Scene from Big Hill Area overlooking Stawell showing mining areastawell

Amalgamated Scotchman’s Mine 212 metre levelstawell mining

Upper Main Street Stawell. Looking East c1910. On left two story Allingham building behind cart is Commercial Hotel. Oriental Bank. Punchard Furniture. Crown Cross Poppet head visible on Big Hill. The side of the Mechanics Institute visible near centre. H S Dawson Chemist. Clarke & Scott Drapery on right. Same as 6730-1 & 1423Streetscape of upper main street looking east, Crown Cross poppet head at end of street in middle of streetUpper Main Street Stawell.mining, streetscape, businesses

Mining - Davis Open Cut c1900sstawell

Mining Scene - Welshman’s Cyanide Works Deep Lead 1930'sGroup of men in work clothes standing in front of cyanide vats and horses attached to carts.stawell mining

Miningstawell

Wonga Decline and Open Cut Pit Feb 1988Colour photograph looking down into open cutstawell mining

Pleasant Creek Cross Reef Quartz Mining Company c1885. In foreground of the photo is the North Cross No2 Shaft, in the centre is the North Cross No1 Shaft. In the background is the Oriental Mine and just behind that is the Extended Cross Reef Mine and on the horizon is the Crown Cross United Mine.B/W Mining Scene with two gentlemen in ridged poses.stawell mining

Scene from Big HillB/W Big Hill Mining scene c. 1895-1890's : road into drive, whimstawell mining

Mining Scene. In foreground is Scotts Open Cut, on the left is the Great Northern mine, behind that is the Oriental Mine and the two shafts of the North Cross mines. On the upper right is the Magdala Mine. The mines on the horizon could be the Prince Alfred, Prince Patrick, Newington and Pleasant Creek or Little Newington Mine.B/W Scene Man sitting above open cut, looking at buildings and poppet headsstawell, gold mining

This is a colour photograph of a gum leaf painting that is one of many done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by A.W. Eustace. A man is panning for gold in a stream with a house and hills in the background. Under glass in a decorative gilt and cream coloured plastic frame.Hand writing on tape at back of frame: COPY OIL ON GUM LEAF 10" x 5" A W EUSTACE owned by Betty & Alf Brownlie 2260alfred eustace, gum leaf painting, chiltern, gold panning, gold

Produced by St Andrews Primary School, covering the area's history from early settlement, discovery of gold, the Caledonia Diggings, social and community history, fruitgrowing and development through the latter half of the 1900's into and covering the 20th century.A concise history of the origins of St Andrews, Victoria, Australia from gold mining to the diverse community it is todaySoftcover book with orange brown tones and black and white lettering and highlights, with historic photographs on front and back cover and 149 pages.#gold, #goldmining, #caledoniadiggings

diamond creek, nillumbik, gold mining

This photograph is taken from the original engraving the plate of which is held by the Clunes Museum.1 ORIGINAL SEPIA PHOTOGRAPH MOUNTED ON BROWN MAT BOARD CHINESE MINERS ON LEFT, POLICEMEN MOUNTED AND ON FOOT ON RIGHT MINERS AND LADIES IN BATTLE .2 PHOTO COPY OF ABOVE IMAGEOn Front; PRINTED AT THE BOTTOM OF THE IMAGE; "DISTURBANCE AT CLUNES - MINERS RESISTING THE INTRODUCTION OF CHINESE LABOR. 9-12-1873" On Reverse; Handwritten in black ink W. J. Champion Clunesmining, disturbance at clunes, chinese labor

VIEW OF POWDER MAGAZINE USED IN MINING DAYS TO STORE EXPLOSIVES. BUILDING MATERIALS SOLID BRICKCOLOURED REPRINT PHOTOGRAPH OF POWDER MAGAZINE INTERIOR. SITUATED IN A PADOCK ON SMEATON ROAD APPROX. 2 KM. FROM TOWNSHIP ON LEFT HAND SIDE. SMALL WINDOW IN LEFT HAND WALL SOLID STEP LEADING TO RECESS.local history, photography, mining, powder magazine

PORT PHILLIP GOLD MINE CLUNES. GOLD WAS DISCOVERED IN 1851 - CLAIMED TO BE FIRST DISCOVERY IN VICTORIA.COPY OF PHOTOGRAPH OF OLD PORT PHILLIP GOLD MINE TAKEN FROM MR. BLANDS PROPERTY - OAK AND ELM TREES IN THE FOREGROUND.OLD PORT PHILLIP GOLD MINE WHERE GOLD FIRST DISCOVERED IN QUARTZ IN AUSTRALIAlocal history, document, postcard, mining

BLACK AND WHITE PHOTOGRAPH OF ORIGINAL MONUMENT DEPICTING THE EXACT SPOT WHERE THE FIRST PAYABLE GOLD WAS DISCOVERED IN CLUNES 1851 BY DONALD CAMERON.local history, photography, photographs, events and celebrations, mining

COPY OF PHOTOGRAPH OF JOHN LEWIS MANAGER OF THE NEW NORTH CLUNES MINING COMPANY. ALSO COPY OF PHOTOGRAPH OF NEW NORTH CLUNES MINE WITH MINERS IN FOREGROUND COPIES OF JOHN LEWIS AND THE NEW NORTH CLUNES MINE FRAMED AND HANGING IN THE GOLD ROOMlocal history, photography, photographs, lewis, john, mining

.1 SEPIA PHOTOGRAPH FROM CAMP PARADE LOOKING N EAST CRITERION QUARTZ MINING COMPANY REGISTERED CLUNES 1866 OR 1867 MINE IN BACKGROUND, HOUSES ON EDGE OF CREEK PORT PHILLIP HOTEL 1859 - 1890. PORT PHILLIP 1ST BATTERY. .2 SEPIA PHOTOGRAPH OF CRITERION MINING COMPANYCRITERION QUARTZ MINING COMPANYphotography, port phillip hotel, criterion quartz mining company

PHOTOGRAPH OF TOWNSHIP OF CLUNES ABOUT 1875. LOOKING SOUTH. WOODEN BRIDGE IN FOREGROUND, 1 SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD .2 SEPIA PHOTOGRAPH MOUNTED EDGES REMOVED .3 BLACK AND WHITE PHOTO PRINT .4 BLACK AND WHITE PHOTO PRINT .5 PHOTOCOPY OF PHOTOGRAPHFROM ANGUS STREET HILL LOOKING SOUTHphotographs, clunes township and mining and footy oval

MARTIN POWER WAS A CLUNES MINER.PHOTO COPY OF MARTIN POWER A LATE RESIDENT OF CLUNES. HE WROTE "I WISH ID LISTENED TO MY GRANDFATHER."local history, photography, photographs, power, martin, mining

COPY OF PHOTOGRAPH OF THE MINING EXCHANGE - SALKELD'S BUILDING, GROUP OF PEOPLE STANDING IN FRONT OF BUILDING.local history, photography, photographs, shops- mining exchange- salkeld's building, buildings

SEPIA PHOTOGRAPH OF NORTH CLUNES MINING COMPANY'S WORK.- SHOWING POPPET HEADS - CHIMMEYS LARGE GALVANISED IRON SHEDS.photographs, new north clunes company, north clunes company

PHOTOGRAPH - GENERAL VIEW OF PORT PHILLIP MINE TAKEN FROM CAMP PARADE ABOUT 1859port phillip mine, mining

POSTCARD/PHOTOGRAPH OF MINERS STANDING ON POPET LEGS WITH ONLOOKERS. LETTER ON REVERSE SIDE.SEPIA POSTCARD OF POPPET HEAD, WORKING MEN ON STRUCTURE, OTHER MEN STANDING BY-1913..CLUNES -GOLD MINES 1913photography, poppet head, mining