Showing 2070 items
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Kew Historical Society Inc
Souvenir, Ashtray, Kew City Bowmen
A round plated metal dish with 3 equally spaced indentations for cigarettes and a Kew City Bowmen enamelled badge attached. The badge has a flapping bird standing on a four ringed target enamelled in white, navy blue, green and red rings, a bow superimposed surrounded by Kew City Bowman with 2 crossed arrows below on a mauve blue background.Kew City Bowmankew city bowmen, archery, hays paddock - kew east (vic) -
Kew Historical Society Inc
Souvenir, Butter Knife, Kew City Bowmen
... target of white black blue and red concentric circles... with a flapping bird above a circular target of white black blue and red ...An enamelled badge with a flapping bird above a circular target of white black blue and red concentric circles with a brass bow superimposed on it and enclosed by Kew City Bowmen with 2 crossed arrows below, on a violet blue background mounted on the handle of a butter knifeKew City Bowmen (front) Pitcher epns A1 (reverse)kew city bowmen -
Kew Historical Society Inc
Souvenir, Spoon, Kew City Bowmen
... target of white black blue and red concentric circles... bird above a circular target of white black blue and red ...An enamelled badge with a flapping bird above a circular target of white black blue and red concentric circles with a brass bow superimposed on it and enclosed by Kew City Bowmen with two crossed arrows below, on a violet blue background mounted on the handle of a spoon Kew City Bowmen (front) Pitcher epns A1 (reverse)kew city bowmen, souvenirs - spoons -
Yarrawonga and Mulwala Pioneer Museum
Work on paper - Advertising brochure, Introducing beautiful Cypress Gardens, 1959 to 1966
Cypress Gardens was built by Bert and Flo Foster to encourage holiday makers to visit Yarrawonga Mulwala and enjoy aquatic pursuits. Boats were accommodated. Built in the 1950’s and opened 19th December 1959, demolished around 2000, land sold and luxury homes were built along the lakeside. Four fold coloured ( red, black, blue, yellow) brochure, printed on both sides featuring black and white photos. Taken around about and inside resort buildings. tourism, advertising, aquatic sports -
Tatura Irrigation & Wartime Camps Museum
Army Service Ribbons
Issued to Sister Kathleen Heaphy of Australian Army Nursing service. Sister Heaphy was attached, for part of her service, to 28 Camp Hospital Internment camp 1.Brass bar - 4 sections - with a pin - with 4 Army service ribbons attached. Colours are navy blue, red, medium blue, green, yellow, white, light blue and cream ribbons.australian army nursing service, sister kathleen heaphy, 28 camp hospital internment camp 1, army service ribbons -
Tatura Irrigation & Wartime Camps Museum
Army Service Ribbons
Issued to Sister Kathleen Heaphy of Australian Army Nursing service. Sister Heaphy was attached, for part of her service, to 28 Camp Hospital Internment camp 1.Brass bar - 4 sections - with a pin - with navy blue, red,light blue, green, yellow, white and fawn coloured ribbons. 2 gold coloured 6 pointed stars and 2 silver medals are attached to four ribbons1 - GRT V1 The 1939-1945 star 2 - GRT V2 The Pacific Star 3 - G.Br.Omn.Rex et Indiae Imp. Georg 1VS head and crown. Lion 1939-1945 K. G. Luke Melbourneaustralian army nursing service, sister kathleen heaphy, 28 camp hospital internment camp 1, army service ribbons -
Tatura Irrigation & Wartime Camps Museum
Book, The Dunera Scandal, 1983
The story of the Dunera BoysHard cover book. Black cover with white writing,striking jacket cream with red writing. A circle of blue with barbed wire across it.dunera scandal, internment camp treatment, jews, wartime -
Tatura Irrigation & Wartime Camps Museum
Clothing - Ladies Night Gown, 1940's
Ladies nightgown made at Camp 3, Tatura from re-made men's pyjamas, with the addition of floral material and bows as a feminine toughPale blue and white striped cotton nightgown, long sleeves, bodice of red and blue patterned material with ties attached either sidenight gown, hoefer family, camp 3, ww2 camp 3, costume, female night attire -
Tatura Irrigation & Wartime Camps Museum
Album
Acquied from German Red Cross, Christmas 1942Hard cover, beige with navy blue cloth trim and spine. Leaves held together with white cord threaded through 3 holes.album, german red cross, camp 3, tatura, ww2 camp 3, books, albums -
Tatura Irrigation & Wartime Camps Museum
Book, Those Airforce Days, 1992
The story of an Australian Airman 1942-1946. Purchased June 21, 1992, at Alice Springs, NT. Page 25 - Chapter on No. 1 Recruit Depot, SheppartonAirforce scene on dust jacket. Red border on lower front white letters. Blue cover. Loose leaflet insidestory of gordan wallace, no 1 recruit depot, shepparton, tatura, ww2 -
Tatura Irrigation & Wartime Camps Museum
Booklet, Tatura Milk Industries Handbook, 1999
Handbook for new employees. Contains all information including history of factory, working conditions etc.Blue cover, white label. Blue and white writing. Large photo of milk tanker, red writing. 2 smaller ones, one red.tatura milk industries, handbook, tatura, dairy industry, employees handbook -
Tatura Irrigation & Wartime Camps Museum
Document, Gore. An Innovative Approach to Corrections, 1999
Contains program for Official Opening of Dairy industry complex and prison accommodation facilities at Dhurringile. Also information on other Prison programmes.White folder, grey black writing, red dot, Blue E. An Innovative Approach to Corrections.dhurringile prison, prisons, prison correction programmes, prison accommodation facilities -
Tatura Irrigation & Wartime Camps Museum
Book, Konsalik Alarm! Das Weiberschiff, 1980
... Off white coloured book. Black, red and blue text. Snow... Tatura the-murray Book Konsalik Alarm! Das Weiberschiff Off white ...Off white coloured book. Black, red and blue text. Snow scene top of front cover. Love scene bottom of front cover. Photo of author on back cover together with description of story, in German. Book written in German. Title in English "Alarm! A shipload of women". 254 pages.|Included with the book is a piece of paper with English translation of front & back cover"Donor Kurt Kazenwadel" on first page|An indecipherable signature on first pagekazenwadel, tatura, books, novels -
Tatura Irrigation & Wartime Camps Museum
Book, Rodney Water Rate Book, 1940
Rodney District Rate Book for irrigation water supply. Including Wyuna, Tongala, Kyabram, Toolamba, Murchison, Waranga. 1940-41-42-43Large book, red leather bound spine and corners. Blue cardboard cover covered with cloth front and back. White label, black writingirrigation, books, history, local, rural, industry -
Tatura Irrigation & Wartime Camps Museum
Book, Rodney Water Rate Book, 1937
Rodney rate book for irrigation water supply, including Wyuna, Undera, Mooroopna West, Coomboona, Moora. 1937-38-39-40Large book. Red leather bound spine and corners. Faded blue cloth on front and back. Cardboard underneath, white label, black writingirrigation, books, history, local, industry -
Tatura Irrigation & Wartime Camps Museum
Painting
... green shirt, blue trousers, white/grey hat. Fish white, yellow... white, yellow, blue and red. Painted by Waldemar Swierzy in 1987 ...A painting of Georg Rosenkranz by Waldemar Swierzy in 1987Watercolour painting of Georg Rosenkranz holding a large fish. Blue and green background. Man is wearing an olive green shirt, blue trousers, white/grey hat. Fish white, yellow, blue and red. Painted by Waldemar Swierzy in 1987.painting, swierzy w, dewite m, camp 3, tatura, ww2 camp 3, watercolour, georg rosenkranz -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Puppet, Kasper (Punch), WW2
The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted brown paper mache head with red lips, blue eyes and black eyebrows. Wearing a blue and white check hat and matching top over a green and red top, skirt and trousers. Long sleeves have a white trim. He has a white frilled neck ruff. The legs are only material at top with wooden boots painted black. There is no body parts. He is wearing a loose leather belt.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre, puppetry -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Puppet, The Judge, WW2
The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted brown paper mache head with red lips, blue eyes and black eyebrows. Has white judge wig with small round green hat. He has a white frilled neck ruff and wearing a black cape with high stand up collar. There are no body parts. pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre, puppetry -
Tatura Irrigation & Wartime Camps Museum
Puppet, The Scribe, WW2
The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted orange paper mache head with goatie beard, blue eyes and white eyebrows. Wearing a long black and white dress with a grey collar and cuffs over a cream with little red flower skirt which is trimmed in grey. Legs are cream material with wooden feet. Hands are wood. Hair is white with bald head.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Airy Symphony, 1943
Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.A large tree in centre with bare twisted branches. The tree appears to be rising up through blue, grey and white fluffy clouds. There are small red faced birds perched on some of the branches and a flock of birds flying in towards the tree.Tatura Kurwin 1942kurwin -
Williamstown High School
Speech Day Program 1945
Program for Speech Day of Williamstown High School on Friday, 14th December, 1945.Pamphlet of white paper, printed in navy blue. School logo has been part coloured using red biro.Top right hand corner has been cut off.williamstown high school, 1945, speech day -
Williamstown High School
1956 Class 1A
Copy of a black and white photograph of Form 1A, 1956. Accompanied by a caption.Caption reads: Form 1A 1956. The photo was taken near Pasco Street boundary. Navy blue tunic, blazer and beret was the winter uniform for girls. In Summer they had a green dress trimmed with white and a straw hat. The boys uniform was grey and were expected to wear black caps with red buttons on the top (lots were kept in pockets). Original photo on loan from Iris Whitehurst (Webb). On back of photograph: Form 1A 1956 "Dingoes". Iris Webb has original.williamstown high school, 1956, class photos -
Williamstown High School
Koala House 1955
Something to do with cricket and possibly Noel Johnson was the owner.Badge: felt screenprinted in yellow and red with the Williamstown High School motto'Hold Fast' and a koala. Ribbon: woven, blue and white striped, embroidered with 'xi-xviii'see images abovewilliamstown high school, 1955, koala house -
Clunes Museum
Artwork, other - LABEL
... BACKGROUND, WHITE WRITING ON RED BACKGROUND.... - BLUE BACKGROUND, WHITE WRITING ON RED BACKGROUND. MELRAY TOMATO ...LABELS WERE USED ON BOTTLES OF TOMATO SAUCE.SMALL LABEL "MELRAY TOMATO SAUCE " GREY BORDER - BLUE BACKGROUND, WHITE WRITING ON RED BACKGROUND.MELRAY TOMATO SAUCE. GUARANTEED ABSOLUTELY PURE.local history, commerce, labels -
Clunes Museum
Artwork, other - LABEL
... BLUE LABEL, GREY BORDER, WHITE -M- ON RED BACKGROUND.... Artwork, other BLUE LABEL, GREY BORDER, WHITE -M- ON RED ...LABEL , USED ON NECK OF SAUCE BOTTLE.BLUE LABEL, GREY BORDER, WHITE -M- ON RED BACKGROUND.BUYERS HOT (AUST.) LTD. GUARANTEED FREE FROM ARTIFICIAL COLOURINGS ADELAIDE MELBOURNE SYDNEY BRISBANE PERTH CANBERRA A.C.T.10 FL. OZS. NETT.local history, commerce, labels -
Clunes Museum
Flag
FLAG - FIRST FLAG OF THE FIRST RESIDENT BISHOP OF AUSTRALIAN CATHOLIC CHURCH. SHIELD - SOUTHERN CROSS [CENTRE] RED CROSS OF CRIST MITRE REPRESENTING THE KINGSHIP OF CRIST- GOLD SYMBOLISING THE KINGSHIP OF CRIST- WHITE PURITY OF FAITH- BLUE REPRESENTS OUR LADY AS MOTHER OF THE CHURH.YELLOW AND GREY BACKGROUND NYLON FLAG. WITH APPLIQUED SYMBOLS ON ONE HALF.local history, flag, religion, religious -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1953
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Guaranteed to give 12 years of cosiness and comfort (range of blankets in a pile) Guaranteed to give 12 years of cosiness and comfort/Wedding bells soon?/4 Lovely pastels, white and checks/Onkaparinga, the ALL WOOL Blankets with the 12 year guarantee wool, blanket, blanket fever, onkaparinga, advertisement, the australian women's weekly -
National Wool Museum
Leisure object - Playing cards, Onkaparinga Woollen Mill Company, 1950s
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Playing cards featuring Onkaparinga sales mottos and picturesOnkaparinga Pure Wool Blankets/Australia’s Best/Rugs, Blankets, Piece Goods, Men’s and Boy’s Clothing/Made from Pure Wool In White Pink Blue Green And Primrose/The Home Of The Famous Onkaparinga Pure Wool Products/White And Coloured Blankets Give Individuality And Charm/Made In Australiablanket fever, wool, playing cards, advertisements, onkaparinga -
National Wool Museum
Textile - Quilt, Ms Jane McGrath, Tartan Fabric Sample, c.1990
Jane McGrath made this quilt 30 years ago from a tartan fabric sample book (c.1990). It was one of her first quilts. Jane was inspired to quilt by her mother Shirley Critchley. Jane recalls her mother being a very talented quilter, with one example being the “Unpicked Jumper Wagga” which can be found within the National Wool Museum’s Collection (REG 8283). Shirley taught Jane the basics in quilting and assisted her in preparing this quilt. The quilt is backed with material from disused woollen skirts. Jane could not recall what material was used for the internal insulating fabric. Jane donated the Tartan Fabric Sample Quilt to the National Wool Museum in 2021. The quilt had been languishing in her cupboard for many years and had found its way to the op-shop pile, as her children had no desire to inherit her quilts. The top layer of the quilt consists of five distinct rows of tartan samples appliqued together. The rows of tartan samples are broken with a boarder of white, grey, and brown fabric which runs in parallel lines. This fabric is also used to bind the quilt together at the edges. The internal insulating fabric of the quilt is not known. The backing fabric is a grey coloured wool originating from disused skirts. The Tartan samples contain stripes of varying width and colour. The samples have been arranged so that the stripes run diagonal on the quilt. Many different colours have been used. The predominant colours are red and black, with lessening amounts of blue, yellow, white, green, and grey featuring. quilts, tartan fabric samples, upcycle, shirley critchley/jane mcgrath collection -
National Wool Museum
Textile - Quilt, Ms Shirley Critchley, Unpicked Jumper Wagga, c.1960
This quilt was created by Ms Shirley Critchley, c.1960. it was made in a wagga style from unpicked knitted jumpers that Shirley would repurpose. Some of these jumpers were from her daughters out growing their garments, while others were from jumpers Shirley would find at opportunity stores. One of Shirley’s daughters, Jane McGrath, followed in her mother’s footsteps and begun quilting with Shirley’s guidance. One of Jane’s first quilts, the “Tartan Fabric Sample Quilt” is located within the National Wool Museum’s collection (REG 8282). Multicoloured wagga style quilt. The quilt’s top layer is made from unpicked knitted woollen jumpers. These jumpers are in a variety of colours including yellow, blue, green, and red. Some blocks are a single colour, while others have been knitted with a different secondary colour such as grey or white to give noise. The quilt has an unknown insulating fabric. It shares its backing fabric with the material used to bind the edges together. This material is a woollen blanket in a tartan pattern of a blue background with green and red lines. The quilt is sized to suit a single bed. quilts, wagga, upcycle, shirley critchley/jane mcgrath collection, woollen jumpers