Al Santoli was born in Cleveland, Ohio, and served in Vietnam with the 25th Infantry Division, Receiving three Purple Hearts and a Bronze Star for valourvietnam war, 1961-1975- personal narratives, southeast asians, 25th infantry division, purple heart, bronze star

Al Santoli was born in Cleveland, Ohio, and served in Vietnam with the 25th Infantry Division, Receiving three Purple Hearts and a Bronze Star for valourvietnam war, 1961-1975- personal narratives, southeast asians, 25th infantry division, purple heart, bronze star

Al Santoli was born in Cleveland, Ohio, and served in Vietnam with the 25th Infantry Division, Receiving three Purple Hearts and a Bronze Star for valourvietnam war, 1961-1975- personal narratives, southeast asians, 25th infantry division, purple heart, bronze star

In 1971, while U.S. ground forces were prohibited from crossing the Loatian border, a South Vietnamese Army corps, with U.S. air support, launced the largest airmobile operaion in the history of warfare, Lam Son 719.operation lam son 719 (1971, history -- asia -- southeast asia, ho chi minh trail, president nixon, operation lam son 719, us forces, north vietnam army, tchepone in loas

Jenna Lee dissects and reconstructs colonial 'Indigenous dictionaries' and embeds the works with new cultural meaning. Long obsessed with the duality of the destructive and healing properties that fire can yield, this element has been applied to the paper in the forms of burning and mark-making. In Without Us, Lee uses charcoal to conceal the text on the page, viewing this process as a ritualistic act of reclaiming and honouring Indigenous heritage while challenging the oppressive legacies of colonialism. Lee explains in Art Guide (2022), ‘These books in particular [used to create the proposed works] are Aboriginal language dictionaries—but there’s no such thing as “Aboriginal language”. There are hundreds of languages. The dictionary just presents words, with no reference to where they came from. It was specifically published by collating compendiums from the 1920s, 30s and 40s, with the purpose to give [non-Indigenous] people pleasant sounding Aboriginal words to name children, houses and boats. And yet the first things that were taken from us was our language, children, land and water. And the reason our words were so widely written down was because [white Australians] were trying to eradicate us. They thought we were going extinct. The deeper you get into it, the darker it gets. But the purpose of my work is to take those horrible things and cast them as something beautiful.’Framed artwork

Shelby Stanton's Vietnam Order of Battle has been the "Bible" for the Army's Southeast Asia War Records project, which has been hastened immeasurably by having this accurate and excellently compiled reference work at hand - it is an information source without equal. deployment of forces, united states. army -- history -- vietnamese conflict, 1961-1975

This book is dedicated to Dr. Peter Rollins (1942-2015), a Marine officer in Viet Nam.vietnam war (1961-1975) - united states, vietnam war - 1961-1965 - campaigns, history -- asia -- southeast asia

This book is dedicated to Dr. Peter Rollins (1942-2015), a Marine officer in Viet Nam.vietnam war (1961-1975) - united states, vietnam war - 1961-1965 - campaigns, history -- asia -- southeast asia

A small grey paperback reader or textbook with black lettering on the front cover at the top for the title Whitcombe's Human Geography Reader Grade VIII. A cost of 1/9 is printed in the lower right hand corner. A black and white illustration inside a square shape is of a city near a river and wharf activities. Throughout are black and white charts, maps, diagrams, photographs and illustrations. Inside the front and back covers are further Whitcombe and Tombs titles as well as on the outside of the back cover. Blue ink writing on the front of Lance Sebire. Some ink stains inside with a damaged worn cover and stains. 208p.non-fictionA Human Geography Reader for Grade VIII. Regional Geography of Asia and Australasia specially written to meet the requirements of the Social Studies (Geography) Course of Study in Victorian Schools. It stresses the necessity to win the interest of pupils and the important part geography has played in the history of the world. There is an emphasis on the regional study of Australasia.children's books, handbooks, textbooks, geography

The weapons of the war in Southeast Asia ranged in complexity from technologically-advanced, eight-engined B-52 strategic bomber to the Stone Age sharpened-stake booby trap of the guerrilla.vietnam war, 1961-1975 - equipment and supplies, weapons, viet cong

The weapons of the war in Southeast Asia ranged in complexity from technologically-advanced, eight-engined B-52 strategic bomber to the Stone Age sharpened-stake booby trap of the guerrilla. vietnam war, 1961-1975 - equipment and supplies, weapons, viet cong

Like the war in Spain thirty years ago, the significance of the war in Vietnam reaches far beyond the geographical boundries of that tragic and beautiful land.vietnam war, 1961 - 1975, southeast asia - politics and government

The book is based on the film series by Ken Burns and Lynn Novick.What we remember, what we've forgotten - and what we never knew about America's least understood war, revealed in a riveting, richly illustrated volume based on the major ten-part documentary series directed by Ken Burns and Lynn Novick.vietnam war (1961-1975), president ford, north veitnamese troops, southeast asia, presidential palace, saigon

When a man leaves home, he sometimes travels more that mere physical distance. military assistance, american -- vietnam, vietnam war, 1961-1975 -- united states, battalion combat team, barrio united defense corps, operation brotherhood

So Much to Lose is a well-crafted, exceptionally researched, and most welcome contribution. Rust provides a wealth of otherwise unavailable material on a largely unexplored and misunderstood chapter of America's Southeast Asia history.united states - foreign relations - laos, united states - foreign relations - 1961-1963

As he flew over South East Asia towards Vietnam, Captain Barry Petersen struggled to keep an aura of calm. Inwardly he was incredibly excited. Age 28, highy trained, with experience in anti-communist guerill warfare, he was about to embark on the biggest and most important mission of his life. petersen, barry -- career in armed forces, vietnam -- officers -- biography, australia. army. australian army training team, vietnam -- officers, vietnam war, 1961-1975 - participation, montagnard (vietnamese people), captain barry petersen, aattv, cia

As he flew over South East Asia towards Vietnam, Captain Barry Petersen struggled to keep an aura of calm. Inwardly he was incredibly excited. Age 28, highy trained, with experience in anti-communist guerill warfare, he was about to embark on the biggest and most important mission of his life.petersen, barry -- career in armed forces, australia. army. australian army training team, vietnam -- officers -- biography, australia. army. australian army training team, vietnam -- officers, vietnam war, 1961-1975 - participation, montagnard (vietnamese people)

This copy is an 'uncorrected page proof".Fought as fiercley by politians and the public as by the troops in Southeat Asia, the Vietnam War - its origins, its conduct, its consequences - is still being contested. 1908-1973, 1917-1963, vietnamese war, 1961-1975 -- united states, president j f kennedy, president lyndon johnson

The weapons of the war in Southeast Asia ranged in complexity from technologically-advanced, eight-engine B-52 strategic bomber to the Stone Age sharpened-stake booby trap of the guerrilla. vietnam war, 1961-1975 - equipment and supplies, weapons, viet cong

These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists

In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex.