Spiral A3 folio with purple cover. A cut out in the centre of the cover shows a concept drawing of the Tatura Town Square. non-fictionA proposal by the Tatura Revitalisation Committee for the development of the Tatura Town Square precinct. The initial design work for the pedestrian precinct, renovation of the existing fountain, landscaping and the installation of the Tatura Heritage Mosaics was done with the assistance of a Victorian Government Price of Place Grant. See L1059, L0764mural, tatura, mosaic, town square, 1998

Spiral A3 folio with purple cover. A cut out in the centre of the cover shows a concept drawing of the Tatura Town Squarenon-fictionA proposal by the Tatura Revitalisation Committee for the development of the Tatura Town Square precinct. The initial design work for the pedestrian precinct, renovation of the existing fountain, landscaping and the installation of the Tatura Heritage Mosaics was done with the assistance of a Victorian Government Price of Place Grant. See L1058, L0764tatura, town square, mural, mosaic

Lieutenant A. V. Grant who escorted Japanese internees brought by train from Perth WA to Camp 4 in 1942.Black and white photograph of Lieutenant A. V. Grant in uniform, house behind him.camp 4 army officers, lieutenant a. v. grant, japanese internees, camp 4 tatura

6 pieces - 3 x Anglesea and 3 x Geelong. 6 Broadcasters Licences issued to Mr J Murch of Anglesea (3) and to Mrs J. Murch of Eastern Beach, Geelong. Licence No. 11 16883 on all 6. Fee paid 2 pounds 15 as stamped by the Anglesea Post Office. Penalty for operating unlicensed equipment. Fine not exceeding 100 pounds. A BROADCAST LISTENER'S LICENCE (hereby granted to) MR. J. MURCH, ANGLESEA. 12 JUNE, 1961, 1963, 1964. MRS. J. MURCH, 14 EASTERN BEACH, GEELONG. Signed by G Edwards & B Edwards.broadcast listener's licence, postmaster general, j. murch

Doctor of Medicine granted to Macfarlane Burnet by University of Melbourne, 1924.

Irish poet and balladeer Thomas Moore, best-known for penning The Minstrel Boy and The Last Rose of Summer, is honored in this statue prominently located in Sturt Street created by sculptor George Grant from white Carrara marble. George Grant was trained at the School of Art associated with the National Gallery of Victoria, apparently in the 1880s, and then worked as an artist, specialist house painter, and banner artist. Several of his paintings are held by the Ballarat Art Gallery. Moore`s writings range from lyric to satire, from prose romance to history and biography. His popular "Irish Melodies" appeared in ten parts between 1807 and 1835. Moore was a good musician and skillful writer of songs, which he set to Irish tunes, mainly of the 18th century. This statue is of historic and aesthetic significance to the people of Ballarat.Marble statue of Thomas Moore above a large sandstone pillar West: Presented to the City Council of Ballaarat by the following citizens: H.F. Elliot, The Honorable E. Morey M.L.C., Cr C.R. Retallick, Cr J. Heinz. South: R.S. Mitchell, P. Papenhagen, T. Elliot, J. Snow, G.K. Coutts, C. Bailey, J.J. Goller & Co, W.E. Ballhausen, G. Thompson, W.H. Figgis. North: S. Seward, F.G. Haymes, Craig Williamson, R. Giddings, G. Berry, R. Inge, J.A. Pittard, L. Lederman, H. Bremer, D. Jones. thomas moore

A temporary artwork by Lead On Ballarat was installed in a carpark at the Ballarat Library from 2013-2020. Art Streetz Murals was an initiative of Lead On Ballarat’s, “Take Back the Streets” art program and the City of Ballarat. The project was funded under the Graffiti Prevention and Removal Grants, part of the Victorian Government’s Community Crime Prevention Program. The aim of the project was for the young people involved to develop their skills, ideas and designs with assistance from the ‘Lead Artist’ Pauline O'Shannessy-Dowling. The artwork was created through a number of workshops, planning and design sessions. The final design received approval from the City of Ballarat and was painted by the lead artist and collaborators from April – May 2013.The artwork is of aesthetic and social significance to the people of Ballaratpainted mural lead on ballarat, take back the streets

Alison M Grant (18/3/1925–15/4/1984) studied for a B.D. as a private student and when in 1974 the General Assembly of Australia approved the ordination of women she applied to be a candidate for the ministry and was ordained in 1975. She served in Robinvale and Balmoral before her untimely death from cancer on Palm Sunday 1984. She was very highly regarded as both an educator and as a minister.B & W photograph of Alison Grant riding a bicycle.Rev. Alison Grantrev. alison m. grant; ordained 1975; robinvale; balmoral.

These two chairs are Grant Featherston prototypes of the 1947 Relaxation Chairs. These chairs came from the Boyd family's Camberwell home (666 Riversdale Road, Camberwell, formerly 158 Riversdale Road) and were originally upholstered with webbing. The fixings were modified in the final product Relaxation chairs. Robin Boyd designed the Ivanhoe home of Grant and Mary Featherston (1967).Dark orange with black fine check woven wool. Nine self-covered buttons. Laminated timber legs and arms (no frame). Three visible timber pegs/bolts connect arms to the body.walsh st furnishings, robin boyd, grant featherston, ohm2022, ohm2022_33

This pair of RS161 Grant Featherston Contour Settees (1951) were previously in the Boyd home in Camberwell. Robin Boyd designed the Ivanhoe home and Grant and Mary Featherston (1967).Two two-seater settees, with four timber cigar shaped legs with round flat metal brass feet. Olive green/copper loose weave fabric. Wool/silk blend fabric. Twenty five self-covered buttons. Curvaceous contour shape.walsh st furnishings, settee, featherston, robin boyd

These two chairs and another pair of chairs (item F044) are Grant Featherston prototypes of the 1947 Relaxation Chairs. These chairs came from the Boyd family's Camberwell home (666 Riversdale Road, Camberwell, formerly 158 Riversdale Road) and were originally upholstered with webbing. The fixings were modified in the final product relaxation chairs. Robin Boyd designed the Ivanhoe home of Grant and Mary Featherston (1967).Set of two black and grey fine checked wool fabric. Laminated timber legs and frame. 9 self-covered buttons. No arms.walsh st furnishings, robin boyd, grant featherston

This model of the Robin Boyd-designed Featherston house in Ivanhoe, Victoria commissioned by Grant and Mary Featherston (1967). This model was created for the House of Ideas exhibition, made by a University of Melbourne, Melbourne School of Design, Masters student.Model of Robin Boyd-designed Featherston house.robin boyd

Word lists, colour illustrations, CD-ROMwiradjuri

word lists, colour illustrations, CD-ROMwiradjuri

B&w illustrations, b&w photographs, word lists, CD-ROM (contains place and direction; about actions)wiradjuri

B&w illustrations, b&w photographs, sheet music, word lists, CD-ROMwiradjuri

Includes information on the sound patterns of the Wiradjuri language. Melody line only, with text of songs in Wiradjuri. Includes English translations of the songs. See also companion volume Wiradjuri language songs for children of all ages /? Stan Grant (snr) and John Rudder.B&w illustrations, b&w photographs, sheet music, word lists, CD-ROMwiradjuri

Colour photographs, b&w illustrations, games, word lists, CD-ROM (contains place and direction; about actions)wiradjuri

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. The photo is of the Exterior (east) wall (east), the entrance to vestibule and an external fire escape. [The fire escape was later removed.]villa alba museum, conservation photographs, victorian architecture, fire escapes