The donor's mother, Joy Newall owned these kilts. She lived on a wheat/sheep farm in the Wimmera where her husband also bred merino sheep. Joy was well known in the district for the way she dressed when out in public.Maroon, brown, yellow and blue tartan kilt with eye and hook fastening clips and buttons on three different size settings. A metal clasp and large safety pin fastens on the left side.tag: Fletcher Jones / AUSTRALIA'S FINEST CLOTHING / MADE IN AUSTRALIAclothing, fashion, tartan, kilt, scottish, wool

Two piece brassiere set, from a bride's trousseau (1900)A cream two piece brassiere set. Cotton bustier with lace trim, bone/plastic stiffeners, lace up cord and cotton ties. Camisole with lace insertions, and mother of pearl buttons. brassieres, camisoles, underwear

The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This photograph is part of the collection of items given into the care of the Cheese World Museum. Uebergang catalogue No.A220 Four generations of the Faragher family -great grandmother Jane Trigg (seated right), grandmother Sarah Wright (seated left), mother Elsie Faragher (standing at back) and baby Stan Faragher (seated centre front). Elsie Wright is Myrtle Uebergang's sister. There are two copies of the photograph -one a loose mounted copy (pictured), the other was framed. The wooden frame cost 3/9. A duplicate copy in the frame is on display. Black and white photograph of three women and a child. The old lady seated on the right is wearing a long sleeved dress/jacket with beaded bodice and a brooch at the neck. She has a white lace cap and net mittens. The woman on the right is wearing a tailored suit. The jacket has four buttons closure and two buttons on the turned back cuffs. A white blouse with wide pointed collar completes the outfit. The young woman at the back has her hair parted in the centre with plaited buns over the ears. Her frock has a self-fabric sash at the waist, six covered buttons down the front and decorative panels at each shoulder edged with beads. The wide white pointed collar sits on the shoulders. A white insert at the neck has a brooch attached. the child has long hair and wears a one piece outfit with short legs and buttons at the shoulder. His long sleeved shirt has a wide collar. He wears dark socks and button-up shoes.allansford, koroit, four generations, photographs, jane trigg, elsie faragher, stan faragher, sarah wright, myrtle uebergang

1975 World Swimming Championship California Games jacket. Shirt style long sleeved jacket of light green fabric with self stripe. Front opening fastened with four X 1.7 cm dark green plastic buttons. Single breasted. Fold over shirt collar. Long shirt style sleeves with 6.5cm cuffs, fastened with 1.7 cm dark green plastic buttons. Elastic stripe (13cm X 3cm) stitched across inside side seams (14cm) above hem. Two breast pockets (13 cm X 16 cm) with fold over V shaped flaps fastened with 1.7 cm dark green plastic buttons. Pocket on LHS has embroidered badge attached amateur Swimming Union, Australia, 2nd World C'Ships Cali 1975'' with a picture of a Kangaroo. Two pockets at hip level (16cm X 28cm) with fold over V shaped flaps fastened with 1.7 cm dark green plastic buttons.Label inside back neck ::Country Club;; ''Australia'' L 41-42 cm. Permanent Press, Polyester and cotton. ''Monaghan'' written in pen.costume, male, light green jacket

This nightgown is believed to have belonged to Mrs Thomas Anne Ward Cole, an early Brighton resident and wife of George Ward Cole. The item appears to have been made or altered to accommodate a pregnant belly, however purpose made maternity clothing was not common at this time. Mrs Ward-Cole’s six pregnancies took place in 1843, 1844, 1845, 1847, 1849 and 1851. The style of this garment in particular the shape of the sleeves would indicate that it is most likely to have been constructed in circa 1860, so whilst it appears to be a maternity item, and historically has been referred to as thus, this purpose cannot be confirmed. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolishedA hand sewn ivory cotton muslin nightgown, c. 1842–1850. The bodice is made of delicately embroidered muslin in a floral design. The open flat collar features a scalloped lace frill underneath. The bodice fastens with thirteen mother of pearl buttons down the centre front. After the fourth button, the remaining buttons are concealed beneath a full gathered modesty skirt, which falls from just below the bust line. The modesty panel is secured horizontally across the bodice by six mother of pearl buttons. The sleeves finish over the back and palm of the hand in two flattened peaks. The front of the gown consisting of the modesty front is full length. The modesty gown at both sides joins two panels that are an integrated part of the bodice. At the centre back there is a very full gathered panel with lace trim that falls to create a train. It is semi-attached to the bodice with a top section secured with mother of pearl buttons and small ties. The purpose of this design feature is unknown. st ninians, george ward cole, brighton, night gown, thomas anne ward cole

Long khaki coloured heavy coat. Thick, sharp angled collars. Each collar has a split half way down and a small metallic hoop attached to the lower middle section of the high parts of the collars. Each shoulder has a lapel that is fastened with a plastic button. The coat is double breasted. There are three grey buttons for use on the right and three grey buttons for show on the left. There is also a spare button on the inside left front section near the breast area. There are two pockets on the front that are angled with the highest point near the centre and the lowest point near the hips. There is a small section of spare fabric attached with two small plastic buttons to the inner left of the jacket near the breast. The arms, underarm and upper back section contains an inside khaki coloured lining of thinner, most likely cotton fabric. Attached to this at the base of the neck is a satin or synthetic fabric label with inscriptions in black ink. Above this there is a thin strip of fabric attached at either short end to use for hanging the coat on a hook. At the back of the coat there is a single pleat stretching from the base of the neck to the base of the coat. Approximately half way down the pleat there is a split in the fabric that is fastened with two plastic buttons. At the waist there are two fabric flaps that fasten together at the back with three buttons.The label attached on the inside at the base of the neck reads: “KINDRED MANUFACTURING / PTY LTD. / QLD / 1083” There is then a broad arrow followed by: “B406-66-093-1812 / SIZE 109 / TO FIT CHEST 100cm / NAME.................../ SERVICE No......................”

Khaki Army Dress JacketThe Australian Army Rising Sun Cloth Cloth Badge on each shoulder Jacket has no Buttons White cotton Label on inside of Jacket with provision for ID. Fletcher Jones Victoria 1996 Stock Item Tag on Right Sleeve

This overcoat was designed and tailored by Dominex, a company that sold clothing in high end department stores such as Myer and David Jones in the 1940s through to the 2000s. As pictured in the accompanying advertising, Dominex looked to produce clothes for women to “casually, confidently wear … the exquisite styling and superb tailoring of… Dominex Coats”. This sentiment was carried by the company for more than 60 years. Amanda Morgan, a director of the Dominex fashion label in an interview from 2003 said “Not everybody wants sass, or sex, or high fashion for that matter. Au contraire. Our customers will be stylish, sophisticated and womanly, but we don’t do shoestring straps or asymmetrical lines." Dominex was a label specialising in exceptional quality "traditional" dressing for corporate wear. Their clothes looked to provide women with a return to the tried and true values of elegant, unpretentious, classic dressing. "Our look is European-influenced," Morgan explained further. "Inspired by Armani, Valentino, Chanel and Escada. Suits have been specially dyed in France to ensure the perfect shade of ice blue, lemon, grey, or slate. Fabrics are natural, silk and linen. Shapes are stylish, with an almost 1930s feel; classic pants, silk shirts, structured overcoats with elegant-length” Returning to this overcoat, it has a label on the inside which reads “Pure Wool Material by Godfrey Hirst of Geelong”. Nowadays Godfrey Hirst produce flooring products and are the largest manufacturer and exporter of residential and commercial carpets in Australasia. They have expanded into hard flooring and left their fashion days behind. This overcoat serves as a useful example of a different time for the company; before they made the change to concentrating exclusively on flooring, when they produced fabrics to be tailored for the height of Australian fashion. This overcoat was purchased and worn by Joan Waller, aunty of the donor, Kim Rosenow. Kim said her aunty was from Ballarat but frequently shopped in Melbourne to keep up with the latest trends. Her aunty Joan fitted the target demographic of Dominex well, as she needed to look sophisticated and elegant at social events and work. Kim donated the overcoat to the National Wool Museum in 2021. Green singled breasted overcoat with a narrow overlap and one column of buttons for fastening. The overcoat features notched lapels of a medium width and two large buttons of a green & dark green marble. The overcoat has two semi-visible jetted pockets at the hips. Internally, the overcoat features a black silk lining for comfort. It also features a stitched patch on the left side of the opening which reads “Pure Wool Material by Godfrey Hirst of Geelong”. At the collar, another patch reads “Dominex REGD”. At the cuffs, the overcoat finishes in a type of gauntlet cuff which stretches back over 200mm. The decorative finish utilises no buttons and has thick piping to accentuate this design feature. The overcoat finishes with a simple invisible hem at the bottom.Wording, gold. Patch stitched at collar: “DomineX / REGD.” Wording, black. Patch stitched at left off opening: “PURE WOOL MATERIAL BY / Godfrey Hirst / OF GEELONG”dominex, fashion, women's corporate wear, godfrey hirst, overcoat, wool clothing

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This wedding dress was worn by the grandmother of Val Warren.Raw silk wedding dress. The full length dress has lace on the bodice and long sleeves. Other decorative elements include finely pleated silk panels on the bodice, an insert on the skirt and on the cuffs of the sleeves The dress features extensive use of both utilitarian and decorative buttons that are covered in the same silk fabric as the dress. The final photograph shows two early repairs to the dress. Lydia Edwards in 'How to Read A Dress (Bloomsbury Academic, 2017), when describing a 1912 dress in the McCord Museum notes that: 'In 1911-12 the use of buttons for both fastening and decoration was extremely popular, the American women's magazine The Delineator declaring at the end of 1911 that "one cannot use buttons to liberally in the present mode".' (p.132)costumes, wedding dresses, women's fashion - 1910s, fashion design, fashion -- 1910s

1. Khaki Woollen jacket. Four front pockets. The front is held shut with four shiny buttons. AMF Motif. Epaulettes have 3 pips each (Captain) and shiny badge "AUSTRALIA". The arms have a triangular colour patch, bisected, having a black triangle over a red triangle. On the collars are brass badges of the 17th Prince of Wales Light Horse. 2. Trousers Woollen khaki. Brown buttons on fly. Side pocket and pressed metal buttons around waist. 3. Lanyard - purple. 4. Bandolier, brown leather. Five Ammo pockets, brass buckle. 5. Belt - leather, brown. Brass, two pin buckle. Brass fittings to add a sword and shoulder strap.4. Written on back of Bandolier = L.W. Baker R. Heath 4/3152.passchendaele barracks trust, uniform, pre and post ww2, army

Red Cross Dress,This is a light khaki, short sleeved dress. It has a collar with round corners. the buttons of 2 cm diameter, are red. There are 8 buttons. The 4th position down from the neck has a press stud. It has a small pocket on left breasat with a Red Cross badge. There are two waist level pockets. The left and right sides have a pleat. the left shoulder has a woven badge "The Australian Red Cross Society". The dress has belt loops at the waist.Nilred cross, uniform

Hyams, Frederick. Pte 17982 4th F.TroopWorld War I Red Cross fund-raising badge. According to contemporary newspaper articles the Commonwealth Button Fund issued buttons of this design for a Victorian Red Cross appeal in July 1915. All funds raised during the appeal were to be used for the support of the Australian Red Cross and the servicmen in their care. Between 300,000-400,000 of the buttons were distributed. Pezikian & Anderson (2017: 14) identify the badge's maker as the Victorian Christian Endeavour UnionCircular pressed metal badge with a plastic coated obverse, metal back and attached pin. In the centre of the obverse, a printed illustration of a Red Cross flag and printed text appears on a red ink background surrounded by a white border. The badge is discoloured. The metal back of the badge is soiled and tarnished.

This blazer was probably worn by Doris Trewin (nee Mehlert) in her role as a chaperone of the Orbost Marching Girls, the Waratahs.Together with a trophy, a uniform and photos this blazer forms part of the history of the Orbost Marching Girls group.An Orbost Marching Girls' Chaperone's blazer. It is navy wool, lined, has two pockets (one on each side) and fastens with two silver buttons. On each sleeve cuff is a smaller silver button.blazer uniform orbost-marching-girls

Part of the "Kevin John Herdman" No. 397661 collection. See cat No. 5942P for details of his service.Jungle green coloured cotton fabric shirt with long sleeves. Two button down breast pockets with plastic buttons. Faded green coloured manufacturer's label sewn on inside below the collar.Handwritten in red on manufacturer's label: 'HER'. Handwritten in black on manufacturer's label: '397661 HERDMAN'uniform, shirt, army, work dress, kevin john herdman

T. Woolman, Volunteers Defence Group1. Shirt - cotton, Khaki. long sleeved, no collar. 2. Jacket - wool, Khaki, black metal buttons, Rising Sun Badge on each collar, embroidered VDC emblem on upper sleeves.2. Embroidered VDC emblem, round red background, black embroidery.uniform, khaki

Uniform re Lt Col Murray Metherall, refer Cat No 590.2 for service history..1) Jacket blue colour, Patrol Blues, gold metal buttons, service ribbons Vietnam and long service, shoulder rank insignia. .2) Trousers, khaki. (Not part of Patrol Blues jacket.uniform, ceremonial, blues

These trousers, along with the rest of the dress uniform, belonged to an individual named H.E. Schulze. It is believed to have been dropped off to the RSL, so no additional information is known.This uniform serves as an example of the military dress worn by the Royal Australian Army (Royal Australian Artillery Regiment) during the late sixties.Khaki trousers with pleats and a series of belt loops at the waist; two front pockets; and three buttons positioned at the left, right, and centre of the back of the trousers (for attaching a jacket to the trousers). There is a large tear in the seat.lara, rsl, royal australian army, royal australian artillery, war

Forage cap, khaki wool, green piping around the middle of sides. Green section inside the top fold, 2 Australian brass buttons at front. Internal lining is green cotton drill.headwear, forage

Pair of Ladies leather button up boots. Left one has 4 E 461, right one 5 E 461 White buttons with black centre. Stamped TL Romeflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Pair of Ladies leather button up boots. Left one has 4 E 461, right one 5 E 461 White buttons with black centre. Stamped TL Romeflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Pair of Ladies leather button up boots. Left one has 7 E 451, right one 7 E 461 White buttons with black centre. Stamped TL Romeflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Pair of Ladies leather button up boots. Left one has 6 E 461, right one 5 E 461 White buttons with black centre. Stamped TL Rome.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

This lady’s fine cotton hand sewn chemise is an example of the dressmaking and craftwork skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families .The Marriott family were pioneer market gardeners from 1850 to 1960's in the Moorabbin Brighton areaA lady's hand sewn fine cotton chemise with set in sleeves and concealed buttons along front bodice opening.The waist is elasticised and hand made lacework decorates the front and back with panels of pintucksclothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework

Camisole. Ivory coloured fine cotton with lace and embroidered inserts. Lace edged sleeves. Square neckline with front opening with four pearl buttons. Small peplum. Cotton tape tie at waist.costume, female, underwear

Clothing. Camisole. Ivory coloured cotton. Square neckline at front and back edged with fine lace. Lace inserts at front. Small peplum on bottom edge. Front opening with two buttons - not matching.costume, female, underwear

Clothing. Camisole. Ivory coloured cotton with crocheted cotton top section and short sleeves with crocheted rosettes, Front opening with four buttons. Light blue ribbon tie threaded around neckline.costume, female, underwear

Tin decorated with transfer prints of kittens on 4 sides and lid, originally donated by Cr.R.Cooper whose Grandmother used the tin to store buttons, hinged lid with paper inside showing details of provenance.personal effects, containers, tin

This robe was worn by G.G.Ashworth, RAAF 0315515, when he was serving as a chaplain (3rd class) in Vietnam from 30/11/65 until 17/02/66. This robe was worn by G.G.Ashworth RAAF 0315515 when he was serving as a chaplain in Vietnam from 30/11/65-17/02/66Blue cotton fabric(gabardine) ecclesiastical robe with pleated back. Crossover lapels have four black plastic buttons. Robe is partly lined with black taffeta and has a stand-up collar.ecclesiastical robe, vietnam, 1965-1966, ashworth, chaplain, raaf, robe, priest