Showing 1318 items
matching history of costume
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Bendigo Historical Society Inc.
Clothing - WOMAN'S NAVY CHECK WOOL COAT
Clothing. Woman's navy check wool coat with rounded lapels. Single breasted coat fastened with four X 2.7 cm navy plastic buttons decorative comb pattern. Internal pockets at hip level with vertical slit openings. Long straight sleeves. Coat is fully lined with satin fabric. A shaped coat widens to hem. Padded shoulders.costume, female, woman's navy check wool coat -
Bendigo Historical Society Inc.
Clothing - WOMAN'S NAVY STRIPED WOOL CREPE COAT
Clothing. Woman's navy striped wool crepe coat. V neckline with fabric panels to waist with appliqué piping free form pattern. Coat fastened at waist with four X 1.5 cm fabric covered buttons and fabric loops. Long straight sleeves with fold back cuffs (4 cm). A-shaped coat widens to hem. Padded shoulders.costume, female, woman 's navy striped wool crepe coat. -
Bendigo Historical Society Inc.
Clothing - WOMAN'S BLACK LIGHT WEIGHT WOOL CREPE COAT
Clothing. Woman's black light weight wool crepe coat. Sweetheart neckline with appliquéd piping flowers on either side. Front opening fastened at waist with four X 1.5 cm fabric covered buttons and fabric loops. Long straight sleeves with appliqué piping flowers at wrist. A-shaped coat widens to hem. Unlined. Padded shoulders.costume, female, woman's black light weight coat -
Bendigo Historical Society Inc.
Accessory - LYDIA CHANCELLOR COLLECTION: WALLET
A burgendy wallet with the words 'Kynoch Explosives' printed in gold on the inside. It contains 2 small scraps of paper on the inside. One of the items is a small article about a giant pig.costume accessories, clothing accessories, wallet, lydia chancellor collection, collection, leather goods, purse, wallet, personal effects, costume accessories -
Bendigo Historical Society Inc.
Photograph - LYDIA CHANCELLOR COLLECTION; A CHILD ON A PONY
A hard backed black and white photograph of a child on a pony. The horse has a white mane and white legs. The child is formally dressed including a bonnet. In the background is a gate, front door entrance and stick fence. Behind the fence are ferns and other plants. The photographer is ? H. Smith, Photo., Kyneton.photograph, person, child and horse, lydia chancellor collection, collection, photography, photograph, photo, child, children, horse, animals, animal, costume, fashion, clothing -
Bendigo Historical Society Inc.
Clothing - WEDDING DRESS, 1950
Wedding Dress. A very delicate, beautiful dress, in a very fragile state, worn over a satin petticoat(11400.1154). Lace bodice, and full length tapered, lace sleeves. Boat shaped neckline, outlined with a tulle insert, that brings the neckline to a high round neckline at the throat. This fastens with two metal press-studs on the left shoulder. This high yoke is edged at the bodice edge with an 8 cm deep frill of tulle, edged at both sides with a narrow frill of tulle, and sewn to the yoke to give a scalloped effect. Skirt is sheer and made from two layers of tulle. A band of lace, 9 cm deep borders the hemline, at knee level and at hip level. Three metal hooks and stitched loops fasten a placket on the left hand side.costume, female, cream tulle and lace wedding dress -
Bendigo Historical Society Inc.
Clothing - CREAM SATIN PETTICOAT WORN WITH WEDDING DRESS, 1950
Petticoat. Sleeveless, with round neck, slightly lower at front. Two small darts at both front and back neckline. Side placket with four metal hooks and hand-stitched loops. Princess line, the skirt flares into a circle, and dips into a small train, 27 cms long. Made by Mavis Roberts the bride.costume, female, cream satin petticoat-wedding -
Bendigo Historical Society Inc.
Clothing - HOSKING AND HUNKIN COLLECTION: TODDLERS NIGHTGOWN, 1880
Clothing. Fine white cotton lawn nightgown. Round neck, with back opening. 12 cm deep yoke, and tiny cap sleeves of embroidered cotton. A V shaped panel of embroidered cotton at the centre front of the yoke. A drawstring in a casing fastens at the back neckline. A tiny .75 cm button, fastens the back yoke. Nightgown is machine stitched, with some hand stitched decorative stitching. The long skirt has two bands of narrow tucks-one tuck of 1.04 cm and six bands of .04 cm. This is edged with a band of hand stitched embroidery. This band of tucking is repeated, and edged with a 6 cm wide band of eyelet embroidery. This panel is repeated with the lower edge of embroidered cotton finished with a scalloped shaped edge. A scalloped braid edges the neckline. Skirt is two-tiered-top tier very finely gathered to yoke is 15 cm deep. Lower tier is 71 cm deep.costume, children's, toddlers nightgown. -
Bendigo Historical Society Inc.
Clothing - JOHN FREDERICK HARPER COLLECTION: LODGE REGALIA- WHITE BOW TIE, 1950-1990's
Clothing. A textured weave, cotton bow, with two rectangular shapes - 9.5 cm x 6.0 cms, with a one cm loop at the centre, attached to a folded double cotton band, 2 cm x 34 cm long, which would fit under the collar of the Lodge shirt. A 1.5 cm diameter silver coloured metal loop at one end of the band, and a silver coloured hook at the opposite end of the band, would fasten the tie in position.costume, male, white cotton bow tie-lodge regalia -
Bendigo Historical Society Inc.
Clothing - JOHN FREDERICK HARPER COLLECTION: BLACK BOW TIE, 1950-1990's
Clothing. A pre-tied, black bow tie, attached to a plastic clip, and frame which tucks under the wearers collar, while the clip tucks over the shirt neckline. Two rectangles of black fabric 12 cms x 5 cms, with a 1 cm wide strip, passing twice around the centre of the rectangles, forming a bow.costume, male, black bow tie -
Bendigo Historical Society Inc.
Clothing - JOHN FREDERICK HARPER COLLECTION: PAIR OF WHITE COTTON GLOVES, 1950-1990's
Clothing. Pair of short, men's gloves, with three 6 cms long pin-tucks fanned out across the back of the hand. Wrist edge of the glove is bound in the glove fabric, giving a .5 cm binging, which continues around a 7 cm opening at the inside of the wrist. This opening is fastened by a silver coloured metal press-stud, at the centre of this opening.costume accessories, male, white cotton gloves -
Bendigo Historical Society Inc.
Clothing - JOHN FREDERICK HARPER COLLECTION:LODGE APRON, 1950-1990's
Clothing. Cream kid-leather bound on sides and lower edge with a 5 cm wide light blue grosgrain ribbon,mitred at the lower corners. A Vshaped flap, edged on the Vshape, with a 4 cm wide blue ribbon, and attached to the apron at the top edge with a 4 cm wide blue ribbon, folded in half over the top edge. A blue rosette of the ribbon is attached to the centre of the flap, and there is a blue rosette at each side of the lower edge- all are attached by a 1.5 cm diameter blue silk covered button. A blue, 3 cm wide elastic, with silver coloured hook fastens the apron to an elastic held, silver coloured metal loop fastener.Harvey C.Smith Pty Ltd,. 57 Swanston St., Melbourne. MASONIC REGALIA SPECIALISTS.costume, male, lodge apron -
Bendigo Historical Society Inc.
Clothing - JOHN FREDERICK HARPER COLLECTION: PAIR WHITE COTTON GLOVES, 990's
Clothing. Gloves are bound at the wrist, and around a 7 cms long opening on the inside of the wrist. This opening fastens with a white plastic button 1.5 cm in diameter, and a hand-stitched button. Neither button or button hole appears to be original. On the back of the hand are three 7 cm long rows of stitching-appearing to be double rows, but done in one stitching action. These rows are slightly formed out from the wrist, over the back of the hand.100% cotton fabric. Empire Made M (inside left-hand glove).costume, male, pair white cotton gloves -
Bendigo Historical Society Inc.
Clothing - JOHN FREDERICK HARPER COLLECTION: LODGE REGALIA LAPEL OR SASH PIN, 1965
Clothing. Lapel pin with three metal bars in a brass-like finish, across a 4.5 cm long ribbon. The ribbon has a burgandy coloured stripe, 7.5 cm wide at either side with a 1.75 cm light blue stripe in the centre. A floral design on each of the clasps. A 2.25 cm long x 2.cm wide at the top, plastic/perspex shape, with black Lodge Symbols hang from the suspender at the base of the ribbon.costume, male, lodge regalia sash pin -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CAMISOLE, 1880- 1890's
Clothing. White linen camisole with peplum 8.5 cm deep. Round lace yoke at the front, with a panel for a ribbon insertion. Some evidence exists on the right front, that once there was a pink ribbon - possibly silk, but now there are only a few threads left. The insertion panel continues around the back neck edge. Two panels of three .5 cm tucks run from the neckline to the waist of the centre back. Front opening, with two 1 cm pearl buttons still evident, and a cotton tape and casing at the waistline. ON each side of front opening, a group of five pintucks, 7 cm long run from the waistline toward the bustline.All items belonged to Margaret Ann McLean.costume, female, white linen camisole. -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BLOUSE, Late 1870's - 1880's
Clothing. A concealed full length back opening reveals five tiny covered buttons, 7 mm in diameter and five hand-stitched button holes. This opening is bordered by two groups of five very fine pin tucks with a 3 cm spacing between the two groups. The blouse is made from very fine Swiss lawn cotton fabric, and is very soft to the feel. The front has a broad panel thirty cm wide of exquisite pintucks, crochet, lace and embroidery. The embroidery is white on white, and features flowers and leaves in a curved pattern. A crochet panel below the high neckline is 4 cm x 10 cms and is peaked at the lower edge. This is bordered by 1.5 cm wide cotton lace, and horizontal pintucks. Two panels, one on either side of three pintucks, 1.5 cm panel of lace, and then the central panel of embroidery, pintucks, lace, and crochet. Five pintucks, 1.5 cm panel of lace and five more pintucks run the length of the short sleeves. Sleeves are puffed, and gathered at the shoulder, and at the 1.5 cm deep cuff, which is also pintucked. A 1.5 cm deep 'stand-up' collar, spoke-stitched to the garment, as are the sleeves and shoulder seams. Front hemline is curved. Back hemline is straight.costume, female, a full length back opening blouse -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CAMISOLE, Late 1870-80's
Clothing. Fine white linen fabric. A .8 cm 'tuck' edged at top and bottom with a spoke-stitched border, marks the waistline. Below the waistline is a peplum, split at the centre front with 8 cm deep peaks. These peaks are repeated at the centre back. The peplum tapers to 7 cm deep at side seams. The camisole is trimmed at the top edge with a 4 cm deep band of cotton lace. The top edge of the linen fabric has a double row (off set) of cotton embroidered 'spots' 2 mm in diameter, and three rows of drawn thread work - one cm in width, 3.5 cm wide lace form the shoulder straps. The back opening fastens with six tiny 7cm pearl buttons, and hand-stitched button holes. The lower button fastens with a loop at the waistline 1880-90's. A 'fan' of pintucks, arched from 4 cm long at the ends, to 6 cm long at the centre, fans the midriff at the centre front, above the waistline - 28 tucks in total.costume, female, camisole. -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CAMISOLE, 1880-90's
Clothing. Wide scooped neckline, edged with 1.5 cm deep cotton lace. The centre back opening is fastened with six tiny pearl shell buttons .8 cm in diameter- top button is fastened with a loop. 1.5 cm deep cotton lace trims the neckline and armholes. A .5 cm cotton braid trims the lower edge. Nine floral embroideries and pulled thread work 2.5 cm x 2.5 cm are spaced around the rounded front neckline. Below these embroideries on the left side breast, are embroidered the wearers initials-(M) MB. The owners initials are embroidered on the left front in a decorative manner, to compliment the floral embroidery. A lace ribbon, one cm wide at the waistline passes through 1.4 cm eyelets 2 cm apart. Between each set of eyelets, are groups of 4 cm long fine pintucks - 13 groups of two eyelets and 14 groups of pintucks.costume, female, wide scooped neckline camisole -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CREAM LINEN BODICE, 1880 -90's
Clothing. Very fine, cream linen bodice, with two vertical lace inserts either side of front opening, and three angled inserts from each side seam to the vertical insert. All inserts 2 cms wide. Short cap type sleeves are edged with the same lace, and band of this lace also outlines the wide square neckline. An insert between these bands has a fine, ribbon threaded through, which would act as a draw string. There is a 2.5 cm x 3 cm tab of linen at the centre back, but, no markings are evident. Three .9 cm pearl buttons, with three corresponding machine stitched button holes fasten the front. A cotton tape drawstring, and elastic are encased at the waistline giving the lower edge a peplum effect.costume, female, cream linen bodice -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: INFANTS NIGHTDRESS OR CHRISTENING GOWN, Late 1800's early 1900's
Clothing. High lace-edged round neckline - lace 1.3 cm deep. Long sleeves-gathered at the shoulder, and edged at the wrist with a 4.5 cm deep, gathered broderie anglais, featuring a shamrock, and flower design. The bodice has a centre front panel of lace. 9 cm wide at the neckline, tapering to 4 cm wide at the high waistline. This panel is edged with a 4 cm wide scalloped edge at the broiderie anglais trim. Three rows of pintucks, give a finish to the filigree braid, and the gathered broiderie frill. The long skirt is gathered at the lower bodice, and is 70 cms long. The lower 20.5 cms at the hemline has alternate bands of three pintucks, a 4 cm panel of flowers and cutwork broiderie, three pintucks, 4 cm panel panel of broiderie, three pintucks and a 4 cms deep machine stitched hem. Bodice has a back opening, with only one 1 cm diameter covered button evident, a cotton tape passes through a casing, and ties at the back waistline.costume, female, infants nightdress. -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LADIES VICTORIAN ERA KNICKERS WITH DROP SEAT, 1870's
Clothing. White fine linen fabric, trimmed at lower leg with a 2 cms wide cotton , brooierie insertion and a 12 cm wide frill of textured (?) fine linen or cotton lawn broiderie. The front waistband dips to a central 8 cm deep peak. Waistband at side seams, is 4.5 cm deep and back waistband is 10 cm deep at side seams, and the 11 cm deep at centre back. Two 1.4 cm covered buttons close the back waistband. The knickers have a gathered opening panel, called at the time a ''drop-seat'' or ''access hatch'' at the centre back. This panel has a 5 cm deep waistband, fastened at either side by a covered button, and a third button at the centre. These buttons are sewn to the back waistband, and the button holes are sewn, correspondingly on the gathered back. A drawstring tape is also threaded through the back waistband. A 6 cm wide gussett sewn from the crotch extends 23 cms long.Printed in fine black ink on back opening; D.S.R.F. No 11.costume, female underwear, victorian era knickers -
Bendigo Historical Society Inc.
Clothing - LADIES CREAM SILK PAJAMAS, 1930's
Clothing. Cream silk embroidered sleeveless top with a neckline at front and back, which is edged with a fine rouleau binding. The fine silk binding also edges rhe sleeveless armholes. The fabric is woven with a floral woven design. A 2 cm wide tie attaches to the side seams 13 cms below the armholes.The top is sleeveless, and the hemline which is rounded at the side seams, is finished with a self fabric binding. Silk shadow embroidery trims the front neckline, and extends to the midriff. Embroidery is in a floral design. The pyjama pants are full length, with a fine bound finish - probably at or slightly above the ankles. An 11 cm deep V shaped panel at the front waistline, and an elastic casing at the back waistline. A panel of shadow embroidery decorates the side hemline. A small dart, 6 cm long, from below the armhole on either side of front bodice.SILK and RAYON MADE IN CHINAcostume, female, ladies cream silk pyjamas -
Bendigo Historical Society Inc.
Clothing - PINK SILK PYJAMAS
Clothing. Deep V neckline, front and back, has a tapered tie, at the shoulder to 4.5 cm, and slanted at the lower edge of the tie. The V neckline has a fine binding finish as do the armholes, and the lower edge of the bodice. Shadow, and pulled thread embroidery, in a floral design, outlines the V neckline in the front. A tiny 10 cm x 10 cm heart shaped pocket is bound at the edges and sits at lower right front. A small dart, 1 cm x 6 cm long is below the armholes, on each side seam. Fabric is cut on the cross to add flair. A two cm x 60 cms tie attaches at each side seam, and would tie at the back. Clothing. Pyjama pants have a V shaped waistband 11 cm deep at front and back, below which is a small 1.5 cm wide pleat on either side of front and back. An 11 cm deep plackett on both side seams - on the left hand side two x 1 cm pearl buttons and buttonholes fasten the plackett. The two buttons on the right hand side are missing. A panel of shadow embroidery decorates the outside lower edge of the trouser leg. Fabric is woven with a floral design. Lower edge of legs are finished with a fine binding. 11 cm peak at waistband. Pants with hem 88 cms, width at ankles 64 cms.Silk and Rayon Made in Chinacostume, female, pink silk pyjamas (bodice) -
Bendigo Historical Society Inc.
Clothing - BANDSPERSON UNIFORM; CAP/HAT
Clothing. Dark navy blue and red peaked hat or cap, with peaked shade over the face, featuring two heavy gold leaves 12 cm long, and curved from the sides of the shade, to meet in the centre. These may be woven or moulded gold work.A 1 cm wide black patent ribbon is held across the lower crown of the cap, with 2 x 2 cm diameter brass buttons - one at each end. Narrow braid (probably once gold braid) edges the 5.5 cm deep crown of the cap, which is dark navy in colour. A flat dark navy top of the crown is lined, and shaped on the underside with red woollen fabric. This is shaped to be wider and higher at the centre front. Two eyelets on either side of this section, ventilate the crown of the cap. A brass metal ''music stand'' topped by a crown and an oak leaf and acorn wreath at the sides is attached to centre front. A 5 cm wide leather band lines the crown, which is also lined with red cotton fabric, and a diamond shaped plastic ''hair-oil protection'' at the top of the crown.Inside crown, on a plastic protector, is a small white sticker, showing the number 7, this is probably an indication of size.costume, male uniform, civilian, cap -
Bendigo Historical Society Inc.
Clothing - LONG SLEEVED EMU CREEK BUSH BAND WIND - CHEATER, 1990's
Clothing. Long- sleeved grey cotton wind-cheater, with a printed blue. yellow and black,shield-shaped logo on the front, featuring the caricature of an emu's head and the words, ''The Celebrated Emu Creek Bush Band''. Long sleeves with a 4 cm deep cuff,high round neckline with a 3 cm deep neckband, 7 cm deep splits at the hemline of each side seam, and a 4 cm deep cuff, at the lower edge of the set-in sleeves.Worn by Peter Ellis, OAM, founder and leader of the celebrated Emu Creek Bush Band, circa 1990's.JEANS PLUS, Made in China. 100% cotton, and washing instructions.costume, male uniform, civilian, wind-cheater -
Bendigo Historical Society Inc.
Clothing - SHORT SLEEVED EMU CREEK BUSH BAND T-SHIRT, 1990'S
Clothing. Mid blue/grey cotton/polyester fabric, with a round neckline, and 8.5 cm long placket at centre front, which fastens with three plastic, 1 cm diameter grey buttons. Below the placket the logo of the Celebrated Emu Creek Bush Band and the caricature of an Emu's head, are portrayed in a shield shape. A cotton tag at the back neckline gives the size XL, while a larger cotton tag has L.BAKER, 054 41 7555, perhaps the maker or the screen printer. A 7 cm long split at the lower edge of each side seam. Worn by Peter Ellis, OAM, founder and leader of the Celebrated Emu Creek Bush Band, circa 1990's.THE CELEBRATED EMU CREEK BUSH BANDcostume, male, t-shirt -
Bendigo Historical Society Inc.
Clothing - COTTON FAWN/CREAM COLOURED T-SHIRT, 1990's
Clothing. Pure cotton fawn/cream coloured, short sleeved T-shirt. Round crew neckline. The blue, yellow and black screen printed logo of the Emu Creek Bush Band is featured in a shield shape on the centre front of the T-shirt. Short sleeves. The T-shirt was worn by Peter Ellis, OAM, founder and leader of the celebrated Emu Creek Bush Band - circa 1990's.The Celebrated Emu Creek Bush Band (logo) Cotton tag with size XL. Another cotton tag at back neckline L8 L BAKER 054 417555 (possibly screen printer).costume, male, t-shirt -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: IVORY CORDED LACE WEDDING GOWN, 24 September 1949
Clothing. Long pointed sleeves, fastened with one press-stud at the wrist. Full circular skirt, lined with cream, synthetic lace type fabric. Fabric of the gown is a small floral type design,in a corded style, on a fine net backing. Sleeves are not lined. Back upper bodice has a lining in a double thread net. The sweetheart neckline is edged with a fine tulle frill. Bustline panels gathered top and bottom, and joins a peaked midriff panel, 15.5 cm deep at the centre bustline. Skirt is highly gathered to this panel, at the waistline, is a full circle and extends into a small train at the back. A small 23 cm zip on the left side seam.A KEAM Creation, Regd. Melbourne.costume, female ceremonial, ivory corded lace wedding gown -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: WEDDING HEADPIECE (TO HOLD VEIL), 1949
Clothing. Curved headpiece in net, on a wire frame, with an elastic cord to pass round the back of the head, to hold in place. Frame has two scallops, giving the effect of a heart shape. Frame covered in net, and decorated with waxed orange blossoms and buds, and small waxed leaves.costume, female ceremonial, wedding headpiece -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: WEDDING VEIL, 1949
Clothing. Tulle veil, with a scalloped edge, outlined with chain stitch silk embroidery. The four corners have elaborate silk, chain-stitch embroidery in a floral design. Petals of two large flowers in each corner are appliquéd silk, also outlined with the chain-stitch embroidery. From a photo supplied by the donor, it would appear that this veil was worn around the shoulders, and extending to the hipline. A very long veil was then worn over the top, and seems to be a similar length as the wedding gown train. (This veil is not in the donation to BHS).costume, female ceremonial, wedding veil