The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. However, this postcard is the 'odd one out' in that its location is London, it has no border, it has no reference to 'Jordan' or 'Jordan Series' no reference to the printer, no 'correspondence heading', it is slightly smaller than the others, and it has text in the stamp area that refers to 'inland' and 'foreign' postage, a half-penny inland and one-penny overseas.. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. New Gaiety Theatre, Strand [London] - The New Gaiety Theatre opened in 1903 on the corner of The Strand and Aldwych, London. The second show performed in the new theatre was “The Spring Chicken” in 1905. The third show followed in 1907. The preprinted postage cost on the stamp outline is ½ d. or half penny; according to The Great Britain Philatelic Society, Great Britain Postcard Stamps were priced 1/2 d. or Half Penny from 1-Oct-1870 to 3-Jun-1916. The postcard is significant for its inclusion with a set of nine postcards, eight of which are images of Warrnambool and its district and photographed by Joseph Jordan. It is also curious for is lack of connection to Jordan. Postcard, one of nine, portrait orientation, coloured print. The image shows a tall three-storey corner building with a statue on its domed tower and smaller towers on the sides. The top two storeys have balconies with columns, and overhang the ground floor, providing cover over the footpath. The foreground has horse-drawn carriages and coaches, and motorised vehicles including a bus. Figures wearing top hats and others in long dresses are in front of the building, which has a sign on the corner advertising the building and its current show. There is no correspondence written on the card. The front of the postcard has a printed red title and an inscription on the image. The reverse has inscriptions and outlines for a postage stamp. Made in Britain.Sign on the image of the building: “GAIETY / SPRING CHICKEN / THEATRE” On the front in red: “New Gaiety Theatre, Strand” On the back in printed in green: Stamp box “INLAND / 1/2d.’ STAMP / FOREIGN 1d.” “POST CARD” “THE ADDRESS ONLY TO BE WRITTEN HERE” flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, postcard, souvenir, correspondence, cameo postcard, new gaiety theater, the strand, spring chicken, gaiety theatre, london theatre

The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images. Photograph is part of the collection that has been accumulated at the Mission to Seafarers. It shows how the Mission was furnished at one time.Black and white photograph of a wooden chair against a tiled wall, possibly in or near the kitchen. To the left of the photo is a series of lockers.Reverse: ILFORD repeat print across the photograph. 1940 in red stamp.photography, black-and-white, mission-to-seafarers, chair

Produced to celebrate 100 years of trams in Melbourne. Gives a brief history of Melbourne cable trams, horse trams, first electric trams, the MMTB, Rolling stock and the transition to the Metropolitan Transit Authority. Printed under the Public Transport Corporation logo.Yields information about the history of Melbourne's trams.Four page A4, folded A3 printed two colours, on gloss paper.melbourne, public transport, tramways, history, cable trams, mmtb, the met

This book contains a detailed history of Lakes Entrance in east Gippsland and was produced by the committee for the Back to Lakes Entrance celebration in May 1956.This booklet is a useful reference tool on the history of lakes Entrance.20 pp booklet titled "Lakes Entrance centenary 1856-1956 Back to Lakes Entrance May 19-May 27". It has a beige coloured cover with black print.on cover - top right - " Orbost hist. Society" hand-printed in black. lakes-entrance-history

Photo by Wal Jack, of VR 51 at the Sandringham Railway Station terminus of the Black Rock Tramway. Tram has three Robur Tea/Coffee adverts on the roof. Yields information about VR trams used on the Black Rock service in 1953.Black and white negative and Black and white print.On rear of print "V Rlys 4'8.5" gauge, one man bogie No. 51 outside Sandringham Rly Stn, stamped 16 Mar 1953, and Wal Jack stamp No T49PC"trams, tramways, sandringham, vr trams, tram 51

Negative of a cable grip car being hauled by a tractor (in or out) of the South Melbourne tram depot or car sheds. Has the grip in the removed position. In the background is a hotel and a petrol or service station - out of focus. The grip car has the destination of Collins St on the front and "Connects with Collins St electric cars" on the side. Photo Wal Larsen 6/3/1937.Yields information about towing grip trams from a depot by tractor.Negative and a black and white print with details on the rear.Written on rear of album print "Tractor hauling cable dummy out of South Melb. Sheds." On rear of print - "South Melbourne depot with tractor dragging dummy out and into street. (A terrible dull day and a slow camera, not so hot eh!). 6 March 1937. Photo Wal Larsen. " Has number "PSM1" in bottom left hand corner and "58" in top right hand corner.trams, tramways, cable trams, south melbourne depot, grip tram

Has a printed image of Ballarat Tram 28 at the Springfest tram pull event. Was a presentation to BTM Staff member.Demonstrates printing of cloth tea towells.Tea Towell - 75% linen & 25% cotton with sewn edges. Has a printed image of Ballarat Tram 28 at the Springfest tram pull event.tea towell, btm, tram pull event, springfest, tramways, trams

Taken on 25 October 1930, various houses with the Hume Dam under construction are depicted in the background. The construction of the Hume Dam took place from 1919 to 1936. At the time of construction, it was the second largest dam in the world. It was also one of the earliest civil projects developed after the Federation. Some of the Dam workers consisted of World War I veterans. Dam workers often settled their families in Mitta Junction Village and Wodonga. Archaeological surveys were completed by Austral Archaeology, which was done when the Department of Land & Water Conservation was doing work to improve Hume Dam. The archaeological report that came out of the survey recommended three sites of interest where archaeological excavation should be done: Camp Ganger’s Quarters, Stableman’s Quarters, and the Industrial Dump. The excavation uncovered artefacts. Mitta Mitta: Mitta Mitta is situated between Mount Welcome and Mount Misery. It is named after the river that explorers Hume and Hovell discovered in 1824. The town would eventually become a huge gold mining town. Mitta Mitta is called Midamodunga by the local Indigenous peoples Wodonga: Wodonga is situated on the Murray River and is part of North East Victoria. Hume and Hovell: Hamilton Hume (1979-1873) and William Hilton Hovell (1786-1875). W. H. Hovell was born in Norfolk England and Hume was born in Parramatta, New South Wales Hovell and Hume undertook an exploration journey in 1824 and thought they discovered a river, which turned out to be the Murray River. They returned home in 1825, but returned to the area in 1826 and discovered coal in the area.This photo is historically significant as it shows the Hume Dam under construction in 1930. The Dam was named after Hamilton Hume, who is an important historical figure for this area as he helped discover the area where resources were found.Sepia rectangular photograph printed unmountedReverse: 84-19-2/ 1997.3188/ These are the four / release valves they are / not always open (illegible) this / when closed the water flows / over the spillway. [featuring trademark: kodak print] photograph number: 354construction, houses, veterans, mitta junction village, hume dam, world war i, federation, wodonga, archaeological survey, excavation, austral archaeology, department of land & water conservation, camp ganger's quarter's, stableman's quarters, industrial dump, artefacts, mitta mitta, mount welcome, mount misery, murray river, hamilton hume, william hilton hovell, hume and hovell expedition

Taken during the construction of the Bethanga Bridge (1927-1930), this sepia photograph shows a view of the incomplete bridge taken from inside the structure and looking down the span of the bridge from where the photographer stands. The photograph depicts an incomplete deck, with loose-looking wooden planks/panels lain along the centre in groups of three. Once complete, the original decking of the bridge was made of timber before being replaced by cement in 1961 (Victorian Heritage Database).Bethanga Bridge is of historical significance to the Indigo Shire for its associations with the construction of Hume Dam, its associations with the River Murray Waters Agreement and the River Murray Commission, and illustration of the needs and influence of the farming communities along the river in this area - particularly in relation to the building of the Weir. It also represents the collaboration between New South Wales and Victoria on a large infrastructure project, being the only built structure shared by both New South Wales and Victoria due to its location. also reflecting on the Shire's geographical closeness to this neighboring state. This photograph is part of a series that documents the construction of this well-known heritage site of significance to the Indigo Shire. It reflects upon a period of growth and change in the area.Sepia, rectangular photograph printed on matt photographic paper, unmountedReverse: 1997.3190 / Another snap of the bridge. taken on the bridge showing huge steel sides / 84-19-4 / V [in circle] 354 / KODAK PRINTbethanga bridge, hume dam, bridges album, construction, road construction, hume weir

Shows Ballarat Tramway (SEC) Fares, Charges, and Section Map. Also gives charges for the various sections, transfers, luggage of parcels, age of children. All fares in pence. In particular note the 1d fares for Sebastopol Post Office and the City Zone. See item 8025 for a the printed explanation of the new fare system introduced by the SEC in Ballarat from Sunday 3/10/1937,Demonstrates the work the SEC undertook to provide information on the new ticket system of 1937 and yields information about the system.Poster - printed on manila card in black ink.Numerous pencil and red colour pencil markings.tramways, sec, fares, sections, tickets

Across Australia, many government establishments displayed this print, acknowledging the sacrifices made in World War 1. Each state school was presented with a framed copy.This print hangs in the old school building in which it was originally presented in 1929. It is exhibited near the doorway of the Museum's room of military artefacts.Print of oil painting depicting ghosts of Australian soldiers in vicinity of Menin Gate, battlefield in France, World War 1."Menin Gate at Midnight" by Will Longstaff, 1927 Presented to Myrtleford State School 955, 1929menin gate print of painting

Settlers and Convicts, recollections of sixteen years labour in the Australian backwoods by an emigrant mechanic, Foreward by Manning Clark, published by Melbourne University Press, printed by Dai Nippon printing Co, Hong Kong. Soft cover with 245 pages and a map.Printed by Dai Nippon Co., Hong Kong, International.books, natural history, australia

Produced as one of a series of 24 prints commissioned by Nunawading & District Historical Society -|Theme: Intersections of Mitcham and Nunawading 2000/2001.|See also Series by P. Simmenauer on the same theme.Black and white photograph - print and negative of St. John's Catholic Church in Whitehorse Road, featuring sign.st. john's catholic church, mitcham, whitehorse road

W8693.1 Exhibition booklet with printed text and graphics in black, white and cream. The front cover features printed text and a graphic of a man, woman and child. W8693.2 A4 Stapled pages containing black and white text listing the items and artists on display. front: [printed] HANDKNITTERS GUILD INC. PRESENTS / BEDJACKETS / BOOTEES / & BALACLAVAS / EXHIBITION / RE-INTERPRETING THE HANDKNITTING OF THE / 1930s / 1940sfashion, women, knitting, crochet, home life, patterns

Pink oblong shaped tickets on light cardboard. Numbers 1-12 printed on front. Score cards.'Winners move to the right' printed between 1-6 and 7-12. 'Date' across right hand side.

3261 - Colour photograph printed onto white card as a BTM Membership card for 2005 - 2006. Photo of four trams at Gardens Loop (18, 661, 671 and 27) during the 2005 Begonia Festival. Photo by Greg Rodgers. Has a printed label and details for members on rear with validity period and space for Member's signature. Issued to W.A. Doubleday 85.Has printed label "W.A. Doubleday, 85 expires 30 June 2006" on rear. .trams, tramways, btm, membership cards, gardens loop, begonia festival

These packs were Australian army issue to service men and women during World War 2.Many Orbost men served in World War 2. Three field dressing packs made from cloth or waterproof covering and with a black printed label on one side of each pack. The words FIRST FIELD DRESSING and instructions TO OPEN and CONTENTS are printed on each pack. On the bottom of the print area are JOHNSON & JOHNSON PTY LTD, SYDNEY. One pack has the date May 1942, and the other two are December 1943. australian-army first-field-dressings world-war-two

Historic item used in WW2Instructions for use printed on cannister. Mask inscribed with lot no.21-3-SC.

Four page knitting pattern booklet featuring black and white printed graphics and text. The colour cover shows four sets of legs wearing knitted socks.front: [printed] 6194 / Emu / 3 & 4 / PLY / 15c - 1/6knitting, pattern, fashion, knitwear, women

Black and white print of a number of trams, lead by W2 245 parked in Railway Ave (now Sir John Monash Drive), Caulfield on Caulfield Cup day, 1975. A traffic policeman is on duty. In the background is Downards Furniture Store in a former picture theatre.Yields information about a Caulfield Cup race day and the tram services.Black and White photographs - printed on plain paper with photographers stamp and notes on rear.Has stamp of David Menzies on rear. and in ink details of photo.tramways, trams, mmtb, caulfield, races, caulfield races, railway ave, w2 class, tram 245