The photograph of the Commission Van is taken at the RDNS Service Centre at Chessell Street, South Melbourne. The three men are employed by the Royal District Nursing Service.In 1971 the Commission shop donated a Van to the Royal District Nursing Service (RDNS), to be used by the Maintenance crew for delivery of equipment and transporting goods and documents between RDNS Centres and Headquarters. It was also used for transporting Maintenance staff and the equipment they required to do maintenance work at RDNS Centres as needed. The Commission Van was kept at the RDNS Service Centre at Chessell Street, South Melbourne.Black and white photograph showing the side view of the Royal District Nursing Service (RDNS), Commission Van. The white snub nose Van, which has a closed passenger door and another further along, is standing with its front close to a brick building and sits on brick paving which extends onto earth. Three short windows can be seen along the top quarter of the Van. Both back doors are open. Mr. J. Grigg, with receding dark hair, is standing to the left of the photograph near the rear door, and has his hands on the hand grips of a wheelchair. Mr. J. Greet, is standing in the back of the van with his hands on the metal handles of a square metal commode as he hands it to Mr. Pincher, who has wavy short hair and is standing on the ground to his right. He has his hands on the main body of the commode. The three men are wearing their grey work coats over their clothes. In the background part of a two story dark brick building can be seen. On the ground floor, on the left, part of a dark door can be seen with a small window immediately above it, and further.above this is some light fan shaped brick work, three vertical bricks in height. To its right part of a window with the same brickwork can be seen and to the right along the building is part of a window with arched light brickwork followed by more brickwork and part of a door. Black pipework runs down some of the brickwork. Above the brickwork runs a row of light colour material, and above this part of the upper section in grey concrete can be seen.Photographers stamp. Quote No. KH 80mr j grigg, mr. j. greet, mr pincher, rdns equipment, royal district nursing service, rdns, rdns maintenance

Neville French and Mary Rasmussan were awarded this commission from an invitation competition. Peter Blizzard was awarded a commission at the same time for the court doors. Ceramacists Neville French and Mary Rasmussan install their ceramic tile floor installation at the new Ballarat Law Court entrance. The design reflect Ballarat's heritage and landscape, showing Mt Buninyong and the Southern Cross. neville french, mary rasmussan, ballarat law courts, ceramics, staffmembers

2009 is the 100th anniversary of Wangaratta High School, and the design of this yearbook commemorates the centenary since Wangaratta Agricultural College first opened its doors.Full page photo of students studying at a table in front of the newly completed senior school, where half the image is colour and the other half is sepia, with the students in the sepia half wearing old early 20th century clothing. Reads Wangaratta High School 2009 in black text.Wangaratta High School 2009

B/W photo. Close up of Eastern front Verandah of Oban in Scallan Street Stawell showing verandah details front door and steps.stawell houses

State Library of South Australia.Black and white photographic reproduction of earlier photograph. Depicting 2-storey bluestone building on a corner with door in left side, framed by double columns. Lamp on street corner and three figures (children ?) leaning against iron rail fence set in bluestone base.Front: A.N.Z. (Formerly Union) Bank. Cnr Percy & Julia Streets (typed label, top centre). Back: B21766/98 (pencil, upper left). State Library of South Australia Photographic Section. Order No. A16493 (stamp, centre).anz bank, commerce, banking, portland, bluestone building

It is believed that the three stone cottages in the area were built c.1930 by Italian stonemasons. This cottage is a single room with open fireplace at one end. A hole was dug in the floor inside which a small drum was sunk and covered by a wooden lid. It served as a cool box for the storage of perishable food. It is not known when the cottage was last occupied but during the 1970s the drum was removed and the pit filled in for safety reasons. Photo shows 6 men standing in front of stone cottage at Heatherlie (Mt Difficult) quarry. Cottage made from sawnand off-cuts of stone with stone window frames and door lintel. Rough bush-pole awning at right hand end of cottage.houses, mt difficult quarry

International Search and Rescue Squad car, registration number HHK-504, with police insignia below side window, behind front door. There is a police light on the roof and spot lights at diagonals on the roof with a siren on right hand front light casing. Circa 1960police vehicles; motor transport branch; motor transport section; search and rescue squad

This lantern could have been used for railway lighting. Railway lighting illuminated not only stations but also yards, engines, rolling stock, signals, signal-boxes and crossings. There were a number of different types of lamps used for a variety of railway purposes. This is a hand-held light.Railway lamps of this kind were significant railway items in their period of use as essential tools to the safe-working operations of the railway. Used domestically these lanterns were common in the period before the widespread connection of electricity. A painted red metal "hurricane" lamp which has a glass shade. This is a portable oil lantern which has an oil tank on the bottom that forms the base of the lamp. The tank has a door for filling and it also houses the wick and knob that increases or decreases the length of the wick.On base : No. 707 Globe Brand (globe of world) World Light MFY LTDlantern lighting hurricane-lamp

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of an unpainted variegated brown brick house and garage with decorative brickwork. Other features include tiled roof, porch, tall feature chimney with a TV aerial attached, white-framed sash windows, awnings, white garage door and a concrete driveway.15murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, dalny road, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick features, garages (private), porches, arches, chimneys, sash windows, drives, awnings

Photocopy of two photos with two cross cut saws lodged behind the garage door bar. Alan Crossley is standing n front of them. Written at the end is: Two 6' hand cutting saws for cutting timber. Cross Cut Saws, Alan Crossley.bendigo, history, long gully history group, the long gully history group - alan crossley and cross cut saws

Black and white photo. Sandhurst Hotel, 227 Lyttleton Tce and St. Andrews Ave., with light over door, 3 glass panels visible the one on the left: Hotel, Centre: Sandhurst, Right: Hotel. Window to the left and a window to the right which is obscured by a tree.buildings, hotel, sandhurst hotel, sandhurst, hotels, sandhurst hotel, bendigo

Black and white photo. The Union Bank of Australia Limited in View Street Bendigo, now houses Wine Bank on View Café/Restaurant. Sign on left side of door 'Savings Certificate'. Markings/Inscriptions: Courtesy National Trust, Photo Courtesy ANZ archives.organization, business, the union bank of australia ltd

Coloured slide transparency. Image is of a table with a blue tablecloth against a wooden set of doors. On the table are many wine bottles, glasses, bowls of olives and bowls of crackers. The words Wine and cheese social Copper Pot have been handwritten on the bottom edge of the border.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

A black and white photograph of one of the Bar Girls from the Melody Bar in Ngo Duc Ke Street Saigon, next door to the United Press International, Saigon Office. The cost of a small glass of cold tea given to the girls as whisky cost 400 piastre.photograph, melody bar, united press international saigon office, saigon, gibbons collection catalogue

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of the painted wooden door leading from the alcove of the housekeeper's room at the back of Villa Alba.villa alba museum, conservation photographs, victorian architecture, external doors

The Aitken Gap Gaol was originally constructed at the Gap Settlement on the Calder Highway in 1857 for the gold escorts. It was relocated to its present site outside the Sunbury Police Station in Macedon Street between 1989 and 1991.A coloured photograph of the relocated Aitken Gap Gaol. It has bluestone walls and a moss covered slate roof. with 2 solid stained wooden doors and blue painted wooden trims. A small cell window is on the side of the building and a paved brick area surrounds the gaol.aitken gap gaol, gap village, sunbury police station, george evans collection

A property illustration by Margret Picken Commissioned by the real estate agency Woodards for the purpose of advertising 15 Satori St., Burwood Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 15 Satori St., Burwood. A single story brick house, with a driveway on the left leading to a connected carport which covers the front door. in the foreground is a horizontal plank timber fence, and a tall gumtree.15 Satori St., Burwood Woodards - B.Burn Margaret Pickenwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden

Built 1909 for George 'Maori' Jemmeson, member of the Salmon CompanyColour photograph of a timber dwelling at 10 Orme Street. Hipped iron roof, single paned sash window each side of front door, which has fan light above. Veranda of concrete, with steel pipe veranda posts. Lakes Entrance Victoriahouses, heritage study

Black and white poto of entire enrollment a Narre Warren East School in 1962. Thirty-five children sit and stand in four rows. Trees are visible behind them. Photo copied from Edna Boothroyd whose family lived next door to the school.

Yields information about the City terminus and the Town Hall.35mm slide - AGFA colour plastic mounts of tram 34 operating a Special service at the City terminus, with the Town Hall and other buildings in the background. The tram drivers appear to be swapping over at the door on the road side. Shows the waiting shelter at Sturt and Lydiard St.tramways, trams, sturt st, town hall, city, special trams, tram 34

Colour photo: Belmont Hotel, 38 Skene Street, Bendigo. Image shows white painted hotel, plain façade, brown and white striped awnings over windows and door. Belmont Hotel, in white paint in brown border. Could be early 1980'S ?bendigo, hotel, belmont hotel

Yields information about the Ballarat Tower truck and its use to put up festoon lighting in Bridge St.Negative and Digital images of the Wal Jack Ballarat Negative file of the SEC Ballarat tower truck in the Bridge Mall, putting up festoon lighting for the an event or season. Truck outside the McDougall & Chisholm shop. Truck has the SEC logo on the door and a water bag.trams, tramways, bridge st, events, tower truck

(a) Two story Post and Telegraph Office, 146 Elgin St. Carlton. Arched windows and doors on both levels, inset balcony with women and children standing on it and 10 men standing out the front. There is a small cottage to the left of the office and on the right there's a Hardware? Business.R. Dermer Smith, Bull ST. Sandhurstbuildings, government, post and telegraph office, post and telegraph office, wooden tree guards, r. dermer smith

Digital image of PCC 1041 at the Spencer St terminus, Oct. 1974. Has the Spencer St railway station and the Carlyons Hotel in the background. Tram showing Route 95, Exhibition with the front door open. Photo by Dick Jones - reference - 1041_BourkeSt-at-SpencerSt_DickJones_7410EK.32.169trams, tramways, pcc, route 95, spencer st, exhibition, tram 1041

Black and White Photograph of the interior of W2 340 showing the detail of the interior woodwork, hand rails, doors, lights etc. Photo c1960, 1970's reproduction the original print? 2nd copy added from donation of Geoff Warburton 7/10/17.Has the MMTB stamp on the rear. On rear of 2nd copy in pencil "340-interior-MMTB"trams, tramways, w2 class, interiors, mmtb, tram 340

Fisher Price Family Barn which was originally donated by a local grandparent was used by Nunawading Toy Library.Barn with cream roof and red walls. Two doors open with tractor inside. Also with a cow, dog, pig and chicken. Also feed trough and horse and cart. Silo had cream roof with red sides and has 4 white fencing inside lid.Fisher Price Family Play Farmnunawading toy library, fisher price, toy, education

This wall clock originated from the Bank of Australasia. The label on the base matches other items from the same donor. It was spring powered by winding the key mechanism with the clock's key through the hole in the clock face. The hinged door on the base of the clock's case allows access to the clock's working mechanism. James Murray (son of James Murray 1780-1847) was a maker of clocks and chronometers. He worked at No. 1, Royal Exchange, London and from 1861 at 107 Great Bourke Street, Melbourne. In 1854 William Kerr ordered a clock from James Murray and erected it on the Albert Street frontage of the National Model & Training School in Spring Street Melbourne. It was Melbourne's first turret clock and remained there for 80 years before it was transferred to the Public Library in Melbourne in 1934 (now Museum Victoria). The Bank of Australasia was incorporated by Royal Charter of England in March 1834. It had its Australian beginning on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank next bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The clock has significance through its association with the Bank of Australasia. The early Australian bank was established in 1834 by Royal Charter and opened in Sydney, Australia, in Sydney in 1835. The bank had many Australian offices in November 1877, particularly on the east and south coasts. Victoria had 45 percent of all Offices. The clock is significant for its connection with the quality clockmaker James Murray, originally from Royal Exchange London with a branch that opened in Melbourne in 1861. James Murray is renown for making the first turret clock to be installed in Melbourne. The clock is locally significant for its association with the Warrnambool Bank of Australasia, which was established in 1854. It was Warrnambool Council’s first bank. The bank continued to operate until the organisation's merger in 1951 when it became the ANZ Bank Group today. The Bank was an integral part of the growth of local commerce and the community.Wall clock with a round face behind glass in a wooden case. The painted brass face has Roman numerals, two decorative hands, divisions for minutes and a keyhole. The curved base of the case has a hinged access door with a keyhole and adhesive label. The back of the clock's case has metal mounting brackets. Inscriptions on the rectangular white label. Made by James Murray, Melbourne.Face: "JAMES MURRAY / - GT. BOURKE ST. / MELBOURNE / & / ROYAL EXCHANGE / LONEON" Label: "A M / 40"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bank of australasia, boa, union bank, australia & new zealand bank, anz bank, james murray, clock, wall clock, great bourke street melbourne, royal exchange london, william kerr, turret clock, old model school, national model & training school, access door, winding key