BOOKnon-fictionDocuments every event in the volunteer-run Women's Gallery, which ran June 1988 until December 1995, in bohemian Brunswick Street Melbourne and showed 119 solo and group exhibitions, and hosted book launches, music and theatre performances, seminars and poetry readings.solo and group exhibitions, spiritual art, political art, portraiture, iwd exhibitions, collaborative prectice, collective practice

ill, p.113.One of C. J. Dennis's most poignant books of verse, Digger Smith recalls a singing soldier from The Moods of Ginger Mick, who returns from Gallipoli to become the country neighbour of Doreen and the Bloke (The Sentimental Bloke). In true Dennis style it is told with wisdom, humour and pathos. australia - military - history - poetry, australia - poetry

p.192.fictionA full-cast dramatisation of one of the greatest war novels of all time. First published as a novel in 1929, it tells the story of a group of young German soldiers who are enduring, and then coming to terms with, the realities of the First World War. At the age of 19, following the outbreak of the First World War, Paul Bäumer enlists in the German Army. He is deployed to the Western Front, where the experience of life and death in the trenches has an enormous effect on him. He begins to feel disconnected from his past life: his family, his love of poetry, and his feelings. As the war progresses, Paul becomes increasingly lost in battle. world war 1914-1918 - fiction, world war 1914-1918 - campaigns - france

An exercise book of handwritten transcribed poems. After the first 105 pages the writing changes and at the bottom of the poems the notation: transcribed by Lucy M. Waugh appears. In one the poems also the name Lucy M. Stone - Laanercoorie. Also the nature of the poems appears to change from a mainly religious one to a more Australian - Anzac theme. Some of the latter poems appears to be the original work of Lucy Mora Waugh. See research re family attached.

This book is for sons and daughters of Vietnam veterans. It contains reflections by them, in words and images, of their experiences of growing up in a family with a Vietnam Veteranliterature, australian poetry, children of military personnel

This book is for sons and daughters of Vietnam veterans. It contains reflections by them, in words and images, of their experiences of growing up in a family with a Vietnam Veteranliterature, australian poetry, children of military personnel

The author joined the Australian Regular Army in 1966. After initial ten weeks recruit training at Kapooka, went to Infantry centre, Bardia Barracks at Ingleburn to complete ten weeks of Corps Trainingvietnam war, 1961-1975 - poetry, war poetry - australian

Since the end of the Vietnam War, histories, films, novels and poetry have sought to come to grips with the conflict's devastating effect on Asians and Americans, both those who fought and those who didn't.vietnamese conflict , 1961-1975.

53rd story writing and art competition, 2015. True Wartime Experience; True Life Experience: Fiction; Poetry; Centenary of ANZAC; 100 Years of Service; Art; Craft; Photographyenglish literature - competitions, veterans - services for - australia

The author joined the Australian Regular Army in 1966. After initial ten weeks recruit training at Kapooka, went to Infantry centre, Bardia Barracks at Ingleburn to complete ten weeks of Corps Trainingvietnamese conflict, 1961-1975 - poetry

The author joined the Australian Regular Army in 1966. After initial ten weeks recruit training at Kapooka, went to Infantry centre, Bardia Barracks at Ingleburn to complete ten weeks of Corps Trainingvietnam war, 1961-1975 - poetry, war poetry - australian

The Vietnam Reader is a groundbreaking collections of the finest fiction, nonfiction, poetry, drama, film, still photographs, and popular song lyrics depicting the American War in Vietnam.vietnamese conflict, 1961-1975 - personal narratives, america

Barry O'Donohue was conscripted into National Service in 1967 at the age of 20. He went to Vietnam in 1968/69 where he served as a forward scout in 4RAR/NZ. He was wounded in action during his tour of duty, and survived many life threatening situations.australians - vietnam - poetry, vietnam war, 1961-1975 - veterans - poetry, national service, 4rar/nz, wound, wounded serviceman

This book of poetry, written in simple language, gives a glimpse of everyday life in the Vietnam War and the life of Vietnam Veterans.vietnam war, 1961-1975 - poetry

This book of poetry, written in simple language, gives a glimpse of everyday life in the Vietnam War and the life of Vietnam Veterans.vietnam war, 1961-1975 - poetry

These poetic and moving spiritual reflections, born of the author's experience as an American chaplain in Vietnam and build on the themes of the ambivalent nature of war and the universal elements in the lives of people, Vietnamese and Americans, who live, fight, suffer and die there.veterans - united states - religious life, chaplains, military - united states, vietnam war, 1961-1975 - poetry

True Wartime Experience; True Life Experience; Fiction; Poetry; Women and War; Art; Craft; Photographyenglish literature - competitions, veterans - services for - australia

The author joined the Australian Regular Army in 1966. After initial ten weeks recruit training at Kapooka, went to Infantry centre, Bardia Barracks at Ingleburn to complete ten weeks of Corps Trainingvietnamese conflict, 1961-1975 - poetry

Whether Vietnam or hometown America, the battles for Ken Sylvia are but a klick away. PTSD is a 2 a.m. occurrence.vietnamese conflict, 1961-1975 - poetry

A former Army Captain and dedicated Vietnam combat veteran, Steve Mason is an unique American poet.vietnamese conflict, 1961-1975 - poetry

A collection of poems written about Australian soldiersSlouch Hat Soldiers is about the everyday experiences of war - not least, it's about families and mateship and all sorts of sacrifice.australians - vietnam - poetry, world war, 1914-1918 -- poetry, world war, 1939-1945 -- poetry

True Wartime Experience; True Life Experience; Fiction; Poetry; Mateship; Stories of Companionship; Art; Craft; Photographyenglish literature - competitions, veterans - services for - australia

the were the unsung heroines of the Vietnam War. Over a quarter of a million in numbers, they gave themselves to the most vital and emotionally compelling of wartimes duties.vietnam war, 1961-1975 - poetry, women soldiers - poetry

I mourn, for he was young and Vietnam still wounds.vietnamese conflict, 1961-1975 - poetry, australian poetry - 20th century

Poem written in Camp 3 by Mrs. Sophie Meier, mother of Mrs. Helmut Seefeld, Singapore Group, refugees, internees at Camp 3 TaturaFramed and mounted single sided sheet of paper, photocopy of handwritten (in German) poem titled "Tartura"tatura, documents, pamphlets, internment camp poetry, helmut seefeld, sophie meier

"Father Julian Tenison Woods met Adam Lindsay Gordon in 1857 on one of his first trips out from Penola riding from station to station across his huge, scattered parish. At that time Gordon was a horse-breaker on a station near Guichen Bay. The two shared a love of poetry and the classics and often rode together reciting to each other. They seemed to find in each other a kindred spirit based on literary enjoyment and entertainment. Woods lent Gordon books from his collection." From this website:https://www.sosj.org.au/jtw-man-of-words-5/ pamela l. walker

'Skin, Surfaces and Shadows' was created by Tommaso Durante in 2004 during his stay in Bundanon (gifted to the Australian people by Arthur & Yvonne Boyd - South East Australia) as international artist in residence and it was enriched during the artist’s stay in Broome (Western Australia) in 2005. On that occasion he collected the raw materials that were subsequently wrought to develop the actual bookwork.On the edge of artistic practice and philosophical inspiration, 'Skin, Surfaces and Shadows' pushes the boundaries of art, craft and design by combining digital technologies with traditional techniques and materials. Durante visually explores the surfaces of organic things (trees, surface textures, etc.) and the figurative dividing line of the shadow. The poet Wallace-Crabbe responds to these images in words. The poet and the artist flit in and out of shadows, skin and the surfaces of paper and life.(a) prints, artist's book (80 pages), ink; Somerset Book White paper (175gsm), digital images, printed in eight inkjet colour pigments, from digital files. Set in digital typefaces Utopia STD Display, Italic and Bold, Frutiger 57 Condensed, 67 Bold Condensed, and 56 Italic. Section sewn around 3 tapes. Full paper binding with blind blocking on front cover handmade head and tail bands. (b) CD of slide presentation to accompany bookwork on display Primary Insc: In black biro, signed and editioned by Tommaso Durante and Chris Wallace-Crabbe (last page '8/25 T DURANTE CWallace-Crabbe')prints, artist book, skin, surface, shadow, poetry, durante, wallace-crabbe