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Port Melbourne Historical & Preservation SocietyPhotograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 colour photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Nellie Thackruh, Jan Fly and Andrea Ellis in background, finishing preparations in Raglan Streetcelebrations fetes and exhibitions, public action campaigns, jan fly, andrea ellis, nellie thackruh, friends of the park, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'Bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 photos of Friends of the Park float for the February 1988 Port Melbourne Festival: Float construction at Station Street carport, 88 Ingles Street: Jan Fly and ?celebrations fetes and exhibitions, public action campaigns, town planning - proposals shelved - bayside, jan fly, friends of the park, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Float construction at Station Street carport, 88 Ingles Street: ?, Gary Ways (L), Amelia Finch (C), Anne Callaghan(R)celebrations fetes and exhibitions, public action campaigns, anne callaghan, gary, amelia finch, friends of the park, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'Bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Float construction at 88 Ingles Stcelebrations fetes and exhibitions, public action campaigns, town planning - proposals shelved - bayside, anne callaghan, gary way, friends of the park, sandridge city development co pty ltd, scdc, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Preparations for the procession forming by the Raglan Street flats - Gary Way (L), Michaela Sammit, Marilyn and Gemma Tulloch.celebrations fetes and exhibitions, public action campaigns, gemma tulloch, marilyn tulloch, jan fly, michaela sammit, gary, friends of the park, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Preparations for the procession forming by the Raglan Street flats - Gary Way (L) , Marilyn Tulloch, Jan Fly (R) and others.celebrations fetes and exhibitions, public action campaigns, gemma tulloch, marilyn tulloch, jan fly, michaela sammit, gary, friends of the park, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Preparations for the procession forming by the Raglan Street flats - star of the float, Nellie Thackruhcelebrations fetes and exhibitions, public action campaigns, nellie thackruh, friends of the park, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 colour photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Preparations for the procession forming by the Raglan Street flats - Jan Fly, Andrea Ellis and Marilyn Tullochcelebrations fetes and exhibitions, public action campaigns, jan fly, andrea ellis, marilyn tulloch, friends of the park, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 colour photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Preparations for the procession forming by the Raglan Street flats - Nellie Thackruh and Maree Menzelcelebrations fetes and exhibitions, public action campaigns, andrea ellis, friends of the park, nellie thackruh, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 colour photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Float in Bay Street, Robert Frost BBQing, Nellie Thackruh the starcelebrations fetes and exhibitions, public action campaigns, friends of the park, robert frost, nellie thackruh, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 colour photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Float in Bay Street, Robert Frost BBQingpublic action campaigns, celebrations fetes and exhibitions, friends of the park, robert frost, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1988
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 colour photos of Friends of the Park float for the February 1988 Port Melbourne Festival: Nellie Thackruh and Robert Frost with his BBQ on float, on Graham Street overpasscelebrations fetes and exhibitions, public action campaigns, friends of the park, nellie thackruh, robert frost, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 colour photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Banner and children that preceded the float, at Murphy's Reserve. Jemma Tulloch and Rose Callaghan left foregroundcelebrations fetes and exhibitions, public action campaigns, friends of the park, gemma tulloch, rose callaghan, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 colour photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Float has reached Murphy's Reserve. Nellie Thackruh, Robert Frost, Sheila Callaghan, Jemma Tulloch and Kay Frostcelebrations fetes and exhibitions, public action campaigns, friends of the park, gemma tulloch, rose callaghan, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 colour photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Float has reached Murphy's Reserve. Nellie Thackruh, the starcelebrations fetes and exhibitions, public action campaigns, friends of the park, nellie thackruh, port melbourne festival -
Whitehorse Historical Society Inc.Photograph, Bundoora Park Homestead
In 1899 John Vincent Smith acquired the property known as 'Bundoora Park'. In the same year he organised a public competition for a design for a house to be built on the property. The competition (worth $50) was won by architect Sydney Herbert Wilson who also designed the Malvern Town Hall. In 1990 a fourteen room mansion was erected. The Australia Tesselated Tile Co of Mitcham supplied most of the tiles for the walls and floors, and Griffins and Lilials for the roof decoration.Coloured photograph detailing the history of Bundoora Park Homestead, Bundoora. Features a drawing of the mansion. The Australian Tesselated Tile Co. Pty Ltd of Mitcham supplied tiles and other materials.bundoora park homestead, australian tesselated tile co pty ltd, tiles -
Kew Historical Society IncTextile - Circular shot silk throw or shawl, Nineteenth Century
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Rust coloured oval, pure silk throw or shawl. The fabric is very fine and decorative rather than functional. There are no joins in the fabric as it is made of one piece. Its cultural provenance is unclear.table cloths, table covers, shawls, throws -
Kew Historical Society IncClothing - Manila de Manton, 1900-1930
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Large black silk fringed shawl (aka piano shawl) that incorporates large areas of pink embroidery. table cloths, table covers, manton de manilas - piano shawls -
Kew Historical Society IncClothing - Black Silk Embroidered & Fringed Shawl, c.1910
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity.Fitted black silk cape or shawl, joined at the neck, and incorporating embroidery of the same colour. The item includes extensive, double-row fringing. On examination of the piece, it would appear that it was constructed from a Manila de Manton (piano shawl). It has been provisionally dated to either the late-Victorian or Edwardian periods.fashion and textiles collection - kew historical society, shawls -
Kew Historical Society IncDecorative object - George V Jubilee 1910-1935
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity.White crocheted doily that commemorates the twenty-fifth jubilee year of the reign of George V (1910-35)1910 - 1935 / GEORGE V / JUBILEEdoilies - patriotic, commemorative souvenirs, ephemera, george v -
Kew Historical Society IncTextile - Fragment of Net and Tulle Fabric, 1880s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Length of heavily embroidered tulle with a border detail on three edges and one cut side. The pattern is of flowers and leaves. Machine chain stitch onto net. The floral centres are hand madelace, embroidery, tulle -
Kew Historical Society IncClothing - Lace Bodice, 1930s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream crocheted bodice with pearl buttons. A net band has been attached at the waistline to facilitate the garment being tucked in. There are some machine made elements hand tacked on but the garment is mainly hand made. Most of the garment is diamond mesh with picot. The yoke is crotchet mesh with applied daisy motifs. Large daffodils and daisy motifs are applied to the main body of the garmentlace, women's clothing -
Kew Historical Society IncClothing - Lace Jabot, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Net jabot with 3 machine made filet inserts. Edged with machine made tape lacelace, women's clothing, jabots -
Kew Historical Society IncClothing - Lace Jabot, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Coffee coloured smaller and larger frills to wear at the neck. Chemical lace daisies sith the net cut away with a punch. The machine was set precisely to repeat the design with lock stitch and then satin stitch around the edgeslace, women's clothing, jabots -
Kew Historical Society IncClothing - Linen Waist Band and Lace Drops, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Curved white cotton band with pin tucked rectangular inset front and back. It curves downward to enable the two bobbin lace panels to hang downwards. Has four crotched buttons. The stiches used are plait stitch, cloth stitch, and mesh stitch.lace, women's clothing -
Kew Historical Society IncClothing - Lace and Net Sleeve Cuffs, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cotton voile sleeves edged with broderie anglais. In poor condition, may have been removed from another garment. Probably hand worked, it is an example of cut worklace, women's clothing, sleeve cuffs, engageantes -
Kew Historical Society IncClothing - Lace Collar, 1950s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. White lace gathered onto tape which can then be sewn onto a garmentlace, women's clothing, collars -
Kew Historical Society IncClothing - Lace Bow, 1920s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream net bow edged with lace, gathered at the centrelace, women's clothing -
Kew Historical Society IncClothing - Lace Collar, 1910s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Lace collar attached to the neckline of a garment. It is narrow over the back , widens at the shoulders and tapers down in a triangular shape to a point on either side at the front. lace, women's clothing, collars -
Kew Historical Society IncClothing - Lace Collar, 1880s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream lace collarlace, women's clothing, collars
