The photo shows a room full of Legatees. The venue, date and names are unknown. Legatees met for many reasons including weekly comradeship luncheons with guest speakers. In the early days meetings were held at places like the Phairs Hotel, and Victoria Coffee Palace. The photo appears in Blatchford's history of Melbourne Legacy with the caption: Melbourne Legacy Club Weekly Luncheon, September 1932.Legatees met up for comradeship meetings and functions. Strong bonds were formed between Legatees.Black and white photo of a roomful of Legatees at a function.Embossed in the left hand corner is a logo for 'C. Stuart Tompkins, Camberwell' who would have been the photographer.legatee event, comradeship

Famous French artist Jean Baptiste Camille Corot, 1796-1875, was trained in the classical landscape style. His inspiration came from his travels around France and Italy. He developed a soft poetic or romantic style of work which became very popular. He had the skills to bring'light' into his paintings. The original oil on canvas painting by Corot is held at The National Gallery in the United Kingdom. It is titled 'Souvenir of a Journey to Coubron' and is one of twenty-seven of his works at the Gallery. Corot visited Coubon, east of Paris, many times. In 1873 during his stay there he sketched the scene that became the basis of this painting. This reproduction print was made by The Medici Society Ltd., founded in England 1908. The Society's aim was to make artwork affordable and available to the general public. The name Medici was chosen to honour the support and encouragement given to artists in the 15th century by Lorenzo de' Medici (1449 - 1492), known as Lorenzo the Magnificent, and his family. His profile is on the company's trademark. The Medici Society still produces Fine Art reproduction prints as well as selling original works. The print was framed by Westminster Art Gallery in Camperdown, London. The handwritten text on the back of the artwork adds some background to the artist: Corot was apprenticed to a Draper but changed to his profession at the age of 22 years. When he went from a poor artist to achieving wealth and fame he generously supported his less fortunate fellow artists. Corot found that the light and shade in a natural scene meant more to a landscape painter that what could be learned by following the principles of the academies. Corot was 51 years old before he sold his first picture. He though that he was the only artist that could really paint 'light'. The National Gallery, Victoria, has an original oil on canvas by Corot "the bent tree", created 1856-1860. It is in a similar style to this print "Souvenir of a Journey to Coubron", which was likely to have been painted around the same time.This high quality reproduction print was produced in the early-to-mid 1900;'s. This advancement in technology allowed everyday people to own and enjoy the fine art that was previously only accessible to the wealthy. The print is significant for its association with the famous 19th century artist Jean Baptiste Camille Corot.Print of a painting by Jean Baptiste Camille Corot, depicting a landscape with two buildings amongst trees and a boatman in the marshy foreground. The print is famed in carved timber with a cream matt, behind glass. there is an inscription on bottom right of print and further stamped and handwritten inscriptions of the reverse paper. The is a genuine Medici Society Fine Art reproduction print and was framed by Westminster Art Gallery.Original artwork painted and signed by artist "COROT" White sticker with"32" Reproduction print by the Medici Society, London Stamp "Westminster Art Gallery / 91 CAMBERWELL RD. / CAMBERWELL E.6." Text on Corot's history Underlined statement "GENUINE MEDICI PRINT "flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, jean-baptiste-camille corot, french artist, jean corot, camille corot, print, souvenir of a journey to coubron, coubron, 19th century artist, medici society, reproduction print, westminster art gallery, fine art

Laminated sheet - to fit into a pocket - prepared by Greg Rodgers for Camberwell Depot drivers using Park St Kilda Grand Prix services - give details of automatic points, safety notes, details of St Kilda Road points, and what Camberwell drivers are to do. Greg Rodgers advised 5-11-2016, made for the first Grand Prix 1996.trams, tramways, camberwell depot, grand prix, map, public transport, park st st kilda

Invitation card reads as follows: The President John Moule and Board of the Association For The Blind have pleasure in inviting Mr & Mrs N Maxwell to the 100th Annual General Meeting to be held at the Camberwell Centre 340 Camberwell Road Camberwell on Friday 20th September 1996 at 11.00am Book launch of No Sight - Great Vision 100 year history of the Association for the Blind Guest Speaker: Rt Hon Sir Zelman Cowan former Governor-General of Australia Facing the Future Lunch 12.30pmInvitation card for Mr and Mrs Maxwell to 100th Annual General Meetingnon-fictionelizabeth maxwell, neil maxwell, association for the blind

HardcoverPencil drawings of a horse's head and blouse. "Mandie Boyd. 158 Riversdale Road, Camberwell. E.6. Victoria, Australia"walsh st library

Black and white photo of Barbara & Gordon (Tim) Keene showing Barbara's Wedding Headpiece (NA2908) 25th October, 1958, at St. Mark's Church, Camberwell.keene, gordon, barbara

Family history and biography of Edward Dillon who immigrated to Australia with his wife and son in 1857 and lived in Camberwell. He was a Councillor for the City of Boroondara and the Shire of Boroondara.boroondara

Colour negative of tram 547 in Bridge Road Richmond. Tram 547 has destination Camberwell Depot - Burke Rd and Route No 76. Set of two negatives.Paper folder that contained the negative had "NR75B" and date written as 10 Jun 62 in red ink.trams, tramways, w2 class, route 76, bridge rd, richmond, camberwell depot, tram 547

The photograph depicts nine Ruyton Girls' School prefects and probationers in 1952. The four students standing in the back row are probationers, who have been identified from left to right as M. Hartshorn, C. Kent, J. Hodgson, and M. Morrison. The five students seated in the front row are prefects identified from left to right as E. Macdonald, V. Mummery, H. Cole (School Captain), S. Backhouse, and T. Abson. All of the prefects and probationers are dressed in full Ruyton uniform including knee-length check-print skirts, brown lace-up shoes, dark jumper, white collared button blouse with a tie, and wool blazer. The students are all looking straight at the camera and smiling. The image is an official school photograph taken by Clive Stuart Tompkins. The same photograph appears in the 1952 Ruytonian.The record holds strong historic significance as it provides insight into the history of student leadership at Ruyton Girls' School. Student leadership commenced in 1906 with the introduction of the prefect system. Prefects had numerous responsibilities—gate duty, grounds duty, classroom marking, assembly door watch, uniform monitoring, and even supervising student detention. In 1947, a dedicated Prefects Room was erected on the east side of the Ruyton Girls' School Assembly Room in Henty House. The prefects system was revised in 1968 with a new leadership structure: there would be a permanent School Captain, Vice Captain and School Sports Captain; six permanent prefects would be elected, and the rest of the Matriculation class would form committees. These included Library, Social Services, S.C.M., Editorial, and Music. In this way, it was thought "that each Matric girl would have a certain amount of responsibility." With this revised structure came a brand new Prefects' Study, located in a former classroom next to the Domestic Science building. Each prefect was allocated one book locker, one clothing locker, "a small share in the heater", plus a new shared lounge. The prefect system was updated again in 1974. All sixth formers would become prefects, or "school officials." This saw the sixth form divided into two halves: one group would be prefects for the first half of the year, then the second group would take the reigns in the latter half of the year. In October 2023, Ruyton announced a new collaborative leadership structure for captains, prefects and house leaders, which would see two students in each leadership role. The record's significance is further enhanced by its strong provenance, having been produced by Ruyton Girls' School and donated to the Archives by a familial connection.Black and white rectangular photograph printed on matte photographic paper.Obverse: C STUART TOMPKINS / CAMBERWELL / Reverse: Ruyton / Rawcey Ware (?) / Add to order / no 5488 / & make a / others / Ruyton / [illegible] /ruyton girls' school, ruyton, students, school, senior school, girls school, kew, melbourne, school uniform, prefects, photograph

Back row LtoR: Max Edney, Fred Gwynne, Bill Thornton, Roy Arnold, Alan Sneddon, Doug Sneddon, Alan Inglefinger Front row LtoR: Keith Thornton, Bert Plunkett, Ralph Hayes, Keith Pope, Len HallSepia coloured photograph of 12 men standing and sitting with arms crossed. All are dressed in cricket whites with the exception of the man sitting centre front in a dark coloured suit and tie.The photo is mounted on a khaki coloured cardboard frame with "Brooklyn Studios/604 Burke Road/Camberwell" in the bottom right hand corner.rechabite tent cricket team, surrey hills rechabite tent cricket team,max edney, fred gwynne, bill thornton, roy arnold, alan sneddon, doug sneddon, alan inglefinger,

Used by donor's mother (1926 - 2015) who lived in Camberwell and Box Hill from the 1950's1 pair cone suede heeled shoes size 3. Right shoe has a rectangle metal cream buckle. Left shoe has buckle missing Leather sole and heel with leather and cotton lining Above buckle is a pointed feature3 sizecostume, female footwear

Bodice from donor's mother. Her parents lived in Camberwell and then Box Hill from 1950's.Long sleeved, cream square necked, cotton blouse with a lace insert. Sheer, geogette sleeves gathered in at cuff and with a frill over hand, the bodice is gathered at the bottom. A sheer geogette tie at the waist is anchored at each side of bodice and has tasseled ends on the corners.cotton, blouse, georgette, long sleeved

These two chairs are Grant Featherston prototypes of the 1947 Relaxation Chairs. These chairs came from the Boyd family's Camberwell home (666 Riversdale Road, Camberwell, formerly 158 Riversdale Road) and were originally upholstered with webbing. The fixings were modified in the final product Relaxation chairs. Robin Boyd designed the Ivanhoe home of Grant and Mary Featherston (1967).Dark orange with black fine check woven wool. Nine self-covered buttons. Laminated timber legs and arms (no frame). Three visible timber pegs/bolts connect arms to the body.walsh st furnishings, robin boyd, grant featherston, ohm2022, ohm2022_33

Used by MMTB to ship coins or bank notes from depot to banks or head office. CWL - Camberwell Depot.Demonstrates the bags used by the MMTB to transfer cash or bank notes.Canvas cloth bag sewn, canvas off white or karki colour printed with "M.M.T.B" on one side and with "CWL" in black texta on the other side.See physical descriptiontramways, mmtb, tickets, cash handling, depots, revenue clerks