Black and white photograph mounted on rectangular grey board. House, elevated brick and rough cast triple windows to front, box window on side. Wooden trim in gables, 3 chimneys, verandah with rough cast concrete and brick . Wooden arch to front wooden picket gate with capping rail also to picket fence. Corrugated iron roof. On back of photo: ' Hume & Iser, cnr McKenzie & Violet Streets'. 2012 photo of house attached to record.Frank A. Jeffree Bendigobendigo, business, t c watts and son, stamped on back ''t.c. watts and son'' stamped on back in circle ''royal historical society of victoria, bendigo branch''

Copy of black and white photograph showing view of weatherboard double-fronted house, decorative ? Boards, verandah lacework, decorative brick chimneys ??. Roof, double-hung windows. Brick church adjacent, vented slate roof, buttressed walls, Gothic windows. Picket fence along footpath. SEC? pole. Trees in background. Inscriptions: on front in Indian ink written across bottom of image 'St Luke's Church and vicarage, White Hills Bendigo'.buildings, church, st lukes, white hills

Coloured photograph of two ladies, one holding a little brown dog, standing in front of a yellow shop door with the number 52 on the front. The older lady is wearing a deep blue dress and shoes, a long necklace and brooch. The younger lady is wearing a multi coloured top and black trousers. The shop is called Nefertiti Video. There is notice with Jackson at the top in the window. There are curtains inside the window. There are red & white Coca-Cola advertisements on both sides of the door.photograph, portrait, female group, foster & wilson collection, photograph

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 31 Ormond Ave., Mitcham This property is listed as having sold for $115,000 in 1994 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 31 Ormond Ave., Mitcham depicting a black and white line drawing of a single story house with attached double garage on the right. With large colonial style windows, and a bay window on the left side wall. In front of the house is a front lawn with trees and garden beds, all set back from the pedestrian path. There are two holepunch holes centred just under the upper edge.31 Ormond Ave., Mitcham Margaret Picken - 94 Woodards - B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June-July 2013 (opening night 17 June 2013) and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip.For over 150 years the Mission to Seafarers in Victoria has continued to meet the welfare needs of seafarers who arrive on Australian shores from around the world. This exhibition presents a selection of stained glass windows and historical photographs from the Mission, to capture a glimpse of some of the people and scenes integrale to this relationship.Cream colour double sided flyer with title of the exhibition, a quote by Walt Whitman, at the back: statement, date and location of the opening exhibition and sponsorsreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, justine m. philip, mission to seafarers, flinders street, creative victoria, prov, stained glass windows, arthouse, catherine mclay

Photograph of laboratories at the Ballarat School of Mines. 1. A male person at the viewing window of a wind tunnel. The man is probably Zig Plavina 2. Three males at a glass-sides tilting flume apparatus.ballarat school of mines, laboratory, tilting flume, wind tunnel, zig plavina

A number of photographs showing interiors, exteriors and views through windows taken in the former Ballarat Supreme Court (Lydiard Street South) now the Federation University SMB Campus Performing Arts Theatre.ballarat school of mines, theatre, perfroming arts, former ballarat supreme court, staircase, armstrong street south

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died in England in 1970 at the age of 69.Black and white photograph of a train carriage with three of the door open and young men crowded at the openings. At the windows of the train, other people are leaning out. The young men are members of the City of Ballarat Band.Written in pen on the bank - Memembers of city band on journey to Brisbane, Q (1923 Easter), (F.W. au)frank wright, city of ballarat band, train carriage, railway, train, transport

black and white photograph: view of conservatory in gardens, Bendigo. Building has windows on all sides, appear to be covered in light coloured blinds on the inside of building. Written on bottom ' The Conservatory Gardens, Bendigo'place, bendigo, conservatory gardens

Photograph of (Buick family?) group in garden outside bay window. Five males, eight females. Tea being served - four males standing and one sitting. At The Grange, Big Hill (no inscription)?person, group, buick family collection

Photograph of group (Buick family/friends?) in garden outside bay window; tea being served. Five males; eight females; two sitting and one reclining . Taken at The Grange, Big Hill??person, group, buick family collection

Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Missions to Seamen building, black and white print of rear of east wing, showing caretaker's kitchen window and back door, and men's toilet block.missions to seamen, built environment

Photograph (proof 22) of a motor bus with the words: Kangaroo Flat, Golden Square & Bendigo painted along the side just below the windows. The name 'A.H. Stevens' is also painted on the side of the busorganization, public utility, motorbus, kangaroo flat, golden square and bendigo, motorbus, a.h. stevens

Published for 150 years of Melbourne Trinity Lutheran Church, 1853-2003, not only as a source of reference and awareness about its own background but also as an incentive and motivation for continued active engagement of a large membershipCharcoal grey to beige at the top, of a hard cardboard cover book. Cover depicts Melbourne 1887 and title in black text. Back cover depicts "The Sower" window donated in 2004. 2 copiesPresented to Tatura & District historical Society In. with the compliments of Trinity Lutheran Church of Melbourne.luthern church, melbourne, mees hd, steiniger d, steiniger h, rechner p, camps, tatura, ww2, lutheran church, books, history, local

Round stained glass lead-light window hanging representing the UCA log in clear, red, white and sky blue glass. The hanging has two eyelets and fishing line at the top for hanging.uniting church in australia

Since it was built in the 1860s the two storey brick building has had a number of commercial uses including butter and ice making, a general store, an equestrian store, an art gallery, a community Christian centre and a health studio. It has apparently been built in two stages because one section of the brickwork has a smoother finish.A coloured photograph of a two storey brick building with a slate roof. There is a shop front on the ground floor and 5 windows are on the 2nd storey. A verandah extends across the front of the lower storey to the edge of the footpath.butter and ice making, johnston, george, james, william, george evans collection

Colour Photo Stawell Shire Hall built 1866, c1980. The Shire Hall is in Longfield Street Stawell and has had many changes since 1866. Ronald Campbell, the Shire's second president laid the foundation of the hall on 28th April 1866. The contractors were Hutchings and Delbridge. The first Hall and office were the front part of the existing building. These rooms consisted of two 18 ft square rooms with an entrance hall separating them. The facade was almost the same as it is today. The building cost 502 pounds.Colour photograph of Stawell Shire Hall 1866. Very similar view to 0084 the photo clearly showing the two windows and arched entrance door. Landscaping outside the building is exactly the same as in 0084. stawell

Stawell Shire Hall built 1866, this photo may have been taken in 1876. A copy of each was made and donated to the society by Melbourne Museum. Three people standing outside the front door may be one adult and 2 children. Early view of the Stawell Shire Hall c 1876 before the building was extended. In more recent photos the building has 3 side windows. Three people are standing outside the building entrancestawell

Lodge building at Stawell Cemetery entrance. This small building inside the cemetery gates in earlier years was used by clergy to change into their robes also by horse drawn vehicles. Black & White photograph of a church like weather board building with a steep iron roof. The building has a lancet window and narrow veranda and is located at the entrance to the Stawell cemetery. Photograph taken in 1984.stawell cemetery

Framed pastel painting titled "Before the Rain" by Julie Lungren Coulter. Cream card window mount the engraved brass plate affixed to lower edge. Brown and gold painted wood frame.

Black and white photograph of Les Mathews. Showing head and shoulders. Set in a dark wood oval window mount and medium brown wood frame. Engraved black metal plate below image.

Framed copy of a lithograph.Set in red card window mount and gold metal frame. The print is a copy of an extract from a book which features an illustration of miners working coal in a South Staffordshire mine.

Yields information about the marking of the saloon doors of trams that came from Melbourne and in particular the PMTT and the HTTSet of 2 - 35mm negatives, of the last day of operations in Ballarat on 19-9-1971 taken by Warren Doubleday .1 - HTT Logo in a saloon door window glass .2 - PMTT logotrams, tramways, pmtt, htt, tramcars, glassware, doors, logos