Prior to the election of female Councillors and Mayors from the 1960’s onwards the Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, international level. They also undertook some Mayoral duties on occasions when the Mayor was unavailable. Laura Jane Truscott (nee Baxter) born New South Wales (1880-1967).Framed, oval photographic studio portrait. Hand coloured detail. Flat glass and print. ll; Vincent Kelly / Bendigo. lr; Mrs A Truscott / Mayoress 1945 - 46studio photography, city of bendigo mayoress, city of greater bendigo portraits

Western Highway – north side Burnbank 1 – Cottage of Henri and Ann nee Dowling Myers side of road east of Myers Gully the junction of Reserve Rd. now known as Ryans Creek. Built c 1870. it remained in the family until a demolition order was placed on it in 1969 when vacated by Martha wife of Frederick 4th son of Ann and Henry. Her new house was built in McKenzie St on the south side near the corner of Smith St. Portrait photo of Annlocal identities, pioneer families

Dorothy Beaty (Knox): married to John Beaty. Passed away in 1981.She was a member of Melton's Country Women Association from 1938-1985. Mary Robinson nee Barrie: Born in 1907 and was the first child of Charles Ernest and Jessie May nee Lang of Melton South and Darlingsford Melton. She eventually married Keith John Robinson and they had three children, Ian, Ena May and Mary Elizabeth 'Beth". Mary died in 1999. Dorothy Beaty, Pearl Wilkie and Mary Robinson at the Melton State School 430 First Hundred Years Celebration. This was held at Mechanics Hall, Melton. local identities, local significant events, education

Legacy raised funds from the sale of Christmas cards for many years. In 1960 the cards were: Swanston St 1861, by Henry Burn Yuletide visit Captain Cook Landing at Botany Bay To the South there is a great land The Star of Bethlehem The subject of some of the cards might seem dated, especially those featuring the colonisation of Australia by the British. The order form and cards were part of a scrapbook of Legacy material, mostly promotional material, from the 1960s to 1990s.An example of fundraising material issued by Legacy in 1960.Order form for Legacy Christmas Cards in 1960 and a sample copy of cards.fundraising, christmas cards

Rose Series postcard No. P 119, titled "Swanston Street Melbourne", looking south from just to the north of Bourke Street. Has trams W5 class No. 803 (Route 8 - Toorak) and W2 class 277 (route 2A City). There is a bus on the right hand side of the photograph. Also In the photo are the Royal Mail Hotel advertising Black and White Cigarettes, Fosters Larger. Carlton Ale, the Leviathan building, the Town Hall and a sign for Browns.Yields information about Swanston St. at the intersection with Bourke St. C1938.Postcard - printed real photograph with Rose Stereograph Co. name on the rear. Unused.Has the tram numbers in pencil on the rear of the card.trams, tramways, w2 class, swanston st, w5 class, tram 803, tram 277

The Kromskop (pronounced Chromescope) is one of the earliest commercial applications of colour photography, and was invented by Frederic Eugene Ives and announced around 1896, it is described in his English patent of 1895 and in a US patent of 1894. It was shown at a Camera Club in Britain in January 1896 and at the February Royal Photographic Society meeting, and was available for sale from early 1897. The Photochromoscope Syndicate was formed in 1896 or 97 to promote the viewer in Britain, and wound up in 1899. It was manufactured in south London.A monocular instrument used to reproduce colours, in a mahogany box The viewer combines stereo images from three-colour separation transparencies called Kromograms, these are viewed through red, green and blue filters. A Kromogram comprises three monochrome transparencies printed from three-colour separation negatives which are taped together. The order being red image, blue image, green image with a label and caption between the red and blue images. The red image lies horizontally on the top step of the viewer above a red filter, the blue image lies on the lower step above a blue filter, the green image stands vertically at the back of the viewer. The red and blue images are reflected into the eyepieces by transparent mirrors, these are coloured to absorb the light that they reflect to prevent a double image from the rear surface of the mirror, the mirror for the red image is coloured cyan/blue, that used for the blue filter is coloured green (the patent indicates a yellow filter). The green image is illuminated by a yellow reflector. As the mirror below the blue image is green there is no need for a green filter immediately in front of the green image. The viewer can be used in daylight, for some conditions a diffuser is used, this is hinged to the yellow reflector and laid across the steps. An artificial light was also available. The mirrors and image positions can be adjusted in the event that they become misaligned. (http://www.earlyphotography.co.uk/site/entry_V80.html, accessed 08 April 2022) The Junior Kromskop was a mono viewer Kromskop. henry sutton, photochromoscope syndicate, f.e. ives, camera club, photography, colour photography, kromskop, frederic eugene ives, junior kromskop, photographic equipment, camera