Ladies companion, red velvet covered box with brass fittings, red silk lined lid, containing 7 tools, some made of bone, for various uses including button hooks. Red leather covered wooden base with small feet and secured with a small brass catch on front.costume accessories, female, ladies companion, see peter cuffley's book chandeliers & billy tea.

Cream coloured cotton baby's dress. Cut in one piece. No shoulder seams. Two side seams. Back opening with 6cm split. Fastened with one button and loop. Cap sleeves. Scoop neckline. Hand crocheted trim on neckline, arm openings and around hemline. Hand made.costume accessories, children's, baby's dress

One pair of ladies black cotton mid-arm length gloves. External seams on side and fingers. 8.5 cm slit at inside wrist with two black pearl look round buttons on one side and two button holes on the other side. Three pintucks on back of hand.Label inside RH glove; ''KAYSE.. 6 1/2 Cotton Made in Engla.. Label frayed.costume accessories, female, ladies black cotton mid-arm gloves

Khaki coloured boy's scout shirt. Front opening. Plackett from front edges continued to shoulders, four X 1.5 cm buttons. No collar.Short sleeves. 10 cm X 4.5 cm epaulettes on each shoulder. Breast pockets on each side with a button fastened flap.

Green material Jacket with many enamel and cloth badges attached. Silver braid from right shoulder to top gold button. Ten gold buttons. Rank stripes on both sleeves. Gold and black cloth on right sleeve with horse embroidery. Black name badge cross on front.uniform, jacket

Bikini swimsuit with structured bust cups, straps and elastic back. Boning to the bust. Bottoms are short style, high-waisted with piping and a small bow at the front. Centre back metal zipper and button to secure. No stretch to the waistband of the shorts, although the elastic at the back of the top will allow for a bigger bust.Unlabelled.

Historical significance.Canvas Khaki sewing kit - also called "The Housewife". Includes pkt needles, thimble, buttons, wool and cotton. 2 x pockets cotton tape ties with 2 internal pockets, name tag one pocket can be buttoned. Includes 2 x badges circa WW1.Regimental #315385 David Lawrence Meyers.

Knee length black mayoral ceremonial robe with centre front opening. Black wool with dark brown faux fur edging on centre front opening and cuffs. Blue silk lining in sleeves. Gathered/puckered at back and fur collar connected to back with black plastic button and loop.city of brighton, mayoral robe, robe, ceremonial wear, r.w. bredin & son, raymond w. bredin, brighton, mayor, bayside, mayoral regalia

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Long black crepe de chine and lace dress. The multi-layered dress includes extensive panels of black machine lace. It has long sleeves, again with panels of lace. The dress is buttoned at the back with buttons covered with the same fabric. The dress includes a separate long black slip.edith mary weir (nee betteridge), weir collection, australian fashion - melbourne - 1930s, evening dresses

The Queen's Baton Relay has been the traditional curtain-raiser to the Commonwealth Games since 1958. It symbolises the gathering of people from across the Commonwealth. On 14 March 2005 Her Majesty placed a message in the baton at Buckingham Palace, signalling the start of a journey of almost 180,000 kilometres. The baton's journey to the opening ceremony took exactly one year and one day, arriving at the Melbourne Cricket Ground during the opening ceremony of the Melbourne 2006 Commonwealth Games on 15 March 2006. It was the first baton relay to visit all 71 nations of the Commonwealth. Athletes and non-athletes alike shared the privilege of carrying the baton. In Bendigo two sites were chosen for events. Bendigo Stadium: Basketball and Wellsford Rifle Range: Full Bore Shooting.Baton in display box. Reproduction of actual object. Front panel has 36 inserts, base is narrower than top. Queens message button near top which unlike the original is not removable. Top is gold coloured, back is dark green. Box is black with black inner liner.Top of box: Melbourne 2006 Commonwealth Games / Queen's Baton Relaycommonwealth games 2006, city of greater bendigo tourism, city of greater bendigo sport

WW1 example of Australian ManufacturingWW1 example of Australian manufacturingThe bayonet was designed at the Lithgow Small Arms factory in Australia starting around 1913, just prior to WWI. The Lithgow 1907 Bayonet would become Australia’s staple weapon along with it’s counter part, the Enfield No1 Mark III rifle. The wood on the hilts is often referred to as furniture and then starting around 1916 Queensland Mapleread moreScabbard on the reverse marking stating MANGROVITE 43. Wooden Hilt has no visible markings. Hilt of the bayonet one side is stamped Lithcow 3 '21 over a crest of a six pointed star and a shield which encapules 1907 /1. The pommel also contains a button locking release from the rifle slide mount.wooden handle, leather scabbard

A traditional Baby's long white calico Christening gown with cut-work and pintucks on the front yoke and fastened at back by a mother of pearl button and draw string at neck with long waist ties. The women of the early settler families in Moorabbin Shire were skilled dressmakers and craft workers and made the clothes for their families. There were times when prices for produce were not good and families struggled to support their families until prosperity returned. However they still made simple materials special by their dressmaking and craft work skills The early settler families followed the religious traditions of their Churches. This Baby's long white calico Christening gown is an example of the simple dressmaking skill of a woman making a special garment with inexpensive material and her cut- work decoration. A Baby's long, white calico Christening gown with pintucks,cut-work, lace, long sleeves, long waist ties and a draw string neck. clothing, brighton, moorabbin, pioneers, dressmaking, lace work, cut work, christening gowns, methodist church, religious services, market gardeners, early settlers, craftwork , bentleigh, moorabbin shire blackburn nance, dairy farms, fruit orchards

Distributed to nurses during campaigning for improved workloads and wages in the 1980s, possibly during the historic 1986 Victorian 50-day nurses strike. During the 1970s and 1980s, the state of Victoria had an acute nursing shortage, and patient workloads were unsafe. Throughout the 1980s, Victorian nurses took drastic industrial action to improve wages and conditions, culminating in the historic 50-day strike in 1986. The Royal Australian Nursing Federation (RANF) became the Australian Nursing Federation in 1989, suggesting that this button is from the late 1980s.Circular white and blue plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'R.A.N.F. [Royal Australian Nursing Federation]' and 'Vic. [Victorian] Branch', as well as the text 'Overworked Nurses = Undercared Patients'.nursing, nurses, industrial action, strike action, unionism, badges, buttons, pins, campaigning, 1986 victorian nurses strike, trade unions, labour history, royal australian nursing federation, victoria, 1980s

Button to commemorate a membership of 47,000 nurses in the Victorian Branch of the Australian Nursing Federation. In the May 2009 issue of the Branch newsletter, On the Record, the milestone was noted in Lisa Fitzpatrick's 'Secretary's report' (p. 3). In a short paragraph, Fitzpatrick notes that "whilst it is wonderful to celebrate [reaching 47,000 members], ANF will continue to encourage those nurses who are not members to join their union and professional body to ensure that we continue to protect and enhance nursing and midwifery in Victoria". As of 2019, the Branch now has a membership of over 81,000.Circular blue, white and yellow plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'Congratulations and thank you', '47,000 members 31.03.2009', 'Australian Nursing Federation (Victorian Branch)' and logo, and [Victorian Branch Secretary] Lisa [Fitzpatrick, 2001-current] and [Federal Assistant Secretary] Yvonne [Chaperon, 2007-2014]'.nursing, workforce, nurses, unionism, badges, buttons, pins, trade unions, labour history, australian nursing federation, victoria, union membership

Button distributed to and worn by Australian Nursing Federation (ANF) members working as school nurses, and possibly distributed to members of the public. The ANF Victorian Branch bargains on behalf of nurses working in primary and secondary schools, particularly those employed by the Victorian Department of Education and Training, as well as those working in Catholic and independent schools. The Royal Australian Nursing Federation became the Australian Nursing Federation (ANF) in 1989, and then became the Australian Nursing and Midwifery Federation in 2013, suggesting this badge is from the 1990s or early 2000s.Circular red, black and white plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'Save Our School Nurse' and ANF [Australian Nursing Federation] logo. The first characters of 'Save Our School' are italicised to highlight the acronym 'SOS'.nursing, school nurses, school nursing, victorian school nurses, nurses, badges, buttons, pins, trade unions, professional associations, australian nursing federation, victoria

This uniform belonged to Sapper Hughes 3795948 of the Royal Australian Engineers Corps. By the date on the uniform, it is assumed that he served C 1968.This uniform has significance as an example of a uniform worn by soldier ranks for daily work and dress parades.Khaki coloured long trousers with attached suspenders. They have a button up front (5 brown plastic buttons). There are two pockets on either side of the trousers and one button up pocket on the back right with a flap that is fastened with a single brown plastic button. There are three extra brown plastic buttons on the back exterior of the waistband and six belt loops on the whole length of the waist band. The interior pocket fabric is more light weight and a slightly more green in colour. The interior of the right back pocket includes a white patch of fabric with printed inscriptions and further inscriptions written in black ink just above. The suspenders are composed mostly of blue, grey, beige, black and cream striped thick fabric. There are also silver coloured metallic components (which include inscriptions) and leather sections, most of which have a reddish/brown coating on the exterior and a white coating on the interior. One leather component has inscriptions in black ink on the interior as opposed to a white coating. The suspenders are attached to the trousers by six brown plastic buttons on the interior of the waistband. Back pocket interior inscriptions on the green fabric: HUGHES / 3795948 Back pockket interior inscriptions on the white fabric: E.W. P/LTD. / SOUTH AUSTRALIA / 1968 / (a symbol of a broad arrow) / Class 8405-66-025-6405 / Batch 67 / Mill / Size and Waist 28C / Matching Jacket 35 /36C / DRY CLEAN ONLY / CREASES SET BY SIROSET / REPRESS ON ORIGINAL CREASES / MENDING PATCH ATTACHED / NAME HUGHES. J.W. / ARMY No. 3795948 8PL Bcoj Identical metallic clip inscriptions on two of the suspenders: POLICE / (embossed image of a police baton)royal australian engineers, warrnambool rsl, warrnambool, engineer, hughes, sapper hughes, 3795948, hughes 3795948, uniform, army uniform, trousers, army

Trousers - khaki, wool serge fabric, plastic buttons, metal zipper fly. Fob pocket, two side pockets, one back pocket with button down flap. Lining - cotton and polyester. Manufacturers label on lining of back pocket with black print information. Mending patch attached to lining.Cotton label information - black ink print. "A.G.C.F./ VIC 1985/ ^/ 8405.66.025.6184/ McQUARIE 83/ BATCH T /SIZ/WAIST 89R/ DRY CLEAN ONLY/ CREASES SET/ BY SIRO SET/ MENDING PATCH/ ATTACHED/ ARMY. NO./ NAME".uniform, army, battle dress trousers

This garment would have been worn at an evening function by a lady of some considerable means. It dates from the late 19th century.This item has no known provenance and is retained for display purposes.This is a woman's black, knee length, satin theatre coat. It is ornamented with geometric and curved cornelli work. The shawl collar has a pointed back. It is fastened in the front with a large, satin covered black button. It is lined with black satin. It has full length sleeves, turned up at the ends and lined with satin.vintage clothing, woman's evening apparel

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Khaki officer's peaked cap with brown leather hat band fastened with gold coloured buttons. Each button features a map of Australia under a queen's crown. Attached to the front is a metal Australian Army Christian Chaplain's badge. The lining is polyester and clear plastic with a brown leather sweat band.Printed in black on the clear plastic lining: 'AGCF logo, AUSTRALIAN GOVERNMENT CLOTHING FACTORY, SIZE (upwards arrow) 55, VIC, 1988'army chaplain, headwear, uniform, peaked cap, major thomas b. williams

Items relate to Cat No 2861.2.1) Navy Air Force jacket, 4 front pockets with belt, 4 button front, black nylon lining. Eagle & Crown badge & blue band on each sleeve. .2) Shirt, size 38, short sleeves, 2 pockets, blue cotton. .3) Tie, fellini, navy..1) "AG, Air Gunner Air Crew Badge, 1939 - 1945 Star" above left breast pocket. .2) "AGCF 1986 Size 38 cms & care instructions" on label sewn under back collar.uniforms - air force, ag, passchendaele barracks trust

This badge, which was used in the mid to late 1900's (Scouts started in Australia in 1909) clearly demonstrates that the families in the Kiewa Valley although slightly remote were still able to participate in one of the prime "boy" only social groups. The Boy Scouting movement brought together boys from all the socio-economic areas in the Australian population. The scouting group applied the concept of self sufficiency and friendship to all its membership. It was an avenue to cross the boundaries of distance and regional mores. Many of the boys in the Kiewa Valley and its regions would have been more "in tune" with the core principles of the scouting movement because being in a rural environment and "living on the land" was a day to day part of their life. What was an important aspect to they was the "mateship" and the belonging to a very large, and international, group of "like minded" boys. This avenue of interacting with a larger group of boys cut through the "small population" mores of a rural and at times isolated environment. This Boy Scouting activity was both mentally and physically significant to growing boys within the Kiewa Valley as it opened up the world to them.This brass badge has a front formed in a half circle base supporting a "Fleur de Leis" in a spear shape with "cut outs" at the appropriate places to provide the emphasis needed to project the form. Attached to the badge is a crescent moon shaped pronged frame for attaching the badge to lapels or collars or button eyelets. On the bottom scroll "BOY SCOUTS" and on the back type fastener "STOKES & SONS" below this "Melb".societies, boy scouts, apparel badges, numismatics badges

Dame Nellie Melba was born Helen Porter Mitchell in 1861 and took the stage name of Melba after her home town of Melbourne. Dame Nellie went on to become one of the most successful and highly regarded sopranoes of the late 19th a nd early 20th centuries. She had a number of Farewell tours as she neared the end of her career. When Dame Nellie Melba was a house guest of Miss Florence Lake at "Lyndoch" Warrnambool during her farewell tour in 1927. The bag was purported to have been given to a house maid in recognition of favours done. An item owned by Dame Nellie Melba............ WDHS also has a program from Dame Nellie Melba's Farewell Tour.Ladies evening purse "Made in France" Beige/ecru silk on canvas backing, heavily beaded and sequinned in beige and coffee, some pearl decoration, with an ornate enamelled button closure mechanism for a press stud. Two fabric handles also heavily beaded. A scalloped shape with gusseted side insertions.Bag is too fragile to open.nellie melba, evening bag, warrnambool, lyndoch warrnambool, florence lake, warrnambool

Baby's long cotton nightdress.Bodice has diagonal overlay of lace and diagonal pintucks. Gathered skirt attached. White cotton tie, (lace at ends) to tie at rear. Back opening. Tie at rear neckline, one covered button on bodice - 4 rows of tucks at hemline. Old Box 346.costume, children's, christening long gown

Small head and shoulder portrait of a man. He is wearing a jacket and a high buttoned waistcoat with a watch chain. He also has a beard. Printer's name and address printed in red on the back with a Coat of Arms, floral work and two birds. Also a printed medallion with '1862 London Honoris causa'.C. Nettleton, 1 Madeline Street, North Melbournephotograph, portrait, male, pportrait of a man, c nettleton

This print of Sir James Young Simpson (1811-1870) was given to the College by Robyn Adams, the daughter of the late obstetrician Gordan Findlay. The portrait was gifted to Dr Findlay when he stated his obstetrical practice in Wellington in 1945. The portrait was then passed to Robyn’s late husband, dermatologist Dr John Adams FRACP FACD, and hung on the wall of his dermatology practice in Wellington until 2014. Sir James Young Simpson was a significant figure in the field of obstetrics. Admitted to the University of Edinburgh at the age of fourteen, he was responsible for introducing the use of chloroform for safe analgesia in childbirth, as well as for the development of an ‘air extractor’ (the forerunner to the modern vacuum extractor) and the creation of obstetric forceps with both long and short handles. Significantly, Simpson’s long handled forceps also became the prototype for many subsequent British designs.Charcoal print in an oval shaped wooden frame. Print features a head and shoulders portrait image of a man, pictured slightly side on with his eyes looking to the left of the viewer. The main is wearing a coat, waistcoat, and a shirt buttoned up to the collar, and has dark coloured hair reaching to his shoulders.anaesthesia

The first all transistor hearing aids appeared in 1953. They were created to replace vacuum tubes; they were small, required less battery power and had less distortion and heat than their predecessor. The vacuum tubes were typically hot and fragile, so the transistor was the ideal replacement. The size of these transistors led to developments in miniature, carbon microphones. These microphones could be mounted on various items. There were body hearing aids where the earpiece was connected to the hearing aid and battery pack worn on the body. Ear level hearing aids consisted of eyeglass, behind the ear (BTE), in the ear (ITE), and in the canal (ITC, CIC) hearing aids.Cream plastic hearing aid with metal back. Takes 3 batteries and there is a piece of paper in the battery case advising 'CAUTION'. Two round knobs on top, 'ON/OFF' and the other I assume is Volume. There is a plastic tag for attaching to a button (probably), headphone sockets. The front is metal lacework with a scrolled 'Z'"Z" on front. "ZEPHYR/HEARING AID/2546" on back. "U C"/"M"/"7777" on inside battery case.deaf children australia, hearing aid, zephyr hearing aid