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Bialik College
Publications, Igeret Ktana 2000-2005, 2000-2005
Box of bound Igeret Ktana (newsletters), 2000-2005. Please contact [email protected] to request access to this record.2000s -
Bialik College
Magazine, Shelanu 2014, 2014-2017
2000s, publications, covid, 2020s -
Bialik College
Document (item) - Branding plan, 2006
Folder of documents relating to Bialik's branding plan, 2006. Please contact [email protected] to request access to this record.marketing, promotion, 2000s, governance -
Bialik College
Photograph (item) - Students and teachers rolling matzah for Pesach, 1989, 1989
Students and teachers rolling matzah during Pesach, 1989. Please contact [email protected] to request access to this record.1980s, judaism, passover -
Bialik College
Photograph (item) - Students playing chess, c. 1980-1982, c. 1980s
Students playing chess in a classroom, c. 1980-1982. Please contact [email protected] to request access to this record. 1980s -
Bialik College
Document, Student report, 1969, 1969
Grade 5 student Richard Kausman's report, 1969. Please contact [email protected] to request access to this record.1960s -
Bialik College
Photograph (item) - Yom Hazikaron, c. 1982, c. 1982
Yom Hazikaron at the Auburn Road campus, c. 1982. Please contact [email protected] to request access to this record.judaism, 1980s, hawthorn, chaggim -
Bialik College
Document - Student reports, 1970s
School reports for student Lauren Rose, 1972-1978. Please contact [email protected] to request access to this record.1970s -
Bialik College
Document (item) - Student report, Ballarat camp, 1978, 1978
Student Lauren Rose's report on a camp in Ballarat, 1978. Please contact [email protected] to request access to this record.1970s -
Melbourne Tram Museum
Newspaper, The Age, "Discrimination bid on historic trams", "Tram delays leave disable behind", 6/11/2006 12:00:00 AM
Series of four newspaper cuttings about discrimination access to trams and wheel chair users. .1 - The Age 6/11/2006 - "Discrimination bid on historic trams" - about Hazel Smith taking Dept of Infrastructure to court about the use of W class trams on the route 78 line. Notes she had a fall on this tram and suffered injuries. Has comments from the Dept and Yarra Trams. .2 - The Age? undated c2012 - "Tram delays leave disable behind" about the lack of progress in making trams more accessible, Australian Human Rights Commission, Transport, Minister Lynne Kosky and quotes from a wheel chair user, John McKenna and Vic Council of Social Services Cath Smith. .3 - The Age? - undated c2013 - Next trams years away for disabled travellers - similar issues - has a photo of Wendy Brooks in her wheelchair near the Royal Melbourne Hospital. .4 - The Age 10/5/2018 - "Tram traps: wheels not welcome" - looking at disability access tram stops, routes access and the cast of James Carter missing a stop and not able to get off until the tram returned. Has a map of route 96. Also quotes Daniel Bowen of the PTUA and Human Rights Commission.trams, tramways, melbourne, tramways, disability services, doi, route 78, route 96, superstops -
Kiewa Valley Historical Society
Ash Tray Pocket
This flip top pocket aluminium ash tray was at the beginning of the social "cleaning up" of cigarette ash and related products. This cigarette waste container was for those occasions when it was polite not to throw the cigarette ash and used up cigarettes "buts" on the ground, or if working in any rural area during a dry fire prone season, when discarding burning cigarette waste could set up a severe "bush" fire. It was also at the beginning of an intensive look at the affects of smoking upon the health of users. Later in the 1900s was a time when medical evidence supported a ground swell of the anti smoking movement which resulted in further restrictions of the use cigarette smoking in public places. Before the anti cigarette smoking revolution, it was both fashionable and manly to either roll your own cigarette or open up a packet of "tailor made's". In the rural and man's man environment the roll your own provided a visual acknowledgement that the user was "true blue" Aussie male and not a city boy. The cycle of use of cigarettes has drastically changed from when this item was first used. Today's society (post 2000) has produced a ground swell of government and non government organisations whose aim is provide a cigarette "ash" free environment and society. This is highlighted in the beginning of the 2000 millennium by a cigarette "Free" Australia campaign, and the pocket flip top personal ash tray as a practical solution for butt litter disposal.This light weight aluminium pocket ash tray not only was used when social graces required it to, but also provided a container for any unfinished cigarettes or stogies (cheap half used cigars). In rural areas (open fresh air countryside), where time was always made available for the "smoko" (Australian rest period), at any time, especially after some hard physical work, the ability to have a self contained ashing apparatus, not to offend the gentler folk, was a pre-requisite . The rural environment, in the days of these cigarette ash containers,was one which could range from harsh and unforgiving to mild and relaxing. Smoking could be enjoyed anywhere and at any time without too much "fussing" around. This ash tray was mobile, convenient, unobtrusive and regarded by the user as being considerate to those around. It also eliminated the tell tale evidence that the "no smoking" signs had been ignored. The Kiewa Valley was like many rural ares that found it hard for smokers to come to grips with a governmental "non smoking policy" to indoor recreational and other "confined space" environments. The covered lid reduces odors and eliminates ashes from being blown around.Aluminium round container with a lid. The opening lid is spring loaded, hinged top, circular and fixed by a clasp, pop- riveted (4) onto the main housing. Opposite the hinge the lid is held closed by a small metal ball fitting tightly to the top wall of the container. The lid is opened by the use of a fingernail positioned at junction of lid to body. This edge is bevelled to allow access.personal effects, tobacco waste products, smoking accessories, tobacco -
Ringwood and District Historical Society
Newsletter, Eastern Arterial Road Doncaster to Ringwood Environment Effects Statement Summary Brochure - November 1987
8-page A4 size brochure issued by Road Construction Authority reporting on the proposed extension of the Eastern Freeway between Doncaster and Ringwood. Topics include Community Consultation, Initial Four Lane Development, Estimated Capital Costs, Traffic Effects, Public Transport, Landscape Creek and Visual Aspects, Pedestrian/Bicycle Access, Noise, Air Quality, Lighting, Construction Impacts. -
Puffing Billy Railway
Non Sweating Lamp, The Adlake
The Adlake Non Sweating Lamp "THE ADLAKE NON SWEATING LAMP CHICAGO" Adlake is a shortened name of the "Adams and Westlake" company. They began doing business in 1857 in Chicago. They manufactured railroad supplies and hardware in Chicago. In 1927, they moved to Elkhart, Indiana, where they remain in business today. The difference between "lamp" and "lantern" is that the lamp is meant to be hung on a post or a hook during use and the lantern is hand-held and only used when a person is directing traffic. It has four lenses- two amber and two blue. Adams & Westlake, also known as A&W or Adlake, became a dominant maker of short-globe lanterns and their #200, #250, and plain “Kero” (sometimes known as #300 or #400) models were sold by the thousands to the entire range of railroads. Short-globe lanterns came about because manufacturers figured out how to get a lantern to burn properly with a shorter combustion chamber, which allowed lanterns to be shorter and cheaper. Adams & Westlake began selling #200 Kero lanterns around 1921 and they sold well, the #250 Kero lantern was released in the mid 1920’s as an improvement over the #200 version, with a new burner design. FInally, around 1930 Adams & Westlake released models marked simply “Kero” but are sometimes known as the #300 or #400 models, which are further refinements. The #200, #250, and “Kero” models all look very similar in design and in fact they are all pretty much the same frame design with a couple of minor differences on the later “Kero” models. Short globe lanterns are still very easy to find because they were produced well into the mid 1900s. Adams & Westlake short globe lanterns can usually be dated by looking for a two-part date code on the bottom of the lantern. The first digit will be 1,2,3, or 4 followed by a dash and then a two digit number. Sample code: 2-39 would mean that the lantern was produced in the 2nd quarter (Apr-Jun) of 193Historic - Railways - Adlake Non Sweating LampAdlake Non Sweating Lamp made of metal and glass Metal with handle, painted black, oil Bullseye lens, 13 cm diameter, green Circular lens on opposite site, 5 cm diameter, clear Sliding panel provides access to burner Rain shield embossed 'THE ADLAKE NON SWEATING LAMP' 'LAMP MFG 7 RLY SUPPLIES LONDON''THE ADLAKE NON SWEATING LAMP' 'LAMP MFG 7 RLY SUPPLIES LONDON'puffing billy, adlake non sweating lamp -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "On track for a tram ride into history", 19/09/2011 12:00:00 AM
Yields information and has a strong association with those involved in the 18-9-2011 BTM Family fun day.Pages 1 and 3 of The Courier, Ballarat, Monday Sept 19, 2011 featuring photographs and an article on the BTM Family Fun day, titled "On track for a tram ride into history". Has a photograph of Roger Salen standing in front of No. 27 on the depot fan, as MC of the event on page 3 and photo of 40 on access track on front cover. Photos by Jeremy Bannister of The Courier.btm, family fun day -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1934-1935, 1934
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Circular blue and gilt enamel on metal membership medallion produced by the Kew Cricket Club for the year 1934-35 that belonged to Francis Horace Rigg (1882-1946). The medallion is enameled in shades of blue and gold with inscriptions in gilt. The medallion includes the logo of the Club at centre, the full name of the Club at top and the period for which the member would gain access to games at the base.Kew Cricket Club KCC 1934-1935kew cricket club -
Melbourne Tram Museum
Poster, The Met, "Speed Hogs", May. 1984
Advertising Poster for use in Tramcars printed on heavy cardboard - titled "Speed Hogs" about the opening of the final section of the Underground loop or City Loop - has a cartoon by "Jeff" - notes the connection of the north western lines - 1 May 1984 (PTV Website loop history accessed 7-2-2016) Has The Met logo in the bottom right hand corner.trams, tramways, the met, city loop, melbourne -
Melbourne Tram Museum
Functional object - Model bus, Melbourne & Metropolitan Tramways Board (MMTB), AEC Regal Mk 3, Comeng, c1980
Model bus - AEC Regal Mk 3, Comeng, made by The Met or the MMTB for their model tram at the Royal Show Melbourne c1985. See http://www.busaustralia.com/fleetlists/vicdisp.php?search=AEC3C - accessed 15/6/2020. Appears to be made from wood and then painted. May have originally been painted in MMTB colour and then painted in The Met Metropolitan Transit colour scheme.trams, tramways, models, buses, the met, royal show -
Melbourne Tram Museum
Poster, Public Transport Corporation (PTC), "Public Transport Corporation - Your travel made easy", early 1990's?
Set of five large posters, featuring a person using public transport and how to use it titled "Public Transport Corporation - Your travel made easy" .1 - portrait format - for trams .2 - ditto for buses .3 - ditto for suburban trains .4 - landscape format for country trains - has a contact number for disability access. .5 - ditto for suburban busestrams, tramways, ptc, posters, trams, railways, disability services, behaviour -
Federation University Art Collection
Painting - Acrylic on Linen, 'Tingari Cycle' by Walala Tjapaltjarri
Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu -
Federation University Historical Collection
Flyer, Introduction to the National Disability Insurance Scheme (NDIS)
The National Disability Insurance Scheme was introduced by the Australian Government to help people with a disability access the correct level of funding for their needs. A4 flyer advertising a course titled Introduction to the National Disability Insurance Scheme at Federation Universityfederation university, tafe victoria, national disability insurance scheme, ndis, ndis course -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1880s
This photo is of the road approaching Delley's Bridge. It shows methods of transport and the access route to Halls Gap in the late 19th Century.A man with a walking stick walking away from the camera on a rutted dirt road through trees and bush. Another man is approaching from the opposite direction on horseback.access routes, roads -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1960s (?)
A photo of the gate barring vehicle access to the top portion of the Mt William Road. The photo is part of a Ministry of Tourism campaign.The photo shows an iron gate across a road (Mt William Road). There is a man standing on the edge of the road in the background. A sign on the gate reads 'No vehicles beyond this point'.'Ministry of Tourism of Victoria, 276 Collins St., Melbourne, Nag. No.... , Date ..., Locality Grampians, Subject Gate-Mount William Road.' stamped on back.access routes, roads, scenery, mount william -
Wangaratta RSL Sub Branch
Travel Pass Token, Swann & Hudson
Travel Pass token issued to Widows of World War 1 Veterans entitling free access on all public transport.Round gold metal token with small loop attached at top. Obverse side is yellow with writing and numbers in gold overlayed in resin.Obverse - Widow of World War 1 Veteran Travel Pass 6672 Reverse - Not transferable travel pass, ww1 widows -
Bialik College
Document (Collection) - Meg Rynderman Collection Box 4, Meeting Minutes Council and Executive 1997-1998
judaism, bialik college, governance, 1990sjudaism, bialik college, governance, 1990s -
Bialik College
Photograph (Item) - PJ Day in the Primary School
Lower primary school children pose for photographs dressed in their nightclothes. No names or dates. For inquiries or access contact [email protected] has no-context 'S.'dress-up, school, jewish school, bialik college, photographs -
Bialik College
Photograph (item) - Years 7 and 8 EIS Touch Football Team 1996, 1996
Years 7 and 8 EIS Touch Football Team, 1996. Please contact [email protected] to request access to this record.sport, 1990s -
Bialik College
Photograph (item) - Years 9 and 10 Boys Table Tennis Team, 1996, 1996
Years 9 and 10 Boys Table Tennis Team, 1996. Please contact [email protected] to request access to this record.hawthorn east campus, sport, table tennis, 1990s -
Bialik College
Photograph (item) - Students at Shakespeare Grove opening ceremony, 1962, 1962
Students dressed in uniform at the Shakespeare Grove opening ceremony, 1962. Please contact [email protected] to request access to this record.elc, early learning centre, 1960s -
Bialik College
Photograph - Prep, Year 1 and Year 2, Shakespeare Grove, 1962, 1962
Shakespeare Grove Prep, Year 1 and Year 2, 1962. Please contact [email protected] to request access to this record.shakespeare grove, elc, early learning centre, year 1, year 2, prep, 1960s -
Bialik College
Certificate (item) - Stephen Rose Award, 2013, 2013
Certificate for the Stephen Rose Award, presented at the 2013 Speech Night. Please contact [email protected] to request access to this record.2010s