This copy was received from Marlene WoodgateMelton State School, looking North. The photo shows the rear bluestone built in 1870. The brick addition was added in 1923.education, local architecture

Sepia photograph of a brick church building with steep roof, set in grounds with trees, surrounded by picket fence and gates at front."The Church of England" / "Esther Cluff, Linton".st paul's church of england linton

Copies of business correspondence of E. E. Walker, Manager, Australian Brick &Tesselated Tile Co Ltd 1889-1901.Copies of business correspondence of E. E. Walker, Manager, Australian Brick &Tesselated Tile Co Ltd 1889-1901.potteries, australian tesselated tile co pty ltd

This photograph is thought to be of the younger pupils attending Linton State School in 1918 or 1919. A second copy of this photograph is Registration number 2015-12. A companion photograph, which shows the older pupils in the same year, is Registration number 315. The same dog is in both photographs. In the "Index of Photographs (Numerical Order)" folder, an early LDHS index, pupils have been identified as: Back row: Vincent McDonald, -? Lamb, Spencer Grigg, Arthur Bass, Norman Barr, Billy Lamb. Second row: Ilma Jennings, Jean Nicol, Linda Murrell, Doris Whitehead, Isobell Brett, -? Cole, Agnes Kennedy. Third row: Sydney Chibnall, Claude Godden, Colin Kirk, Syd Lamb, -? Cole, Coronation Wishart, Mollie Smith, Joyce Commons, Muriel Stapleton, Mollie Gascoigne, Eileen Armstrong, Jimmy Wishart, Bill Wishart. Fourth row: Jack Stapleton, Joe Reidy, Perc McGee, Ron Kirk, Jim Stapleton, Had Cornish, Alan Ching, Lance Chegwin, Bruce Maddox, Innis Brett. Fifth row: Ivy Brown, Eileen Kennedy, Jean Toshack, Alice Armstrong, Laura Mitchell, Elsie Mitchell, Nellie Norris, Norman Murrell. Dating the photograph: One of the copies of this photograph of the younger pupils was donated in 2014 by Peter Stapleton, who understood it was taken in 1919. However, a very damaged copy of the companion photograph (older pupils - this copy has not been catalogued into the collection) is dated in an inscription "October 1918".Black and white photograph of a group of school children posed in front of a bluestone and brick wall. One of the pupils is holding a dog.On back of photograph: "M. McBeath" List of names on paper with Registration no. 621: " 947 Back row. L-R - (1) Vincent McDonald, (2) - Lamb, (3) Spencer Grigg, (4) Arthur Lamb, (5)Norman Barr. 2nd Row. L-R (Girls) (1) Ilma Jennings, (2) Jean Nicol, (3) Linda Murrell, (4) Doris Whitehead, (5) Isobel Brett, (6) - Cole, (7) Agnes Kennedy. 3rd Row (Boys) (1) - Lamb, (2) - Godden,(3) - Kirk. (girls) (4) Mollie Smith, (5) Joyce Commons, (6) Marie Stapleton, (7) Mollie Gascoigne, (8) Eileen Armstrong. (boys) (9) Jimmy Wishart, (10) Bill Wishart. 4th Row (boys) (11) Jack Stapleton, (12) Joe Reidy, (13) Perry McGee, (14 - Kirk, (15) Jack Stapleton, (16) Harold (Ad) Cornish, (17)Allan Ching, (18) - Chegwin, (19) Bruce Maddock, (2) - Brett. 5th Row - front. (1) Ivy Brown, (2) Eileen Kennedy, (3) Jean Toshack, (4) - Armstrong, (5) Laura Mitchell (Tonkin), (6) Elsie Mitchell, (7) Nellie Norris, (8) Norman Murrell". "Probably 1917-1920 when E. Chegwin was HT." Note: There are actually three sets of names to go with this photograph, which all vary somewhat. The list of names in the "Other Information" field of this catalogue record is taken from the "Index of Photographs (Numerical Order)" folder, an early index compiled for LDHS. The third set of names is inscribed on the back of the copy in the "Linton State School - Photos" file.linton state school no. 880, vincent mcdonald, -? lamb, spencer grigg, arthur bass, norman barr, billy lamb, ilma jennings, jean nicol, linda murrell, doris whitehead, isobell brett, -? cole, agnes kennedy, sydney chibnall, claude godden, colin kirk, syd lamb, -? cole, coronation wishart, mollie smith, joyce commons, muriel stapleton, mollie gascoigne, eileen armstrong, jimmy wishart, bill wishart, jack stapleton, joe reidy, perc mcgee, ron kirk, jim stapleton, had cornish, alan ching, lance chegwin, bruce maddox, innis brett, ivy brown, eileen kennedy, jean toshack, alice armstrong, laura mitchell, elsie mitchell, nellie norris, norman murrell

Black and white copy of photograph showing lady and child sitting in car in front of brick house. (nee Lillian Ball)"Mrs Lyle Bennett (née Olive Ball) car Renault". Note - inscription incorrectly identifies Mrs Lyle Bennett as Olive Ball. Lyle Bennett's wife was Lillian Ball, Olive's sister. Olive did not marry.lillian ball, lillian bennett, renault car, dawsons dam, sussex street, lyle bennett

Date made August 2008Colour photograph of two brick units in Bung Yarnda Court. This is the site of the original Merrangbaur House. Lakes Entrance Victoriaguesthouses, architecture, room display

Photo of four story brick building with brick chimney stack and overhead tramway. Fountain Head Brewery Armstrong. Established by Jens Kofoed Brewery Armstrongstawell industry ararat

This image is one of a series of photographs taken by Melbourne based photographers Stevenson and McNicoll who visited Bacchus Marsh and its nearby districts between September and November 1883. The house was built for Dr. Rae in 1880 following his retirement from his medical practice due to ill health. He lived there until his death. Dr. Vance then occupied it for a short time. It was bought by the sisters of St. Joseph in 1890 and formed the nucleus of St. Joseph’s Convent. It was demolished in the early years of the twentieth century, when a new two-storey brick convent was built.Small sepia 'carte de viste' style unframed photograph on card with gold border framing photograph. Housed in the Jeremeas Family Album which contains photographs of Bacchus Marsh and District in 1883 by the photographers Stevenson and McNicoll.The photo is of a large single-storey brick house with a return verandah supported by simple columns. Five chimneys can be seen. The house sits on a large block of land in a bush setting, with a hedge separating the house and garden. A picket fence runs across the block, with a paling fence along the northern side.Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, doctors, houses bacchus marsh, convents, religious residences

Three coloured Photograph in a black frame with white matting. 1. Recovery vehicle "Tunza Guts" damaged and being recovered from the mud following ANO NVA Attack 2. Troops taking a well earned break during action at FSB Coral 3. US Army 2nd 35 Medium Artillery 155 Cal and Ammunition Carrier at FSB Coralphotograph, battle of coral-balmoral, troops, battle of coral-balmoral

Series of 4 black and white photographs of the construction of three tracks or roads at East Preston Depot 7/1955. .1 - Mud mining - earthworks with the Stately Shoe and Wall Bros buildings in the view. .2 - showing one track complete with a second underway, .3 - two tracks complete with a third just in the view. .4 - pouring concrete at the depot - bicycle shed?trams, tramways, east preston, construction, trackwork, tram depot, track materials

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of an unpainted variegated brown brick house with decorative brickwork. Other features include tiled roof, double-arched porch, 2 tall feature chimneys, white-framed sash windows, awnings, a concrete driveway and a trimmed hedge with an unpainted low brown brick pillar and fence in the foreground.15murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, dalny road, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick features, arches, chimneys, sash windows, awnings, brick fences, hedges

The photograph is one of a series of mounted photographs which have been used for display purposes.A black and white photograph of the administration building of the former Sunbury Asylum. It is a tweo storey brick building with a slate roof and three gables. One of the gables is an attic. The wooden trims are white. A brick colonade fence is in front of the building with a terraced roadway in the foreground. Three cars are parked in the front of the building. Mounted on board.sunbury asylum, george evans collection

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 13 Jaques GVE., Forest Hill, This property is listed as having sold for $130,000 in 1996. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 16 Jackson St., Forest Hill, depicting a single story brick house, with driveway leading to a connected carport on the left. In the foreground, a low brick fence and front lawn. There are two hole punch holes centre near the upper edge.16 Jackson St., Forest Hill Margaret Picken © 2003 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

Clothing. Wedding Dress - Bodice.Cream coloured bodice of wedding dress. ''Japanese silk with transparent yolk of chiffon tucked Russian Body'' ( Quote from newspaper of the day).Long pintucked sleeves. Fine ribbon trim and bows at wrists. Two flounces of silk, trimmed with ribbon at elbows. Front panel fastened at side with metal hooks and hand made loops, to show a centre panel trimmed with chiffon frills. Pearl beaded motifs at front. Sash at waistline ties at the side - finished with pearl beading, and and a stand up chiffon collar. Worn by Mary Smith who was the daughter of Felix Smith. He built the Wycheproof Court House, Post Office and Royal Mail Hotel. Mary and John Keane lived in a mud brick house after they their marriage. See also 11400.75, & 11400.77.costume, female, wedding dress bodice

Original owner of memorabilia Mr FREDRICK CARLETON. Please see Cat 142 for Service History.1. Photograph: Paper, black and white half portrait of CARLETON Fred with service medals. 2. Notes - handwritten on paper. 3. Service order - paper folded. Presbyterian Church Bendigo. 4, & 5. Dust cover - paper with title, "THE EIGHTH ARMY". Illustrated montage of black and white photographs on both sides. Cover torn in half.1. Handwritten top of photograph - blue ink 'FRED CARLETON". 2. Handwritten on note paper, blue ink CORPORAL FRED/ CARLETON/ Pgs 34, 89, 90,95/96, 97, - Page numbers refer to the book "MUD AND BLOOD" Cat no 4840photographs, ww2, memorabilia

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Oil on canvas painting depicting a Panton Hill bush scape.Signed: D. Armfield in lower right hand corner. Not dated.david armfield, eltham art prize, panton hill

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.'Untitled' by David Armfield an oil on canvas painting depicts sand, sea, distant mountains and various figures scattered about in a typical Armfield landscape. The figures tend to be annonymous, sometimes included more to establish the scale than for a narrative purpose. The figures are well clothed and it could be assumed that it is not a hot summer's day. Depth is established by changing of colours and diminishing the size of the figures.david armfield, beach, eltham, nillumbik shire council

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires. Painting: oil on canvas. Depicting the desolate aftermath of a bushfire in Eltham. Trees are bare and burnt, foreground is sparse, whilst background is fiery red.david armfield, eltham, bushfire

David Armfield: David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1930s on painting trips and used to camp on the banks of Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Ceramic stoneware. Reduction fired, dolomite glaze, wax resist decoration over iron. Decorated/painted by David Armfield. Cast by Joan Armfield.

Sepia photograph mounted on cream board. Brick house with cream brick quoins at corners and windows. Central door, 1 window on each side. Corrugated iron roof, verandah with iron lace, 2 chimneys, cast iron fence with decorative wooden posts and brick base. Corrugated iron in bottom half of gate, tree at left. Woman standing on verandah. Woman wearing floor length dark dress and hat. On back rubber stamp, oval shaped, 'Clark Bros, photographers, 25 Thomas St., Windsor.Clark Bros. Windsor.buildings, residential, victorian

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. See also 2104A-06.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of white rendered house with a car parked on the front lawn of the garden. Other features include an enclosed porch with unpainted brick edging with number "5" on the arched entrance, tiled roof, tall chimneys, striped black and white awnings and a low unpainted brick side fence beside the concrete driveway.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, chimneys, rendered houses, drives, cars, brick fences, striped awnings

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 5/16 Florence St., Nunawading This property is listed as having sold for $125,000 in 1996 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house with a driveway on right leading to a picket gate. On the left is a low brick fence enclosing a front garden with a central gumtree. There are two holepunch holes centred just under the upper edge.14 Gerald St., Nunawading Margaret Picken - 96 Woodards - B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

Woodbine - with brick fencePhotographwoodbine, brick fence, lagoon farm

Mary was the fifth daughter of Reverend Kerr Johnston and his wife Elizabeth. Mary married Reverend Richard Vallencey Danne (1846-1904), they had 8 children. One of their son Noel also became a reverend. She continued her father's work by becoming part of the Mission's committee in 1905. On 9 November 1906, for King's Birthday, she hosted a sailors' picnic at the property she rented, Glenfern on Inkerman Road (see item 1637), where she was running a school, Newington. She died on the 30th of July 1926 at her residence, Seymour Grove in Camberwell. The plaque was erected on the 9 October 1927 (AR 1927).The Kerr Johnston Family migrated to Tasmania in 1854. The Reverend took up his appointment with the Victorian Bethel Union for Seamen in 1857 and moved all his family in the "floating church", the ex water police hulk Emily, first Chaplain serving the seamen in Hobsons' Bay.Large rectangular brass plaque with smaller plaque mounted onto it of Mission to Seamen insignia. The Larger plaque is mounted to a brick wall.Mission to Seamen. To the glory of God In loving memory of Mary Danne member of the executive committee of the Victoria Missions to Seamen from 1905 to 1920 and daughter of the REv. Kerr -Johnston chaplain of the Victorian Seamen's Mission 1857 to 1883 "The greatest of these is love"mary alice isabelle danne nee johnston, 1851-1926, reverend kerr johnston, reverend richard vallencey danne, 1846-1904, bethel, hulk emily, hobson's bay, glenfern, flinders street, st peter chapel

This Wesleyan Chapel was used as the first Sailor's Rest in Williamstown in 1875. Photograph of the first Institute locales in Williamstown.View looking across street to a brick building with arched doorway on a corner block. A sign on the left reads: Sailors' Re[st].Typed sheet attached to verso: No. 15: The Sailor's Rest, Ann Street, Williamstown, about 1885. Written on verso: Photograph - Andrew Rider. Written on verso: Sailors' Rest, Ann St., Williamtown, 1880's.williamstown, ann street, sailors' rest, seamen's mission, andrew rider (1821-1903), wesleyan church

Donated by N. M. & J. D. Archibald in April 1973Black & White Photograph. Chicory Kiln. Ventnor - W. Guyatt. Built by T. Jones. Brick & Iron. Chicory Kiln Album.local history, photography, photographs, agriculture buildings, historic, chicory kiln, black & white photo print, ventnor, phillip island, w guyatt, t jones, n & j archibald

Rhylstone Park in Thompson Avenue, Cowes, was the home of Mr Vaughan. Later run as a clock museum then a B & B until approx 2007.A brick house built by Mr Joseph Vaughan about 1890. It was named Rhylstone Park. single storey - bull nose verandah.local history, photographs, buildings, historic, buildings - historical, coloured photograph, john cook, phillip island