A wooden racquet featuring the decal inscription, along the throat on the obverse: BIG BILL TILDEN JR. Throat on reverse features red, gold and black decal of company logo, with the inscription 'CHAMPIONSHIP' across a ribbon situated in front of a tennis trophy, within a quartered shield. Materials: Wood, Gut, String, Leather, Metal, Ink, Glue, Lacquertennis

A wooden racquet with red and yellow whipping, and blue plastic shoulders and collar. Decal along throat on obverse: PHOENIX. Inscription along throat on reverse: WILSON. Inscriptiona along left side of stem: DUCO PERMANENT/HIGH POLISH FINISH. Materials: Wood, Nylon, Metal, Ink, Lacquer, Glue, String, Plastic, Leather, Clothtennis

A Wilson Strata-Jet racquet, with red-painted open throat, glass-fibre throat collar, rawhide reinforced shoulders, perforated leather grip, and white cloth butt cover with red-stitched 'W' trademark. Materials: Wood, Nylon, Glue, Lacquer, Metal, Leather, Adhesive tape, Paint, Ink, Fibreglass, Hide, String, Clothtennis

A Pastime tennis racquet, featuring: solid convex throat; gut stringing; fine-grooved handle; and leather end wrap and cloth butt cover. Decal of model name features across throat, on obverse. Name of previous owner stched into right side of shaft. Materials: Wood, Metal, Lacquer, Glue, Leather, Gut, Cloth, Inktennis

A Wilson 'T2000' metal tennis racquet, with double shaft; yellow plastic shaft casing featuring 'W' logo and gold whipping. Handle wrapped with black leather. Net anchored to metal wire wrapped around head frame. Yellow plastic butt cap with no label. Materials: Metal, Plastic, Adhesive tape, Nylon, Leather, Stringtennis

A Wright and Ditson 'Leader' tennis racquet, with: plastic tape around shoulders and shaft; and, fine-grooved, octagonal handle. Decal inscription along throat on obverse: LEADER. Wright & Ditson Championship logo with tennis player on ball trademark feature on throat on reverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Leather, Nylon, String, Plastictennis

A Spalding transitional flat-top tennis racquet, featuring: solid convex throat; and, cross-hatched handle. Decal of A.G. Spalding & Bros. Makers logo encircling ball trademark features on throat on obverse. The initials 'G.M.D.' have been carved into shaft on reverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Leather, Gut, Stringtennis

A Spalding 'Geneva' tennis racquet, featuring: solid convex throat; and, fine-grooved, octagonal handle. 'A.G. Spalding & Bros. Made in U.S.A.' logo encircling ball trademark features on throat on reverse. Decal of model name features across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Nylon, Leather, String, Painttennis

A Spalding 'Favorite' tennis racquet, featuring: solid convex throat; and, fine-grooved, octagonal handle. 'A.G. Spalding & Bros. Made in U.S.A.' logo encircling ball trademark features on throat on reverse. Decal of model name features across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Gut, Leather, Paint, Stringtennis

A Grissoy Vedette Competition tennis racquet with ribbon whipping around shoulders and shaft and a cross-hatched handle. Brand name features across base of head, on obverse - model name on reverse. Company logo features along shaft on obverse. Materials: Wood, Nylon, String, Ink, Glue, Lacquer, Metal, Leather, Cloth, Ribbontennis

A ping-pong paddle, with stretched hide double face, leather-bound head framework, leather collar, and a rounded, solid wood handle. During this period of table tennis history, it was merely a parlour game, and very distant from the professional competitive sport it was to become. Materials: Wood, Hide, String, Leather, Glue, Metal, Lacquertennis

A Wilson Andrea Jaeger Victory tennis racquet. Base of head features Wilson logo. Shaft features model name. Lower shaft and butt cap feature 'W' trademark. Leather handle grip features X-form perforations. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Adhesive tape, String, Plastictennis

A Wilson Andrea Jaeger Victory tennis racquet. Base of head features Wilson logo. Shaft features model name. Lower shaft and butt cap feature 'W' trademark. Leather handle grip features X-form perforations. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Adhesive tape, String, Plastictennis

A Wilson Andrea Jaeger Victory tennis racquet. Base of head features Wilson logo. Shaft features model name. Lower shaft and butt cap feature 'W' trademark. Leather handle grip features X-form perforations. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Adhesive tape, String, Plastictennis

A Wilson Andrea Jaeger Victory tennis racquet. Base of head features Wilson logo. Shaft features model name. Lower shaft and butt cap feature 'W' trademark. Leather handle grip features X-form perforations. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Adhesive tape, String, Plastictennis

A wooden racquet, with white plastic shoulder reinforcements, red, white, and blue whipping, and fine-grooved handle. Inscription along throat on obverse: IMPERIAL JUNIOR. Inscription across throat on reverse: DAVEGA/SPORTS/DIVISION OF ATLAS STORES CORP. OF AMERICA. Materials: Wood, Gut, String, Plastic, Ink, Leather, Glue, Lacquer, Metaltennis

A Spalding 'Top-Flite' tennis racquet, with: original gut netting, and red support strings; black with gold, perforated leather handle grip; ribbon whipping around shoulders; and original plastic handle grip packaging. Materials: Wood, Gut, Adhesive tape, Leather, Paint, Ink, Ribbon, Vinyl, Lacquer, Glue, Metal, Plastic, Stringtennis

Multi-part object of 6 identical racquets (parts are numbered from 2008.986.1 to 2008.986.6). Each racquet is: a Dunlop 'Maxply Austral' model with yellow net strings and handle wrapped in Dunlop-branded plastic packaging. Racquet in white paper factory bag. Materials: Wood, Plastic, Adhesive tape, Paint, Leather, String, Nylon, Papertennis

A silver table gong. (1/2) Gong section is a recessed disc of beaten silver; (2/2) Mallet is wood with a felt and foam head. Gong disc is suspended from a silver frame anchored in a wood base. Each pillar of the frame is a representation in silver of a tennis racquet. Materials: Silver/Metal, String, Wood, Felttennis

Canwen Zhao was awarded the $10,000 We The Makers Acquisitive Prize for '35 Life' in 2023. Artist Statement: "35life" is a sustainable fashion project that transforms second-hand clothing materials into urban street outdoor-style products. Highlighting prominent Chinese classic red and green colours not only conveys eastern aesthetics but also adds a sense of unity to the clothing collection. The high-saturation and high-brightness full-colour palette keeps the clothing consistently "fresh," allowing any trendy colours to seamlessly integrate into the project's designs, thus extending the lifespan of the garments. Additionally, all clothing items can quickly transform into a stylish bag for convenient daily carrying and home storage. These bags are made from leftover fabric generated during the production process and serve as original packaging for sale. This approach not only reduces excessive packaging but also enhances the chances of resale in the second-hand market. The project draws inspiration from the traditional Chinese cultural concept of "huo feng ding," meaning "exchange the old for the new." it's also influenced by the designer's personal experience with health issues, making the designs suitable for individuals who can't be exposed to sunlight for extended periods, adapting to the changing urban lifestyle. 35life aims to provide visually pleasing and comfortable dressing experiences for urban dwellers who are busy with work and experience high levels of stress. Unlike traditional design patterns, this project adopts a unique design approach. It selects 3-5 pieces of raw materials based on their colours, and then disassembles them through structural lines. While retaining most of their functionality, these materials are rearranged and assembled on a flat surface before being shaped on a dress form. Subsequently, various ways of creating storage bags are derived from the initial clothing prototypes. After refining the designs, the final products are developed, and similar materials are used to create samples. Therefore, under this design methodology, even for the same garment, it is impossible to produce two identical pieces of clothing. Each garment is truly one-of-a-kind, which enhances its rarity and contributes to the longevity of the fashion pieces. The project includes various types of clothing, each with unique storage methods. This yellow look, named "elegant beach sunscreen monarch," draws its fashion inspiration from traditional Han Chinese attire and its storage concept from the Chinese cultural concept of "jiu jiu gui yi." the design employs flat pattern cutting, utilizing materials from the second-hand market such as beach towels, children's waterproof clothing, and women's dresses. Similar colours and patterns are reassembled through cutting and combining. For the sleeves, quick-drying, sun-protective sport fabric forms the base, overlaid with discarded silk fabric dyed with turmeric and plant dyes. This not only ensures functionality but also adds a sense of elegance. The length can be adjusted using drawstrings. Artist Bio: Zhao Canwen is a multidisciplinary fashion designer with a strong passion for integrating art, history, culture, and sustainable design. With over 15 years of experience in painting, she draws inspiration from ancient Chinese philosophy and aesthetics, which gives her a unique sense of beauty. After 8 years of fashion and art training, she possesses a keen insight into current trends and tends to combine art with commercial needs. Zhao's design style is diverse, characterized by a multidimensional approach, a focus on colour application, and storytelling through details.Outfit consisting of six pieces: - Orange plastic eye wear with green paint - Pair of red and green metal clip on earrings - Red beaded phone case with attached beads on string - Pair of red and green painted running shoes - Yellow and green hooded garment with red piping and zips - Brown bag with green beaded handlessustainable, fashion, we the makers, art, culture, design, chinese philosophy, prize

The Music Advancement Society of Bendigo presents by arrangement with Musica viva Society of Australia the third Concert 1968 Series - 'The Parrenin String Quartet. Jacques Parrenin - violin, Marcel Charpentier - violin, Denes Marton - viola, Pierre Penassou - cello. Wednesday, 18th September 1968 at 8.15 pm. Programme 20 cents. Boltons Print, Bendigo.event, entertainment, music, the parrenin string qaurtet, the music advancement society of bendigo, musica viva, jacques parrenin, marcel charpentier, denes marton, pierre penassou, boltons print

Empire Day officially began in 1903 and was celebrated on May 24th, Queen Victoria's birthday. Celebrated across the British Empire, it's aim was to instill knowledge of and pride in the Empire. It was last celebrated in Australia in 1958 when the Empire became known as the Commonwealth.Empire Day Stallholder's Permit: 3 x Permits. Green oval shaped with blue cotton string through a hole at the top. The Permit has a British Union Flag in red and blue print. Written *Empire Day underlined in blue ink with 1941 - Stallholder's Permit- No.... Alex T Coubrough Hon. Secretary. Box 625event, social, stallholders permitt., empire day. alex t. coubrough.

Initially listed as T J Connelly's Tin shop, this premises on the corner of High and Forest Street, expanded to include all items of ironmongery. By 1878 they were advertising gas stoves for sale and installation.The item is account ledger of T.J. Connolly, Ironmongers, Sandhurst. This is an alphabetical index listing the customer name and order prices. The cover is thick hard purple covered cardboard, with the spine and corners finished in brown leather. The pages are bound together with string. The book includes the date range of 1893 to 1895. This item is part of the Margaret Roberts Collection.margaret roberts collection, ironmongers, forest street, bendigo businesses

This traditional wagga blanket was made by Mrs Eileen Pattle between 1942 and 1950. The wagga was used as everyday bedding, as Eileen and her husband had very few possessions. They boarded with a man who they called “Old Harry” in Footscray. Old Harry had recently lost his wife and looked after the young couple well. They could stay with him and use his house as their own, and all that Old Harry asked for in return was for Eileen to cook him one good meal a day. The blanket was given to Mrs Beverley (Bev) Maguire, the daughter of Eileen, when she and her husband went camping one winter. Her husband was a “mad” fisherman and on one trip on which Bev joined him, her father offered the couple his old tent, that had a wall missing, and the wagga. The wagga was much appreciated as when the couple woke in the countryside, it was freezing, and they could see snow through the missing tent wall. From then on, the tent and the wagga were theirs. The wagga saw many more camping trips until the arrival of Bev’s “lovely new lightweight and down filled sleeping bag”. The wagga was made with a “make do, waste not, want not” attitude. The wagga started as an army issued blanket. The front layer has clothing and panels of mismatched material which has been added to over time. This includes an overcoat, two knitted garments, a panel from a skirt, and a panel from Old Harry’s Trousers. It also includes a man’s sleeveless knitted vest, and a knitted pram blanket. This is all stitched together with string, and the odd button. Bev said she would love to unpick the quilt to see what else is hiding inside but has resisted the urge to do so. All these layers have made the blanket incredibly warm, and heavy. The wagga has been within Bev’s family since creation and comes into the National Wool Museum Collection after serving the family well. It was used to keep everyone warm when not camping over many a winter’s night. Beverley is now getting on in years and donated the Wagga to the National Wool Museum in 2021. Her family referred to the wagga as a “collection of rags”, indicating to her that they did not wish to inherit the blanket. The wagga started as an army issue blanket. It has been made by stitching the khaki army blanket onto a hessian rear. The front layer has clothing and panels of mismatched material. This includes an overcoat, two knitted garments, a panel from a skirt, and a panel from Old Harry’s Trousers. It also includes a man’s sleeveless knitted vest, and a knitted pram blanket. This is all stitched together with string, and the odd button. It is thought that other materials are hiding within the layers of this wagga, however, uncovering these layers would involve unpicking the quilt. The wagga is 1360 x 1880mm, sized to suit a double bed. It is a heavy blanket, originating from all its panels of mismatched reused clothing. The wagga is well worn but has lasted almost 80 years. It has holes that have been lovingly re-stitched.wagga, quilt, upcycle

A wooden racquet with a convex throat and tilt top. The handle is framed by red leather end and stem wraps. String whipping feature at both sides towards the base of the head. The outer frame of the racquet head is sealed with a green painted cloth strip, glued and nailed to it. At the base of the throat on the obverse is a nailed silver plaque, with an engraved inscription and monogram: 30, JUNE, 83/AGF/"YOU KNOW WHO". The plaque conceals the manufacturer's details, which, from what is still legible, is definitely George G. Bussey. The model type 'THE DIAMOND' and the number 13 features on the upper throat and stem on the obverse, respectively. To highlight the model name, the gutstringing is arranged in a rare, diamond pattern. Materials: Wood, Gut, String, Cloth, Leather, Metal, Glue, Lacquertennis

Object has two parts - Part (1) A Spalding Pancho Gonzales-endorsed 'Prize Cup' wood tennis racquet. String whipping reinforcements around shoulders and around shaft. Endorser's signature, lion symbol & model name printed across throat on obverse and reverse. Manufacturer's name and logo printed along shaft on both sides of racquet. Grip wrapped with perforated leather. Large Spalding 'S" logo printed onto butt cap. Unreadable writing in marker on butt cap. Part (2) Spalding racquet press, wood with steel bolts and springs in each corner for tightening press. Manufacturer name printed across base on obverse. Top piece on obverse painted black. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Plastic, Stringtennis

A Wright & Ditson 'All American' model wooden racquet with open throat and octagonal handle. String whipping around shoulders, throat pieces and around base of throat. Leather end wrap and butt cap. On obverse, model name appears as a decal atop throat on base of head. On both obverse and reverse the trademark, patent information and country of manufacture are printed on shaft. On reverse, Manufacturer name is printed as decal on base of head, above throat. Instructions on side of throat state: BAL/FROM/THIS/POINT. On one side of shaft:'WRIGHT & DITSON/MAKERS/MADE IN U.S.A./LICENSED UNDER/PAT.NO.1664466' and further down:'STRUNG BY'. On other side of shaft:PATENTED/TOP FLITE CONSTRUCTION. Materials: Wood, Gut, Metal, Lacquer, Glue, Ink, Leather, Stringtennis

This little bag of "whitener" additive for the washing of white clothes was manufactured in Hull in the United Kingdom mid and later 1900's. The Manufacturer, Ricketts, was one of the first manufacturers to employ women in equal proportions with males (a rarity before 1914). This product was used to improve the appearance of white fabrics. This ability to use a product that would "whiten" clothes chemically rather than the "hard boiling" of clothes was a time saver and a lot easier on the fabrics. This is a boon to rural families where time was of the essence (boiling took time). The blue coloring was introduced because the white colour perception is enhanced by the blue (fadeable and not permanent). The "washing machine industry" of the late 1900's emphasised "whitening" agents that were not so haphazard in producing blue stains, and allowed a "gentle" washing action. This item is very significant in detailing the early 1900's rural household domestic "chore" of washing white clothes to a "social" standard of cleanliness. White shirts were the mark cleanliness that those outside of the family judged the family unit by. The best clothes were worn to church on Sundays. Hard and mostly rural activities/work in the Kiewa Valley encompassing farming, crop cultivation, cattle/sheep and "field work" to do with the SEC Vic Hydro Scheme involved provided a stain prone environment. As appearances, of clothing, was on the whole not significant it was a different scenario at social and religious scenes. The ability to attain "brilliant" white shirts, dresses and bonnets by a less drastic method to that of "boiling" of clothes in vats, was a boon of that "era". The anti establishment revolt came later in the 1950's onward took longer to migrate from the cities and larger rural townships to eventually sneak into the Kiewa valley.This "blue bag" is a whitening agent wrapped in flannel or muslin, or sold ready bagged (1 ounce).It was used in the final rinse to "whiten white coloured clothes" The string was used to facilitate finger grip onto the "bag" after the wash had finished for easy removal to stop the hand and other surfaces from being stained by the blue colour residue drips.domestic and commercial laundries, starch and whitening additive, washing brightener

This picture frame was hung in the Bridge Hotel in the upstairs display that was assembled in the 1970s and can be seen in some of the photographs taken upstairs over the decades in the Port Collection. A round wooden photo frame decorated with carved circles with a sepia circular photo of young woman with voluminous hairstyle inside it. She has a triple strand of pearls around her neck. At the bottom of the photo if written Talma & Co, Swanston St, Melbourne. A brown string like a shoe lace is threaded through 2 hooks to hang it from.'Part of her mother's effects, K Robertson, born 1886 carved this frame as a girl probably around 1903. Subject not known, a friend perhaps.' written on the back of the photo. bridge hotel, k robertson, talma & co, picture frame

This can opener was from the Vietnam War era. Utensils like this were issued with every ration pack to all servicemen and women.Utensils like this have social significance due to the ubiquity of their use in the field, therefore many Vietnam era veterans may have memories of their use. This item is in good condition and as such, is a representative example of a tool that was widely used. Spoon and blade opener, attached via a turned over piece of metal fashioned into a hinge below which there is a curved cut out with a point which attaches to the side of the can. Handle has two ridges presumably to aid handling of utensil. Punched hole (3 mm across) at end of handle possibly to attach via a string. Inscription on top of handle.Inscribed on top of handle "1966 CARR D[broad arrow]D/7330/66/010/0931"vietnam war, 1960s, utensil, ration, food