Showing 20742 items
matching hand-sewn
-
Melbourne Tram Museum
Document - Report, "A Flexible Supply for DC Traction Networks", 1991
Report or Specification 8 A4 pages, photocopied held within a clear plastic folder with a black binding strip on the left hand side, titled "A Flexible Supply for DC Traction Networks". Produced by ASEA Brown Boveri Industrial Pty Ltd, 1991 giving details of mobile substations, characteristics, and the equipment provided including a photograph. Lists substations provided between 1984 to the MTA, South Australia, Skitube, and the PTC.In ink on the top right hand corner "1991 Tram Substations"trams, tramways, ptc, substation, asea, power supply, mta -
Federation University Historical Collection
Document, Bill of Sale, 1855, 28/09/1855
Hand written bill of sale between A. Fisken and John [Bonshaw?]Lal Lal September 28th 1855 I hereby agre to hand over to Mr John Bonshaw my right and title to lot 33 in the parish of Kirit Berrit and Fifty Pounds Sterling in Exchange for his lot on the Moorabool [?], lot 3 in the same Parrish. Each agreeing to trade & transfer made out, as soon as we get our grants from the Crown. A. Fisken. archibald fisken, john foushaw, bill of sale, land transfer, squatter, john bonshaw -
Kiewa Valley Historical Society
Dress - Aqua Silk, c 1960's
This dress was typical of those worn on 'after 5' special occasions to: dinner dances, weddings, balls. There were many such functions at Mt Beauty and the Kiewa Valley eg. the Hospital Ball.This dress was worn (and possibly made) by Margaret Mc Kendrick (nee Vyner) who lived in Tawonga when growing up. She married Ian Mc Kendrick and they lived in Mt Beauty. She worked as a nurse at the Tawonga & District hospital. Ian worked at the Mt Beauty Post Office. They had 3 children.Aqua silk long (full length) sleeveless dress. Sequined with beads individually hand sewn. Princess line. Zip full length at the back. A couple of pleats at the front and back. 'A' line skirt. Accompanied by a guipure lace short jacket with three quarter sleeves, lined with the same silk as the dress. Scalloped at the bottom of the jacket. Covered button at the top of the back with a loop.'after 5' dress; margaret mckendrick; tawonga; ladies' clothing -
National Wool Museum
Textile - Quilt, India Flint, Red Blanket Wagga, 2008
Created for and entered in the 2008 ‘Expressions: The Wool Quilt Prize’- “The quilts connect us to our past and to our future, by interpreting Australian themes and telling our stories.”- Judy Hooworth, Quilter and Judge of the Prize. Donated to the National Wool Museum after the conclusion of the exhibition.Eucalyptus dyed woolen blanket base with salvaged fabrics hand sewn to create a patchwork effect. The eucalyptus dye has been used to create different tones of brown and red throughout the design with further dyeing used to create leaf imprints on the fabrics. A running stitch has been used to quilt the wagga, the stitching is imperfect, in places tied on the surface of the wagga.On reverse: INDIA FLINT RED BLANKET WAGGAexpressions: the wool quilt prize, quilt, india flint, wagga -
Brighton Historical Society
Headwear - Bonnet, Late 19th Century
A cotton bonnet belonging to the family of George Ward Cole’s in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn ivory cotton, embroidery anglaise child’s bonnet from the late 1800s. The bonnet fabric design combines features a combination of narrow pin tucking and embroidered flowers on a vine. The bonnet edge is finished with a double-layered delicate gathered lace ruffle around all the edges. The bonnet secures under the chin with a delicate tie made of a similar but plain fabric.george ward cole, st ninians, late 1800s, bonnet, margaret morrison ward cole, agnes bruce ward cole, thomas anne ward cole, brighton -
Frankston RSL Sub Branch
Hat, WRANS, 1944
Standard hat issued by the Royal Australian Navy to members of the Women's Royal Australian Navy Service during World War ll. This is a black, felt hat with a faded black tally band with "H.M.A.S. CERBERUS" embroidered in gold lettering. The interior of the hat has a grey sweatband. embroidered with the name : "H.M.A.S. Cerberus" and a sewn, labelled tag on the inside of the hat reading "N18, 1944, Size 21-1/2, MADE IN AUSTRALIA". -
Ballarat Tramway Museum
Slide - 35mm slide/s - set of 2, 8/04/1972 12:00:00 AM
Yields information about the hand over ceremony of Ballarat 43 to Geelong as No. 40 when located at Queens Park Geelong.Set of two Colour 35mm slide in a Kodachrome cardboard mount of the hand over ceremony at Queens Park Geelong on Saturday 8-4-1972 from Ballarat 43 returning to Geelong as No. 40. Photo from the collection of Lilian Butler.in ink on rear "Ballarat 43, now Geelong 40, handing over ceremony" - "Saturday 8-2-72"tramways, trams, geelong, ballarat, tram 43, tram 40 -
Ballarat Tramway Museum
Slide - 35mm slide/s, Jan. 1969
Photo of SEC Ballarat No. 40 west bound in Bridge St. Tram has two car numbers on the front, the destination roll with black background with white lettering. Later replaced with black letters on white background. Has Morseheads shop on the left hand side, Coles store and Christmas decorations in the street. The driver of the car in front of the tram is giving a hand signal - STOP! White cardboard mount slide, taken by Peter Moses assumed Jan. 1966.On the rear of the slides in black ink "Ballarat Tram, end of Main St." and "P. Moses" in the bottom left hand corner in black ink.tramways, trams, bridge st, morseheads, tram 40 -
Flagstaff Hill Maritime Museum and Village
Print - Vessel - Steamship, SS Casino off Point Lonsdale, ca. 1899-1932
Print of a picture of the S.S. Casino, This print is from an original painting by the Australian marine artist A V Gregory (1867-1957), also known as Arthur Victor Gregory. Gregory lived and worked in South Melbourne. He took over the Gregory Studio owned by his father, George Frederick Gregory, painting actively between 1899 and 1932. He usually signed his works as ‘A V Gregory’. Some of his original works have been sold for thousands of dollars. The S.S. Casino was a passenger and freight steamer built in Dundee, Scotland, in 1882 for the Newcastle and Hunter River Steam Navigation Company of N.S.W. She weighed 425 tons gross with a length of 160.4 feet, beam of 24.1 feet and a depth of 10.2 feet. She had saloon accommodation for 35 people, a fore cabin for 25 more people, and she carried 300 tons of cargo. While on her delivery journey on May 30th 1882 the S.S. Casino called in at the Port of Warrnambool for coal ., narrowly escaping going ashore in gale force winds due to the quick action of the pilot. At that time, still at anchor, she impressed the directors of the Belfast and Koroit Steam Navigation Company so much that they bought her immediately; she was ideal for trade along the West Coast of Victoria. (The Belfast and Koroit Steam Navigation Company was first managed by Messers. Saltau and Osburne and after the passing of Mr. Osburne, by produce merchants Messers H. Sautau and Sons, who had a hay and corn store and shipping agency on the corner of Liebig and Koroit Streets in Warrnambool. ) The S.S. Casino became “the most famous steamer to operate in Victorian waters along the West Coast” by author Jack Loney. Captain Boyd was her first Master, followed by Captain Chapman, who stayed with her from 1890 until 1924. Captain W. Robertson followed for a short term, and then Captain Middleton then took command from 1925 - 1932. The S.S. Casino had several mishaps during her life. One was on 3rd January 1898 when she collided with the S.S. Flinders in Apollo Bay with minor damage. Another was on 24th October 1924 when she grounded on a reef at Point Hawdon near Grey River and most of her cargo (of Christmas goods) had to be dumped into the sea. Then in February 1929 she was ‘holed’ when she struck a submerged object as she entered Lady Bay, Warrnambool. On the morning of 10th July 1932, after attempting to berth at Apollo Bay jetty in heavy seas, Captain Middleton decided to take her out into the bay and wait until the seas abated. It was not realised that the anchor used to steady her as she manoeuvred to her berth had pierced her hull. She put about and headed for the beach but sank. Captain Middleton and nine others lost their lives; nine people were rescued including the two female passengers. Captain Middleton had been in charge of the S.S. Casino for seven years. He was the first ship’s Master to lose his life in a shipwreck in the West Coast trade. In the years following the turn of the century, the S.S. Casino remained the only regular trader with normal passenger accommodation along the West Coast. From 1882 she had made at least 2,500 voyages on the one run. Flagstaff Hill’s collection has a photograph of a portrait of Captain Chapman, , a ship model of the S.S. Casino that shows both forms of power under which she sailed, steam and sail. The ship is painted green and flies three flags. The inscription across the case of the ship model, incorrectly dated, tells the sad story of the wreck of the ship and the loss of lives on July 10th 1932 at Apollo Bay. A print in the Collection shows S.S. Casino underway in the heavy sea off Point Lonsdale, another two photographs show her at the Port of Warrnambool, leaving from the Breakwater in Lady Bay and another identifies the S.S. Casino as a ship from the Belfast and Koroit Steam Navigation Company. (Belfast is the original name for the township of Port Fairy).This print of the S.S. Casino is of significance for its association with the coastal trader S.S. Casino. The wreck of the S.S. Casino is considered an important part of Victorian and Australian cultural heritage and as such has been declared and protected as an Historic Shipwreck under State and Commonwealth Law in the Commonwealth Historic Shipwrecks Act (1976). The detailed image of the vessel depicted in this print shows one of the many sail and steam vessels painted by the renowned Victorian marine artist A V Gregory, whose original works are highly valued today by marine collectors.Print with hand-painted watercolour highlights depicting the port side steamship SS Casinounderway in a heavy sea, merchant flag flying at the stern. Mounted in a decorative wooden frame behind glass. The original painting was by A V Gregory. The title of the picture is repeated in handwritten words on the matte below the artist's signature on the print.Signed "A V Gregory" Hand painted title "SS Casino off Point Lonsdale"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, newcastle and hunter river steam navigation company, belfast and koroit steam navigation company, h. sautau and sons, s.s. casino, west coast trader s.s. casino, victorian coastal trader, captain boyd, captain w. robertson, captain chapman, captain middleton, apollo bay shipwreck, s.s. casino at lady bay warrnambool, saltau and osburne, a v gregory, arthur victor gregory, melbourne artist -
Melbourne Legacy
Newsletter, The Legacy Libeller: with which is incorporated "The Somers Slanderer"
Undated but stapled to a further copy of 00130 which was dated 'Xmas 1932'. Pages headed 'Camp Savige, Monday' indicate that it was created for a camp at Stan Savige's property. It recounts the cricket competition between the Dark Blues, Light Blues, Green and Orange teams. Written and illustrated by Pat Hanna in a satirical style it was clearly intended to entertain as much as to inform, but the humour would be seen to be heavy handed or not funny at all today. Nevertheless it demonstrates that campers enjoyed their stay at Somers. See also 01290 and 01291. In the early years, Legacy organised outings to the property of Legacy founder, Legatee Stan Savige, who had a place in Balnarring close to the beach. Permanent camp buildings were built in 1930. In 1930 Lord Somers (Governor of Victoria) also started a camp at a nearby property and the area was renamed Somers. Legacy Somers Camps continued intermittently at Stan's property until it was decided in 1951 to make other arrangements for holidays.Illustrates the sort of activities considered appropriate to occupy camp participants, and the amateur enthusiasm of the newsletter producers in the early half of the twentieth century.3 typed foolscap sheets black on cream, pencilled corrections and linesLegacy symbol hand drawn in pencilnewsletter, savige property, legacy somers camp, camps -
Melbourne Tram Museum
Document - Report, "Melbourne and Metropolitan Tramways Board", 5/02/1963 12:00:00 AM
Report - three foolscap sheets, clipped in top left hand corner titled "Melbourne and Metropolitan Tramways Board" , dated 5/2/1963, outlining the history of transport in Melbourne from cable trams to the formation and operation of the board. notes the General Scheme, financial arrangements and buses.Has "D/ Snell" in red ink in top right hand corner, and on page 3, hand written notes regarding the cost of pneumatic fluid (buses) per seat per annum of buses operating near the CBD and outside it.trams, tramways, mmtb, history, cable trams, costs, buses -
Whitehorse Historical Society Inc.
Map, This is Vermont, 1895-1920?
'Now you have seen it, tell your friends''Now you have seen it, tell your friends' - hand-drawn map of Vermont from Springvale Road to Heatherdale Road, showing the names of owners of houses, main roads and streets, shops and schools.'Now you have seen it, tell your friends' vermont south, vermont, roads and streets -
Vision Australia
Photograph - Image, 2005 Vision Australia Geelong office, 2008
Images taken around the Vision Australia Geelong office at 79 High Street, Belmont in 2008. Amongst the view of the foyer and walkway are the client artworks and banners sewn by volunteers.10 colour photographs taken around the Geelong officevision australia, geelong, volunteers -
Melbourne Tram Museum
Document, "Trams Missing from Fleet Service - Jan 1967"
Provides a list giving the fleet numbers of tramcars that were no longer in service in Melbourne at Jan 1967 and their disposal. Prepared by Keith Stodden, dated 18/8/67. Hand written on Commonwealth of Australia minute paper.Yields information about the status of the MMTB Tram fleet in Jan 1967 and the disposal of tramcars.Set of two sheets hand written on Commonwealth of Australia Minute Paper titled "Trams Missing from Fleet Service - Jan 1967", dated 18/8/1967tramways, tramcars, mmtb, fleet list -
Bendigo Military Museum
Uniform - JACKET, BATTLE DRESS, Oxford Clothing Pty Ltd, 1968
Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Khaki woollen battle dress jacket with cloth major's insignia with a queen's crown sewn on each epaulette. On top of each sleeve is a cloth badge with 'ROYAL AUSTRALIAN ARMY CHAPLAINS DEPARTMENT' embroidered in white letters on a purple background. A white calico manufacturer's label with laundering instructions, is sewn on the inside. A gold coloured metal cross is pinned to each lapel.uniform, insignia, army chaplain, major thomas b. williams -
Melbourne Tram Museum
Flag, "Industries Fair", c1990
Flag advertising the Industry Fair, red print on white background with a map of Australia, printed on both sides, mounted on wooden dowel for use on Melbourne tramcars. Flag made from two layers of cotton, sewn edges, sewn into a white cotton circular section with an cloth cap and then slipped over the dowel and held in position with a single tack. No manufacturers label.trams, tramways, flags, melbourne, events -
Ballarat Tramway Museum
Postcard - ESCo, "Souvenir tram ticket - Railway Picnic", c1905
Printed postcard/ticket for the 16/9/1905 Railway Picnic by the Electric Supply Co of Victoria promoting Bendigo Tramways. Has three views of ESCo's depot and power station and one of a tram. Ticket priced at 6d. On the rear is an advertisement for Henderson & Goodisson's Beehive drapery, furniture, and Carpets. The letter has been sent to Mr Lewis Morgan of Pitfield Plains Vic, noting the trams. In the top right-hand corner is "B Deakin Engineer and Manager", following an English practice of providing details of the Manager;s name.Demonstrates an ESCo printed ticket for a specific event of 1905.Postcard - ticket - divided back used number 6188Hand written message written on the rear - see image 2tramways, trams, bendigo, esco, ticket, railway picnic -
Mission to Seafarers Victoria
Plaque - Wall Plaque, Lightkeepers of the Mission to Seamen, c.1950
Original owner Nora O’Connor the donor’s adopted aunt, migrated to Canada during WW2 and also worked as volunteer at the Vancouver Mission to Seamen where she met her husband Edward O’Connor who later migrated to Australia. NB Lightkeeper membership category across many of the Missions globally, was usually reserved for women busy as home-makers with children and also as a Junior membership category for children.The platter was accompanied by other materials from the Vancouver club of Senior Light keepers and together the material provides a parallel insight and reference to this group. It also provides a historical link within the worldwide network that is now recognised as the Mission to Seafarers. The Lightkeepers Auxiliary was also active with the Mission in Williamstown where they helped raised the funds to set up the new mission in the E,S & A Bank in 1943 which was furnished thanks to the High Commission of Canada.Circular , varnished wooden tray or plaque with beaded edge froming 'lip". Oval hand painted design of two flags on flag pole, one yellow hoist above blue flag with horizontal white stripe across centre, on a ground of turquoise green. U.C. Lettering in gilt around edge of design (see title). On verso, ink stamp plus an old hanging metal wire.indigo ink stamp : hand painted (1st word almost indecipherable)wooden platter, mission flags, nora o'connor, lightkeepers' auxiliary, lightkeeper, overseas missions, vancouver, canada, british columbia, mission to seamen -
Ballarat Tramway Museum
Postcard, five Birney trams lined up in Tramways Ave, 1987
Colour printed postcard of five Birney trams lined up in Tramways Ave, lead by No. 11. Postcard has title "Bendigo Vic" in the bottom right hand corner. Other trams in sequence are 15, 30, 302 (ex 29) and 28. Produced by Color Offset Marketing Pty Ltd, has placed for Stamp and Address box. Photo by Earl Ewers Dec. 1986.Has label on front left hand bottom of card with "1" inked on it.trams, tramways, bendigo, birney -
Ballarat Tramway Museum
Postcard, "Post Office - Ballarat", c1907
View of the intersection of Sturt St and Lydiard St Nth with the Ballarat Post Office being the primary feature. Has an ESCo tram turning from Sturt St into Lydiard St. Shows the trackwork at this location and has several horse-drawn vehicles in the photograph. Note the building in the road space on the left hand side of the photograph. Postmarked Coleraine, 12/9/1908. Has a red 1d stamp. For a similar image see items 8244 and 9008.Demonstrates postcard printing c1908 and has a strong association with the sender and receiver.Black and white postcard - divided back used. Has initials "WTP" in bottom right hand corner.On the rear is a short message from C Kelso to Miss Ruth Waters, of Hill View, Nareen.trams, tramways, post office, sturt st, lydiard st nth, esco -
Flagstaff Hill Maritime Museum and Village
Pen Nibs, 1920's
The two cards of nibs are retail display cards of the dip pen nibs that William Mitchell Calligraphy produced, dating back to around the 1920’s, which was the time of the Great Exhibition in the UK. At that time dip pens with steel nibs were the main writing instruments. British Pens Ltd. had recently formed as a company and its subsidiaries included the the company William Mitchell, which is why British Pens Ltd. is named on the cards as well. One card (1) has the Round Hand nib, which is widely used today for calligraphy scripts. The other card (2) has the Script nib that has round upturned points for monocline or unshaded lettering that is also used for calligraphy. The nibs also have a detachable reservoir. The pen nibs are shaped to fit into a slot in the base of a wooden or Bakelite pen holder. The hole at the front of the nib is for collecting ink from a well, which is then stored in a reservoir at the back of the nib. The nibsare stamped with their nib size and Pedigree (what type of nib it is) and maker’s details. William Mitchell Calligraphy still makes these nibs today with a slightly difference finish. (ref: Sales and Marketing Director of William Mitchell Calligraphy in 2016). HISTORY of the Ink Pen Quills and ink were common writing tools until the early 19th century when the pen trade began mass producing steel nibs and pens. The steel nibs each have a hole in the middle that acts like a well for the ink. When the nib is dipped into the ink well the writer needs to ensure that it is dipped to only just past that well. India Ink was one of the most popular inks used with the nib pens, notable for its satin-like smooth flow. This ink is composed of a particularly fine carbon mixed with water; it can also be obtained as a dry stick that is then crushed and mixed with water as required. The Jewellery Quarter of Birmingham had the largest concentration of independent jewellers in Europe. Birmingham became the centre of the world’s pen trade for many years -, during the 1800’s over 100 factories, employing 1000s of skilled workers, manufactured the ‘Birmingham Pen’. ABOUT WILLIAM MITCHELL CALLIGRAPHY LTD.* (*The following text is quoted from the William Mitchell Calligraphy website) British based William Mitchell Calligraphy has been designing and manufacturing exceptional pens for almost 200 years. The William Mitchell heritage in making pen nibs began whilst working with his brother John Mitchell in the early 1820s. William Mitchell established his own business in 1825 to become one of the leading nib manufacturers and famous for lettering pens. Almost 100 years later William Mitchell merged with Hinks, Wells & Co, another pen manufacturer, to form British Pens, employing around 1000 people in the Bearwood Road area of Birmingham. During the early 1960s British Pens acquired the pen business of other pen manufacturers Perry & Co and John Mitchell, once again reuniting the two brothers. Joseph Gillott, who were famous for their artist drawing and mapping nibs, amalgamated with British pens in 1969. William Mitchell and Joseph Gillott established in Birmingham during the early part of the nineteenth century and [their products] are still proudly made here. British Pens were subsequently purchased by its current owner Byron Head, the owner of William Mitchell (Sinkers) in 1982, and was subsequently renamed William Mitchell (calligraphy) Ltd. Established in 1827 Joseph Gillott was one of the pioneers of mass steel pen nib manufacturing. The company was particularly strong in the American market, prompting Elihu Burrit, the American consul, to write “In ten thousand school houses across the American continent between two oceans, a million children are as familiarly acquainted with Joseph Gillott as with Noah Webster” (The compiler of the famous American dictionary). The company consequently received visits from many notable Americans, including president Ulysses S Grant. The early 19th century invention and mass production of pen nibs such these in our collection had a large impact on education and literacy because the nibs could be produced in great numbers and affordable prices.Pen nibs; 2 cards of steel dip pen nibs from the 1920’s. The steel nibs are attached to cards by 2 rows of entwined cotton cord. Reverse sides of cards have some hand written marks. Manufacturer; William Mitchell, Birmingham, England. Card issued by British Pens Ltd. Nibs have shaped ends, a hole in the centre with a well on the underside, and the tops are shaped approximately quarter circle. Inscriptions are pressed into each nib. The script pens have detachable reservoirs made of a metal different to the nib. (Card 1) Round Hand Pens, 11 nibs remain from card of 12. Printed on card “Round Hand Pens for Beautiful Writing, Twelve degrees of point, Square points. William Mitchell, Birmingham, England. This card is issued by British Pens Ltd. MADE IN ENGLAND” Also printed on top left of card is a pen drawing of a person writing at a desk, background of decorative 3-paned window in brick wall. (Card 2) Script Pens; 11 nibs remain from card of 12. “Script pens fitted with detachable reservoir. William Mitchell, Birmingham, England. This card is issued by British Pens Ltd. MADE IN ENGLAND” Also printed on top right of card is a pen drawing of a person writing at a desk, background of decorative 3-paned window in brick wall. On Card 1, - each nib is stamped with its size, and “Wm MITCHELLS / PEDIGREE / ROUND HAND / ENGLAND” - hand written on front bottom of card in ball point pen “Lettering 5 times size of nib” - hand drawn on back of card in red and blue ball point pen are scribbled lines On Card 2 - each nib is stamped with its size, and “WILLIAM / MITCHELLS / SCRIPT PEN / ENGLAND” - a black circle corresponding to the nib is printed on the card above each nib. - hand written on back of card in black felt tip pen are numerals - hand drawn on back, 4 parallel lines in red ball point pen with the numbers “10” between 2 of the lines flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, great ocean road, william mitchell calligraphy ltd, british pens ltd., pen nib, writing implement, dip pen, round hand nib, script nib, birmingham manufacturer, communication in writing, mass produced pen nibs -
National Wool Museum
Blanket
Made by Godfrey Hirst and hand embroidered by Wendy Hillman. Given to Ron and Sylvia Maidment for Ian Maidment (donor) by Mr and Mrs Buckley, Bordertown, South Australia in April, 1948.Light blue wool baby blanket embroidered with pink and white flowers, a white rabbit and two white mushrooms.An all wool Exclesior baby blanket by Godfrey Hirst Geelong hand embroidered by Wendy Hillman 30" x 40"embroidery, maidment, mr ian maidment, ms sylvia -
Kiewa Valley Historical Society
Belt Linesman Pole, circa mid to late 1900's
This linesman belt was used under the 1947 Electricity Regulations and before tighter Occupation and Health regulations (late 1990's early 2000's) were introduced that mechanical lifting platforms(wherever possible) replaced the belt up the pole method.The safety concern was that it required that tools needed by the linesman had to be placed in a large canvas bag and attached to the belt (extra weight) then the linesman had to climb the ladder. Ladders had to be at the correct angle and not able to "slip" from their initial footings. A full harness and a secondary fall belt is now mandatory for pole linesmen. The safety of fellow workers could be compromised if they were required to assist or recover the first linesman if needed. In 2006 an additional 269 registered lineworkers were employed. Please note that the terminology of linesman has become unisex. The linesman's belt enabled the linesman to place his feet against the pole adjust the belt (if needed) and lean back securely allowing both hands to be free to work with. This linesman belt is very significant to the Kiewa Valley due to the numerous poles and high voltage overhead power structures that needed maintenance for the extensive "mushroom" installation of electrical power polls(wood and metal). On high poles (steel) climbing pegs were welded on, however in the Alpine areas snow in winter caused an OH&S problem which were hard to overcome. The safety of a linesman when maintenance of electricity line on poles can be highlighted by the New Zealand linesman who survived an 11,000 volt shock when carrying out maintenance. For the record 11,000 volts is four times more powerful than execution by "the electric chair". The maintenance of the linesman's belt was his responsibility (keeping it clean and in "good" condition). Labour laws change this initial responsibility, from the linesman, to the employer. Climbing pegs were installed on higher poles that extended beyond the reach of ladders.This thick leather linesman belt is made from two lengths of heavy lengths of leather straps sewn together to make up 80% of the belt. The remaining 20% is "the belt tonge" which has eleven holes for three (solid steel tang) buckle connections.kiewa hydro electricity scheme, victorian state electricity commission, relays, generators, electrical pole maintenance -
Flagstaff Hill Maritime Museum and Village
Accessory - Hand Mirror, Circa late 1800s or early 1900s
The hand mirror is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House a business in Timor St (and later Liebig St) from 1876. The hand mirror is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Liebig St Warrnambool, where it most likely came from. A pewter (or possibly silver-plated) hand mirror that is part of a vanity set. It features a beautiful ornate moulded rose/flower design on the back, handle and front edge of mirrorflagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, hand mirror, pewter, silver plate, toilet set, harbours master's house, staffordshire house -
Mission to Seafarers Victoria
Container - Box, The Missions to Seamen Christmas Greetings 1943, 1943
The box was presumably made in Australia to be used as a gift container for Christmas gifts or greetings by people associated with the Mission or their acquaintances or family members. The box is dated and has the Mission to Seamen logo and description as a promotional way to describe and inform people of the Mission's purpose. The gift was sent by Mariner Merrylees to sister Marjorie in Manitoulin Island, CanadaThis everyday practical object represents in its function an acknowledgement by the Mission to Seamen organisation of the need for sailors and seafarers to stay in touch with friends and family at Christmas time and this sample box of a wartime Christmas marks a particularly difficult time in history for seafarers to stay in touch and connected with loved ones.Cardboard beige rectangular box in a small size, with blue stamped inscriptions on it detailing promotional information about The Missions To Seamen. The object also has a blue hand written inscription on it on the top side and also another hand written inscription at the back side detailing the recipient’s name "Marjorie". This object was sent to recipient with a coin bracelet inside (Reference: 600.2). Top side of the box, Christmas Greetings/1943/FROM/MELBOURNE/PORT MELBOURNE/WILLIAMSTOWN/THREE OF OVER TWO HUNDRED/CLUBS SCATTERED ALL OVER/THE WORLD TO SERVE/THE MERCHANT NAVY. Top right side of the box a flag crown and attached cord logo image, THE MISSIONS TO SEAMEN/MN Hand written inscription top side of the box, Jivaros Hand written underlined inscription back side of the box, for Marjoriecardboard box, christmas gift, mission to seamen, bracelet, canada, manatoulin island, seamen's mission, mission to seafarers, 1943, ww2, christmas, siblings, melbourne, port melbourne, williamstown, coins, robert leighton, marjorie merrylees, mn, merchant navy -
Melbourne Tram Museum
Document - List, "Car used on 22/8/1969", 22/08/1969 12:00:00 AM
Carbon copy of a report or list written on 3 ruled Foolscap sheets, that were stapled in the top left hand corner., titled "Car used on 22/8/1969", listing the various runs by number for Kew Depot, time, destination, car used and car in time. On rear of first sheet has details of the day and night services. The cars used are only list on the first and part of the second sheet. Was this a record kept by the depothas in ink in the top left hand corner "60 crew"trams, tramways, tramcars, kew depot, tram services, records -
Flagstaff Hill Maritime Museum and Village
Tool - Archimedean drill, Late 19th Century
The Archimedes drill, also known as a fretwork drill, is an old type of drill which works on the Archimedian principle; the drill rotates quickly as the barrel on the stem is worked up and down. This tool provides a quick and easy way to bore holes through ordinary fret wood and other substances, smaller versions are used in jewellery making where precision drilling is required. There were numerous different sized Archimedes drills made from various materials, usually a combination of wood and steel, some being all steel and some including brass parts. The fancier versions of these drills included parts made from Rosewood, Ebony, Ivory and decorative brass parts. Some of the later Archimedes drills had technological improvements such as a ratchet device and the inclusion of fly-weights. The ratchet device allows the drill to revolve continuously in the cutting direction. The fly-weights give momentum to maintain the speed of the drill during the upward stroke of the hand. Most old examples have no makers names.A vintage drilling tool, the item therefore could have been used in various industries or professions where precise drilling is required. Archimedean drill with Rosewood hand, brass grip and fittings Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, archimedean drill -
Federation University Art Collection
Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A noble woman gazes serenely with her hands clasped Indistinguishable pencil signaturebookplates, printmaking, australian bookplate design awards, keith wingrove memorial trust -
Mont De Lancey
Functional object - Magazine holder, Unknown
This magazine holder is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.A highly decorated wooden hand carved rectangular magazine holder. The back of it is plain. functional objects, magazines, magazine holders -
Federation University Historical Collection
Photograph - Black and White, Frank Wright, Officials and Child at Kerkrade, 1960's
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of three men and a child. A man, Frank Wright, is bending down to shake the hand of a young boy who is seated on a small chair in the middle of a sports ground. Squatting next to him is another man, possibly his father and behind the child is a man dressed in a uniform. At the bottom of the photo, the head of another photographer can just be seen. In the background can be seen a large audience in the stands and several officials are standing watching the interaction between Frank and the child. The place is Kerkrade, the Netherlands.Hand written on the front of the mounting board - Foto Vindersfrank wright, foto vinders, kerkrade