Yields information about the rosters or the work patterns of the crews in operating the Ballarat tramway towards the time of closure. Has a strong association with the crews themselves as they had to know these on the job.Set of 10 sheets on heat sensitive paper of the roster or timetables of the various tram runs for crews detailing the time they sign on, what services they operate, times, meals, who relieves or takes them, and times finishing, total times and any notes eg change of tram type. Hand written on foolscap size graph paper, with additional notes in ink on each run as needed. Would have allowed the crews to copy into their own note books. Weekdays - 3, 6, 7, 8, 10 - 20, 22 - 30, 34 - 38. 2nd copy added 3/1/2020 See Reg Item 5415 for Saturdays and 5416 for Sundays.trams, tramways, rosters, timetables, crews, shifts, ballarat

Yields information about the rosters or the work patterns of the crews in operating the Ballarat tramway towards the time of closure. Has a strong association with the crews themselves as they had to know these on the job.Set of 8 sheets on heat sensitive paper of the roster or timetables of the various tram runs for crews detailing the time they sign on, what services they operate, times, meals, who relieves or takes them, and times finishing, total times and any notes eg change of tram type. Hand written on foolscap size graph paper, with additional notes in ink on each run as needed. Would have allowed the crews to copy into their own note books. Saturdays - 2, 3, 6, 7, 8, 11, 13 - 29, 33. 2nd copy added 3/1/2020. See Reg Items 5414 for Weekdays and 5416 for Saturdaystrams, tramways, rosters, timetables, crews, shifts, ballarat

Yields information about the rosters or the work patterns of the crews in operating the Ballarat tramway towards the time of closure. Has a strong association with the crews themselves as they had to know these on the job.Set of 3 sheets on heat sensitive paper of the roster or timetables of the various tram runs for crews detailing the time they sign on, what services they operate, times, meals, who relieves or takes them, and times finishing, total times and any notes eg change of tram type. Hand written on foolscap size graph paper, with additional notes in ink on each run as needed. Would have allowed the crews to copy into their own note books. Sundays - 1 - 8. 2nd copy added 3/1/2020 See Reg Item 5414 for Weekdays and 5415 for Saturdays.trams, tramways, rosters, timetables, crews, shifts, ballarat

Yields information about the north end of the Wendouree Parade tram line and the view toward the Lake in August 1941, the section where the BTM operates now.Digital image from the Wal Jack Ballarat Album of a photograph of No. 28 north bound in Wendouree Parade August 1941 leaving the gardens area. The north end or St Aidans Drive gate pillar is on the left hand side along with a canon. The tram is proceeding to Victoria St. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear of photograph in ink "Ballarat No. 28 at Gardens"trams, tramways, wendouree parade, st aidans drive, tram 28

Yields information about the types of tramway signals available for use on tramways systems. The type BY was used by the SEC in Ballarat and Bendigo.Four page Pamphlet or Brochure Forest City ATS1, printed brochure with illustrations "Automatic Tramway and Crossing Signals" – four types noted. Four types: 1. Tramway type "C: Car counting signal, up to 10 cars 2. Tramway type "BY" - non car counting signals 3. Level crossing signal operated by approaching cars 4. Turning Warning signals with notes on rear page of the set up for automatic control signals for rail crossings on roads, docks etc. Date stamped by SEC 20/9/1949 on front cover.Has “218” in biro in bottom left hand corner.trams, tramways, forest city signals, level crossings, signals

Yields information about the construction of the BPTS depot in early 1974 and its appearance.Set of four Black and white photographs of how the BTPS operated during the early days of the BTPS. Based on the troughing being placed for No. 2 road only, photo dated by a list in the 1972-73 Annual Report at May to June 1973. .1 - ? Bounds standing alongside No. 27, which was operated as a Museum display. .2 - Just the tram itself - was pushed out of the shed by hand. .3 - A general scene with visitors and workers. .4 - pushing the tram back in again at the end of the day. Note the sign is different in the front of No. 27, or no sign, indicating different days. See 1972 - 1973 Annual Report which has a list of dates on page 3 of events at the depot.trams, tramways, depot fan, btps, operations, tram 27

Yields information about the details the rosters for crews during the ESCo era and how the tram service operated. Further work on the sign on / off times and knowledge of timetables could determine the date.Single large rolled sheets which has been hand written detailing the Rostered Hours and Miles for crews during the ESCo era. Gives details for the Lydiard St, Drummond St North, Orphanage, Mount Please, Sebastopol and Gardens routes for Monday to Thursday, Fridays, Saturdays and Sundays rosters listing run number, sign on/off, rostered hours, total, number of trips, rostered miles, garden miles total miles and average speed. In the bottom right hand corner is a list of distances for the Gardens routes. Possible 1910's given Reg Item 4738, which can in the same set of donations. trams, tramways, ballarat, rosters, employees, shifts, timetables, esco

Forming the headwaters of the Johanna River and noted for its majestic Myrtle Beech and Blackwood trees, in 1921 the property came into the possession of Mrs Jessie Fry, wife of Mr Thomas Fry, a well-known and respected local bushman and timber getter. Here the family lived and it was Mrs Fry who named the place 'Melba Gully'. Sometime in the late 1920s Mrs Fry was approached by Pioneer Tours, the bus company, to see if she would provide lunches and afternoon teas for their passengers travelling between Apollo Bay and Port Campbell. Mrs Fry rose to the challenge; the Melba Gully Luncheon Rooms were built adjoining the Fry home and she was in business. Mrs Fry was unfailing in her courtesy and kindness. She was also a splendid cook, known for her feather-light scones and sponges. Home-produced strawberries and cream were a special treat. Visitors were also taken on a tour of 'The Gully', often guided by one of her young sons. Melba Gully Visitors Book is testimony to her many satisfied customers. Tom and Jessie Fry sold the property on her retirement in 1947 and the tearooms ceased to operate. It again changed hands in 1958 to Otway residents Mr and Mrs Axel Madsen, and in 1975 they made the magnificent gesture of gifting the 48 hectare Melba Gully to the people of Victoria..Framed painting in oils of a weatherboard house with picket fence, before a backdrop of forest. A figure chopping wood is at the right.Signature of artist John Driver, 1981melba gully, jessie fry, thomas fry, buses, tours, weatherboard house, john driver

Forming the headwaters of the Johanna River and noted for its majestic Myrtle Beech and Blackwood trees, in 1921 the property came into the possession of Mrs Jessie Fry, wife of Mr Thomas Fry, a well-known and respected local bushman and timber getter. Here the family lived and it was Mrs Fry who named the place 'Melba Gully'. Sometime in the late 1920s Mrs Fry was approached by Pioneer Tours, the bus company, to see if she would provide lunches and afternoon teas for their passengers travelling between Apollo Bay and Port Campbell. Mrs Fry rose to the challenge; the Melba Gully Luncheon Rooms were built adjoining the Fry home and she was in business. Mrs Fry was unfailing in her courtesy and kindness. She was also a splendid cook, known for her feather-light scones and sponges. Home-produced strawberries and cream were a special treat. Visitors were also taken on a tour of 'The Gully', often guided by one of her young sons. Melba Gully Visitors Book, running from November 1937 until the end of 1958, is testimony to her many satisfied customers. Tom and Jessie Fry sold the property on her retirement in 1947 although the tearooms continued to operate. It again changed hands in 1958 to Otway residents Mr and Mrs Axel Madsen, when it finally closed, and in 1975 they made the magnificent gesture of gifting the 48 hectare Melba Gully to the people of Victoria..Melba Gully Visitors Book. Foolscap, leather-bound, lined pages with margin approximately 30mm from left. Added, 24 p. unlined quarto.Full of inscriptions, cover to coverlavers hill, melba gully, jessie fry, thomas fry, axel madsen

Replica 08 Pattern Right & Left Hand Ammunition Pouchesequipment, ww1, army

2 hand made bamboo containers -i nsert slides inside outer. ?poss. PNG. (To be investigated as to use).ephemera, ww2, general

Resin Replica USA "pineapple" grenadeammunition, ww1, army

"potato Masher" German WW1 Hand Grenade. Resin Replicaammunition, ww1, army

SS Strathnaver operated between 1932 and 1962 as a migrant ship and as a troop carrier in WWIIDinner Hand Bell with a small brass anchor shaped handle from the SS StrathnaverSS Strathnaver

Black wooden mantle clock with pendulum bob, made in U.S.A. by the Sessions Clock Company, mounted on ornate metal feet with metal handles on each end, four faux marble columns in green with metal tops & bases. Round gold dial with black numerals and hands, brass bezel with flat glass. 8 day time and strike, chiming the hours on a gong and half hour on a bell. Original paper label on back with manufacturers details and operating instructions.The Sessions Clock Cohorology, clocks, mantle

List titled "Numbers and Particulars of Trams", copied 27 March 1952. Gives details of where purchased from, date of purchase, type, body builder, seating capacity, overall length, overall height, overall width, condition of tram, trolley base, Lightning arrester, controller make and type, Truck Maker and type, type of truck, axle type, wheelbase, axle diameter, motors type and maker, Motor horsepower, Armature bearings, suspension bearings, gear teeth, Air compressor make and type, Brake Valves make and type, Governor make and type, Weight in tons and details of advertising space in racks. See also 8721 and 8722 for other versions - different dates and 8690 for a Bendigo list. Note: Framed copies of both Ballarat and Bendigo are held in the depot. Notes the renumbering of trams 15 and 22.Yields information about the dimensions and equiipment on Ballarat Tramcars operated by the SEC.Typed List of tramcars and their details for Ballarat.handwritten note regarding tram 37 "not in service" and "41, 42, 43" added to top right hand side.tramcars, ballarat, equipment, lists, data

The typed document, most likely from an original document, details the rules for Electric Supply Co of Victoria (ESCo) Conductors. ESCo was the operator of the Ballarat Tramways from 1905 to 1934. Notes issuing of tickets, operational issues, trailers, bell signs, cash handling, parcels, behavior, uniforms, and inspectors. Conductors were primarily youths, under 21 and could be sacked for errors and were generally not employed after they turned 21. Notes the Grenville St shelter/office of ESCo. Not known who retyped the document.Yields information about the rules that ESCo conductors operated under and the operation of trailers.Six page typed document on ruled foolscap paper with four punch holes on left side and stapled in top left hand corner.tramcars, tramways, conductors, tickets, esco, trailers

In 1853 Thomas Abell opened a carpentry and undertakers in Bridge St, Bendigo. In 1855 the business moved to a two story building on the corner of Bridge St and Cemetery St. In 1856 the business was bought by George Oakley. His son William operated the business in partnership with Peter Fizelle from 1886 but this partnership was dissolved, rather acrimoniously in 1895 with Oakley opening a rival business. In 1898 Peter's daughter Elizabeth Fizelle married Irishman Michael Mulqueen and from 1900 the business became known as Fizelle and Mulqueen. Peter Fizelle died in 1901 but the company retained his name until 1934 when it becam known as Mulqueen and Sons. Today the company is in the hands of the sixth generation of Mulqueens.Mulqueen Family Funeral Directors 150 years Anniversary A4 Booklet; contains history and milestones of the company.history, bendigo, merle lummis collection, mulqueen family funeral directors

St John's was first established in Melbourne in 1883 to teach First Aid. The first class of 30 ladies were trained in Bendigo by a visiting surgeon instructor and completed their First Aid course in November 1886. In 1888 the first stretcher and hand ambulance was established in Bendigo and a request was made for mobile ambulances to be operated by men. Women were deemed only suitable for home nursing and hygiene instruction. By 1902 , in response to the high level of mining accidents, men were being trained in First Aid and the first St John's branch was started at Eaglehawk in 1903. The Central Bendigo branch was started in 1912 and as late as 1956, the Bendigo Combined Division registered 10 members.A six page document dedicated to the history of the St John Ambluance in Bendigo and their ties with the local communityst john's ambulance, first aid, home nursing

Gives the design details of the device or fitting known as a trolley wire ear that holds a tramway copper trolley wire in position. Notes that the drawing was traced in 1958 from a MMTB drawing.Yields information about the design of trolley wire fittings and how they were fabricated. Interesting that the drawing is dated 15-8-1958, given that on 1-3-1958 the last street tramways operated by the Victorian Railways closed. May have been used for electrically powered gantry cranes or overhead travelling cranes used in Workshops and railway yards.Dyeline print of Victorian Railways drawing - F6236 - Ears Female TramwayHas number "7515 D.33" in black pen in bottom right hand corner.tramways, trams, overhead, victorian railways, trolley wire, engineering, electrical engineering

Gives the design details of the device or fitting known as a trolley wire ears that holds a tramway copper trolley wire in position. Notes that the drawing was traced in 1924 from a MMTB drawing. Has details for a splicing ear, straight line ear. feeder ear and curve ear along with details for nuts and screws.Yields information about the design of four different types of trolley wire fittings and how they were fabricated for use on the two tram lines, or electric street railways operated by the Victorian Railways.Dyeline print of Victorian Railways drawing number 4057 - Ears for Tramway Overhead ConstructionHas number "7513 D.33" in black pen in bottom right hand corner.tramways, trams, overhead, victorian railways, trolley wire, engineering, electrical engineering

Provides a list of active Ballarat trams operated by the State Electricity Commission of Vic, dated 7-11-1967. Notes that there are 15 ST's (Single trucks or four wheel trams) and 10 bogies - all larger trams. Also records that all destination rolls were black on white, changed over from white letters on a black background. Not known who produced the list.Prepared for personal or for providing information to another person on what trams were active in the Ballarat depot at the time.List of SEC Ballarat Trams - dated 7-11-67 hand written on a foolscap sheet of plain paper.ballarat, trams, tramcars, secv, destination rolls, lists

Yields information about the closure of the SEC operated Ballarat tramway system and the formation and first 10 years of the BTPS. Contains a number of cuttings, Hansard extracts and photographs.Book - 40 page + covers, book describing the last days of the SECV's Ballarat operation, the formation of the BTPS and the first 10 years of the BTPS operating. Cover-card with photos in green ink. Title = "Ten Years" Book has 40 photos, four drawings, list of SECV trams at Sept. 1971. 309.1 - donation by Neville Gower 309.2 - collected from stock.309.1 - has "Neville Gower" in ink on page 3, top right hand corner.trams, tramways, ballarat, secv, btps, closure

The Melbourne and Metropolitan Board of Works (MMBW) plans were produced from the 1890s to the 1950s. They were crucial to the design and development of Melbourne's sewerage and drainage system. The plans, at a scale of 40 feet to 1 inch (1:480), provide a detailed historical record of Melbourne streetscapes and environmental features. Each plan covers one or two street blocks (roughly six streets), showing details of buildings, including garden layouts and ownership boundaries, and features such as laneways, drains, bridges, parks, municipal boundaries and other prominent landmarks as they existed at the time each plan was produced. (Source: State Library of Victoria). This plan forms part of a large group of MMBW plans and maps that was donated to the Society by the Mr Poulter, City Engineer of the City of Kew in 1989. Within this collection, thirty-five hand-coloured plans, backed with linen, are of statewide significance as they include annotations that provide details of construction materials used in buildings in the first decade of the 20th century as well as additional information about land ownership and usage. The copies in the Public Record Office Victoria and the State Library of Victoria are monochrome versions which do not denote building materials so that the maps in this collection are invaluable and unique tools for researchers and heritage consultants. A number of the plans are not held in the collection of the State Library of Victoria so they have the additional attribute of rarity.Original survey plan, issued by the MMBW to a contractor with responsibility for constructing sewers in the area identified on the plan within the Borough of Kew. The plan was at some stage hand-coloured, possibly by the contractor, but more likely by officers working in the Engineering Department of the Borough and later Town, then City of Kew. The hand-coloured sections of buildings on the plan were used to denote masonry or brick constructions (pink), weatherboard constructions (yellow), and public buildings (grey). MMBW Plan No.1578 is significant in that it defines the extent of two private schools: Xavier College and Kew High School (now part of Trinity Grammar) by 1904. In relation to the latter, the plan clarifies which buildings the High School operated from behind the mansion ‘Molina’. Established in 1902, Trinity Grammar was to later lease and subsequently buy Molina (now ‘Merritt House’) and ‘Elsinore’ (now ‘Roberts House’). Xavier College had been established in 1872. This 1904 plan delineates the West Wing and the Great Hall (built in 1890).melbourne and metropolitan board of works, detail plans, maps - borough of kew, mmbw 1578, cartography

Most of the civic and sporting ephemera assembled by Francis Rigg were patriotic buttons. The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. The women of Kew set up a kiosk in front of the Post Office and the Railway Station to solicit their round, oval and square shaped wares. Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the day. The badges form part of a collection of ephemera originally purchased by Francis Horace Rigg (19/10/1882-05/03/1946) of 50 Belford Road, Kew (Vic.). Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and badges was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg during the Gallipoli and Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the badges are patriotic buttons, issued and sold during and immediately after World War 1 to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.The use of common symbols for a range of purposes is sometimes a feature of wartime and post-war fundraising buttons. Like the ‘Hospital Day 1919’ badge, the ‘Come Back to God’ badge is within a seven pointed star on a dark blue ground with sprays of wattle; attempting to harness nationalism with religion.Come back to Godbutton

Most of the civic and sporting ephemera assembled by Francis Rigg were patriotic buttons. The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. The women of Kew set up a kiosk in front of the Post Office and the Railway Station to solicit their round, oval and square shaped wares. Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the day. The button forms part of a collection of ephemera originally purchased by Francis Horace Rigg (19/10/1882-05/03/1946) of 50 Belford Road, Kew (Vic.). Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and badges was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg during the Gallipoli and Beyond Commemoration. The collection covers a period of almost 40 years. The majority of the badges are patriotic buttons, issued and sold during and immediately after World War 1 to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Round metal button in red, white, blue and gold showing a sun setting over the sea with words printed in red around border and on lower outer rim.hospital day, patriotic buttons, first world war (1914-18)

'Test Cricket' was one of the most popular board games in the pre television era. John Sands Pty Ltd, the publisher, was an Australian bookseller and stationer founded in 1837 and produced board games from 1929-78.Board game consisting of a rectangular cardboard piece illustrated with a cricket ground, players and a scoreboard. Two semi-circles have been cut away from the background and are used to control the progress of the game. The right hand game control is moved to 'ball' position (1-8) and back to start which indicates the type of delivery shown in the window. The left hand control is moved to 'type of delivery bowled' and back to the start which reveals the number of runs scored or method of dismissal which is shown in the window. The scoreboard is operated by three circular wheels that show the result of runs and wickets. An oval handle is at the upper centre. The packaging includes a green cardboard box with lid, which has an image of a batsman and a red cricket ball.board games, john sands pty ltd, cricket

The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. The women of Kew set up a kiosk in front of the Post Office and the Railway Station to solicit their round, oval and square shaped wares. Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the dayWorld War I-era pressed tin fundraising button. The button features the French flag and a red cross over a starburst, against a gold background. Encircling the image is a white ring with the text ‘French Red Cross’ in blueFrench Red Cross