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Brimbank City Council Art Collection
Painting - Gouache on pape, Le Van Tai, Clothes, Food and Peace, March 1984
Artist associated with The Living Museum of the WestGouache on paper -
Brimbank City Council Art Collection
Sculpture - Public Art, Glengala Walk Monument, Unknown
Modern ArtUnknown. Glengala Walk. n.d, sandstone, Brimbank City Council, Brimbank.carved sandstone plinthsglengala walk, monument, glengala, sunshine west, sandstone -
University of Melbourne, Burnley Campus Archives
Book - Register, Fruit Tree Register, Vegetable garden, 1916-1920
Donated by David Honeybone, Librarian from the Burnley Library.Bound register with list of directors and principals 1856-1946 with their signatures and dates, up to T.H. Kneen. Lists plantings of fruit trees in positions in the West Orchard and the Old Orchard. Plantings of vegetables and experiments with potatoes, beans, other seeds from the U.S.A., tomatoes. Inscribed on front page by, "Ed. E. Pescott Principal 1/1/16."e.e.pescott, principasl, directors, fruit trees, planting, t.h.kneen -
University of Melbourne, Burnley Campus Archives
Plan - Photocopy, Plan - Additions to Plant Research Laboratory (1) , Extension to Plant Research Laboratory for the Department of Agriculture, Burnley Gardens (2 & 3), 1953
University of Melbourne Property and Services has better copies Photocopies, reduced in size, of original plans. Signed by Dept of Public Works, Chief Architect. (1) and (2) dated 14.08.1953 (1) UCB.2.123 North Elevation, Perspective Sketch, Plan. (2) UCB.2.142₃ Floor plan. (3) UCB.2.157.0, dated 26.11.53, South Elevation Front (North) Elevation, West Elevation, Plan, Sections ₂. University of Melbourne - Property and Services has a better copy.plant research, laboratories -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, The Argus, The Horticultural Society of Victoria, 1869
Description of entering the Gardens from Bridge Road and what could be seen of the new West Orchard, the Ornamental Gardens and the Proving Ground.Photocopy of article in "The Argus" 13 October, 1869. the argus, gardens -
University of Melbourne, Burnley Campus Archives
Plan - Sketch, Plan of Burnley Gardens, 1970-1980
Plans A and B. 2 identical hand drawn sketch plans of area bounded by manure bins, pumphouse to the east, milking shed and silo to the west: showing all buildings on the site.burnley gardens, buildings, burnley school of horticulture -
University of Melbourne, Burnley Campus Archives
Plan, New School of Primary Agriculture & Horticulture Burnley Gardens, 1945
Photocopy of Plan of the Administration Building by the Chief Architect dated 26.9.45. Scale 1/8 inch - 1 foot. Photocopy reduced in size from original. (1) Ground Floor and First Floor Plans. (2) West Elevation, Longitudinal Section 'B-B' and East Front Elevation. (3) Flat Roof, Library and Herbarium. (4) Common Room and Assembly Hall. Originally in the Burnley Archives. Property and Service now have the original and gave the reduced size photocopy to the Archives. Hard to read now.burnley gardens, school of primary agriculture and horticulture -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, 672/1, 1947
"Late Sept 1947. Note P. sinensis alba. Looking S. West across Lily pond lawn." THKlily ponds, lawns, e. m. gibson collection -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, 2/1, 1942
Farm buildings looking North-West. September 1942. farm buildings, burnley, e. m. gibson collection -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, 76/4, 1947
Looking West towards Agrostology.agrostology, e. m. gibson collection -
Vision Australia
Audio (sub-item) - Sound recording, Marjorie West, Guest of the Week: Keith Glover, 13 December 2001
Marjorie West interviews Keith Glover, a broadcaster with 3LO, ABC, Radio Australia and RPH. He speaks of his early life in Sydney and his passion for radio, slightly delayed with his father insisting that he obtain a tertiary education beforehand. War interrupted this plan, and he joined the Army and became a 2 man act with Happy Hammond, as part of the Entertainment Unit which was part of the platoon. After service in PNG, he returned home to a contract with the ABC in Queensland later joined by his wife Gwyneth. In 1955, the family moved to Melbourne and he was chosen to be one the announcers for the Melbourne Olympic Games. A small stint as a newsreader for the ABC, a compere for the ABC dance band on Songs that Sold a Million, a televised version of a Glee club, Kindergarten of the Year radio show with Ann Dryer, the popular Mailbag program which generated hundreds of letters each week, and talking magazine narrator are among the many and varied jobs he did during his career. Recorded on 13 December 2001.keith glover, marjorie west -
Vision Australia
Text, RVIB Geelong West Auxiliary, 1933 - 1995
... Vision Australia 454 Glenferrie Road Kooyong melbourne Text ...The Geelong West RVIB Auxiliary was formed on August 23, 1979. This small collection of papers includes correspondence to and from the RVIB head office and records of donations and receipts. Various loose papers and lettersroyal victorian institute for the blind -
Vision Australia
Audio (item) - Sound recording, Royal Victorian Institute for the Blind, Around the Institute: March 1, 2005
Around the Institute was a weekly program consisting of interviews around a specific topic, undertaken by host Corey Nassau. March 1: National Information Library Service – Frances Keyland, Audio Description Service – Margery West. royal victorian institute for the blind, radio shows -
Surrey Hills Historical Society Collection
Photograph, Drs Agnes and Roberta Donaldson and friends
Agnes (b 1894, Linton; died 1977, Box Hill) had been a masseur before entering medical school at Melbourne University. She transferred to Edinburgh and graduated from there. She joined her sister Amelia Roberta, known as Roberta, at ‘Luxmee’, 4 Windsor Crescent. She was born in 1891 and died at Surrey Hills on 1 May 1972. She had a long illness before her death. Agnes is seated left foreground; Roberta is standing at the right. Their father James Blair Donaldson had been a doctor at Linton, near Skipton and a brother, James Blair Donaldson Jnr (1888-1971) was a doctor in Skipton. A second brother Alexander Somerville Donaldson (1887-1963) also lived in Surrey Hills. He had a number of addresses and occupations including: 1927 - 44 Albany Crescent (Chauffeur); 1949 - 5 Beatrice Avenue (mechanic) and 1963 - 28 Albert Crescent (gardener). Their mother was Amelia Jane Emerson. Transcription of grave in Section C, Baptist in Melbourne General Cemetery gives further family details: “In affectionate remembrance of Jane Duff the beloved wife of Robt. DONALDSON who died at Carlton, Victoria, 8 Aug 1889, age 56 years and of their children David Russell and Mary McIntosh who died in infancy. Until the Easter glory lights the skies; until the dead in Jesus shall arise and He shall come, but not in lowly guise Good night. East also Agnes SHEPHERD mother of Jane D. DONALDSON born at Dundee Scotland 30 Apr 1800, died at Carlton 8 Apr 1891. West also Robt. DONALDSTON teacher died 13 Jul 1910, age 80 years Emily Mary DONALDSON died 24 Jan 1923, age 64 years Alexander Somerville DONALDSON beloved husband of Mary died 26 Oct 1963 Dr. James Blair DONALDSON of Linton, Scotland born 11 Mar 1859, died 7 Sep 1944 also Amelia Jane beloved wife of the above born 11 Nov 1859, died 13 Jul 1946 beloved parents of Somerville, Blair, Roberta and Agnes.” A black and white photograph of seven ladies on the porch of a building.miss agnes donaldson, miss roberta donaldson, dr roberta donaldson, dr agnes donaldson, miss amelia roberta donaldson, dr amelia roberta donaldson -
Surrey Hills Historical Society Collection
Photograph, Surrey Hills Methodist Church in 1918, 1918
The original Methodist (Wesleyan) Church was built on the corner of Alexandra Crescent and Windsor Lane in 1888. It was enlarged in 1892. In 1908 this building was removed to Valonia Avenue by horse-drawn dray. The brick church was built in 1915 after which the earlier building became the Sunday School. In 1977 the Methodist Church joined with others to become the Uniting Church. In more recent times, the brick church has been painted but architectural details visible in this photo can still be discerned.Black and white photo of a brick and rendered building taken from diagonally opposite across Canterbury Road looking to the north-west. The church sits behind a woven-wire fence with an opening at the front and at the side to a portico off Valonia Street. On the RHS is the church hall and on the LHS a small part of the adjacent house can be seen.surrey hills methodist (wesleyan) church, surrey hills uniting church -
Surrey Hills Historical Society Collection
Book, Exploring Gardiner's Creek and its tributaries in southern Camberwell, 1994
This book describes geographical landmarks and especially waterways that of the City of Camberwell (now City of Boroondara).This book describes geographical landmarks and especially waterways that of the City of Camberwell (now City of Boroondara).gardiner's creek, (mr) john gardiner, koonung creek, back creek, glass's creek, w creek, west creek, ashburton creek, delaney's creek, walking trails, rivers -
Surrey Hills Historical Society Collection
Book, Exploring Gardiner's Creek and its tributaries in southern Camberwell, 1994
This book describes geographical landmarks, in particular the waterways, that make up the City of Camberwell (now City of Boroondara).This book describes geographical landmarks, in particular the waterways, that make up the City of Camberwell (now City of Boroondara).gardiner's creek, (mr) john gardiner, koonung creek, back creek, glass's creek, w creek, west creek, ashburton creek, delaney's creek, walking trails, rivers, creeks, glass creek -
Federation University Art Collection
Ceramic, Robin Welch, Stoneware Bowl by Robin Welch, c1980
Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth, brilliant light, grittier textures and luminous colour. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth and brilliant light, its grittier textures and luminous colour, qualities he sought to convey in-the-round and on canvas. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood, Midwinter and Denby.Stoneware bowl with flange. Glazed in white matt crackle with a faint copper red tint. Dry black glazed rim. Gift of the artist.Robin Welch stamped on baseceramics, robin welch, gippsland, gppsland campus, jan feder memorial ceramics collection -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Stoneware Bowl by Robin Welch, c1980, 1980
Robin WELCH (1936- ) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. Initially studying at Penzance School of Art and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Stoneware bowl with single flange. White glaze with copper tint. Dry black glaze underneath and airbrushed lustre banding. Robin Welch stamped on base.ceramics, robin welch, jan feder memorial ceramics collection, jan feder, gippsland campus, stadbroke pottery, mungeribar pottery -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Stoneware Bowl by Robin Welch, 1980
Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth, brilliant light, grittier textures and luminous colour. Stoneware bowl on a tall foot. Calcium matt glaze, underglaze colour with underglaze metallic lustre. ceramic, jan feder memorial ceramics collection, robin welch, gippsland campus, mungeribar pottery, stadbroke pottery -
Federation University Art Collection
Ceramic, Raku Fired Bowl with White Crackle Glaze by Robin Welch, 1980
Robin WELCH (1936- ) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. Initially studying at Penzance School of Art and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Raku Fired stoneware bowl with White Crackle Glaze by Robin Welch Robin Welch stamped on baserobin welch, ceramics, jan feder memorial ceramics collection, gippsland campus -
Federation University Art Collection
Ceramic, Bowl by Robin Welch, 1980
Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth and brilliant light, its grittier textures and luminous colour, qualities he sought to convey in-the-round and on canvas. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood, Midwinter and Denby. Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965.Stoneware bowl with split flange, glazed with matt white, black and a touch of copper red Tobin Welch stamped on basejan feder memorial ceramics collection, ceramics, robin welch, gippsland campus, jan feder -
Tennis Australia
Event Programme, 1948
Programme for 1948 Davis Cup Challenge Round, held West Side Tennis Club, Forest Hills, Long Island. Materials: Paper, Inktennis -
Tennis Australia
Photographic print, Jul-53
Original photograph of participants in the 1953 Davis Cup Semi final played between the USA and British West Indies between July 23rd and 27th at St. Andrew Club in Kingston, Jamaica. USA won 5-0. From L to R: H. C. Nunes (Umpire), G. Duquesnay, R.G. Sturdy, Donald Leahong (BWI non-playing captain), Ronald Cooper, J. Farquharson, Edward Aris an Ian McDonald (BWI team), L.E. Ashenheim (Referee), G.H. Lee, then the USA team of Gardnar Mulloy, Tut Bartzen and Robert Perry (USA team) and furthest right is Dr. L.A. Desnoes. Materials: Paper, Photographic emulsiontennis -
Tennis Australia
Racquet, Circa 1970
Mark 77 brand tennis racquet. West German. Reinforced stringing across centre of net. Aluminium frame. Fluorescent cloth tape along top of head with words 'Fischer Besaitungstechnik'. Materials: Metal, Nylon, Cloth tapetennis -
Tennis Australia
Racquet, Circa 1970
Mark 77 brand tennis racquet. West German. Reinforced stringing across centre of net. Aluminium frame. Fluorescent cloth tape along top of head with words 'Fischer Besaitungstechnik'. Materials: Metal, Nylon, Cloth tapetennis -
Tennis Australia
Racquet, Circa 1970
Mark 77 brand tennis racquet. West German. Reinforced stringing across centre of net. Aluminium frame. Fluorescent cloth tape along top of head with words 'Fischer Besaitungstechnik'. Butt cap missing. Materials: Metal, Nylon, Leather, Plastictennis -
Tennis Australia
Photographic print, 1987
Framed colour photograph of the Australian team that won the 1987 World Youth Cup in Freiburg, West Germany. Materials: Ink, Photographic emulsion, Paper, Glass, Woodtennis -
Tennis Australia
Photographic print, 1988
Framed colour photograph of the Australian team that won the 1987 World Youth Cup (16 and under Boys) in Freiburg, West Germany. Materials: Ink, Photographic emulsion, Paper, Glass, Woodtennis -
Tennis Australia
Racquet, Circa 1885
An R.M. Co. (or M.R. Co.) West End flat top tennis racquet, with solid concave throat, and fine-grooved handle. Manufacturer and model details on throat on obverse, and seem to be a very early use of decal and laminated framing. Impressed inscription: ORIENTAL GUT, along right side of shaft implies silk was used for racquet strings. Materials: Wood, Lacquer, Glue, Metal, Silk, Inktennis