Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cutting and flower and foliage details of plant with brown stem, green foliage, pale green buds and white (star-shaped) flowers. Eight drawings including one pink and green seed pod, one flower detail (side view, bell-shaped), one cutting with foliage and flowers, one stem detail with leaves or buds, one flower detail (above view, star-shaped), one flower bud (side view) and one dark green and one green-brown leaf details. The work is mounted in a double matt (grey on white) in framed under glass in a gold and green-grey frame.Front: CEW/71 (signature, lower left in image) (orange pencil) Leucopogon woodsii (lower centre) (pencil) 12/5/71 (lower left, erased) 42 (lower right, erased) Back: 9 (upper left) (pen)cema, botanical, collin woolcock, woolcock collection, botanical drawings

The area, previously known as Back Creek, was named after Thomas Cottle, who settled in the district in the 1870s, and the original bridge over the Diamond Creek on the road to Strathewen. The original bridge (seen in the photo) was replaced with a new timber bridge at a cost of £1,500, the tender being awarded to a contractor named Birch who commenced work in June 1927. The gentleman in the photo who is resting whilst having a smoke of his pipe is a member of the Belot family.Original sepia photograph mounted on card broken lower left corner and cracked upper rightbelot, bridge, cottles bridge, cottles bridge-strathewan road, diamond creek (creek), heidelberg-kinglake road

An early black and white photograph of the Watts River at Fernshaw. The photograph has been incorrectly labeled as the Maroondah River - Fernshaw.An early black and white photograph of the Watts River at Fernshaw. The photograph has been incorrectly labeled as the Maroondah River - Fernshaw.ARMSTRONG COLLECTION 42 STATION STREET/ SANDRINGHAM 3191/ TEL. (03) 9521 5442/ IAN M.L. ARMSTRONG OAMwatts river, fernshaw, maroondah river, victoria

Blunt hook, measure marked on lower end, left to right, "1,2, 6,5,4,3" chrome plated.obstetric delivery, blunt hook, destructive instrument

Framed coloured photograph of two Centurion tanks with guns lowered stand guard at a firebase in the background.centurion tank, fire support base, photograph

The set of 20 photographs were taken of a number of archaeological sites in Sunbury of sacred sites and aboriginal rings. The photographs were included in a study of these sites which was published by the Shire of Bulla in the early 1990's.A soil profile showing a whitened lava flow above decomposing timber and soil at the lower level.aboriginal ring sites, george evans collection

TANK WAS MADE TO BE USED AS AN EXAMPLE OF WEICKHARDT'S WORK FOR DISPLAYSMALL GALVANIZED METAL WATER TANK, FINIAL ON TOP LID; BRASS TAP ON LOWER EDGEWEICKHARDT & CO. MAKERS CLUNES.local history, container, domestic, weickhardt family

Two definite marks on the lower edge of this pavement were made possibly to show the positioning of the stone.

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.One of a collection of photographic portraits of Commanding Officers and Officers Commanding of the regiment/independent squadron from its inception in 1947 to its linking with 4th/19th Prince of Wales’s Light Horse in 1991. Framed black and white photograph of gentleman in Mess jacket with lapel badges. Inscription on lower frame. " Lt. Col. T. Fogarty 1948 - 1955 "military, fogarty, officer

Manufacture of very large scale of gearing to engine/machine, not scale of two men in the lower foreground

Paul KLEE (1879-1949) Born Switzerland Paul Klee was a Swiss painter who trained at the Academy of Fine Art, Munich. From 1911 he was involved with the Blaue Reiter group at Munich, and the following year he took part in the Blaue Reiter exhibition.The lithograph depicts blocks of colour, and is framed in a blonde timber frame. Signed lower left 'Klee'. Edition 116/200feduni art collection, klee, paul klee, printmaking, blaue reiter, lithograph, colour lithograph

Photo of a postcard of Talara a 2 story house with bushes and ivy covering most of the lower storytalara, princes highway, house, cottage, building, rutledge, remington, powell

The Inverness was a well boat built in Port Fairy 1938 by K.N. Lacco and Sons for Johnny McDonald who owned and operated her until about 1942 when she was taken by the armed forces. In 1946 after the 1939-1945 War she was bought in Sydney by Tommy Davis, Jim 'Jumbo' Terjeson and Peter 'Runt' Terjeson. RFB 233 on the register 1938-1942 and 1946 - c1963Well known boat built in Port Fairy for Johnny McDonald taken for use by the armed forces in 1942 she was found in Sydney and bought by Tommy Davis , Jim Terjesen and Peter Terjesen and returned to Port FairyBlack and white photograph of Fishing boat ‘Inverness’ with sail furled berthed at lower end of wharfwell boat, peter runt terjesen, tommy davis, johnny mcdonald, jim jumbo terjesen, inverness, rfb 233, k.n.lacco, peter terjeson, tyson, runt

As used by WW1 soldiers for leg protection, both by Infantry and MountedAs manufactured by GMH, 1945 Army green cloth used to wrap around lower leg ,puttee, offering some protectionmilitary, puttee

LinocutSigned 'Rona Green' lower right corner of print. Titled 'Rom' to the lower left of printed image. Edition 11/25, numbered in lower left corner of print.

One of the first large goldfield meetings was at Castlemaine in 1851. After the extraordinary success of the Mt Alexander Diggings the Government issued a proclamation, raising the licence fee from thirty shillings to three pounds. As soon as these intentions became known a public meeting of miners was held. For miles around work ceased, with diggers travelling as far as Bendigo to attend the meeting. It is estimated that around 18,000 people attended the meeting. The notes with the engraving state The trees in this locality are chiefly Stringybark; some of them are peeled of their covering, as many persons prefer erecting bark huts to living in a comfortless tent. The various groups, and costumes of the men, are characteristic of our gold digging community. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Colour lithograph of a meeting of diggers at a meeting in Mt Alexander. The meeting was the result of goldfields agitations against the license fee. lower centre "Great Meeting of Gold Diggers Dec 15th 1851" lower left side "Drawn By D. Tulloch" lower right side "Engraved by Thomas Ham"art, artwork, ham, thomas ham, tulloch, castlemaine, goldfields agitation, printmaking, edition, coloured lithograph, david tulloch, gold pan, shovel, wheelbarrow, waggon, bark hut, ring barked tree, gold mining

NoneView of a lanway. The laneway begins lower centre of image and recedes into image, halting 1/3 into the image. It is flanked by a high wooden fence on the right and a low wooden pole fence on the left. Behind fence on the right is the top of the wall and the roof of a house. One the left there is a house on a slight hill, rising above the road. There are houses in the background, with power poles and antennae visible above the roof lines. Mounted in black matt. Framed in silver frame with glass.Front: NWJones 71/ (lower left, black felt tip pen) Back: "Laneway" N.W. Jones 31 Linden St Box Hill Sth $25.00 (centre, black felt-tip pen)

Part of "Woolcock Gallery Collection" Exhibition 1989 CEMA.Different detail studies of plant. From top-bottom, right to left are a side study of red flower with elongated petals in tube shape. Stem with three pale-gree leaves. Top view of dark green leaf with serated edges. Stem and flower bud study. 2 stems joined with many clusters of spikey green leaves coming off central stems and 6 flowers and 3-4 buds. A seed study. A view into tube of flower. Work mounted in double matt (taupe on sage) under glass in gold frame. Artists signature next to last flower study, lower left.Front: Astroloma humifusum (Cranberry Heath). CEW/82 (artist's signature, lower left in image) (coloured pencil). Back: 10 (upper left) (pen)cema, botanical, collin woolcock

Students attended Sunday School classes at the Kergunyah Presbyterian Church. Sunday school was held in a little 16 foot square wooden building which came from Rocky Valley after it was no longer needed there. Ewen Wallace's father initiated and organised the move. C2011 the building was knocked down because of white ants. The Presbyterian Church will be 125 years old in 2015.Historical: Religious Education: This book was used by students who attended the Sunday School classes at Kergunyah Presbyterian Church. Religion: Presbyterian Church at Kergunyah, in the Kiewa Valley, celebrates its 125th anniversary in 2015 after being handed over to the Uniting Church in the 1970s.Green book with cardboard cover. Dark green at top of book with white block letters, lower case, for title. Lower part of book is light green and depicts moon landscape. Back cover is bright green. 88 pages held by 2 staples.religion, religious education, christian, presbyterian, methodst, churches of christ, congregational churches, anglican, kergunyah, sunday school, ewen wallace

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Three indigenous women stand before trees and grass trees. The fgiure on the far left is wearing traditional clothing, and the two figures on the right wear Victorian period dresses. The background depicts abstract patterning. At the top of the print are the words "Portland is for Everyone". The bottom of the image includes the words "Thanks to the Aboriginal Cultural Centre, Heywood, and the Portland Historical Society." Background is mauve and colours include green, blue, yellow, orange and tan. Mounted in dark cream matt in an ornate gold-detailed wooden frame.Front: 41/60 (lower left) Angela Gee '83 (lower right) (pencil) Back: (no inscriptions)

UnknownAbstract print. Yellow underlayer with brown layer of ink on top. Darker pigmentation towards the centre of the print. At the top right and bottom centre there are two thin crosses. The entire surface is thickly built up, creating an undulating surface to the image with variation in pigmentation. Mounted in cream matt. Framed in natural wood frame with perspex glazing.Front: Robert Grieve (lower left) Composition (centre) 4-10 73 (lower right) (pencil)

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of twig with flowers. The twig has green leaves, red buds, and red flowers with yellow centres. The work is printed on cream paper with torn edges.Front: 17/18 (lower left) MD Solly '84 (lower right) (pencil) Back: 40

UnknownTwo zebras grazing in long yellow grass. Mounted on cream matt, in a wooden frame with glass.Front: 1/7 (lower left) Africa (centre) Mary Macqueen - 73 (lower right) (pencil)

These two photographs of a contingent from the Army Survey Regiment lowering the Australian flag were taken on Australia Day in Kerang, Victoria on the 26th of January 1996. Most units of the Australian Defence Force (ADF) provide contingents to regional towns in their local area to assist in commemoration ceremonies on days of national significance, such as Australia Day, ANZAC Day and Remembrance Day. This was most likely one of the last occasions before the closure of the Army Survey Regiment. The use of an improvised flagpole is unknown.These two photographs of a contingent from the Army Survey Regiment lowering the Australian flag, were taken on Australia Day in Kerang, Victoria on the 26th of January 1996. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The colour photographs were scanned at 300 dpi. .1) and .2) - Photo, colour, contingent of unidentified Army Svy Regt personnel. There are no annotations.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, kerang shire, australia day

Gannet in flight over seascape. Blue and white checks form an abstract background in a little over half the top area of image.Front: 7/25 (lower left, pencil) Lawrence Rocks and Point Danger from Crumpets (lower centre, pencil) Mayor of Portland (lower left, blue stamp) Back: Portland Proclaimed a City October 28th 1985 (lower centre, blue stamp) Minister for Local Government (lower right, blue stamp)

Exhibition, CEMA 1991.View of beach with crumpets in foreground and hills and cliffs in background. Scene sweeps up to the right of image. Sea is breaking over several boulders along shoreline. Far out to sea the water's colour is dark green and indigo, arond a rocky island. Sky is pale blue with violet clouds near horizon line and white wispy clouds above. Mounted in a double matt (white on violet) and framed under glass in decorative wooden frame with gold decoration and paint.Front: (no inscriptions) Back: Alan Wilson. "Crumpets". Hollands framing sticker (lower centre). Oils-on canvas on ply. 1991. (lower right) (pen) 1991 (lower centre) (pencil).

black and white copy: elevated view of Bendigo from Lower Pall Mall. Titled 'Birds eye view of Bendigo' on image. Treed area in foreground, townscape behind, ranges on skyline. In grey lead on back: view of Bendigo from Lower Pall Mallunknownplace, land, bendigo