William M Pyke was born in 1815, Wiltshire England and died in 1850, 35 year old.William M Pyke headstone, located on the banks of Toolern Creekpioneer families, local identities

The graves are buried on the banks of Toolern Creeklocal identities, pioneer families

Family history and biography of Edward Dillon who immigrated to Australia with his wife and son in 1857 and lived in Camberwell. He was a Councillor for the City of Boroondara and the Shire of Boroondara.boroondara

THE RIVER PORT OF REDBANK During the 1870s, Red Bank would have been one of the busiest ports on the Murray River. When the railway line was being built from Melbourne to Wodonga all the railway material was brought up river from Echuca by paddle steamer and barge and unloaded at Red Bank. The material was loaded onto horse teams or bullock wagons and taken along the route of the spur line. During the 187 MacCulloch & Co. handled 3000 tons of railway material here' The port was operational from approximately 1870 until 1874. THE FIG TREES The fig trees and a small bank of gravel are the only visible reminders of where the spur line from the wharf at Red Bank met the main line. It was at this point that all the material for the mainline was transferred from the small locomotives and wagons from Red Bank. It would have been carried by bullock wagons and horse teams and unloaded at different places as the line progressed. After the line was completed in 1873 the fettlers from Wodonga would patrol this length of the line.These images are significant because they document an important stage in the development of transportation in North East Victoria.Images of the River Port of Red bank near Wodonga on the Murray River. 1. The wharf 2. All that remainsred bank port, historic wharf wodonga, river transport

Sales plan for land in the suburb of Highett, titled Railway Reserve, incorporating properties along Wolseley Street, Livingston Street, Highett Road and Worthing Road. The developing urban area of Highett within the City of Kingston. This land sale pamphlet illustrates the subdivision of land within the municipality and the changing demographic of the district as new houses and shops are constructed close to infrastructure.Colour pamphlet advertising thirty eight shop and villa sites for sale at the Railway Reserve, Highett. Incorporates a map of the reserve with properties available on Wolseley Street, Livingston Street, Highett Road and Worthing Road. Handwritten in grey pencil: assumed sale price recorded on subdivisions 1-7, 10, 22, 23 and 34 Handwritten in grey pencil on subdivision 4: C. Nevill / City of Melbourne bank Handwritten in grey pencil across subdivision 7: 49' Handwritten in grey pencil across subdivision 21 and 22: 134' Handwritten in grey pencil across subdivision 25 and 26: 200' Handwritten in grey pencil across subdivision 36 and 37 and both top and bottom: 120' Hand drawn in blue pencil: outline of subdivision 4 Hand drawn in blue pencil: outline of subdivisions 7, 23, 28, 37, 38 along left hand side, subdivisions 38, 37 and 36 on Wolseley Street, subdivisions 30 and 29 along Wolseley Street, subdivisions 29 and 24 along the middle of the plan, subdivisions 24 and half of 25 along Livingston Street, half of subdivision 20 along the middle of the plan, subdivisions 21 and 22 along the Right of Way between Livingston Street and Highett Road, and along the right hand border of subdivision 7. Handwritten in ink adjacent to the subdivision plan, updside down, in the bottom right hand corner: 276 / 54 / 280 / 45 / 320 / 202 / 200 / 134 / horizontal line / 11/14 Handwritten in ink adjacent to the subdivision plan, updside down, in the bottom right hand corner: 1714)2200(15 / 1714 / horizontal line / 486land sales, highett

From 1988 to 2021, Legacy held a public speaking contest for young secondary school students. It was initially called the Junior Plain English Speaking Award (JPESA) and later called Legacy Junior Public Speaking Award (LJPSA). Schools were eligible to send along up to 4 representatives to compete in a preliminary round. These photos are from the first National Final on 17 October 1996. They show President Ray Ward congratulating the winner, Ross Ditcham from Flinders Christian Community College. Also Commonwealth Bank's Glenn Haslem presenting prize money. A guest speaker was Channel 7's sports presenter Jim Wilson. Other commended students were Simon Winkler and Penny Mayes and Luke Raffin. The following was taken from a programme in 1996: "The Award aim is to promote enhanced oral communication skills for 12-14 year old students and to help young people appreciate the ideals of Legacy - voluntary service, caring and comradeship - and the need for remembrance. It began in 1988 in the Melbourne area with the support of the Ministry of Education and The Plain English Foundation. Entries have grown from 24 in the 1988 competition to over 300 in schools across the State, plus greater numbers participating in the process of selecting four contestants from each school. In 1995, a successful Interstate Championship was held with contestants from Victoria, New South Wales and Queensland. On 11 November 1996 the first National final was held with contestants from six states."A record of the Junior Plain Speaking contest that has been run by Legacy since 1988.Colour photo x 11 of Junior Plain English Speaking contest State Final in 1996 and an article in the Answer.legacy promotion, speaking contest, answer, jpesa

Legacy raised funds from the sale of Christmas puddings for a few years. Cost of the puddings were $3.50. Large corporations like banks agreed to sell the puddings on Legacy's behalf. The photo was featured in a the President's highlights report.A record that corporations helped sell puddings for Legacy as part of their fundraising.Black and white photo x 2 of a bank teller selling Legacy puddings and associated order forms and promotional brochure.christmas, fundraising

One photo from an album belonging to JB McLean, of his voyage home from World War 1 in 1920 on the Ceramic. The photo shows the bank of the Suez Canal. The Ceramic departed Tillbury, UK 12th March and docked in Freemantle on 27th April 1920 and then went onto Adelaide, Melbourne and Sydney. The Ceramic was a transport vessel built in Belfast in 1913 for the White Star Line to transport frozen produce and apples from Australia to UK. It was taken over by the Australian Government for troop transport in October 1914 and could carry over 3,000 troops. This trip in 1920 there were 1467 on board, there were women and children as well as 439 soldiers returning home, one of whom was John 'Basil' McLean. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.A collection of items from John Basil McLean is in the archive. Kept as an indication of what founding legatees experienced in World War One and what they saw on the way home.Sepia photo of the bank of the Suez Canal glued to black cardboard in an album of photos from 1920.Handwritten caption 'On Bank of Suez Canal' in white ink.souvenir, world war one, jb mclean, ship, ceramic

A photo of artist Clifton Pugh beside one of his paintings. The white paper label says: "Artist Clifton Pugh kindly allowed Legacy to display his Gallipoli paintings at then launch of Legacy Week. The paintings were commissioned expressly for the Australian War Memorial. It was the first time these paintings were on display in Melbourne." Clifton Pugh was appointed official war artist for the 75th Anniversary of the Gallipoli landing at Anzac Cove in 1990. The photo featured in the 1990 President's Report that was published with the 1990 Annual report. The caption said: 'The late Clifton Pugh at the official launch luncheon of "Legacy Week". ' The article went on to say: 'Our official luncheon to launch "Legacy Week" was opened by the Lieutenant Governor Sir John Young and sponsored by the ANZ Bank. At the luncheon the late Clifton Pugh had generously displayed some of his Gallipoli paintings which had been commissioned expressly for the Australian War Memorial. it was the first time these paintings had been on display in Melbourne.' A record of a launch of Legacy Week in 1990 and the display of a prominent painter's work.Colour photo of Clifton Pugh and a painting. White paper label on the back with black type.legacy week, legacy appeal, painting

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week in 2007. The total donation value is $110. The wallet was given out to Legatees for them to sell and then bank the proceeds using the banking slip and returning the green form to Legacy House for reconciliation. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt, the different colours correspond to the different badge colours and values.Example of how Legacy badges that were sold up to raise money for Legacy's work. White cardboard badge wallet with 19 badges of various denominations with accompanying coloured receipts, plus a banking slip, green form and letter explaining the process.legacy appeal, fundraising, badge week

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week in 2007. They are stick pins. The total donation value would $110 but one green $10 pin is missing. The wallet was given out to Legatees for them to sell and then bank the proceeds using the banking slip and returning the green form to Legacy House for reconciliation. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt, the different colours correspond to the different badge colours and values.Example of how Legacy badges that were sold up to raise money for Legacy's work. White cardboard badge wallet with 18 badges of various denominations with accompanying coloured receipts, plus a banking slip, green form and letter explaining the process.legacy appeal, fundraising, badge week

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week in 2007. The badges are all stick pins. The total donation value is $110. The wallet was given out to Legatees for them to sell and then bank the proceeds using the banking slip and returning the green form to Legacy House for reconciliation. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt, the different colours correspond to the different badge colours and values.Example of how Legacy badges that were sold up to raise money for Legacy's work. White cardboard badge wallet with 19 badges of various denominations with accompanying coloured receipts, plus a banking slip, green form and letter explaining the process.legacy appeal, fundraising, badge week

Private bus parked outside the former lavishly signed State Savings Bank in Moorabool St on the SE corner with Corio St. The bus provided a direct route to West Geelong (Church St and possibly to the stockyards west of Pakington St, via Clarence and Elizabeth Sts. The tram route via Aberdeen St would have taken considerably longer. 1920s.Black and white print on paper.GSR710/20/1/14 and 20-14 written on the reverse in pencil. The No. 2 inside a circle written on the reverse in ink.geelong private bus, geelong state savings bank

Document. Envelope contains: - Insurance Policies, Receipts Hire agreement for Steam driven air compressor and site map and specifications. Tender for new compressor, treasure Bonds and Lease Agreements. Envelope with a 2 pence red postage stamp with the profile of King George 5th and a crown above his head addressed to Mrs. C. Russell of 7 Willowbank Road N7, Melbourne. War Damage Commission receipts. Correspondence from The English Scottish & Australian Bank Limited regarding Treasury Bonds. Receipt for Boiler Test, Certificate of inspection of Boiler.McColl, Rankin & Stanistreetorganization, business, gold mining - legal, mccoll, rankin & stanistreet, east clarence gmc nl, gold mining, insurance policies, treasury bonds

Print of an original oil painting created in 1874 (these numbers are in the top left corner) by artist Gabriel Max ("Gab Max" is in top right corner) and reproduced by Kodak. The reproduction was likely made for the Mission to Seamen from the early 1906 to the 1960s to hang in its chapel. The publisher Reinthal & Newman, New York, was in business between 1906 and 1928. The company originally published postcards, but from 1920 they published prints of art from original works of famous and not so well-known artists. The published items were distributed by the House of Art, NY, which continued on into the 1950s. The print was part of the original furnishings of St Nicholas Seamen's Church, Williamstown, Victoria. The church was operated by the Missions to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the organisation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. The print is significant because of its association with the Mission to Seamen in Williamstown, Victoria. This organisation had strong connections to the colonisation of Victoria by people travelling and arriving by sea. The picture is also significant as a representation of 19th century religious art by Gabriel Cornelius von Max.Print of an oil painting representing Jesus Christ, closed eyes, tear on cheek, with a crown of thorns, titled “Jesus Christus”, produced in 1874 by 19th century artist Gabriel Cornelius von Max (GAB MAX). Print on paper; black and grey drawing on beige canvas-look background with image of fixing pins in each corner, edges look like torn fabric. Published by Reinthal & Newman, New York. Print is behind glass, mounted in heavy wooden frame that is painted dark brown. Reverse has numbers on small white label. Base of reverse has two small holes, each with indentations from something round. Backing board has indentations from nails no longer there. There are remnants of original hanging wire, but this has been replaced. Part of the St Nicholas Seamen's Church Collection.FRONT: Top left :1874” Top right “GAB MAX” [Gabriel Cornelius von Max] Handwritten script under picture “Jesus Christus”. Printed bottom left on front “A33 © REINTHAL & NEWMAN PUBS. N.Y.” REVERSE: “162” written in black felt pen on white label. Pencilled on reverse "11 3/8 x 9 1/4" and "Kodak" and other indecipherable markings.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, christian art, picture of jesus christ, jesus christus, photographic print of jesus christ, missions to seamen victoria, mission to seafarers, flying angel’s club, religious worship, reinthal & newman new york, jesus christ with crown of thorns, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, harbor lights guild, joy club for fighters, ladies lightkeepers’ auxiliary, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, print, religious print, jesus christ, 1874, 19th century artist, gabriel cornelius von max, gab max, gabriel max, reinthal & newman, oil painting, st nicholas seamen's church, a33 © reinthal & newman pubs. n.y., kodak, house of art

Rose Series postcard No. P 3495 titled "Collins Street Looking East Melbourne" from west of Elizabeth Steet Has a W2 class tram at the Elizabeth Street stop. On the right is the newly completed Royal Bank chamber, completed in 1941, and the MLC buliding. Yields information about Collins St from near Queen St looking east. 1940'sPostcard - printed real photograph with Rose Stereograph Co. name on the rear. Unused.trams, tramways, w2 class, collins st, elizabeth st

The Watters family moved from Albert Park to Garden City Port Melbourne circa 1934 buying a Bank House at 128 Williamstown Road (later renumbered to 400). The family consisted of Bob Watters senior and his wife Ellen (nee Oakley), children Patsy (b 1920), Bob Junior (b 1922) and Norma (b1924). The children attended Albert Park Primary, Middle Park Central School and then MacRobertson Girls High School and Melbourne Boys High School.Digital photograph of Norma Watters dressed in school uniform outside her home at 124 Williamstown Road (later renumbered to 400) 1935norma watters

Rose Series postcard No. P 4745, titled "Elizabeth Street looking north Melbourne", looking north from about Little Collins St. Has a W2 class tram in the distance with a wartime strip on the rear cabin, a W5 alongside. In the photo is the State Savings Bank of Victoria building, and in the far distance is the then-new Royal Melbourne Hospital.Yields information about Elizabeth St. near the intersection with Little Collins St.Postcard - printed real photograph with Rose Stereograph Co. name on the rear. Unused.trams, tramways, w2 class, w5 class, elizabeth st, state savings bank

The Woolpack Estate was an area of land owned by various landowners in the Bacchus Marsh area since the early Colonial period of the 1840s. The area was located on the eastern side of the Bacchus Marsh township about 7 kilometers from the town. The Lerderderg River ran through part of the land and so did the Melbourne to Ballarat Road. The historic Woolpack Inn associated with James Crook was also located on this land. By 1896 150 acres of this land was under the control of liquidators for the Federal Bank of Australasia who instructed that the land be sub-divided and sold in lots by public auction. A successful sale was held on 24 June 1896. Most of the blocks of land were sold for higher than expected prices and most of the buyers were people from the town and district of Bacchus Marsh. The map includes various details about the land which is described on the map as an "important sale of rich alluvial irrigable flat land in the Bacchus Marsh Valley, and other properties". The auction was conducted by the local agents W. Anderson and Bence in conjunction with Pearce Brothers also of Bacchus Marsh.A single page paper map showing a plan of 150 acres of land from the Woolpack Estate to be sold in various lots in June 1896. Also shown on the map are lots for sale at Robinson's Farm on Coimadai Creek and allotments near Bacchus Marsh railway station, including lots on Government Road (East Maddingley Road), View Street and Government Road (Parwan Road). No scale provided. The map is pasted into a bound volume containing 76 maps or plans in total. High resolution digital image stored on BMDHS computer network. land sales bacchus marsh, bacchus marsh victoria maps, woolpack estate bacchus marsh victoria

Rose Series postcard No. P 4016 titled "Elizabeth Street & Flinders St Station, Melbourne", showing W5 class trams 742 and 737, both on route 18 in Elizabeth St looking south from Bourke Street. It is a very busy and congested scene with motor and horse-drawn trucks, cars, cyclist and pedestrians. Note the man in a peaked cap in the bottom right-hand corner - a Chauffeur? There is advertisement for "War Saving Certificates" on the balcony of London Stores. Other retailers in Elizabeth Street are Brash's music and Wittner Shoes. The new Royal Bank building is visible on the corner south east corner of Collins Street. Yields information about a busy scene in Elizabeth Street Melbourne in the 1940's .Postcard - printed real photograph with Rose Stereograph Co. name on the rear. Two copies held.Second copy has the K. J Magor stamp on the rear.tramways, trams, elizabeth st, tram 742, tram 737, w5 class, world war ii, route 18

COPYRIGHT Public records Office Victoria 02 - 1886 building as marked on rear, but actually a 20th century photo .03 - 1886 document .04 - 1914 bank staff .05 - 1942 building with cars at front .06 1948 building with cars (incl Holden) parked at front .07 1975 building .08 - 1975 building .09 - 1978 building with cars .10 - 1980 building with cars .11 - 1982 building with carsbuilt environment - commercial, business and traders, transport - motor vehicles, state savings bank of victoria, general motors-holden, gmh

Photograph shows Moorabool St looking south from near Corio St Geelong. Shows the track junction with Malop St. Has Pengelley built tram 22 southbound with a Birney tram in front. The two trams are going from the Wharf to Newtown and South respectively. In the background is the State Savings Bank, The Geelong Library, Solomons store, and a building advert sign for Dr Morses Indian Root Pills. There are many motor cars, some horse-drawn vehicles, and one bus in the view. Photo, late 1920s, sourced from the La Trobe Library Melbourne.Yields information about Moorabool St Geelong late 1920s.Publish Black and white photograph with caption and source printed along bottom edge.ballarat, trams, tramways, geelong, tram 22, birney tramcars, moorabool st

The Bethanga Bridge was built between 1927 and 1930 as a joint venture between Victoria and New South Wales and was a key element of the River Murray Waters Agreement. It consists of nine spans of 82 metres long. Each span is supported between double reinforced concrete pylons and a riveted steel camel back Pratt truss. The overall span of the bridge is a length of 752 metres. It was completed in 1929 at a cost of £194,000. The road deck was initially constructed from timber but was replaced in 1961 with a concrete waffle slab deck 7.7metres wide. In 1961 the bridge deck and truss structure were raised 300 millimetres to allow for the enlargement of the lake. The bridge was designed in NSW by road engineer Percy Alan and the trusses were built by the Charles Ruwolt Pty. Ltd. Charles Ruwolt Pty. Ltd. was originally established by Charles Ruwolt as a foundry at Wangaratta in 1902 and transferred its operations to Richmond, Melbourne in 1914. By 1938 it had become one of the biggest engineering companies in Australia. After Charles Ruwolt’s death in 1946, Vickers Ltd. acquired the company and in 1948 the firm became known as Vickers Ruwolt Pty. Ltd. Because of the Bethanga Bridge’s unique location, over the waters of a dam with the border running down the centre of the body of water, the Bethanga Bridge is the only built structure shared by both Victoria and New South Wales. As the border of New South Wales aligns with the southern bank of the Murray River all of the other bridges along its length are deemed to be in New South Wales. The Bethanga Bridge is listed on both the New South Wales State Heritage Register and the Victorian Heritage Database. In 2015 the Bethanga Bridge was nominated for a heritage award by the Institution of Engineering Australia.These images are significant because they document the construction of a bridge which links Victoria and New South Wales and has been recognised for its historical, technical and engineering significance.A collection of photos documenting the construction of the Bethanga Bridge which links the States of Victoria and New South Wales as part of the construction of the Hume Dam .bethanga bridge, hume dam constuction, charles ruwolt, percy allan engineer

Louise Blake purchased this for our collection because of the connection of this area with the filming location.Framed and under glass reproduction of the original poster of the film 'The Story of the Kelly Gang' (by biograph) at Anderson's Olympia Theatre cnr Cambell & Elizabeth Streets, opposite Central Railway Station (Sydney) commencing Saturday, Nov 26. Specially taken by Messrs Johnson & Gibson, Melbourne. An entirely new and exquisite pictorial representation of the Thrilling Story of the Kelleys'. Seven photos: captioned 1. Ned Kelly, 2. Glenrowan Hotel the Kelly's at bay, 3. The notorious Kelly Gang, 4. Police locked up at Jerilderie at their own , 5. Don Kelly & Steve Hart shoot each other, 6. The bank robbery at Euroa and 7. Dan Kelly shoots Sherrit the spy. Popular prices. JJ Miller Print Co off Post Office Place, Melbourne 21 11 10.illustrations, reproductions

Printed black and white postcard of Charing Cross and View St Bendigo, with SEC tram No. 10 departing for Eaglehawk. In the view are the Commonwealth Bank, Parkers Newsagent advertising The Herald, The Age, and The Leader and the Armstrong building. Published by Valentine of Melbourne and Sydney.Yields information about Bendigo's Charing Cross and View St c1930.Postcard black and white, unused - Valentines series No. 3729.On rear in pencil "No. 10 Eaglehawk dest"tramways, trams, bendigo, view st, charing cross

Black and white photographShops in photograph are 'Big N Discount Grocery, Dimmey's, ANZ Bank, Sound and Camera'. Safeway roof can be seen in the distance.

Found buried at Dreamers Hill Road, by Geelong Bottle Club. Tokens used by business companies in place of cash during members' shortage of bank coins.Round metal token with the words "Victoria 1862" and coat of arms on face, and maker's name on reverse.Face: "Victoria 1862" around edge of token, "Advance Australia" beneath coat of arms. Reverse: "Thomas Stokes Maker 100 Collins Street East Melbourne".tokens, thomas stokes

Black and white photographWritten on back of photograph: "Mr. A.E. Lean, Manager, ANZ Bank Ltd., Ringwood - as from 16th July 1964". Photographer listed as "Harry Jay, A.P.S.A., A.I.V.P., Melbourne".