The weapons of the war in Southeast Asia ranged in complexity from technologically-advanced, eight-engine B-52 strategic bomber to the Stone Age sharpened-stake booby trap of the guerrilla. vietnam war, 1961-1975 - equipment and supplies, weapons, viet cong

These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists

In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex.

The weapons of the war in Southeast Asia ranged in complexity from technologically-advanced, eight-engined B-52 strategic bomber to the Stone Age sharpened-stake booby trap of the guerrilla.vietnam war, 1961-1975 - equipment and supplies, weapons, viet cong

The weapons of the war in Southeast Asia ranged in complexity from technologically-advanced, eight-engined B-52 strategic bomber to the Stone Age sharpened-stake booby trap of the guerrilla. vietnam war, 1961-1975 - equipment and supplies, weapons, viet cong

Like the war in Spain thirty years ago, the significance of the war in Vietnam reaches far beyond the geographical boundries of that tragic and beautiful land.vietnam war, 1961 - 1975, southeast asia - politics and government

The book is based on the film series by Ken Burns and Lynn Novick.What we remember, what we've forgotten - and what we never knew about America's least understood war, revealed in a riveting, richly illustrated volume based on the major ten-part documentary series directed by Ken Burns and Lynn Novick.vietnam war (1961-1975), president ford, north veitnamese troops, southeast asia, presidential palace, saigon

So Much to Lose is a well-crafted, exceptionally researched, and most welcome contribution. Rust provides a wealth of otherwise unavailable material on a largely unexplored and misunderstood chapter of America's Southeast Asia history.united states - foreign relations - laos, united states - foreign relations - 1961-1963

Shelby Stanton's Vietnam Order of Battle has been the "Bible" for the Army's Southeast Asia War Records project, which has been hastened immeasurably by having this accurate and excellently compiled reference work at hand - it is an information source without equal. deployment of forces, united states. army -- history -- vietnamese conflict, 1961-1975

This book is dedicated to Dr. Peter Rollins (1942-2015), a Marine officer in Viet Nam.vietnam war (1961-1975) - united states, vietnam war - 1961-1965 - campaigns, history -- asia -- southeast asia

This book is dedicated to Dr. Peter Rollins (1942-2015), a Marine officer in Viet Nam.vietnam war (1961-1975) - united states, vietnam war - 1961-1965 - campaigns, history -- asia -- southeast asia

Believed taken by Ian McCann Stawell's first Tourism OfficerPositive Colour Slides

Donation Box for Catholic Mission society based in the UK but serving the Catholic Missions in Asia and New Zealand. Popularly called the Mill Hill priests.foreign missions, mill hill, catholic

Was purchased in 1974 at Eastern Office Supplies and was used by the donor for many years.OLYMPIA==> see also BRUMSVIGA + MONROE|The company started after the invention of the 'Pointing Typewriter' MIGNON by Friedrich v.Hefner-Alteneck, engineer of AEG (=ALLGEMEINE ELEKTRIZITAETSGESELLSCHAFT) in Berlin: In 1903 a company was founded to produce the >>MIGNON<<, the UNION SCHREIBMASCHINENGESELLSCHAFT. In 1923 the company moved to Erfurt and was renamed AEG DEUTSCHE WERKE. In 1930 it was renamed EUROPA SCHREIBMASCHINEN. Until the end of production in 1933, there were 49 different Font-Cylinders available. Their new typewriters were very successful under the name >>OLYMPIA<<, and in 1936 the company was renamed again OLYMPIA BUEROMASCHINEWERKE. In WWII the factory was destroyed. 'Leftovers' in Erfurt (East-Germany) became OPTIMA BUEROMASCHINEWERKE a GDR-run business - Former employees founded in Wilhemshaven (West-Germany) the new OLYMPIA WERKE under AEG share-holding. OLYMPIA's peak was in the 1970s when it was the largest producer of office machines in Germany. The rise of small-computers organization of Daimler-Benz/AEG/Olympia, the OLYMPIA branch was sold and the new owner in Asia formed the OLYMPIA INTERNATIONAL HOLDING LTD.Traveller De Luxe Portable Typewriter. Olympia (1973) Wilhemshaven Germany. German Qwerty Keyboard; pica 10cpi; 83cp; Black/White/Red ribbon; plastic case; Weight 11lbs/5kg.Purchased from Eastern Office Supplies, Railway Road, Blackburn.Olympia 1973commerce, office equipment / stationery

Jenna Lee dissects and reconstructs colonial 'Indigenous dictionaries' and embeds the works with new cultural meaning. Long obsessed with the duality of the destructive and healing properties that fire can yield, this element has been applied to the paper in the forms of burning and mark-making. In Without Us, Lee uses charcoal to conceal the text on the page, viewing this process as a ritualistic act of reclaiming and honouring Indigenous heritage while challenging the oppressive legacies of colonialism. Lee explains in Art Guide (2022), ‘These books in particular [used to create the proposed works] are Aboriginal language dictionaries—but there’s no such thing as “Aboriginal language”. There are hundreds of languages. The dictionary just presents words, with no reference to where they came from. It was specifically published by collating compendiums from the 1920s, 30s and 40s, with the purpose to give [non-Indigenous] people pleasant sounding Aboriginal words to name children, houses and boats. And yet the first things that were taken from us was our language, children, land and water. And the reason our words were so widely written down was because [white Australians] were trying to eradicate us. They thought we were going extinct. The deeper you get into it, the darker it gets. But the purpose of my work is to take those horrible things and cast them as something beautiful.’Framed artwork

As he flew over South East Asia towards Vietnam, Captain Barry Petersen struggled to keep an aura of calm. Inwardly he was incredibly excited. Age 28, highy trained, with experience in anti-communist guerill warfare, he was about to embark on the biggest and most important mission of his life.petersen, barry -- career in armed forces, vietnam -- officers -- biography, vietnam -- officers, vietnam war, 1961-1975 - participation, montagnard (vietnamese people), aattv, australian army training team vietnam (aattv)

printed newspaper article and booklets

This specimen was donated in 1868 by Alfred Selwyn. Olivine is typically found in basic and ultra-basic igneous rocks around the world, in a variety of colours including yellowish green, olive green, greenish black and reddish brown with a transparent to translucent diaphaneity. The luster of the specimen is vitreous, the luminescence non-fluorescent and when fractured the mineral is very brittle producing small, conchoidal fragments. Chromian diopside is normally found in small sizes as the larger the size of the mineral the darker the colour is, almost black rather than green. Chromium is the element that gives chromian diopside and emeralds their rich green colour. Diopside is found across the world in multiple colours however gem-quality chromian diopside is mined in Siberia, Russia and prominent within the jewellery industry as a more affordable substitute to emeralds. Chromium-bearing diopside has been located across Australia. Chromium-bearing Diopside is located across the world found in North America, parts of South America, and across Australia, Africa, Europe and Asia. Chromium-bearing Diopside is mined in Siberia, Russia and is sold as a commercial substitute for emeralds. The stone is often turned into jewellery. This item is one of many geological and mineral specimens that constitute a broader collection obtained from various regions across Australia (as well as some international locales) and generously contributed to the Burke Museum between 1868 and 1880. A significant portion of these specimens originated from Victoria and were acquired as a result of the Geological Survey of Victoria, initiated in 1852 during the Gold Rush era. The primary objective of this survey was to investigate and chart the geological characteristics of Victoria. The procurement of geological specimens played a vital role in advancing our comprehension of the Earth's scientific composition and was instrumental in supporting research and educational institutions throughout Australia, including the Burke Museum, in their efforts to foster further exploration and study. A solid mineral specimen in shades of green, grey and brownburke museum, beechworth, geological, geological specimen

This group photograph of Jacana Primary School students serves as a poignant reminder of the school’s enduring legacy. Established in 1959 and operating until the early 2000s, the school was a vital part of the local community, nurturing generations through education and shared experience. The image captures not only the faces of its students but also the spirit of camaraderie, diversity, and belonging that defined the school. It stands as a visual record of a time and place that shaped young lives and reflected the broader social fabric of Jacana during its years of operation.This photograph holds significant historical and emotional value as a visual record of Jacana Primary School, which served the community from 1959 until its closure in the early 2000s. It captures the essence of a school that fostered learning, friendship, and community spirit, preserving the legacy of a place that shaped generations of young lives. A vibrant laminated colour photograph featuring a group of children and staff seated in three rows. Their names are displayed on a blue panel, printed on glossy paper, accompanied by the school logo.jacana primary school, education, photograph, group photograph, 2000, grade 5/6, timothy jolley, casey muscat, dianne dabrowski, kristina mihaljev, matthew eva, shayla nash, jessica salib, enver scholz, benjamin hughes, raymond bell, daniel knosten bergs, jywei luong, tulin cayvarli, asia houssein, nathan atkinson, luke o'toole, carla goddard, sinead tracy, sa tuimavave, matthew tracey, daniel iosefa, quinn oakley, jayne fuimadno, samantha melia, luba bojczuk, merna gamble, nancy frye, kaye smith, ms. carol taylor

Ill, maps, p.159A collection of stories of capture, imprisonment and escape in World War I and II. Covering experiences in Europe and in South East Asia, the book presents contrasting PoW experiences - of daring escapes from Colditz Castle, and of endurance and slow suffering in Japanese camps.world war 1939 – 1945 - prisons and prisoners - japanese, world war 1939 – 1945 - prisons and prisoners – germany

Index, bib, ill, p.208.non-fictionAn account of the campaigns and battles between Japan and the Allied nations in the Pacific and Asia during World War II.world war 1939-1945 - campaigns - pacific area, japan - history - 1912-1945