Showing 1387 items
matching sculpture
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Hepburn Shire Council Art and Heritage Collection
Sculpture - Public Art Work, Michael Needham, Inter-stelae, 2017
public art -
Hepburn Shire Council Art and Heritage Collection
Sculpture - Public Art Work, Yu Fang Chi, Drop, 2023
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Hepburn Shire Council Art and Heritage Collection
Sculpture - Public Art Work, Earl Ingleby, Community, 2006
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The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Sculpture - Best soldier, C Company Best Soldier Award
a statute of a modern Australian Infantry soldier holding a F-88 with NVG, it recorded the best soldier of C Company 5/6 RVR of each year -
Wyndham Art Gallery (Wyndham City Council)
Sculpture, Rosemarie Reber, Oopsie Daisey 1, 2011
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Great Stupa of Universal Compassion
Sculpture - Sitting statue of Shakyamuni Buddha
Shakyamuni Buddha is a name given to the historical Buddha. It is depicted here seating in meditation on a lotus throne. His legs are crossed in the lotus position. His right hand is holding an alms bowl, signifying care and compassion for all beings. His left hand touches the ground in a gesture (bhumisparsha mudra) calling the earth to witness his determination to achieve enlightenment, despite the temptations of the evil goddess Mara.Brass Buddha statue, with head and face painted in a traditional Tibetan way.buddhist art, tibetan buddhism, holy objects, statues -
Great Stupa of Universal Compassion
Sculpture - Amitayus (Buddha of limitless life)
Amitayus, also called Amitabha, is the Buddha of Infinite Light, associated with longevity. He is holding in his hands a vessel containing the nectar of immortality. Amitayus is considered one of the Five Dhyani Buddhas in Mahayana Buddhism. Amitayus Buddha statue, wearing jewelled ornaments of a peaceful heavenly god according to the classical Indian system of divine aesthetics. tibetan buddhism, holy objects, buddhist art, statues -
Wyndham Art Gallery (Wyndham City Council)
Sculpture, Rosemarie Reber, Oopsie Daisey 3, 2011
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Wyndham Art Gallery (Wyndham City Council)
Sculpture, Rosemarie Reber, Oopsie Daisey 2, 2011
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Wyndham Art Gallery (Wyndham City Council)
Sculpture, Rosemarie Reber, Oopsie Daisey 4, 2011
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Wyndham Art Gallery (Wyndham City Council)
Sculpture, Rosemarie Reber, Oopsie Daisey 5, 2011
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Wyndham Art Gallery (Wyndham City Council)
Sculpture, Rosemarie Reber, Cheerio Then, 2009
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Wyndham Art Gallery (Wyndham City Council)
Sculpture, Rosemarie Reber, Hank, 2009
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Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Greenstone (pounamu) Maori Hei-tiki carving presented to the Australian Council, RCOG, by the New Zealand Council, RCOG
This piece is made of a stone called greenstone in New Zealand English, known as pounamu in Maori. Hei-tiki are considered taonga (treasures) by Maori. Stone carving of a Maori hai-tiki. The carving is made of green stone, and depicts a figure with both hands on its thighs and a head tilted to one side, with big eyes. -
Horsham Regional Art Gallery
Sculpture, Troy EMERY, big softie hopping mouse, 2022
Purchased through the Horsham Art Gallery Trust Fund, 2022polyester, epoxy, aluminium, adhesive -
National Vietnam Veterans Museum (NVVM)
Sculpture - Souvenir, Paper Mache Mask
Decorated mask. Red, black, white, blue, gold. Used in role playing - Catholic school, Ba Rai, Vung Tao prov. Handcraftedmask, hand crafted -
Horsham Regional Art Gallery
Sculpture, Bruce ARMSTRONG, The cricketer, 1987
Donated through the Australian Government's Cultural Gifts Program by Bruce Armstrong, 2022red gum -
Horsham Regional Art Gallery
Sculpture, Bruce ARMSTRONG, Mr Stool, 1993
Donated through the Australian Government's Cultural Gifts Program by Bruce Armstrong, 2022red gum -
Horsham Regional Art Gallery
Sculpture, Bruce ARMSTRONG, Bast, 1997
Donated through the Australian Government's Cultural Gifts Program by Bruce Armstrong, 2022cypress -
Horsham Regional Art Gallery
Sculpture, Bruce ARMSTRONG, Knot, 1985
Donated through the Australian Government's Cultural Gifts Program by Bruce Armstrong, 2022red gum -
Horsham Regional Art Gallery
Sculpture, Bruce ARMSTRONG, Bird and man, 2010
Donated through the Australian Government's Cultural Gifts Program by Bruce Armstrong, 2022cypress -
Darebin Art Collection
Sculpture - Nathan Beard, Tropical Flesh (ii), 2023
Tropical Flesh (ii) draws upon the slippery experience of identity to explore family connection. There are threads of dislocation and the thickness of tropical time. Silicone casts of tropical jackfruits are fused with a cast of the artists’s aunt’s foot, the cast of which was made upon her permanent return to Thailand. Together, the visibly-aged foot and a fruit that decays quite vividly, evokes a sense of time passing. The work is informed by the experience of witnessing members of family age in slices of time, across vast distances. The artist asks us to consider the work as a memento mori. -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Porcelain figurine of a doctor holding a newborn baby, Pucci
This piece bears an export mark associated with Arnart Imports. Arnart was an importer and distributor, rather than a manufacturer. It is likely that this is a Pucci porcelain piece, distibuted and sold by Arnart.Porcelain figurine of a male doctor holding a newborn baby. The figure has grey hair and is wearing an unbuttoned white surgical gown. Beneath the gown the figure is wearing brown, striped trousers, a blue shirt, a red tie and black shoes. The buttons on the shirt and his belt buckle are golden coloured. The figure is wearing gold framed glasses with round frames, and is smiling. The figure is standing with his left hand in the pocket of his surgical coat, while holding a baby in his right hand by its left leg. The baby is head down and facing away from the doctor figure. The figurine is standing on a oval shaped base and there is a gold coloured, abstract, decorative embellishment at the front of the base. There is a stamp on the underside of the base of the figurine consisting of the letter 'A' below a stylised crown. The number '44/768' is printed on the base below this stamp. A retail sale tag is tied to the right arm of the doctor figure with a small piee of orange ribbon. The tag reads 'TREASURES/TODAY/HEIRLOOMS/TOMORROW'. -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Ceramic vignette of a caesarean section locked twin childbirth
This is a rare and hazardous obstetric complication, occurring approximately once every 90000 deliveries. It usually results in a low survival rate for the twin that presents first, with a stillborn rate over 50%. This piece is believed to be from South America, and is either from Colombia or Peru.Ceramic childbirth scene with three figures. At centre, a woman lies on a table giving birth. A figure wearing a hat stands to her right, resting their hand on her upper chest in a gesture of support. On her left, a gloved man with receding hairline and a moustache is leaning over her abdomen and is extracting two babies from her womb.obstetric delivery -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Ceramic vignette of a woman in childbirth
This piece may originally have been Indian in origin. It was purchased by the donor at the Oxford Street Market in Paddington, Sydney.Small ceramic figurine of a woman giving birth, attended by a doctor. Scene depicts a woman in a white gown lying on her back an obstetric table, with her knees up and feet flat on the table. A doctor dressed in white is sitting on a chair at the end of the table, between the patients legs, with arms raised ready to receive a baby. Both figures in the scene have brown skin and black hair. A word is engraved on the underside of the base of the figurine, which may be the name of the artist, but it is illegible.obstetric delivery -
Vision Australia
Sculpture - Object, Tilly Aston relief, 1997
Tilly Aston was the founder of the Association for the Advancement of the Blind, which became the Association for the Blind, Vision Foundation and later Vision Australia. Her work in expanding the options available to blind and vision impaired Victorians triggered the push for similar conditions inter-state, and she was a pioneer force in challenging perceptions of both the sighted and less-sighted communities. This bust of Tilly Aston was donated by Malcolm and Beverley Daubney and unveiled at the 1997 Annual General Meeting for the Association for the Blind (now Vision Australia) on the 19th September 1997.Bronze relief of Tilly AstonMatilda (Tilly) Aston 1873-1947 Founder of the Association for the Blind Generously donated by Malcolm & Beverley Daubney September 1997tilly aston, association for the blind, malcolm daubney -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Bellini porcelain figure of a woman holding a baby
Porcelain figurine of a woman holding a baby. The woman is wearing a blue dress, with a blue floral pattern, underneath a white medical coat. She has blonde hair which is tied loosely behind her, and white slip on shoes. She is holding the baby in front of her chest, with the baby's back leaning against her left forearm and the baby's head cradled in her left hand. Her right hand is supporting the baby from beneath. The baby is loosely wrapped in a white blanket, with its torso visible. The woman is standing next to a small table which supports a set of baby weighing scales and a bottle of talc next to the scales. A cloth trails down from the table to the floor. There is a manufacturing mark on the back of the base of the statue. The top row of text is obscured, but the remaining test on the mark reads 'porcellane/PRINCIPE/MADE IN ITALY'. A small Certificate of Origin tag is attached to the weighing scales by a small, thin cord. Sticker underneath the base of the statue reads 'BELLINI/PONTE VECCHIO/FIRENZE'. -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Staffordshire ceramic figurine of Queen Victoria, with baby, c. 1840
This is believed to be a figurine of Queen Victoria. Staffordshire pottery began to be produced in the 1840s, at the beginning of the reign of Queen Victoria, and the Queen and her family were popular subjects for depiction in pottery.Painted ceramic figurine of a woman holding a baby. The woman is wearing a dark blue dress with gold lapels and a white frilled collar, and a decorative gold pattern at the hem. The woman is also wearing a white bonnet with gold bow at the top and a red flower at the front, white gloves, and yellow slippers. The woman has short, dark coloured hair visible beneath the bonnet, and rosy cheeks. She is seated on a stool and cushion, and is holding a baby on her knee. The baby is dressed in a long white gown, with a hood. Sticker beneath the base of the statue carries the handwritten number '44'. -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Metal sculpture of a figure holding a baby
Metal statue of a figure holding a baby. Figure and baby take the form of stick figures, with thin metal bodies and hexagonal bolts for their heads. The larger figure is holding the baby by ankles in its right hand, dangling the baby head down in front of its torso. Sticker on underside of base of statue reads 'Handcrafted/By/ROCK CREEK/METAL CRAFT/P.O Box 39/Hansen, Idaho 83334/USA'. -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Porcelain figure of a doctor holding a baby
Porcelain figurine of a doctor holding a baby. The figure is male in appearance, and is wearing a long white coat which is enclosed at the collar and extends below the knees. The figure is wearing brown trousers and black shoes, and is standing upright with legs together. The figure has black hair, an exaggerated protruding nose, and has a serious expression, looking slightly upwards. The figure is holding a baby by the waist in his right hand, supporting the baby's feet with his left hand. A small Certificate of Origin is attached to the figure's left arm by a short length of green ribbon. The certificate is signed by the artist and indicates the piece was made in Italy. The base of the statue, between the figure's feet, is painted with the inscription 'PoG'. Underside of base is painted with the inscription '72/17'1/ITALY'.