Soft cover khaki colour. Photograph of head and shoulders of General Peter Cosgrove on front cover. Pages 468 Author- PETER COSGROVE"Donated by S & L BUCHE" written on the title pagebooks, military history, biography

One Rising sun hat badge, one rising sun lapel badge and one Australia shoulder badge, all blackened brass.rising sun, australia badge, lapel

Belonged to Capt Warick Rosenthal No TX6321 AAMC. Refer 622.3, 775..1) Badge, shoulder, officers rank insignia. Red enamel inlay. Green leaves in circumference with clip. .2) As above without clip..1) & 2) "IRIA JUNCTA in UND"badges rank, officers

Item in the collection of H.B. FIELD, 1st & 2nd AIF, refer Cat No 890P for his service details.Water Bottle and Carrier .1) Enamel. 2 pint, cloth covered, with cork .2) leather, with canvas shoulder pad leather strap.2) marked in ink by hand "E.L.SMITH"equipment, water bottles, military

Our connection to the sea is indescribable and anonymous to most. Describing it in words alone, does not it justice, hence I paint.Marine artSketch on paper in graphite depicting an ship officer in uniform, his body in the sea nearly to the shoulders. A black rectangle hidding his eyes.maritime art prize, anl maritime art prize, warren fox, 2019, officers, seafarers, artwork-paintings

This refillable ink bottle was extensively in use in the early 1900's, firstly with the nib pen and then with the fountain pen. Both these pens required to be refreshed with ink as they had no long term self storage capacity. The requirement, before the 1970's, for all legal documents, wills and heath certificates etc. forms had to be signed with penned ink and not biro(1950's onward). This caveat was to prevent forgeries (signatures) from ocurring. Hand writing experts can clearly distinguish forgeries because by using nibs, the "natural" and distinctive hand inflections whilst forming the signiture cannot be replicated by forgers.This item is significant to the Kiewa Valley because it details that even in the rural sector,(Kiewa Valley) the legal requirements of the day had to be adhered to. This was even at a time when in the rural areas a "man's word and handshake" was his bond", especially between neighbours or others in a small rural region. This however was not the case for Government Departments , banks and the hospital. To highlight certain words or paragraphs due to their importance, the red ink application was not only highly visible but also less likely to be tampered withThis is a clear thick glass bottle with shoulders tapering up to the neck. The red stain on the cork stopper indicates that the bottle contained red ink.On one side is embossed "ANGUS & C0" and on the base "J 32" and below this "M" (the manufacturer's mark)dip pen ink, ink bottle, writing methods, nib.

Part of set of 4 photographs of Poulter posing in traffic signals. They were kept with note with information on Poulter. Black and white photograph of William Arthur Poulter posing in traffic signals. Right arm bend right towards his left shoulder. January 1944 Stamp: PHOTOGRAPH BY // RITTER JEPPESEN STUDIOS // 107-111 LONSDALE ST., MELB 0.1 // PHONE CENT. 5218 // REFERENCE NO [handwrittern] 10043 // POSITION [handwrittern] Btransit police, traffic signals, 1940s, ritter jeppesen studios, poulter, william, william arthur poulter, victoria police museum

Photo of a soldier standing in front of a flag; he's in full uniform with a slouch hat and has leather ammo pouches over left shoulder.world war one, photo black and white, john m mcmahon, service number 6326

The artefact is a brass cow bell recovered from the 1878 shipwreck of the LOCH ARD near Port Campbell. It was raised by Flagstaff Hill divers in 1973 and is in storage at the Maritime Village. The LOCH ARD was constructed on the Clyde in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. She sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. A century later, despite the pounding seas and the efforts of looters, the wreck site continued to provide ample evidence of the extraordinary range of goods being imported into the Colony of Victoria in the post-Gold Rush era. Flagstaff Hill divers in the 1970s reported finds of “Bottles of champagne, window panes, rolls of zinc, barrels of cement, iron rails, clocks, lead shot, corrugated iron, lead, marble, salad oil bottles, ink bottles, copper wire, gin bottles, rolls of carpet, floor tiles, copper rivets, gas light fittings, pocket knives, toys, crystal chandeliers, beer mugs, cutlery, candles sticks, wick scissors, cow bells, and sauce bottles.” From this array of objects on the ocean floor emerged the humble brass cow bell. Cow bells were common to colonial agriculture and transport, used wherever animals were turned out to graze overnight and had to be rounded up again next morning. Bells were fastened around the necks of household milking cows, domestic goats, bullock teams, horse teams, and camel teams, to help find them in the pre-dawn light. Station shepherds and cattle drovers also used them to warn of any disturbances to their flocks and herds overnight. The bells were a necessary item in a largely unfenced continent. So important, that Anthony Mongon began making his pot-bells at Yackandandah from 1861, August Menneke produced the “Wagga Pot” from 1867, and Samuel Jones started manufacturing his distinctively shaped “Condamine Bell” in 1868. However, these deeply resonant Australian bells were made from iron — Mongon and Jones were blacksmiths who simply beat old pitsaw blades into shape. Few genuinely brass cow bells were made here, the vast majority being imported from Britain where the industry of brass founding was already well established. (Some bells were also imported from the United States, but these too were nearly all of iron). This bell is historically significant as typical of a cow bell used by farmers and herdsmen in Colonial Victoria. Its significance is increased by being one of a collection of artefact recovered by the Flagstaff Hill Divers from the wreck of the Loch Ard in the early 1970s. Items that come from several wrecks along Victoria's coast have also been recovered for Flagstaff Hill Maritime Village’s museum collection under Government permit, illustrating this item’s level of historical value. The cow bell is also significant for being part of Flagstaff Hill’s collection of artefacts from LOCH ARD, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Brass cow bell, flat-top pyramid shape, rectangular head, shoulders flare out to a rectangular mouth. The hanging yoke is missing. Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, loch ard, cowbell, great ocean road, loch line, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, cow bell, brass cow bell, shipwreck artefact, flagstaff hill divers, horse bell, bell smith, vintage bell, farmer, shepherd, drover, stock bell, brass bell

This cape was on display at the University of Ballarat School of Nursing before being given to the curator. A purple lined (double layer) wool nurse cape. It has a collar and stitched down epaulettes on the shoulders and a hook and eye fastening at the neckline.Written in marking pen on a piece of tape stitched to the back lining - J. Barbernursing, nurse cape, purple cape, costume, textiles

Small head and shoulder portrait of a lady. Her dress has a lace collar and embroidery. She has curly hair with a decorative comb in it.Atelier, 69 Stephen St., Melbourne. J. R. Tannerphotograph, portrait, female, portrait of a lady, atelier, j r tanner

Small, oval head and shoulder portrait of a man. He is wearing a jacket, waistcoat, shirt and bow tie. He also has a beard.Dublin & Melbourne Portrait Rooms, Market Square, Castlemainephotograph, portrait, male, portrait of a man, dublin & melbourne portrait rooms

Photograph - black and white, portrait of a woman. Wearing a dark coloured dress, high neck, fur looking around bodice, shoulders and cuffs.Bartlett Bros. Sandhurst.person, individual, portrait, photograph. unknown family. portrait female.

Carte de Visite Photographed by Bartlett Bros. View Place, Sandhurst. B & W head and shoulders Photograph of a man with beard and moustache.Bartlett Bros.

Khaki green first aid kit with shoulder strap. Opens out to three separate zipped compartments containing essential medical suppliesfirst aid kit

Olive coloured canvas zip top bag with shoulder strap. Containing surgical instrument kit used for minor surgery at site or on helicopter.Bruce C Starkey 1736666medical bag

Photograph is of Private Peter Charles Begnone who was a guard in Camp 4 in 1946/1947.Sepia photograph (copy) which has been cut to take out some of the background. Photograph is of a man (head, shoulders and chest) in uniform.High Street Studios Melbournepeter charles begnone, camp 4 guard

B & W head and shoulders studio portrait of Mr Arthur Pynor, Campaign Committee Chairman of St. John's Presbyterian Church Essendon.mr arthur pynor, presbyterian, st john's presbyterian church essendon

B & W head and shoulders studio portrait of Mr C. Mc A. Fraser, General Chairman of St. John's Presbyterian Church Essendon.mr arthur pynor, presbyterian, st john's presbyterian church essendon

B & W head and shoulders studio portrait of Mr R.R. Holden, Initial Gifts Chairman, St. John's Presbyterian Church Essendon.

B & W head and shoulders studio portrait of Mr Arthur Pynor, Campaign Committee Chairman, St. John's Presbyterian Church Essendon.

Albert Thomas Holden was born in 1866 at Geelong, died in 1935 and is buried in Boroondara cemetery. From 1883-84 he taught in Kyneton and became a Methodist lay preacher. He graduated with a B.A. from Ormond College in 1888. He entered the Methodist ministry and worked in Burwood and at the Omeo Home Mission. During 1892 he toured Europe and the Middle East with Rev Bickford. In 1898 Holden was an army chaplain and served South Africa. He became Methodist Chaplain General in 1913. In 1904 Holden became Secretary of Methodist Home Missions and traveled throughout Australia. Holden was General Superintendent of the Methodist Church of Australasia from 1929 - 1932 and then President- General. Holden became a Freemason in 1898. [taken from the Australian Dictionary of Biography]Sepia, head and shoulders studio portrait of Albert Thomas Holden, as a young man dressed in academic regalia. He is looking to his right.albert thomas holden, ormond college university of melbourne

ORIGINAL LIGHT SEPIA PHOTOGRAPH OF R. MAYMAN. THE PHOTOGRAPH FEATURES A 1ST WORLD WAR FORAGE CAP AND LEATHER SHOULDER BULLET POUCHESR. MAYMANlocal history, photography, photographs, military

Vest knitted during WWII from darning wool which was the only wool not rationed in Britain during the war years.Maroon Fair-Isle vest with Nordic style patterns in white. Made with darning wool. Maroon metal zip on right hand shoulder.costume accessories, female

From the collection of Mrs LattenPale green swimsuit, cream pin tuck insert forming the bra top. The back completely shirred elastic. Green shoulder straps.Watersuncostume, female