A tank crew gas mask as issued by the United States of America army during World War 2. When correctly worn by the wearer there is a tube fitting at the rear of the head which was connected to a length of flexible hose to receive a fresh air supply.

THE MANNEQUIN The included wooden mannequin made by J.A. Walker of Melbourne has been very well used, as can be seen from the pin marks and split and torn fabric in areas where pins would have been used many times. The painted wood of the bodice is wearing away. The top of the neck is very rough in the centre, indicating that it possibly had a knob, handle or even a head shape on top. The mannequin could have been used for storing and cleaning of the evening outfit and even in the process of making it. It is made to match the measurements of the outfit beautifully and would be close in measurement to Mrs. Isabella Mitchell. Isabella’s sister-in-law Eliza Russell made her own wedding dress and perhaps she or Isabella herself made the evening outfit using the mannequin for fittings. The mannequin is significant as its size gives an image of the shape of the evening outfit’s owner. It is also significant as an example of the process and skills to create garments of fashion during the period, with many people making their own garments. The mannequin is also an example of an item manufactured in Melbourne in colonial times. This wooden display mannequin is from neck to floor length. It has a round pedestal. The mannequin’s bodice has been painted black. It is padded then covered in black fabric. The maker of the mannequin was J.A. Walker of Melbourne. It dates to the mid-late 19th century.Mannequin maker’s fabric label “J.A. WALKER / MANUFACTURER / MELBOURNE”mannequin wooden, mannequin made in melbourne, dressmaker’s mannequin, 19th century mannequin, dress form, display mannequin, custom made mannequin, dressmaker’s dummy, andique mannequin, clothing display, j.a. walker manufacturer melbourne, j.a. walker mannequin manufacturer, evening outfit

Small portrait of a man wearing a three piece suit which has a knee-length coat and a bow tie. He is standing beside a chair with his left hand resting on the back of the chair. There is a long curtain behind him to his right.Paterson Bro's. Photographic Artists. 8 Bourke Street, E. Melbournephotograph, portrait, male, portrait of a man

Portrait of a man standing beside a small table with a vase of flowers on it. He is wearing a long knee length coat, trousers, shirt, waistcoat and a cravat? There is a chair beside him. /Rear shows - Mr C Hood Photographer 138 Camberwell Rdphotograph, portrait, male, portrait of a man

Black & White studio photograph.seated woman. Floral bouquet at neck of ball buttoned blouse above full length dress. Choker necklace above central bar brooch. 'With Love' caption written on reverse. Bartlett Bros Sandhurst printed on cover.Bartlett Bros Sandhurst.photograph, person, female

Celluloid or casein letter opener and page turner estimated early 20th century. Tapered edge and length with slightly thickened handle end. Used before gummed envelopes and letters were wax sealed. G Shepherdson printed faintly on handle.personal effects, keyrings & knives, letter opener

Men's Y shaped button braces of black, blue, grey and white elastic. Grey leather back join and end of back strip. Gold coloured metal buckles and length extenders.A pair of grey leather button holders on each end.costume accessories, male, braces, black, blue, grey white.

Photograph - black and white. Photograph of a wedding, a large wedding party. Bride and Groom, 6 other women and 6 other men and 3 young girls and 1 young boy (all possibly wedding party). Wedding dress full length.Vincent Kelly Studio, Mitchell Street, Bendigo.person, group, wedding portrait, cloonan family collection. vincent kelly photographer.

Used for surgery. The suture is dyed blue to enhance visibility and does not adhere to tissue, making it more easily removable when ready. It is considered to be relatively biologically inert.This is one of a collection of items received from the practice of Dr Lachlan Hardy-Wilson, FRCOG, Launceston, Tasmania.Sterile suture in packaging. Labelling on packaging reads 'PROLENE Metric 3.5 (0)/ETHICON/TRADE MARK/BLUE MONOFILAMENT POLYPROPYLENE SUTURE/TAPERCUT* V-34/Sterile 36mm Length 75 cm/8444 ETHNOR/PTY LTD SYDNEY'.surgery

The photograph was taken after a severe wind storm which occured in the Bulla-Oaklands area in the early 1980s, possibly near Christmas Eve.A coloured photograph with rounded corners. It is a panoramic view of a partly built brick veneer house which has been damaged as a result of a wind storm. Across the front are three sets of large full length windows. There is a horse training run in the background.george evans collection

This dress belonged to Brighton resident Isabell Nora "Billie" Blair, nee McNamara (1895-1989). Born in Mirboo North, Billie lost her mother Catherine at a young age in 1898 and was raised mostly by Catherine's sister, Isabell Frances Vallender. She married magistrate Douglas Granville Blair (1893-1976) in 1926. The couple lived first in Benalla, where their daughter Katherine Blair was born, before moving to Brighton, where they lived the rest of their lives.Mid-length velvet and chiffon dress with shallow v-neck. Velvet features a geometric pattern in purple, maroon, gold and green. Skirt is slashed at front and back with dark purple chiffon. Long dark purple chiffon sleeves with velvet cuffs. katherine fennell blair, isabell nora blair, isabell nora mcnamara, 1920s

This photograph was used in the 150 year Lakes Entrance 1858-2008 display.Color photograph of a remnant of the tramway which ran from the Mississippi Creek quarry, to the head of the North Arm. It shows two lengths of iron rail, two large rocks and some smaller pieces beside the swampy creek. Lakes Entrance Victoriawaterways, quarries, public works

The bra was worn with a corset and under fitted clothes which were fashionable in the 1960s.A full length cream bra with an embroidered cotton front and elastic fabric back and cotton shoulder straps. There is a blue embroidered flower at the cleavage. Four metal hooks on elastic loops are around the waistline. The back is fastened with two sets of hooks and eyes.female underwear, bras, hickory wear, george evans collection

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Three-piece outfit comprising: three quarter length one-piece black silk cocktail dress with an outer skirt of black tulle; black net bolero embroidered with pink sequins; and black silk circular cap embroidered with pink sequins women's clothing, evening dresses, australian fashion, evening ensembles

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Full-length bridal gown, circa 1947, covered entirely with cream coloured lace. The gown has a cream silk lining. The dress is in poor condition due to the lace which is extensively torn/rotted on the bodice. There are a few tears in the lace of the skirt.costumes, wedding dresses, lace, fashion -- 1940s, fashion design

Two part object. (1) A Wilson 'X-Men' racquet with purple grip tape; and (2) a three-quarter length cover featuring graphic illustration associated with 'X-Men' comics. Materials: Graphite, Plastic, Nylon, Adhesive tape, Rubbertennis

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Full-length decorative, spotted cream voile pinafore, designed to be worn over a full long dress. The pinafore has ruffled shoulder straps. This is one of two pinafores in the Weir Collection. This example, in contrast to the other pinafore, does not include a bodice.pinafores, weir collection, edith mary weir, women's clothing, aprons, protective wear

SKI TICKETS Before tows and lifts were introduced at Falls Creek, it could take skiers 20 minutes to climb to the Summit … but only TWO minutes to go back to the bottom. The arrival of tows, then chairlifts and T-bars changed the face of skiing forever. The first rope tow was constructed by Toni St. Elmo for the 1951 winter season. Bob Hymans installed a smaller tow for his guests at Skyline Lodge. Tows were still quite slow, so in 1956 Bob Hymans created his single chairlift. In 1958 the Village rope tow, designed by Albury engineer Jock Wilson, opened. It was financed by shareholders including Bill Griffith (Bowna Ski Club) and the Bridgford family (St. Trinian’s Ski Club). Several other tows followed including the Summit T-bar in 1961, built by Ron McCallum and operated by Alpine Developments Pty. Ltd. which was a company formed by C. H. (Bill) Bridgford. By 1982 Falls Creek was served by 16 different lifts or T-bars, all owned and operated by Alpine Developments (Holdings) Pty. Ltd. During the development of Falls Creek, different methods have been used to pay for the use of tows, lifts and T-bars … including metal tokens, single tickets, strips of tickets and season passes. The Falls Creek Historical Society Collection includes many examples of these items.These tickets are significant because they represent a stage in the progression of chair lifts and management at Falls Creek Tourist Village.A selection of unused Falls Creek Ski Lift passes and one 7 Day Adult Pass issued to Tony Freeman # s Kathmandu. Different coloured tickets were for a different length of visit. A 7 Day Adult pass cost $234.On completed pass FALLS CREEK SKI LIFTS 90 7 DAY ADULT JUL 28 - 03 TONY FREEMAN #2 KATHMANDUchairlift falls creek, falls creek passes

Dyeline print of Drawing R8906 - Motor Bus Data, dated 19/7/1954. Gives bus numbers, make and type number of vehicles in service, capacity, turning circle, wheel bases, Tare weight, overall length, width and height.trams, tramways, buses, mmtb, lists

"Report on progressive land settlement in Queensland by the land settlement advisory commission " W L Payne, Commissioner, 1959. Deals at length with the leasing of Queensland government land and its suitability for raising sheep.pastoral industry - settlement sheep stations - establisment, land settlement advisory commission, pastoral industry - settlement, sheep stations - establisment

Image shows a 1924 newspaper photo of one of the new W Class trams in service. The photo caption gives details of the tram including its length. It has the destination of St Kilda Road.The W Class Trams were a highly successful design of trams for Melbourne. W 220 was the second W Class tram built. Photo was taken in 1924 showing this tram with St Kilda Road on the destination board. Note there is no destination route number box.tramways, trams, st kilda road, tram 220, w class trams

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.Cream silk child's dress. Elbow-length gathered sleeves with smocking at wrists. 2-panels of hand crocheted lace forming a 3-panel yoke with central insert of cream embroidery. Full-length dress in silk with two rows of smocking on bodice. At base of dress are two panels of 6 rows of pin-tucking, separated panel of lace over silk backing. Lace at neck. Opening in centre back with 7 button holes and 5 mother-of-pearl buttons with striution carved design. Cream satin ribbon runs under smocking at back and sewn into side seams.clothing, costume, dress, 1900s

This chemise is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This chemise is machine sewn by Eliza Towns and she has added pintucks and broderie anglaise lace as a decorative element. A chemise was usually a sleeveless garment made of linen or cotton (so they could be easily washed) and its shape was much like a modern day nightgown. The name comes from the French word for "shirt" or "shift". Women wore chemises next to the skin (under the corset) to keep stains and odors away from the less washable corset and gown.This item is an example of the needlework skills of women in the mid to late 19th century - combining machine stitching with hand embroidery to personlise and embellish an item of clothing. It is also significant as an example of a practical solution to the difficulties of needing to regularly hand wash a bulky outer garment or gown in the Victorian era.A white cotton, short sleeved, knee length chemise. The fabric at the front is gathered on a yoke which is decorated with bands of five pintucks alternating with broderie anglaise lace and embroidered strips lined with pink ribbon. A different broderie anglaise design decorates the sleeve edges, neckline and center broderie anglaise strip. The back of the chemise is gathered on to the neckline. There are two bands of pintucks on each sleeve. The fabric around each armhole has been strengthened with another layer of cotton and a length of cotton has been added (from the left shoulder to the hem) to increase the width of chemise.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, great ocean road, south west victoria, victorian era, victorian era undergarments, chemise, victorian era chemise, undergarments, pintucks, victorian chemise, eliza towns, nhill, wimmera, home sewing, machine sewn, hand made

A hat pin is a decorative pin for holding a hat to the head. During the 1880s, bonnets gave way to hats, and the popularity of hatpins soared. They remained a standard women's accessory through the 1910s and were produced in a vast range of materials and types. They were typically around 20 cm in length, with the pinhead being the most decorated part. In some countries they were viewed as a potentially dangerous weapon which could be used by women in self-defence, so regulations were introduced to limit the length allowed. These hat pins were used c1900.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A pair of simple hat pins with faux silver ball shaped head.jewellery, hat pins, fashion accessory

The Grinton Collection. A French Soldier with his Family. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting a family group - informal, full length portrait, French soldier in uniform, woman and boy. Background - building wall. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "G. A French soldier and family". framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. The wedding of Jack Grintons younger Brother Fred and wife Lucy. Refer - Cat No. 1280 for Jacks service details.Photograph framed. Photograph - black and white photograph on paper depicting a semi-formal full-length portrait of a bride and groom. The bride is standing. Groom is seated. Background - house verandah. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 6: Life after 1919". "A. Fred Grinton and Lucy Sutherland". framed accessories, camera on the somme, ww1, 38th bn, grinton

This dress was typical of those worn on 'after 5' special occasions to: dinner dances, weddings, balls. There were many such functions at Mt Beauty and the Kiewa Valley eg. the Hospital BallThis dress was worn (and possibly made) by Margaret McKendrick (nee Vyner) who lived in Tawonga when growing up. She married Ian McKendrick and they lived in Mt Beauty. She worked as a nurse at the Tawonga & District hospital. Ian worked at the Mt Beauty Post Office. They had 3 children.Long sleeved fitted pale apricot guipure lace full length dress fitted at the waist line. Gored skirt. Scooped neckline at the front. High neckline at the back. The back has a 28 cm long opening fastened by hooks and eyes. Unlined.'after 5' dress; margaret mckendrick; tawonga; ladies' clothing

Hard, cardboard cover, mid green buckram, with gold print on spine. 265 cut, plain, beige, pages. Black / white photos & illustrations. End papers illustrated in green / cream. 2 Full length portraits of uniformed soldiers with maps in background.book, at arms, awm

This dress and petticoat come from the estate of James Cameron who was one of the first Snowy River councillors for the Tambo Shire. He selected land at Lochiel in 1892. From 1902-1920 he was the Assembly member for East Gippsland.A white voile dress with a white cotton petticoat underneath. It is not attached. The dress has a lace frill at the hem. It has lace inserts - two at the bodice and along the three-quarter length sleeves. There are several lace inserts on the skirt. It has been machine embroidered.dress costume cameron-james