Showing 1177 items
matching oil painting
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Horsham Regional Art Gallery
Painting, Scott PENDLEBURY, Queenstown - Tasmania, n.d
... Painting Queenstown - Tasmania oil on canvas Scott ...Gift of Mack Jost, 1983oil on canvas -
Horsham Regional Art Gallery
Painting, Scott PENDLEBURY, The recital (Mack Jost), n.d
Gift of Mack Jost, 1986oil on canvas -
Benalla Art Gallery
Painting, J. H. SCHELTEMA, Full swing on the board, 1904
Born: The Hague, Netherlands 1861; Arrived: Melbourne, Victoria, Australia 1888; Died: Brisbane, Queensland, Australia 1941RealismGift of Mr Gordon S. Ross, 1978Interior of shearing shed with figures, shears, animals and wool. Copper coloured gesso frame.Recto: Signed "J. H. Scheltema" in brown oil in l.l.c of composition; Not dated; Not titledpainting, interior, shed, shearing, sheep, figures, animals, wool, farm -
Horsham Regional Art Gallery
Painting, Frederick McCUBBIN, Horses (sketch for The old stone crusher, 1911), c. 1911
Gift of Mack Jost, 1986oil on canvas board -
Horsham Regional Art Gallery
Painting, Nornie GUDE, Venice, n.d
... oil on board Venice Painting Nornie GUDE ...Gift of Mack Jost, 1992oil on board -
Horsham Regional Art Gallery
Painting, Jessie TRAILL, Digging the bank, n.d
Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1995oil on canvas -
Horsham Regional Art Gallery
Painting, Jessie TRAILL, Saplings, n.d
... oil on board Saplings Painting Jessie TRAILL ...Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1998oil on board -
Horsham Regional Art Gallery
Painting, Murray WALKER, Near Silverband Falls (Grampians), 2006
Purchased through the Horsham Art Gallery Trust Fund, 2006oil on canvaswimmera related -
Horsham Regional Art Gallery
Painting, White camp, n.d
Mack Jost Bequest, 2001oil on paper on board -
Horsham Regional Art Gallery
Painting, Phyl WATERHOUSE, In the studio, n.d
Mack Jost Bequest, 2001oil on board -
Horsham Regional Art Gallery
Painting, Phyl WATERHOUSE, The islands, n.d
Gift of Mack Jost, 1983oil on board -
Geelong Gallery
Painting, BOYD, Arthur, Study for triptych: Waiting at Styx, 1988
Oil on canvas -
City of Greater Geelong
Painting - Oil on Board, Margaret Greig, Winter at Cathcart, 2009
... Oil on Board Painting Winter at Cathcart Landscape painting ...Part of the 2009 Mouth and Foot Painting Artist Exhibition held at The Shearer's Arms Arts Centre & Visual GalleryLandscape painting of wool shed with sheep in foregroundsheep, mouth and foot painting -
City of Greater Geelong
Painting - Oil on Hardboard, Hugh Guthrie, Anakie Gorge, 1976
... Oil on Hardboard Painting Anakie Gorge Rural scene ...Purchased from 1976 Rotary Art Show by the Shire of Corio Rural scene with fence and dense vegetationOn artwork: Hugh Guthrie 76 On plaque: Purchased from Corio Rotary Arts Festival 1976anakie, geelong, hugh guthrie, city of greater geelong -
City of Greater Geelong
Painting - Oil on Canvas, Graeme Cardinal, Fishing Queenscliff, 1990
... Oil on Canvas Painting Fishing Queenscliff Graeme Cardinal ... -
Eltham District Historical Society Inc
Painting, David Armfield, Mr Bird spraying his orchard, 1958
Presented to the Society by the artist Oil on canvasarthur bird, artwork, david armfield, eltham, pitt street, wattle grove -
Horsham Regional Art Gallery
Painting, William ROWELL, Still life, n.d
... Painting Still life oil on canvas William ROWELL ...Gift of Mack Jost, 1991oil on canvas -
Horsham Regional Art Gallery
Painting, Kathleen MITCHELL, Strath Creek, n.d
... Painting Strath Creek oil on board Kathleen MITCHELL ...Gift of Mack Jost, 1992oil on board -
Mission to Seafarers Victoria
Painting, Ian Parry, Night Time at North Wharf, 1990
... Large moulded gilt wood frame, non glazed painting... gilt wood frame, non glazed painting of shipping, oil on canvas ...Ian Parry (born 1947) is a Melbourne-born artist living in Tasmania, active since 1974 and collected by National and State Collections. He was winner of the 1990 ACTA Maritime art Prize. He also took part in 2006, to the ANL Art Prize organised each year at the Mission since 2003. In his biography on his website: Ian Parry was born into a family of seafaring descent. His extensive career as a respected practising artist and teacher, has uniquely included a fishing fleet apprenticeship and years as a single handed fisherman in Bass Strait. "In the early 70's when I first showed at the renowned Powell St gallery in Melbourne, the paintings were large, abstract, with allusion to the experience of the world of water, sky and land. My visual world has always been permeated with the wet parts of this place and continues to be so to this day. Maritime and geological charts and the daily necessity of plotting a course, appear in paintings where necessary, as a means of getting a schematic representation of the subject into play, trying to free the work from the tyranny of the horizon line but frequently returning. Now-a-days I am returning to abstraction, making paintings that allow me free rein with colour and composition, aiming for a sense of permanence and independence in each work." Maritime ArtLarge moulded gilt wood frame, non glazed painting of shipping, oil on canvasSignature and date bottom right corner: "Parry 89"p & o nedloyd, shipping, melbourne ports, docklands, wharfside, wharves, ian parry, maritime art, acta maritime art prize, artwork-paintings -
Ringwood and District Historical Society
Photograph, Photograph of two framed oil paintings of foundation members of Ringwood Rifle Club formed in 1954
... Photograph Photograph of two framed oil paintings ...Bill Hall BEM, Captain of the Ringwood Rifle Club No 54 June 1954, was S/C Policeman stationed at Ringwood in the 1950s. He is holding the trophy tea pot no. 16 Rifle Club Top Shooter 1958. Hugh Cameron foundation member and president Ringwood Rifle Club no. 54. Hugh was Headmaster of Ringwood State School.Cloured photograph"Written on back of photograph" Photograph 1: Bill Hall B.E.M. Foundation member, Captain Ringwood Rifle Club No 54, June 1954. Was S/C policeman stationed at Ringwood 1950 period. Trophy teapot- No 16 Rifle Club to shooter 1958. Hugh Coleman, Foundation member and president Ringwood Rifle Club No 54. Painting from original photograph. Hugh was previously Head Master Ringwood State school. Photograph 2: Bill Hall. -
Federation University Art Collection
Painting - Artwork - oil and acrylic on wooden board, 'All Those Nasty Womanly Things' by Michelle Prezioso
... ' by Michelle Prezioso Painting Artwork - oil and acrylic on wooden ...One artwork comprising of 5 individual wooden board panels, oil and acrylic. Painted panels depicting one women in yellow coat with white pants on a purple background, each panel is a segment of the women's form. -
Whitehorse Historical Society Inc.
Painting - Panel Painting
... - in - law of Mr. and Mrs. Skelton. illustrations oil Painting ...In the early 1920s Reginald and Gladys Skelton rented Schwerkolt Cottage. When they left to live in their new home on Deep Creek Road, having been encouraged by Mrs. Louis Schwerkolt to purchase the block, they where given this painting which was on a panel on the door of the eastern room. When the Nunawading Council was refurbishing the Cottage in 1964, Mr Skelton returned the panel. This information was provided by Lyn Davies the daughter - in - law of Mr. and Mrs. Skelton.Painting depicting a rural scene with a river and a bared tree in the foreground and a house, fields and hills in the background.illustrations, oil -
Mission to Seafarers Victoria
Painting, Robert Klein-Boonschate, Departure 7, 2003
Finalist Robert Klein-Boonschate in the ANL Maritime Art Prize 2003 Biography: (https://www.artpartners.com.au/robert-kleinboonschate/) Born in The Netherlands, Robert migrated to Tallangatta, Australia with his family in 1971. Robert completed a degree in Graphic Art at Swinburne College and settled into Melbourne for the next seven years as a professional artist and art facilitator. Robert moved to Mparntwe (Alice Springs) in the 1980’s where he worked closely with Arrernte Peoples for the next 12 years. Robert’s beautiful landscapes reflect the influence of Arrernte artist Albert Namatjira and his love of the Australian landscape reflects his experiences with the Arrernte Peoples and their connection to ‘Country’. Robert opened the art studio located at his home in Alice Springs to Arrernte, Luritja, Warlpiri & Pintupi artists and worked alongside such artists as Johnny Warrangkula Tjupurrula. Robert helped to facilitate Johnny’s later body of work by constructing special brushes which could be used by Johnny after breaking his wrist. Robert has returned to NSW and now lives in Walla Walla surrounded by the rugged natural landscapes of Australia.Large scale Oil on Belgian Linen depicting dockside and ships.docks, waterside, maritime art, robert klein-boonschate, artwork-paintings, maritime art prize, anl -
Federation University Art Collection
Painting - Artwork - Painting, 'Work' by Maryanne Coutts, 1999
Maryanne COUTTS (1960- ) Born Australia Maryanne Coutts studied at the Victorian College of the Arts (VCA), The University of Melbourne, 1979 -1981, the University of NSW (UNSW),1984 and achieved a PhD at Federation University Australia in 1999. She has exhibited extensively throughout Australia and internationally including UK, Spain and Thailand and is currently Head of Drawing at the National Art School, Sydney. Dr Maryanne Coutts was the first successful Visual Arts PhD from the Federation University Arts Academy. She won the Portia Geach Memorial Award in 2007. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Maryanne COUTTS (1960- ) This work by Maryanne Coutts was undertaken during her Doctorate undertaken at the University of Ballarat (a predecessor of Federation University). Here thesis. 'Using narrative strategies in contemporary figurative painting', applies an analysis of narrative, its elements, strategies and devices to figurative painting within the practical project of producing visual narrative fiction. art, artwork, maryanne coutts, coutts, thesis, phd, doctorate, oil on canvas, alumni -
Federation University Art Collection
Painting - Oil on canvas board, 'Cliff Face' by R. Clayton Skate
... . Clayton Skate Painting Oil on canvas board Skate, Ron ...Ron SKATE (1913- 1991) Born Newstead, Victoria This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed landscape showing the cliffs at Point Addis near Anglesea, Victoria. signed l.l. 'Skate'art, artwork, ron skate, skate, r. clayton skate, landscape, available -
Federation University Art Collection
Painting - Oil on Canvas, 'Jack' by Phil Berry, 2009
... Berry Painting Oil on Canvas Berry, Philip ...Phil BERRY (1963 - ) Born Ballarat Completing a Master of Arts at the University of Ballarat (now Federation) in 2012, he workes as a sessional staff member for the Arts Academy. Artist Phil Berry recalled ‘As a child I spent the majority of my holidays at my uncle and auntie’s. Uncle Jack was a prisoner of War at Changi during World War 2. Repatriated to Australia he was emaciated and clutched his prize possession, an old spoon. Part of his daily life during the extreme hardship of the camp, the spoon was a symbol of his survival, a constant in extreme uncertainty.’ ‘Home again Jack married, started a family and embraced peace. A kind and gentle man, I was fortunate to have known him. The coming of peace had given back what war had nearly taken away.’ This item won the Lucato Peace Prize and is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painted canvas depicting a spoon. Phil Berry studied at the University of Ballarat Arts Academy (later Federation University) and undertook sessional lecturing at the Arts Academy.art, artwork, berry, phil berry, philip berry, lucato peace prize, prisoner of war, available, spoon, cutlery, war, arts academy, alumni -
Merri-bek City Council
Painting - Oil on canvas, Graeme Drendel, The Search Party, 1995
... Painting Oil on canvas Graeme Drendel ...Local artist Graeme Drendel often depicts isolated individuals against stark Australian landscapes. Even when portrayed in group settings, Drendel’s figures exude solitude and introspection. Their expressions and attire hint at larger, obscured narratives, which the viewer is left to unravel or imagine. His paintings seamlessly blend the ordinary with the surreal, which creates a sense of uneasiness or forboding. Viewers grapple with the challenge of deciphering these compositions. -
Merri-bek City Council
Painting - Oil on canvas, Graeme Drendel, Happy Families - Timberoo, 1990
... Happy Families - Timberoo Painting Oil on canvas Graeme ... -
Merri-bek City Council
Oil on MDF, Raafat Ishak, Cairo, 2020-21
Raafat Ishak is a Melbourne-based artist working across painting, installation and site-specific drawing. His work delves into the exploration of identity and the challenges of navigating life between two cultures, particularly influenced by his teenage emigration from Cairo, Egypt. Ishak employs a graphic visual language in his art, drawing inspiration from both architecture and his Arabic heritage. His artistic practice is situated at the crossroads of the personal and the political, delving into themes of utopia through the use of romanticised imagery. Through his work, Ishak seeks to scrutinize and interpret the complexities of cross-cultural dialogue. -
Merri-bek City Council
Oil on board, Shaun Tan, Octopus 2, 2016
Shaun Tan is best known for his illustrated books and short films that deal with social, political and historical subjects through dream-like imagery and fantastic creatures. In addition to his book and film work, Tan is a respected and prolific painter. Octopus 2 is one of three paintings of Anstey Station, which is next to Tan’s art studio. Nearby, there is an octopus painted on the roller door of a bait shop. Tan observes that the octopus is usually only visible at night, and then not very well: "It is an eerie vision, a bit comical too. There is something about the tucked-away grouping of high and low walls, the amber light and the jumble of signage that I find very evocative, as if there is some spirit being tucked up in this unlooked-at pocket of the rail-line”.