Sepia photo on grey mount of elevated view of river with single span bridge, with boats moored. Swimming baths in centre to right. Town with church spires and houses and hills in background. Inscriptions 'Christmas Greetings' gold ink underneath photo. On back - written in pencil 'City of Launceston, Tasmania from Cataract Gorge'.W Vincent Kelly, Mitchell St., Bendigoplace, landscape view, launceston, tasmania

Cream card with a 3mm gold oval frame with a mostly light purple scene inside it. In the foreground are 3 brown deer. Behind them is a 2 story house with lights in the windows. Bluish sky with clouds. Red cord holds the insert & card together. 'Wishing You a Happy Christmas' printed in gold at the bottom.person, greeting cards, malone collection, malone collection, greeting cards

Bendigo Advertiser "The way we were" from Tuesday, June 8, 2004. Old times: this picture was believed to have been taken at Campbells Forest at the Mulvahil's house at John Mulvahil and Mary Griffin's wedding. The 11th person from the left is Patrick Mulvahil. Next to him is his wife to be Mary Killeen.newspaper, bendigo advertiser, the way we were

Letter to Bendigo Advertiser from George Schellenberger (1860) re the removal of a body after death at Tyson's Reef. Dispute concerned where the body should have been removed to - ie which public house prior to coroner's involvement. Mention of Bakers' Arms, Irishtown; Buckeye. Harney's and Crescent hotels in neighbourhood.person, individual, george schellenberger, bakers' arms, irishtown; buckeye. harney's and crescent hotels, tyson's reef.

A report, written by a student, about a trip taken to the Great Barrier Reef by WHS students in 1950. 4 leaves of black and white photographs mounted on buff card. 15 type written pages of text. Text pages are glued together, back to back. Pages are housed in a 3 ring binder with plastic sleeves.See PDF file for complete text.williamstown high school, 1950, school trips, great barrier reef

The first Housing Commission homes of brick and tiled roof built after WW2 in Stawell Dawson Street c 1950's. Also in the file a Newspaper clipping from News, Saturday, October 11. 1947. "George Mitchell Square" the first Housing Commission homes built in Stawell. George Mitchell was a member of Borough Council for 40 years and Mayor for 4 years. The housing estate was named in his honor. The architects "Buchannan Laird & Buchanan Geelong.Black and white photograph of a street scene. The photograph shows a line of brick houses along the street with timber fences. Four electric power lines are along the street with 2 in the distance. The street also has curb and guttering. The street to the right has a street post with "George Mitchell St" written on the street sign.stawell

From the Chapman family photograph albumPhotograph on card backing. Landscape - House weatherboard miners cottage with brick chimney corrugated iron roof, front door open leading through to back yard - front yard trees and plants. Woman with two children. Woman in long dress one boy in trousers shirt and top. Younger child in dress. Henderson

From the Chapman family photograph albumPhotograph on card backing. Landscape - House weatherboard miners cottage with brick chimney corrugated iron roof, front door open leading through to back yard - front yard trees and plants. Woman with two children. Woman in long dress one boy in trousers shirt and top. Younger child in dress. Henderson

Article in Whitehorse Gazette regarding a development application to replace a house in Blackburn Road built about 1890 as part of the Blackburn Model Township designed by architect Arthur Clarke. Bernadette Cahill who lives next door is interviewed as is Whitehorse City Council's acting Statutory and Development Manager, John Lupins. Photograph.blackburn road, blackburn, cahill, bernadette, blackburn model township, clarke, arthur, lupin, john, city of whitehorse, residential development

Group of four people standing on Monbulk Road just out of Belgrave. Possibly Beauty Bend. Holiday makers, all well dressed. There is a wooden seat on the left side of road. There is a gully on the right side. The left side has heavy bush. A house roof is just visible beyond the bush. c.1920.

Yields information about the passenger traffic in Ballarat during Feb. 1962Report - typed folio sheet, titled "Passenger Density and Direction per house each route - weekdays", with Item No. 13 and dated February 1962, crossed out, listing each route, time, number of school children (SCH), includes View Point. See Reg Item 7921 and 7931 for similar reports.trams, tramways, reports, passengers, ballarat

Demonstrates one of the Museum's trams in service in Melbourne.Digital Image of MMTB tram W3 661 outbound in St Kilda Road, approaching Doman Junction. Tram has destination of East Brighton, Route 64 and an advertisement for Proofkote (rain wear protection?) BP House in the background. Photo December 1964. Photo reference from Dick Jones - 661_StKildaRd_DickJones_6412MIns.23.04trams, tramways, w3 class, st kilda road, east brighton, tram 661

Newspaper clipping from The Courier, 8/12/1970 that the SEC had informed the City Council (Ballaarat) that the trams would be progressively withdrawn during next year. Mentions that no dissenting resolution was carried by either house in the statutory period of 24 days since passing the bill. No precise date could be given at this stage.In pencil in top right hand corner "8/12/70"trams, tramways, sec, closure

Negative No. N311 and black and white print made by a laser printer (stored in folder ) of the MMTB's tower wagons (the oldest at the time) and No. 2 in Nicholson St. Melbourne, near Parliament House working on a section insulator. Truck No. 2 and Albion No. 8. Negative scanned hi res and imaged updated 21/5/2020.trams, tramways, melbourne, bourke st., nicholson st, tower truck, tram tower wagon

Yields information about No. 28 late 1930's how the tram appeared at the time.Black and white photograph of Geelong No. 15, Birney, at the Eastern Park terminus, 1930's or 1940's? Tram has the destination of City. Photographer not known. The house behind the tram was able to be identified as 493 Ryrie St Geelong, shows up in Google Street View the verandah details. Two copies held.trams, tramways, geelong, eastern park, tram 15

Yields information the appearance and details about SEC Tram No. 30 in the 1950's in bound along Ripon St on the View Point Line.Digital scan from the Ben Parle collection of SEC No. 30 in Ripon St, in bound to the City of the View Point line. Photo 1950's or early 1960 prior to introduction of dash canopy lighting. Has the houses either side of the street in view. Photo received with the Ben Parle slides 09/2004. trams, tramways, ripon st, view point, tram 30

Yields information the appearance and details about the depot and trams 20 and 36 in the late 1950's.Digital scan from the Ben Parle collection of SEC No. 36 on No. 2 road at the depot and No. 20 on 0 road at the depot. Photo 1950's or early 1960 prior to introduction of dash canopy lighting. Has the houses either side of the street in view. Photo received with the Ben Parle slides 09/2004. trams, tramways, depot, tram 20, tram 36

sandringham, aerial, victoria, suburbs, photograph, airspy, beach street, bridge street, crisp street, seaview, hampton reserve, hampton, trevor barker beach oval

Painted wood panel with carved relief with title text 'WIMBLEDON/TENNIS CLUB'. Curved upper edge. Depicts trees, house and a tennis court with a male figure seated next to net. Separate piece of wood carved in relief and attached to surface depicts a male tennis player in action. Materials: Pigment, Woodtennis

A bottle of Avon 'Mixed Doubles Windjammer' after shave, shaped like a Spalding 'Championship' tennis ball, mounted onto a green pedestal. Bottle is housed in a yellow carton, with text: EXTRA DUTY/SPALDING/1 CHAMPIONSHIP BALL/2. Materials: Alcohol, Perfume, Plastic, Felt, Adhesive label, Cardboard, Inktennis

In 1979, a series of photographs of significant gardens in Kew (Victoria) were taken during a tour by Peter Watts, Historic Gardens Coordinator of National Trust Victoria. These were later purchased to add to the collection. In the case of each photo the colour had badly degraded over time. Original colour (degraded) positive photograph of 'Inverkelty' (later Kiora, Baroona), 11 Redmond Street , Kew. The original attribution of the house as Red Bluff (or Yarra Bluff) owned by the Nott family is incorrect. An analysis of ownership from 1888 was completed by Lovell Chen (2005), Boroondara Heritage Review B Graded BuildingsAnnotated in ink on reverse INCORRECTLY AS : "Red Bluffs / 11 Redmond Street / Nott family 1888 / Front garden with fountain / Home in foreground / October 1979"gardens -- kew (vic.), inverkelty, kiora, redmond street -- kew (vic.), baroona

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Interior, D'Estaville. A chiffonaire owned by the artist Alma Figuerola and located in her house, D'Estaville in Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

Date is approximate. His full name was William John Willaton - Service Number - VX68674 : Date of birth - 20 Mar 1909 : Place of birth - SURREY HILLS VIC : Place of enlistment - CAULFIELD VIC : Next of Kin - MURIEL WILLATON He was the son of Herbert Charles Leopold Willaton and Lily Jenkins and had a sister Lille Louise (Lil) who taught callisthenics and dance in Surrey Hills. Photo references also in this collection. Bill married Muriel Pearl Blake in 1935 and they lived at 18 Grovedale Road. He died Heidelberg in 1972. Bill was a driver (carter) for C E Gray & Son, bakers of Canterbury during the 1930's also recorded in this collection.Black and white photo of Bill Willaton in army uniform including a slouch hat. He is standing with his arms behind his back in front of a fairly young deciduous tree beyond which is a boundary fence and a timber building with a tiled roof. A child's pedal-car can be seen adjacent to the house of the garden. world war, 1939-1945, uniforms, william john willaton, bill willaton,

‘Self portrait at home’ This artwork was conceived after a series of paintings depicting the interior of my home in Ballarat. Those paintings began as glimpses around the house, mostly captured at night, of hallways, darkened corners, and ominous entrances into bedrooms. Later on I began to fill these spaces with a figure, that of my girlfriend (now wife), and conducted portraits of her placed amongst the shadows in a deliberate attempt to conjure up associations of Baroque painting as well as still images from horror films. I wanted to see what was sinister in this house, to imagine it, as well as observing it directly. ‘Self portrait at home’ is an attempt at summarising the combination of imagination and observation, of wandering through interior spaces as well as being absorbed in it: that what we see is then also taken into our consciousness, or in the case of this painting what we see is about to be swallowed. This concept of combining what is observed with what is imagined and using references to the physical body as a kind of mediator of this process is expressed in Kenneth Slessor’s poem ‘South Country’, a poem that partly inspired my approach to this painting. The following verses provide an example: And over the flat earth of empty farms The monstrous continent of air floats back Coloured with rotting sunlight and the black, Bruised flesh of thunderstorms: Air arched, enormous, pounding the bony ridge, Ditches and hutches, with a drench of light, So huge, from such infinities of height, You walk on the sky’s beach ‘Self portrait at home’ may not express itself as seriously as Slessor’s poem does but I hope it shows the impact as well as the texture and flavour that houses of the Ballarat landscape, and those of the imagination, can have. Duncan LannanDuncan LANNAN (1972- ) Duncan Lannan undertook a Diploma of Arts (Visual Arts) at RMIT between 1995 and 1996. A further two years study at the University of Ballarat (now Federation University Australia) saw Duncan Lannan awarded a Bachelor of Arts (Visual Arts) in 2000. He completed a Graduate Diploma of Education at the University of Melbourne in 2001. Duncan Lannan's exhibition 'Young, Dumb and Full of Ambition!' was held at the Art Gallery of Ballarat from 13 July to 11 September 2014.ContemporarySelf portrait of the artist with mouth open, and a house on the tongue. This piece was exhibited at the Art Gallery of Ballarat in 2007 in the "Eye to I" exhibition which was curated by former Federation University Art theory lecturer Geoff Wallis. The exhibition was a survey of self portraits by Australian contemporary artists. Gift of Geoff and Nola Wallis, 2017duncan lannan, painting, portrait, alumni, available

Used in the early 20th CenturyAn early 20th Century glass and rusted tin "hurricane" lamp with curved wire protecting the clear chimney glass. This is a portable lantern with an oil tank at the bottom that forms the base of the lamp. The tank is filled through a metal tube with a screw top lid and it also houses a wick and knob that increases or decreases the length of the wick.lamps, kerosene lamps, lighting equipment, lanterns

Murray Comrie Collection. A monochrome photographic postcard depicting Poverty Mine & Engine House, Tarnagulla. Small building with smokestack and poppethead in middle ground, horses and workers in foreground. From Reid's Series of postcards (No.6). Reverse has a message/letter, appears from be written by Hilda Comrie for Murray Comrie, dated 11/12/1942.Message handwritten on reverse.tarnagulla, mining, comrie, poverty mine