German Pickelhaube helmet made of felt, spike on top of helmet possibly brass,badge on front with writing in german,nine fingered insert with broken string chinstrap held together by safety pins, some writing inside of back flap.Inside back flap is 2 letters possibly an H and N, there is a badge on front with an eagle and a german inscription when translated means "With God for King and Fatherland"

Keys were the original keys to Schwerkolt Cottage which was built in the 1860s.A bunch of 10 assorted keys that were the original keys to open Schwerkolt Cottage. There is a plastic label attached with 'Spares Schwerkolt' written on one side and 'Museum Door Cancel Alarm' on the other side.'Spares Schwerkolt' 'Museum Door Cancel Alarm'buildings, fittings

Foolscap, stencil cut printed sheet with a joint statement by the Tramway Museum Society of Victoria (TMSV) and the Ballarat Tramway Preservation Society (BTPS) about tramcar preservation in Victoria. Covers the aims of both groups. Printed Dec. 1971, signed by Tony Cooke Public Relations Office of the TMSV and Paul Nicholson, Publicity Officer, BTPS. Has two punch holes on the left hand side and has been folded into four."GN" in black ink and "21/12/71" in pencil in top right hand corner.museums btps, tmsv, tramcar preservation, public relations

Yields information about the operation of the BTM and the management of tramcar operations. Demonstrates how information within tram crews and shed staff was distributed.Fifty Six page document within grey card covers, folded A4 paper to form an A5 booklet titled "Ballarat Tramway Museum Operations Manual, December 2008". Provides details of the manual, index, operational procedures, driver training, requirements, many procedures, and some forms. Issued to existing workers and new workers at the time. See memo in back of worksheet for Reg item 4440 for details and mailing list.trams, tramways, btm, operations, instructions, procedures

Yields information about the operation of the BTM and the management of tramcar operations. Demonstrates how information within tram crews and shed staff was distributed.Twenty four page document within yellow card covers, folded A4 paper to form an A5 booklet titled "Ballarat Tramway Museum Conductor Operations Manual, November 2008". Provides details of the manual, index, operational procedures, map, requirements, many procedures, and some forms. Issued to existing workers and new workers at the time. See memo in back of worksheet for Reg item 4440 for details and mailing list.trams, tramways, btm, operations, instructions, procedures, conductors

This German signal lamp was souverniered by Frank Minotti on the fall of Tobruk. He was wounded and hospitalised and his Batman kept this souveneer until Frank's return to Unit, also a photo of Frank's girlfriend.Leather case containing German metal signal lamp."Puztucher" written on onside lid "Hier langer kontaktsfreitenl" written inside ww11, tobruk, signals officer

"Edited, annotated and introduced by Mick Woiwod for the Andrew Ross Museum, Kangaroo Ground"--Cover. Includes bibliographical references and indexes.Paperback 235, vii, 128 p. : ill., ports. ; 29 cm. Two copies, one with dedication by author "To Eltham District Historical Society Mick Woiwod 2011"ISBN 9780987157409andrew ross, kangaroo ground, pioneers, diaries

Demonstrates aspects of publication of material in an enthusiast based magazine for a Melbourne based organisation, with a detailed article on the overhaul of trams at Preston workshops for Melbourne.Feb. 1972 issue of "Running Journal", consisting of formally printed cover on glossy paper which has been folded, containing seven wax stencil cut, duplicated sheets, pages 3 to 16. Published by the Tramway Museum Society of Victoria. Sheets have been stapled into the folded covers. See condition notes also. Cover has W2 277 undergoing a "O2" overhaul at Preston workshops Page 2 - photos of 928, 733 and 921 undergoing various overhaul stages Pages 3 to 9 - article by Norm Cross on MMTB tramcar overhauls at Preston Workshops Page 9 - News from Ballarat (BTPS - foundations for new shed) Page 10 - 11 - Tramway Quiz Page 12 - 14 - TMSV Museum news (muses) Page 15 - Answers to quiz Page 16 - Back issues of Running Journal Page 17 - Photos of 980 and Museum activities Page 18 (back cover) - 18 in Sturt St., July 1970, Ballarat 18 - in Vickers St. Sebastopol shed, trams 31, 30 and 32 stored at the SEC Ballarat North Power station grounds awaiting transport, in October 1971 and MMTB 469 arriving as the last Footscray tram. Loose sheet - duplicated, advertising, Last Mail Covers - Bendigo Tramways, prior to closure on 16/4/1972. Second copy ex ARHS 9/2003 added 21/09/2006. 3rd copy added 28/10/2007, ex Graeme Breydon Collection.Has Graeme Breydon address stamp on front cover.trams, tramways, tmsv, running journal, ballarat, overhauls, preston, mmtb

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama

Dark blue softcover with photo of a large group of soldiers on the side of a cliff near a bridge.Written on first page "Donated by Bendigo YMCA"books, history

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Montrose Cottage was build c1856 by John Alexander, builder. He was a Scottish stone mason. It was built with bluestone and hand-made bricks. It is on the Historic Buildings Register, National Trust (Victoria). It is important as a substantial and very early stone cottage. The house is now open to the public. It also provides short term accommodation - self contained apartments.Yellow card with dark blue printDrawing of cottage and on reverse side map.zilles printers, montrose cottage, john alexander, scottish stone mason, bluestone, hand-made bricks, historic buildings register, short term accommodation, national trust, apartments

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Montrose Cottage was build c1856 by John Alexander, builder. He was a Scottish stone mason. It was built with bluestone and hand-made bricks. It is on the Historic Buildings Register, National Trust (Victoria). It is important as a substantial and very early stone cottage. The house is now open to the public. It also provides short term accommodation - self contained apartments.Three black and white photographszilles printers, montrose cottage, eureka museum, ballarat

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Montrose Cottage was build c1856 by John Alexander, builder. He was a Scottish stone mason. It was built with bluestone and hand-made bricks. It is on the Historic Buildings Register, National Trust (Victoria). It is important as a substantial and very early stone cottage. The house is now open to the public. It also provides short term accommodation - self contained apartments. Printed sheet gives information of the project and restoration of the cottage. Mention given to people who donated item to decorate the rooms.Typed sheet with small drawing in top left of page.Printed Jan. 1977zilles printers, montrose cottage, restoration project, ballarat

A brief history of the Broadmeadows districtAn example of publications by other Historical SocietiesCover copied on bright pink paper, 10 black and white pages. Contains articles and photographs of early Broadmeadows.2006 hadwritten on original and copied to subsequent issues.broadmeadows historical society, broadmeadows history, museums

Colour photographandrew ross museum, sir james gobbo, governor of victoria

Colour photographactivities, aboriginal artefacts, warrandyte museum

Colour photographandrew ross museum, sir james gobbo, governor of victoria

Colour photographandrew ross museum, sir james gobbo, governor of victoria

Colour photographandrew ross museum, sir james gobbo, governor of victoria

Colour photographandrew ross museum, sir james gobbo, governor of victoria

Colour photographandrew ross museum, sir james gobbo, governor of victoria

Colour photographandrew ross museum, sir james gobbo, governor of victoria

Colour photographandrew ross museum, sir james gobbo, governor of victoria

Colour photographandrew ross museum, sir james gobbo, governor of victoria