In May 1972 an alternative lifestyle festival gathering was staged on the Sunbury Village Green area. The sculpture, using recycled building materials, was displayed for the gathering.A black and white photograph of a sculptured monster which has been constructured from recycled building materials. It has been called the 'Growth Monster'. A woman and three children are looking at the art work.recycling, alternative lifestyle festivals, sunbury village green, george evans collection

Peace celebrations and Final Welcome 18 December 1919A b/w photograph of a community activity showing Peace celebrations and Final Welcome.Handwritten on back: Peace celebrations and Final Welcome Dec. 18th 1919 Printed on back: POST CARD / CORRESPONDENCE / ADDRESS ONLY / STAMPworld war 1, postcards, community activities, festivals and celebrations, soldiers, armed forces, george evans collection

This is a photograph of some of the audience standing in front of the stage at the Sunbury Pop Festival in 1974.A black and white photograph of a group of people standing in front of a stage. There is litter on the ground and tents have been pitched on the hillside in the background. Unmounted.sunbury pop festival, music, shire of bulla, duncan, george, o'keefe, johnny, odessa promotions pty. ltd., george evans collection

The bottle was donated to the Council by Hedley Elliott for an exhibition in the Art Gallery (George Evans Museum). Note that Goonawarra is misspelt on the label.Green glass bottle used for 1975 claret and bottled for the first Sunbury Fair. The label is printed in brown and cream and features a sketch of the Goonawarra Winery and surrounding area. There is a brief statement on the back about the winery and the background to production of the wine. On the back is a hand-written label, stuck on with clear tape giving an account of the origin of the bottle of wine, its donor and storage instructions. It has a black metal cap and miscellaneous markings on the flat bottom."Sunbury Fair / Goonawarra Vineyard (above) was established / in Sunbury in 1858 by the / Hon. J. G. Francis, former Premier of Victoria. / This 1975 Claret from the Stanley Wine Co. / was bottled by Emerald Wines especially / for the Sunbury Fair / WINE PRODUCED IN AUSTRALIA F100 750ml". The hand-written label is signed by John McKerrow in 1985.sunbury fair, wines, goonawarra vineyard, stanley wine company, emerald wines, elliott, hedley, mckerrow, john, festivals and celebrations, francis, j.g. (hon.), george evans collection, 1970s

This object was made to commemorate Sunbury 150 years.A bell-shaped wine glass with a fluted stem that tapers to a round base. Made of clear glass with gold transfer of "SUNBURY 150" on the front.Abstract motto Gold Transfer. / SUNBURY 150 / Living Today 1836 - 1986shire of bulla, sunbury 150, souvenirs, commemoration, festivals and celebrations, george evans collection

This item was produced to commemorate the Australian Bicentennial 1788 - 1988An 'Anjou' style traditional red wine glass with a long stem and inturned bowl and flat base. There is a gold 'Shire of Bulla' transfer on the front.Front: 'Shire of Bulla' emblem Back: "Australian Bicentennial / 1788 - 1988"wine glasses, shire of bulla, australian bicentenary, festivals and celebrations, glasses, municipal offices, sunbury, george evans collection

The blue and black printed ticket was issued and used for the 2nd & 3rd days of the 1973 Sunbury Pop Festival. The Festival as held on the property of George Duncan at Diggers Rest on the banks of Jacksons Creek. It was held over the 3 days of the Australia Day Weekend in January. The 'smiley' stamp on the back of the ticket was used as a "passout" check. The tickets were collected by Nicholas Hall who worked as a Security Officer at one of the gates.A blue and black cardboard ticket printed for the 1973 Sunbury Pop Festival. The words Sunbury 73 are in large block letters across the bottom of the ticket and there are four silhouetted figures - 2 male and 2 female. One male is riding a bike and other male is carrying a double bass on his head. The two females are walking. There is a 'smiley' stamp on the back of the ticket."ADMIT 2nd & 3rd DAYS ONLY..."1970s, sunbury pop festival, duncan, george, george evans collection

Thought to have been worn at Sunbury Pop Festival early 1970's held on George Duncan's property.Blue denim mens jeans, two silver studs on waist band. Two zipper pockets front and back. Wide bottom flares.on label on waist band "Staggers/RegdTM..."sunbury pop festival, clothing and dress, george evans collection

Said to have been used at Sunbury Pop Festivals between 1972 - 1975 held on George Duncan's propertyRed tartan steel portable cooler. Separate white lid with white handle on top and white metal carry handle. Bottle openers at each end. Willow brand each side. Drain plug at one end."WILLOW/"S"/..."sunbury pop festival, duncan, george, george evans collection

Believed to have been used at the Sunbury Pop Festival between 1972-1975 and held on George Duncan's property.Leather wallet with floral embossed design on outside mainly burgundy colour. Punched holes with press stud closure pocket, open divide and joined together with leather lacing.sunbury pop festival, duncan, george, george evans collection

Used at Sunbury Pop Festival staged on George Duncan's property in 1975.Aluminium 370ml. can for beer. Green and gold background with red and white writing also sketch of quitar playing singer on can. Opening on top for pouring or drinking."COURAGE/CREST/LAGER/370ml..."sunbury pop festival, duncan, george, george evans collection

Used at Sunbury Pop Festival staged on George Duncan's property in 1975.Red background aluminium coca-cola can with white and black writing. Drinking holes in top."It's the real thing/12Fl oz./Coca-Cola...."sunbury pop festival, duncan, george, george evans collection

Used at Sunbury Pop Festival held on George Duncan's property in 1975.Royal Crown Cola blue aluminium 370ml. can."It's right for you/Royal Crown Cola...."sunbury pop festival, duncan, george, george evans collection

Drawing by Ron Francis part Spollete Fringe festival presented by Theatre 33black and whiteaction, athenaeum theatre two, program, programme, sam shepard, theatre 33

contains two play named ''Conversations with a Cupboard man'' by Ian McEwan ''Confessions from the male'' by Murray OliverPart of the ''Next Wave Festival'' 1988Black and Whiteconversations & confessions, athenaeum theatre two, program, programme, hocking & woods, next wave festival, glenn elston

Coloured paper programonce in a lifetime, program, moss hart, george s kaufman, shaw festival

black and white print flyerthe heartbreak kid, athenaeum theatre, program, programme, spoleto fringe festival, elston hocking & woods, nick giannopoulos, richard barrett

The play was presented Next Wave Festival, Elston, Hocking and Woods and Patch Theatre Co. production reviews on the back of the paperspace demons, athenaeum theatre, program, programme, next wave festival, patch theatre, ariette taylor, richard tulloch, gillian rubinstein

Coloured double-sided poster in blue yellow and white; good conditionthe front lawn, athenaeum theatre two, the age comedy festival

Part of the mebourne comedy festivalcoloured flyergarcon un kir, athenaeum theatre, comedy festival, didier guyon

Part of Comedy Festival 1995 with comedians Colin Lane and Frank Wood, produced by Lano and Woodley. Special thanks to Micheal Wild,Yuri Worontschak, Zhodi Cummings, Marni Foulis.Black and White flyercomedy festival, curtains, athenauem theatre ii

Concerts were held at ten venues in Collins street grand music promenade venues:Baptist Church, St Michaels, ANZ Cathedral Room, 101 Collins Street, Kay Craddock bookshop, Georges Dining Room, Scot's Church, 161 Collins Street, the gold vaults of the Old Treasury Building. Note: It was recorded in the secretary's diary that concerts associated with the Collins Street Grand Music Promenade were held at the Melbourne Athenaeum Theatre all day on Sunday the 6th of November. This festival was organised by Greg Hocking and Peter Marks.Black and white postcard flyer Folder also contains a newspaper article, a venue program, folded poster and various letters of correspondence. One day on a magnificent street with: Roger Woodward, Geoffrey Tozer, Joan Carden, Melbourne String Quartet, Rita Reichman, Australian String Quartet, Elizabeth Campbell, Micheal Kieran Harvey,Rebecca Chambers, Merlyn Quaife, Helen Noonan, Jeannie Marsh, Margaret Haggart, Melbourne Chamber Orchestra, Douglas Lawrence, Spiros Rantos, Academy of Melbourne, Geofrey Paine, Brett Kelly, Haydn Chamber Orchestra, The Victorian Chorale, Faye Dumont Singers, David Berlin, Elizabeth Anderson and more ...the collins street grand music promenade, melbourne athenaem theatre

This sculpture is a bronze cast of Karl Duldig’s 1956 terracotta sculpture titled 'Moses'. The terracotta sculpture won the 1956 Victorian Sculptor of the Year award, an honor given by the Victorian Society of Sculptors. The National Gallery of Victoria purchased the original terracotta sculpture for the Gallery’s collection in 1956. In 1979 the NGV allowed Karl to cast the original terracotta sculpture in bronze (to a limited edition of 5). The National Gallery of Victoria holds one of these casts and one is in Duldig Studio collection. The original terracotta sculpture was exhibited in 1956 at the Olympic Arts Exhibition in Wilson Hall at the University of Melbourne. Two other works by Karl were also exhibited, a sandstone titled 'Adam and Eve' and a work titled 'Fountain'. The catalogue for the Olympic exhibition, which promoted modernism across a variety of disciplines, noted that Australia’s post war immigration program had given ‘further momentum to the modernist cause’. The identification of émigré artists, such as Karl Duldig, with the acceptance of modernism in Australia became a major theme in any discussion of art and design in the post war period. Ann Carew 2016The subject Moses and the tablets of law is an important theme in the history of art. For example the National Gallery of Victoria collection includes paintings on this topic by the Australian Aboriginal artist, Queenie McKenzie (1991), prints by the Russian-French modernist artist, Marc Chagall (1956), and a painting by 19th century British academic painter, John Rogers Herbert (1870s). Michelangelo’s sculpture of Moses is perhaps the most famous sculptural interpretation of the subject. In Karl’s hands we have a modern interpretation of the theme. His simplification and abstraction of form and attention to surface modeling is masterly. The figure has an emotional intensity and despite its relatively small scale, a ‘forceful monumentality’. The sculpture is aesthetically significant for its craftsmanship, expressive qualities and modernity. It is historically significant because of its associations with the 1956 Olympic Arts Festival. The Duldig Studio’s bronze cast of the sculpture was exhibited in the exhibition '1956: Melbourne, modernity and the XVI Olympiad, Museum of Modern Art at Heide.' Apart from the formal qualities of a work like Moses, its relevance as a motif in Judaism and Christian faiths ensures its place as a work of spiritual significance. Ann Carew 2016Bronze cast from terracotta sculpture. Depicts Moses as in Exodus 32 when he returns from Sinai with the tablets of the law to find his people worshipping the golden calf, in his fury he holds the tablets aloft above his head before crashing them down on the ground.

Photos of the Lantern Festival workshop held to pull the community together during the battle to save Big Hill from the mining Companies application to have an "Open Pit Mine" in 1998-1999. Master lantern maker Graeme Dunstan coordinated the work shops, with financial support from the "Big Hill Action Group". when the decision from Victoria State Government was given, the group celebrated by carrying lanterns from Gold Reef Hall - near the Post Office up to Big Hill.Seven colour photographs of the Lantern festive workshop at Big Hill in c 2000. Taken by Jim Melbourne stawell

- Migrant ships arriving into Port Melbourne in 1956. Migrants boarding the train to Bonegilla camp and resettling in Victoria. - Section on Olympic Games in Melbourne was filmed by Father Basil Valentin OFM who was the Chaplain of the American Olympic team. -Also showed extracts of Moomba festival in 1957. - Slovenian settling on Australian farms and weddings of members of the Slovenian community This video shows the magnitude of migrants who arrived in Australia in 1956 by ships mainly from Italian ports from Genoa, Trieste and Naples. It shows the settling of migrants into camps and depicts their everyday life including education and recreation and assimilation into Australia. 120 minute video cassette in colour depicting migrant ships arriving to Port Melbourne in 1956 and short clips of the Melbourne Olympic Games. Also includes footage of train journey to Bonegilla camp and camp housing facility.0002migration, resettlement, bonegilla, slovenians, ships, olympics 1956

Certificate of Appreciation by the CSOV President at the occasion of the 6th Slovenian Festival 1998marcela bole, cerfificate of appreciation, slovenian festival 1998, slovenian association melbourne

Certificate issued in gratitude for the participation at the Slovenian Festival 1998A thank you certificate by CSOVcertificate of participation and gratitude, csov, slovenian festival 1998, marcela bole, slovenian association melbourne