsend, Kymberly Bird, Samantha Brown, Demi Buck. Front: Steffi Herbertson, Gemma Bolitho, Carly Mitchell, Monique Stokie, Ashlee Taylor. Two girls in the front row are holding a ball between them.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - laurel st under 13 2005, alice townsend, kymberly bird, samantha brown, demi buck, steffi herbertson, gemma bolitho, carly mitchell, monique stokie, ashlee taylor

Common Starlings are a noisy bird that typically inhabit urban and rural areas, especially those with short grass for easy foraging, though can occasionally be found in open forests or along costal areas. They are native to a wide area of Eurasia and the North of Africa, though have been introduced to North America, some nations in South America, Fiji, South Africa, Australia, and New Zealand. They live in large flocks that fly together in strong unison, and have a range of loud calls. Male Common Starlings usually have brown eyes, in contrast to the light coloured eyes of the taxidermy mount. Otherwise, the specimen bears a reasonable resemblance to a typical Common Starlings. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Common Starling is covered in black feathers that each have a metallic orange edge. This gives the appearance of small dots across its head and neck, larger dots along its underbelly and back, and lines along the outer feathers of the wings. Its beak is yellow and its eyes are a light blue with a black pupil. The bird is stretched tall with its head turned towards the left and slightly tilted right. The specimen stands on a brown, wooden perch with a circular bar, curved stand, and circular base. The left leg has a metal tag and a swing-tag tied around it and the right leg has two swing-tags tied around it, one of which is torn.Metal Tag: 4256 Swing-Tag 1: Sturnus vulga[illegible]is / male, adult / 25 January 1861 / near Leiden / Swing-Tag 2: Tris grey-brown / Feet black - brown / Bill brown / 4256 / Swing-Tag 3 (torn): ng / e Page 58taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, starling, european starling, common starling, european bird

The Sooty Albatross can be located on islands in the southern Atlantic Ocean and the Indian Ocean. It is a colonial bird with colonies consisting of 50 to 60 pairs of birds. These birds will build nests on cliffs and steep slopes. The diet of the Sooty Albatross includes squid, crustaceans, cephalopods, fish and carrion. They are considered an endangered species by the IUCN with a population shrinkage of over 75% over the last 90 years. In the 21st century, the population of this Albatross has seen stability on Gough Island. Interestingly, this species have several features which make them unique. They have nasal passages attached to their upper bill called naricorns and can produce a stomach oil which is stored by the bird and used against predators as well as being food for their chicks. These birds also have a salt gland which helps desalinate their bodies after residing in salt water. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Sooty Albatross specimen is of medium size and mainly a sooty-brown plumage. The colouring around the sides of the head and the base of the tail is dark. It has a dark bill which is medium in size and has been stylized with glass eyes by the taxidermist. The tail is a wide diamond-shape and the feet are webbed. This specimen has been placed on a wooden mount and has a small paper identification tag tied to its right leg.Sooty Albatross / 13D / Catalogue Page 49 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, hawk-owl, europe, atlantic ocean, indian ocean, albatross, sooty albatross, endangered species

The world’s most ecologically distinct bird lives in the native grasslands of Victoria - but only just. The plains-wanderer is a small bird that was once widespread across the grasslands of south-eastern Australia. Today there are fewer than 1000 mature birds in the wild. The plains-wanderer is under threat due to habitat loss caused by overgrazing, cropping and suburban sprawl. Unlike most other birds, female wanderers are larger and more colourful and the males take care of the chicks. They are only about 15cm tall and weigh between 40-80g for the male and 55-90g for the female. Their intricate plumage mirrors the colours of their grassland home so they blend in perfectly with their surroundings. The plains-wanderer’s origins date back to when Australia was part of the Gondwana supercontinent over 60 million years ago. They are so biologically distinct that their extinction would result in the loss of a branch of the tree of life. A fussy grass dweller, they like neither too much nor too little grass. That is where sheep grazing can help. After years of low numbers in Victoria, plains-wanderer populations have been increasing in Terrick Terrick National Park in north west Victoria, as sheep grazing maintains the grass in the park at a suitable level. With the right management, this ecologically important bird species is continuing to survive in the native grasslands of Victoria. Managing these habitats for the plains-wanderer can also support the conservation of many other threatened plant and animal species. Object: Nest of plains-wanderers by Mary-Jane Walker, 2020. Outer made from upcycled paper, internal structure steel. Nest of plains-wanderers by Mary-Jane Walker, 2020. Outer made from up cycled paper, internal structure steel. native grasslands, plains-wanderer, terrick terrick national park

Two birds, one scone is a La Trobe University student-led initiative which helps to feed the needy by collecting unused food from cafes and distributing to charity groups.News article 1 page, black text and colour image.la trobe university, two birds, one scone, food distribution

The back of the photo is inscribed "To dear Lizzie with love and best wishes from Nellie, Xmas 1911" - Lizzie being Elizabeth Ann Shillinglaw, daughter of Phillip and Sarah Shillinglaw born 1879. The woman in the photo appears to be aged approximately 40 years and is dressed and with a hair style typical of the fashion of 1911. This would make her birth year around the early 1870s. The only Nellie present in the family tree as currently understood is Helen (Nellie) Lyon born 1897 who came to Eltham from Mildura with her mother and brothers in 1913. She married Arthur Edward Bird however she is a generation younger and the dates do not fit. The only other known Nell is Ellen May Bird, daughter of George and Janet Bird, born 1892 so she too is a generation too young. "To dear Lizzie with love and best wishes from Nellie, Xmas 1911" on reversemarg ball collection, 1911, elizabeth (lizzie) ann shillinglaw (1879-1972), female shillinglaw 1, nellie, unknown

Both letters are to “Lena” from Tom WATT, Regt No 3670 5th DAC. Refer Cat No 3996P re “Lena” and other cards. Cat No 3999.2P for other letters re “Tom” and his details.(.1) Post card, silk, colour showing 2 buildings, a tree and a bird with “Merry Christmas” at the bottom. On the rear a letter written in black pen addressed to “Lena”. (.2) Post card, colour with 2 scenes of “Malta” with scroll arrangement behind. On rear a brief note in purple addressed “From Tom to Lena”.souvenir, postcards

Items souvenired by Frederick Ernest ADDLEM VX142253. Refer Cat No 432.2 for his service history and 937P. * Japanese Coins 5 large , 2 medium , 1 small, aluminium colour. All depict center circle being a chrysanthemum on one side. Large opposite side, center depicts a central flower arrangement with writing around. Medium opposite, a bird with writing; small opposite, small central scroll with writing.numismatics - coins, japan

Owned and donated by local member.Black woven cotton hat band for WRAAF (Womens Royal Australian Air Force) officers. Cloth embroidered badge with padded gold bullion and red velvet crown, gilded metal eagle and gold bullion laurel leaves. Badge model is late 1960s and after - bird is Australian wedge-tailed eagle.Noneheadgear, hat accessory

This plate was painted by J.J. Forrester in 1922. John James Forrester, the son of John Lamb Forrester and Maria Hexter, was an architect in Warrnambool in the early 20th century. He had an office in Kepler Street (1910) and in Koroit Street (1916). He lived in the house in Liebig Street that was formerly the first Savings Bank and was erected in 1860 (7A Liebig Street today). Forrester was a staunch member of the Presbyterian Church and was the co-architect for the re-building of the interior of St. John’s Presbyterian Church in Warrnambool after it was destroyed by fire in 1920. John Forrester was also a noted artist of his time and several of his works of art have survived. A landscape by him is in the possession of the Warrnambool and District Historical Society. This plate is one of two painted by Forrester that survive today.This plate, although damaged, is of interest because it was painted by John James Forrester, a Warrnambool artist from the early 20th century. This is a china plate showing a seascape painted by John James Forrester in 1922. It depicts a coastal scene of rocks, birds and sailing boats. The colours are in mauve/brown/ white tonings and are slightly opalescent. The plate has brown/grey handles with one broken and repaired. The plate is oval-shaped with a slight dip and a stand at the base. Front of plate: ‘J.J.F.’ On base: ‘J.J. Forrester 1922’ john james forrester, history of art in warrnamool, history of architecture in warrnambool, history of warrnambool, china painting

Front cover has a drawing depicting a small boy holding a piece of grass looking out of a window at a bird sitting on a tree branch. A Little Golden Book 243 : 30 Back cover has a list of The Little Golden Library. Surrounding the list is a series of cartoon pictures of various characters from the books.fictionA book from the Little Golden Books series of children's books that was founded in 1942.little golden book, jack's adventure, edith thacher hurd, john p miller, golden press, fiction

Pittock leather maker's collection * 15 leather maker's awls (120-150mm long), * four chisels (200-245mm long), * one wooden mallet 285mm long. * three timber straight edge marker and plumb line * one bird ornament Items stored in coach builder's box, reference 13000.1.

Donated by Mr Greg Thomson, a former resident of RutherglenBlack & white reproduction, unframed, laminated. This photograph is of Main St Rutherglen facing east. At the end of the right hand side in middle of photograph is a small white patch, this is the Chinese camp. Left hand corner is where Fire Station now stands, old Blue Bird Hall is next (now Goodfellows Supermarket)On back of photo: "Main St Rutherglen - facing east"main street, chinese camp, blue bird hall, goodfellows supermarket

Diggers & Mining. Stores at the diggings. A hotel at Kangaroo Flat, near Bendigo c. 1855. Slide shows a Shop called Gunn's, and a hotel called Glascow Arms Hotel. Tents in the background on the left, miners, horse, some oxen, a dog and birds. Markings: 43 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

A four door Chinese screen held together with six hinges. Brown embossed frame. Decorated with white trees, birds & flowers of bone & mother of pearl. When folded it's 94 centimetres high, 27 centimetres wide and nine centimetres deep. When it's unfolded it's 1100 centimetres wide.Embossing all over framehandcrafts, carving, chinese embossed screen

Book with orange cloth cover and black print. On the front is an oval crest: a bird with outstretched wings holding a lantern in its claws. This image is bordered by the words Emily McPherson College and the motto 'Ut domum ita patriam' (As the home so the country) At lower right of front cover are printed the words 'Invalid Cookery'non-fictionTextbook for student nurses about invalid cookery and nutrition with notes and recipesinvalid cookery, nutrition, nursing-education

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). Waa the Crow Totem Cloak (Waa represents our ancestors watching over us). Waa and all the birds get their names by the sounds the bird makes.Blue feather motif with blue star background on outer clock, blue and black feather design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak

This ledger was used initially by H. James & Co., Shipping and General Commission agents in Orbost in the late 19th century and early 20th century. It was then used by James and Bird, Auctioneers and Estate Agents.Henry James (1860-1932) was a well-known identity in the Orbost district. He was a stock agent and auctioneer who helped to establish the seed bean industry in Orbost. He was the second secretary of the Snowy River Shipping Co. as well as a shire councillor and prominent member of MUIOOF. John Bird was an auctioneer and estate agent,A large handwritten ledger with blue/green cloth covers. It has brown suede corner pieces and a suede spine. The end pages are marbled as are the page edges.james-henry orbost-history bird-john

The Bird ventilator Mark 7 is driven by medical compressed air or oxygen. It is not suited for anaesthesia unless using a special anaesthesia assistor controller attachment, which is essentially a “bag in a bottle” device.Apparatus attached to four castor stand with attached white wall connecting tubing.anaesthesia attachment, bag in a bottle

Various certificates belonging to Ruby Dowsey. A The Gould League of Bird Lovers (of Victoria); b Certificate of Merit (Course of Study prescribed for elementary schools, 1912; c Pupil's Cookery Certificate (Education Department, Victoria), June 1912; Pledge (certificate) for Band Of Hope, Bendigo W C T U , November 1904.document, certificate, personal, bendigo w c t u pledge, gould league of bird lovers pledge, certificate of merit from the violet street elementary school no.877. pupil's cookery certificate.

Printed booklet, brown cover has decorative border and small illustrations of butterflies, birds and plants. Booklet lists categories and prize monies for Linton Horticultural Society's Autumn Show, 1911. Also includes lists of the Society's paid-up members and office bearers, a copy of the Society's rules, and competition regulations. Pages 12Text: " Linton Horticultural Society. / PRIZE SCHEDULE / FOR / AUTUMN SHOW / TO BE HELD IN THE / Parish Hall, Linton. / Thursday & Friday, April 6 & 7, 1911. " "Stella Surman" handwritten across top right-hand side of cover.linton horticultural society, programmes, prizes, members, surman collection

Colour photograph Ann Guy Project Officer East Gippsland Arts and Recreation Access Group, Duncan Malcolm Chairman of Coastal Board, Geoff Bird Area Supervisor East Gippsland Shire, Jenny Lewis Coordinator Coast Action Coastcare, at launch of Bunga Foreshore access track project. Lakes Entrance Victoriarecreation facilities, clubs

Miss Eva Carmichael, the subject of the photograph, was one of only two survivors from the wreck of the Loch Ard, wrecked on Mutton Bird Island near Port Campbell, Victoria, on June 1st, 1878..The photograph holds great significance for its connection to Eva Carmichael, one of two survivors from the wreck of the Loch Ard. It is also significant for its connection to the Loch Ard, one of the most tragic shipwrecks in Victoria's coastline and listed on the Historic Shipwreck Register.Photographic portrait mounted on brown cardboard of Miss Eva Carmichael. Miss Carmichael is standing near an upholstered chair and rests wth both hands upon a masonry pillar. Behind her is a balustrade in the classic style common to that period. The background consists of a large tree giving the impression of a garden setting. It was produced at the studio of Arthur & Son, Mount Gambier, 1878. Inscriptions handwritten below the photograph. Handwritten in white "Miss Carmichael" Stamped "Arthur & Son / MOUNT GAMBIER"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, shipwreck loch ard, eva carmichael, portrait, arthur & son, mount gambier, loch ard, shipwreck, mutton bird island