Colour slide in a mount. Probably, Town House Motel, Wagga Wagga, NSW, Australia, 1963. (Architect: Enrico Taglietti.)Made in Australia / 17 / JUN 64Mslide, robin boyd

Colour slide in a mount. KangaroosMount Made in Englandslide, robin boyd

Colour slide in a mount. Suburban street, unknown locationMade in Australia / Inscribed 12slide, robin boyd

Colour slide in a mount. Image from magazine- featuring Salle Wilfrid-Pelletier (1963), part of Place des Arts, Montreal, Canada. (Architect: Arcop.)Made in Australia / Encircled 31 (Handwritten)slide, robin boyd

Colour slide in a mount. Unknown location, possibly USAslide, robin boyd

Colour slide in a mount. Porch of the Chapel at the Colonia Guell, near Barcelona, Spain circa 1908-15. (Architect: Antonio Gaudi.)Made in Australia / Encircled 32 (Handwritten)slide, robin boyd

Colour slide in a mount. Image from a magazine, Underley Hall Chapel (1966), St Michael’s College, Kirkby Lonsdale, England.Made in Australia / Encircled 10 (Handwritten)slide, robin boyd

Colour slide in a mount. Imperial Hotel, Tokyo, Japan. (Architect: Frank Lloyd Wright.)Made in Australia / Inscribed 3slide, robin boyd

Colour slide in a mount. Rich's department store (1955), Knoxville, Tennessee, USADate: 04819 / Subject / D (Handwritten)slide, robin boyd

Colour slide in a mount. Porch, possibly on colonial building, unknown locationDate: 04819 / Subject / B (Handwritten) / Encircled 6 (Handwritten)slide, robin boyd

Colour slide in a mount. Garden, possibly AustraliaMade in Australia / 14 (Handwritten) / G13 (Handwritten)slide, robin boyd

Colour slide in a mount. Unknown location, possibly Victoria, AustraliaMade in USA / US PAT No. 3013354 / 19 / JUN 64Wslide, robin boyd

Colour slide in a mount. View of city, unknown location, USADate: / Subjectslide, robin boyd

Colour slide in a mount. Unknown location, probably USAslide, robin boyd

Personal reflection of apartment tower developments in San Francisco - Golden Gateway Centre and Ghirardelli Square. A critique of their urban planning, particularly treatment of the ground plane and landscaping.Handwritten, quarto, 3 pages.apartment towers, urban planning, san francisco, golden gateway centre, ghirardelli square, robin boyd, manuscript

Discusses the state of art and culture in Australia, in particular the artists, the art boom, art appreciation and cultural maturity. Beginnings of Australia's own sense of direction in the arts and moving to an Australian identity rather than relying on overseas influencesTypewritten, quarto, (carbon copy), 7 pages. (Two copies)art, culture, artists, painters, australia, australiana, australian identity, sydney opera house, robin boyd, manuscript

Discussion of opportunities (or lack of opportunities) open to creative and talented Australians. Asserts main obstacles to promise and progress are conservatism and lack of vision.This appears to be a talk or a speechTypewritten, quarto, (carbon copy), 8 pages. Second copy has pages 3-5 missing. (Two copies)kingsley henderson, australian creativity, new architecture, colour, shapes, robin boyd, manuscript

Discusses the quality of the architecture of the Sydney Opera House, its use as a concert hall, design by Jorn Utzon and continuation by Peter Hall.Typewritten, quarto, (carbon copy), 10 pages. A second copy has pencil edits and additions. (Two copies)sydney opera house, jorn utzon, peter hall, william davis hughes, exterior shells, concert hall, pier luigi nervi, buckminster fuller, eero saarinen, nikolaus pevsner, robin boyd, manuscript

Discusses Kenzo Tange's plans for the national Gymnasium for the 1964 Tokyo Olympic Games and his use of tensile construction.Original manuscript of an article published as ‘Olympic Buildings in Tokyo’ in "The Architectural Review", Vol.139 no.830, April 1966 pp. 262 - 270 Typewritten, carbon copy, quarto, 13 pages. A second copy is a photocopy, 14 pages. (Two copies)tensile movement, olympic buildings, tokyo olympic games, 1964, architecture, kenzo tange, national gymnasium, tensile construction, robin boyd, manuscript

Discusses the influence of background, temperament and creativity on an architect as well as the three phases in the development of architecture in 20th century and the theme of space. A long critique on the issue of the sails of the Sydney Opera House. The question of art versus technology in the future of architecture is argued. (Is this related to D020)This is an untitled speech, annotated with numbers indicating markers for slides, "Lights".Typewritten (carbon copy), with major pencil edits, quarto, 21 pages. Starts on page 2.On page 2, the title 'The Phases of Modern Architecture' is crossed out.creativity, functionalism, ornament, romanticism, fragmentation, space, computer, beauty, sydney opera house, sigfried giedion, jorn utzon, ove arup, super-functionalism, robin boyd, manuscript

Criticism of the state of Albert Park, Melbourne, preparation of a current map, the need for a Master Plan of buildings, plantings, furniture. Criticism of buildings. Suggests a plan to plant and paint.This appears to be a lecture.Typewritten with pencil edit and notes, quarto, 4 pages. (Two copies)Small paper square included with Monday, January 24 calendaralbert park, macrobertson girls high school, planting, building, furniture, robin boyd, manuscript

Discusses the hotel and motel accommodation situation in Victoria and lack of first class hotels, overall, in Australia. Sir Henry Bolte's 10% tax on hotel and motel accommodation saw many proposals for new hotels being shelved.Original manuscript of an article published in "The Sunday Australian" as ‘Bolte’s Victorian Melodrama’, 26.9.1971.Typewritten (carbon copy), quarto, 8 pages.hotel, motel, accommodation, australia, sir henry bolte, victoria, tourist industry, robin boyd, manuscript

Short pithy comments on the role of architecture in the future, modernising old buildings, universities, interiors, open spaces, churches, hospitals, shopping centres, commerce, recreation.Typewritten (c copy) (on right hand side only), quarto, 4 pagesfuture, universities, interior, open spaces, churches, hospitals, shopping centres, commerce, robin boyd, manuscript

Discusses what does it feel like to be an Australian in 1959? A critique on our advanced national adolescence, limitations of our artist's creativity. We are not English or America - how do we compare? Australians want to be told they are better, the country anxious to hear well of itself. (This perhaps is related to item D015.)Typewritten, pencil edits, quarto, 4 pages, pages 6-9they're a weird mob, nino culotta, 1959 australia, cyril pearl, on the beach, so you want to be an australian, sidney nolan, john ely burchard, robin boyd, manuscript

Changing dining habits - the loss of Australian pub dining rooms, new motel dining, bistros, the often poor surroundings, location of the toilets. Extreme sarcasm and criticism.Typewritten (c copy), quarto, 6 pagesPencil annotationsrestaurants, bims, high tide, the carousel, robin boyd, manuscript

Boyd makes the argument that in the first sixty years of the twentieth century there have been three phases of architecture, and these are described.Typewritten and carbon copy, quarto, 6 pages, and pp 3-7 carbon copy. Was originally 7 pages..twentieth century architecture, robin boyd, manuscript

Discusses the renewed interest in space relating to architecture and architectsTypewritten, quarto, p6 onlyarchitecture, architects, space, robin boyd, manuscript

Boyd muses over Melbourne and its "schizophrenic or split-urbanity", exploring the contrasts that make its character. Poses question "Why don't I live in Sydney?", weighing the "humility" of Melbourne versus the arrogance of Sydney. Every creative movement of importance in Australia in the twentieth century had its origins in Melbourne, therefore Melbourne, Boyd argues, is the moral capital of Australia.Original manuscript of an article published in "The Australian", 04.03.1969. This is the first of a series of three articles about Melbourne published on consecutive days (see D023 and D024).Typewritten carbon copy, quarto, 8 pagesPencil annotationsmelbourne, collins street, alexandra avenue, george miles, boomerang, robin boyd, manuscript

Searing critique on the public apathy of the environment in which we live, as well as the dichotomy of the professional view of the city and suburbs. Boyd imagines what Melbourne might be like in year 2001.Original manuscript of an article published as 'Melbourne 2001 AD' in "The Australian", 05.03.1969. This is the second of a series of three articles about Melbourne published on consecutive days (see D022 and D024).Typewritten (c copy), quarto, 7 pagesmelbourne, trams, flies, road congestion, robin boyd, manuscript

Discusses the many paradoxes of Melbourne, humorously described: eg trams, flies and road congestion.Original manuscript of an article published as 'A new Melbourne with the professional touch' in "The Australian", 06.03.1969. This is the third of a series of three articles about Melbourne published on consecutive days (see D022 and D023).Typewritten (c copy), quarto, 6 pagesenvironment, apathy, rupert hamer, melbourne, suburbia, 2001, robin boyd, manuscript