Black and white photograph of a horse drawn bus with the destination Northcote to Clifton Hill, with the driver on top of the vehicle, whip and his well covered legs. Has two horses harnessed. Appears to be a narrow gauge railway in front of the horses. See Reg Item 1784 for a newspaper clipping featuring the same photo - reported to be the last horse bus Clifton Hill to Collingwood. Photo from the Collection of the Department of Infrastructure now with the Public Records Office - image number H5. Note: this photo is now out of copyright and was not an original VR photograph, but one copied from another source and collected as their Heritage series.Has Department of Infrastructure copy right stamp on rear and number "H 5" in ink on rear and "5-2"trams, tramways, horse buses, clifton hill

Full colour gloss postcard of five Melbourne trams titled "Trams of Melbourne". Features: 1 - 887 in Swanston St. 2 - Restaurant tram 442 3 - Decorated tram No. 990 - Vicsig website gives two dates for Evian (they spelt it Avian) water Oct 1990 and Feb. 1991. 4 and 5 - tram ? - advertising car done for "Metland Express" - "Safety First on the Metland Express" On the rear has the Biscay Greetings Pty Ltd logo, copyright message, message and stamp block and in the bottom left hand corner, a map of Melbourne with an arrow pointing at Melbourne. 2nd copy added 30/8/2020trams, tramways, postcards, the met, advertising trams, swanston st, tram 887, tram 442, tram 990

Produced c. 1910 by The Rose Stereograph co. This colourised photographic postcard shows the exterior of the administrative buildings at Mayday Hills mental hospital with three young boys in the foreground. This postcard forms part of the extensive Rose Series. (P. 4689) of postcards being produced by the Rose Stereograph co. which depicted landmarks from across Australia. Despite the early date attributed to this image, according to Walsh dates from this series place the postcards being produced typically between 1920-54. Mayday Hills Hospital, then known as the Beechworth Lunatic Asylum was constructed between 1864-67 designed by The Public Works Department. The hospital is made up of a number of buildings, landscaping, ha-ha, workshops, laundry, administrative facilities and farmland, it was constructed in 'Italianate' style by a team of up to two hundred and fifty workers (Woods p. 122). The asylum was established in response to the need for the regional shire to locally care for those particularly affected by their time working the Ovens goldfield during the Indigo Shire gold rush era where poor living conditions and isolation were significantly affecting the welfare of a great many people through poverty and lack of resources. The gaol and orphan labour systems were not able to effectively support to give housing, rehabilitation and ongoing care for the mentally ill, and transporting to Melbourne by waggon was a time consuming and counter-productive solution when the metro facilities were already overcrowded. According to Woods (A Titan's Field p. 122), between 1901 and 1911 a large percentage (thirty five percent in 1901 and twenty four in 1911) of the Beechworth population were either patients or inmates of Beechworth institutions, Mayday Hills accounted for some six hundred and seventy four patients in 1901, Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town and the large volume of people living at the hospital and contributing to this population growth is counted as reason for the survival of Beechworth as a regional township. Mayday Hills continued to function as a mental hospital up until 1995 when it was sold to LaTrobe university. The building and grounds are listed on the Victorian Heritage Register under criterion A, B, D, E and F. Through the colourisation of the photograph and through the unusual choice of the subject matter being used as a postcard, we can get a good indication of aesthetic interests of the time.Rectangular coloured photograph printed as postcardObverse: Beautiful / Beechworth / (Vic.) / 1800 ft. / above / Sea / Level / - / Asylum / for / insane / (Front / View) / Copyright. / F. / Foxcroft / Photo Reverse: 1997.2454 / Postcard / THIS / SPACE / MAY / BE / USED / FOR / CORRESPONDENCE: / THIS / SPACE / FOR / NAME / AND / ADDRESS / STAMPpostcard, rose series, mayday hills hospital, mayday hills, beechworth lunatic asylum, photographic postcard, george rose, the rose stereograph co., social welfare, welfare services, ovens goldfield, lunatic asylum, the public works department, australian landmark, regional shire, indigo shire council, gold rush, beechworth institution, victorian heritage register

A postcard of a photograph taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area and in the late 1800's took many photographs of Marysville and its surrounds.One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area in and surrounding Marysville and in the late 1800's took many photographs of Marysville and its surrounds. N.J. Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 N.J. Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies and the mountains of south-eastern Victoria. POST CARD A.G.J. AFFIX/ STAMP THIS SPACE MAY BE USED/ FOR COMMUNICATION. THE ADDRESS ONLY TO BE/ WRITTEN HERE. Printed in Saxony COPYRIGHT. To Dear Emily/ With every loving/ Wish for many/ happy birthday/ with love from me/ Myrtlemarysville, victoria, george, george locke, nicholas john caire, cumberland valley, hermit, postcard, souvenir

A novelty postcard that was produced by Nucolorvue Productions Pty. Ltd. as a souvenir of Marysville in Victoria.A novelty postcard that was produced by Nucolorvue Productions Pty. Ltd. as a souvenir of Marysville in Victoria.IN A BIT OF A HURRY, SO JUST WRITING/ A FEW LINES NU-COLOR-VUE/ OF/ AUSTRALIA 11 SZ041/ NCV 3703 Printed in/ Australia POST CARD Nucolorvue Productions Pty. Ltd./ Telephone: (03) 560-1788 COPYRIGHTmarysville, postcard, souvenir, nucoloruve productions

A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.BEST THING I'VE SEEN ON THE/ T.V. FOR A LONG TIME./ Greetings from MARYSVILLE 5690 PRINTED PAPER MAILING NOVELTY TO OPEN RAISE FLAP From VALENTINE'S "MAIL NOVELTY" POST CARD COPYRIGHT Printed in Great Britain Tomarysville, victoria, postcard, souvenir, valentine publishing co, crossways cabaret (image 1), taggerty river (image 2), acheron way (image 3), blacks spur road (image 4), nicholl's lookout (image 5), main street marysville (image 6), sugarloaf bay eildon (image 7), steavenson falls (image 8), cumberland falls (image 9)

hand written on back: Queen's Road underpass. Photo filed 11.12.1967 Shows a building with a large vertical neon sign 'Recruiting'black and white matt photograph good condition unmountedQueen's Road underpass. Photo filed 11.12.1967 L16514/5 H71. Copyright. This photograph may not be reproduced without permission in writing from the Editor of "The Age". 250 Spencer Street, Melbourne and 39/41 York st, Sydney.

hand written on back: Queens Way underpass under construction 1967/68?black and white photograph fair condition unmountedQueen's Way Underpass under construction. 1967/68. C14. H71. Copyright. This photograph may not be reproduced without permission in writing from the Editor of "The Age". 250 Spencer Street, Melbourne and 39/41 York st, Sydney.

Mainly orange/yellow plate with figure "Barkis" the coach-driver holding a whip. Streetscape in background. Known as The Barkis Arnhem Tray. D3175 dated July 1930. Shape No. 8279. (ref: Nicholnack art in pottery - nicholnack.com.au/dickens-ware/dickens-plates-trays.html).Maker's mark: could be " L. Young". Back: Royal Doulton Dickens Ware - copyright / Made in England / with picture of man with beard. Also stamped with Lion on a crown - dated -1932+ / Shape no. 734 stamped before glazing. "Barkis". charles dickens plate

The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.B&W photograph NDSN 25th Anniversary five-member committee Three copies of B&W photo in varying sizes.NDSN 25th anniversary committee: Mavis Bonney (nee Graham), Elsie Brown (nee Skinner), School Chairman Kevin Houlahan, Dean Sidney Gerry and Joan O'Shea (nee Stott). copyright The Bendigo Advertisers (blue stamp)ndsn, nursing

Black and White photograph contained with Reg. Item 1902 - Photo Album from Keith Kings to Les Denmead 1970. Photograph of the SEC Ballarat depot, 13/1/1957 with bogie tram 40 on No. 3 road and single truck tram, 25 on "0" road. Keith Kings No. V(a)(5) Scanning: i - image file, p - presentation file, b - back of photograph.Stamp in top left hand corner and handwritten number with "K.S. Kings No. V(a)(5), Copyright reserved". In blue ink "Ballarat / Depot. The original horse tram shed modified / 13/1/57 / Wendouree Parade, Wendouree"trams, tramways, ballarat, depot, wendouree parade, tram 40, tram 25

Black and White photograph contained with Reg. Item 1902 - Photo Album from Keith Kings to Les Denmead 1970. Photograph of SEC Ballarat tram 38, in Wendouree Parade, adjacent to the depot. Photo taken 22/1/1955. Keith Kings No. M(b)(8) Scanning: i - image file, p - presentation file, b - back of photograph.Stamp in top left hand corner and handwritten number with "K.S. Kings No. M(b)(8) Copyright reserved". In blue ink "Ballarat / No. 38 / As converted for 'One man operation / Wendouree Pde, at Depot / 22/1/55"trams, tramways, ballarat, wendouree parade, tram 38

Black and White photograph contained with Reg. Item 1902 - Photo Album from Keith Kings to Les Denmead 1970. Photograph of SEC Bendigo trams 28 and 29 at Charing Cross. Date of photo 24/9/1961. Both trams have the tiger stripes and dash canopy lighting added, but not the large white stripe above the headlight. Both trams have "Nothing Beats Briquettes for Heat" roof advertisements. The Beehive building in the background and other buildings on the east side of Pall Mall. Keith Kings No. L(n)(17) Scanning: i - image file, p - presentation file, b - back of photograph.Stamp in top left hand corner and handwritten number with "K.S. Kings No. L(n)(17) Copyright reserved". In blue ink "Bendigo / Nos. 28 and 29. / Birney Safety Cars. / Charing Cross 24/9/61"trams, tramways, bendigo, beehive building, charing cross, tram 28, tram 29

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photograph of Bendigo 22 decorated for the Centenary of the discovery of Gold Celebrations outside the depot by Keith Kings 9-1-1952. On the rear in blue ink - "SEC Bendigo No. 22 decorated and illuminated for "Discovery of Gold" celebrations 1951 / 9.1.52. Has the K. S. Kings copyright stamp in the top right hand corner, and the number F(k)(i) written in.trams, tramways, bendigo, gold, gold centenary, gold tram, depot, tram 22

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong No. 5 and No. 4 in Ryrie St near Moorabool St. 1-1-1956, Photo by Wal Jack. In the background is Belchers Radio and Sport Store and a set of bar traffic lights. No. 5 has the destination of Newtown, and No. 4 the destination of Eastern Park. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 27/6/2020.On the rear in blue ink "Geelong No. 5 to Newtown, No. 4 to Eastern Park, Ryrie St near Moorabool St, 1-1-56" with Wal Jack copyright stamp in the top right hand corner and the number "T1303" written in.trams, tramways, geelong, ryrie st, tram 5, tram 4

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong No. 4 painted with zebra stripes north bound in Moorabool St. Keith notes it has been fitted with dash canopy lights. 31/7/1955. Photo by Keith Kings. On rear in ink - in top right hand corner, the Keith Kings copyright stamp with number P(b)(2) written in. "Geelong No. 4 "Zebra" painted ends, with canopy. On single truck car thus. 31/7/55".trams, tramways, geelong, moorabool st, tram 4

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong No. 6 turning from Moorabool St in Corio St enroute to Beach. Has many wool store buildings in the background. Printed on Ilford paper. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 25/6/2020. On rear in ink "SEC Geelong No. 6 to Beach. Turning out of Moorabool St. into Corio Terrace 1.50pm 3rd January 1945" Has the Wal Jack copyright stamp in the top right hand corner with the number "T323" written in. trams, tramways, geelong, moorabool st, corio st, beach, tram 6

Photograph of General Sir John Gellibrand and L/- Stan Savige (at far right) at an unknown event that appears to be also attended by a mayor. From Wikipedia: Major General Sir John Gellibrand, KCB, DSO & Bar (5 December 1872 – 3 June 1945) was a senior Australian Army officer in the First World War, Chief Commissioner of the Victoria Police from 1920 to 1922, and a member of the Australian House of Representatives, representing the Tasmanian Division of Denison for the Nationalist Party from 1925 to 1928. Concerned about the plight of fellow ex-servicemen, whose businesses were often failing, Gellibrand banded together with like-minded individuals to form the Hobart Remembrance Club. This organisation aimed to support ex-servicemen by providing employment and support for their businesses. The Hobart Club inspired the formation of Legacy Australia in Melbourne, which over time became a national movement, expanding its scope to the care of ex-servicemen's widows and their families. Sir John Gellibrand is considered to have influenced Stanley Savige to commence the process to form Legacy in September 1923. Melbourne was the first Legacy club to form.Black and white photo of General Sir John Gellibrand.Handwritten on the reverse: 'General Sir John Gellibrand. SGS at rear' in blue pen. Also '545' in pencil. Stamped with copyright of The Leader in red ink, and 'Property of Melbourne Legacy. Please return this correspondence to Executive Officer' in purple ink.sir john gellibrand, remembrance club

The Rose Stereograph Company first began producing postcards, identified as the 'P' series (like this particular example) in 1913 and continued in this business until 1967 after which they switched to machine manufactured colour postcards printed by an external company. These were produced by Victorian-era photographer George Rose (1861-1942) often reputed as one of the best photographers in Australia during the later 19th Century and early 20th Century. Rose was born in 1861 in Clunes and began his photography business in 1880 when he founded the Rose Stereograph Company. He later switched to producing postcards after stereographs lost popularity in the early 1920s. The Mayday Hills Hospital was one of these locations photographed by George Rose and published as a postcard. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000,33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour. At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Pale sepia toned rectangular postcard printed on matte card.Obverse: THE ROSE SERIES P. 4689 / COPYRIGHT / ADMINISTRATIVE OFFICES, MENTAL HOSPITAL, BEECHWORTH, VIC / Reverse: Published by the Rose Stereograph Co. / Armadale, Victoria / POST CARD / THE "ROSE" SERIES / DE LUXE / A REAL PHOTOGRAPH / PRODUCED IN AUSTRALIA /mayday hills, asylum, mental hospital, hospital, beechworth

This item is a souvenir of the Bi- Centenary of Australia (1988) It features the new Parliament House in Canberra which was opened in May 1988 and cost more than one billion dollars to build and contains four thousand seven hundred rooms. This item came from the estate of a well known Warrnambool lawyer and is retained as a high quality souvenir of the Bi-Centenary of AustraliaCircular ceramic plate. White concave surface with blue drawing of Parliament House, Australian Coat of Arms, flowers including banksia, Sturt Desert Pea, eucalypt and seven pointed stars. Reverse has raised inner rim and includes text in blue. Front 1988 Reverse ROYAL COPENHAGEN DENMARK and crown. COPYRIGHT THE A.B.A 1981 REG.TRADE MARK OF THE A.B.A. USED UNDER LICENCE BY ROYAL COPENHAGEN NEW PARLIAMENT HOUSE, CANBERRA Logo Australia 1788-1988 Signature " Gorn Uestezaul"(?)parliament house, bi centenary of australia

From original in State Library of South Australia.Black and white photographic copy of earlier image. View of a bluestone building on a corner of an unpaved street. Building has two stories, a wrought iron balcony and front door set in the corner with framing columns and pediment. Three men stand in front, with another mounted on a horse.Back: B21766/103 (pencil, upper left). Bank/History House (typed on white label, top centre). State Library of South Australia Photographic Section Reproduction prohibited except with the permission of the copyright holder. Order No A16493 (stamp).commercial bank, portland, bluestone building, commerce

A colour photograph of Steavenson Falls in Marysville in Victoria.A colour photograph of Steavenson Falls in Marysville in Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s. This postcard was produced by Nucolorvue Productions as a souvenir of MarysvilleMARYSVILLE/ Victoria/ Steavenson's Falls NU-COLOR-VUE/ AUSTRALIA'S NATIONAL POSTCARD COMPANY AFFIX/ STAMP/ HERE/ 17MA018/ NCV 8845 POSTCODE COPYRIGHT/ Nucolorvue Productions Pty. Ltd./ Telephone: (03) 560-1788/ Made in Australiamarysville, steavenson falls, victoria, waterfalls, nucolorvue productions, postcard, souvenir, john steavenson

A colour photograph of Steavenson Falls in Marysville in Victoria. A colour photograph of Steavenson Falls in Marysville in Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived here in the early 1860s. This postcard was produced by Nucolorvue Productions as a souvenir of MarysvilleMARYSVILLE/ Victoria/ Steavenson's Falls NU-COLOR-VUE/ AUSTRALIA'S NATIONAL POSTCARD COMPANY AFFIX/ STAMP/ HERE/ 17MA018/ NCV 8845 POSTCODE COPYRIGHT/ Nucolorvue Productions Pty. Ltd./ Telephone: (03) 560-1788/ Made in Australiamarysville, steavenson falls, victoria, waterfalls, nucolorvue productions, postcard, souvenir, john steavenson

A colour photograph of the view of Marysville in Victoria from Sheehan's Lookout.A colour photograph of the view of Marysville in Victoria from Sheehan's Lookout. This postcard was produced by Nucolorvue Productions Pty. Ltd. as a souvenir of Marysville.View of Marysville from Sheehan's Lookout. NU-COLOR-VUE/ OF/ AUSTRALIA AFFIX / STAMP/ HERE/ 17 MA007/ NCV 4938 ADDRESS/ POSTCODE COPYRIGHT/ Nucolorvue Productions Pty. Ltd.,/ Telephone: (03) 560-1788/ Made in Australiamarysville, sheehan's lookout, victoria, nucolorvue productions, postcard, souvenir

A colour photograph of Darmody Lake in Gallipoli Park in Marysville in Victoria. A colour photograph of Darmody Lake in Gallipoli Park in Marysville in Victoria. Darmody was a prominent builder at one time in Marysville and the lake was named after him. This postcard was produced by Nucolorvue Productions Pty. Ltd. as a souvenir of Marysville.Reflections of Darmody Lake in Gallipoli/ Park. NU-COLOR-VUE/ OF/ AUSTRALIA AFFIX/ STAMP/ HERE/ 17 MA008/ NCV 4939 ADDRESS/ POSTCODE COPYRIGHT/ Nucolorvue Productions Pty. Ltd./ Telephone: (03) 560-1788/ Made in Australiamarysville, darmody lake, gallipoli park, victoria, nucolorvue productions, postcard, souvenir, darmody

A colour photograph of Darmody Lake in Gallipoli Park in Marysville in Victoria.A colour photograph of Darmody Lake in Gallipoli Park in Marysville in Victoria. Darmody was a prominent builder at one time in Marysville and the lake was named after him. This postcard was produced by Nucolorvue Productions Pty. Ltd. as a souvenir of Marysville.Reflections of Darmody Lake in Gallipoli/ Park. NU-COLOR-VUE/ OF/ AUSTRALIA AFFIX/ STAMP/ HERE/ 17 MA008/ NCV 4939 ADDRESS/ POSTCODE COPYRIGHT/ Nucolorvue Productions Pty. Ltd./ Telephone: (03) 560-1788/ Made in Australiamarysville, darmody lake, gallipoli park, victoria, nucolorvue productions, postcard, souvenir

A colour photograph of the view of the mountains surrounding Marysville in Victoria from Nicholl's Lookout.A colour photograph of the view of the mountains surrounding Marysville in Victoria from Nicholl's Lookout. The mountains surrounding Marysville are known as the Mystic Mountains and Nicoll's Lookout is on the Marysville-Wood's Point Road. The Marysville-Woods Point Road was originally part of the Yarra Track, constructed in the early 1860s to provide access between Healesville and the Woods Point Goldfields. Despite the steep terrain and engineering difficulties, the Yarra Track soon became a busy route used by pack horses, horse-drawn drays, and wagons. Today this sealed mountain road is a popular scenic drive between Marysville and Warburton. This postcard was produced by Nucolorvue Productions in Elwood, Victoria as a souvenir of Marysville.This postcard was produced by Nucolorvue Productions Pty. Ltd. as a souvenir of Marysville.NICHOLS LOOKOUT/ Marysville Victoria NU-COLOR-VUE/ AUSTRALIA'S NATIONAL POSTCARD COMPANY AFFIX/ STAMP/ HERE/ 17MA019/ NCV 9603 POSTCODE COPYRIGHT/ Nucolorvue Productions Pty. Ltd.,/ Telephone: (03) 560-1788/ Made in Australiamarysville, mystic mountains, nicholl's lookout, victoria, nucolorvue productions, postcard, souvenir, marysville-wood's point road, yarra track, healesville, mining, warburton

A colour photograph of the view of the mountains surrounding Marysville in Victoria from Nicholl's Lookout.A colour photograph of the view of the mountains surrounding Marysville in Victoria from Nicholl's Lookout. The mountains surrounding Marysville are known as the Mystic Mountains and Nicoll's Lookout is on the Marysville-Wood's Point Road. The Marysville-Woods Point Road was originally part of the Yarra Track, constructed in the early 1860s to provide access between Healesville and the Woods Point Goldfields. Despite the steep terrain and engineering difficulties, the Yarra Track soon became a busy route used by pack horses, horse-drawn drays, and wagons. Today this sealed mountain road is a popular scenic drive between Marysville and Warburton. This postcard was produced by Nucolorvue Productions in Elwood, Victoria as a souvenir of Marysville.This postcard was produced by Nucolorvue Productions Pty. Ltd. as a souvenir of Marysville.NICHOLS LOOKOUT/ Marysville Victoria NU-COLOR-VUE/ AUSTRALIA'S NATIONAL POSTCARD COMPANY AFFIX/ STAMP/ HERE/ 17MA019/ NCV 9603 POSTCODE COPYRIGHT/ Nucolorvue Productions Pty. Ltd.,/ Telephone: (03) 560-1788/ Made in Australiamarysville, mystic mountains, nicholl's lookout, victoria, nucolorvue productions, postcard, souvenir, marysville-wood's point road, yarra track, healesville, mining, warburton

Port of Portland Authority archivesFront: (no inscriptions) Back: COPYRIGHT/ PORTLAND/ OBSERVER (Black type on white lable) Capt Ron Waters' farewell/ L-R/ Bob + Maureen Harrison (GM)/ Ron + Vol Waters/ Theo + Jean Jarrett (blue pen, centre)port of portland authority archives