Letter from R. Anderson, 20th January, 1972, to W. Heraud Esq, 12 Church Street, Eaglehawk regarding the verandah on the MUIOOF Hall, Eaglehawk. Mr. Anderson enclosed sheet of suggestions regarding the renovation, prepared by Richard Farrar, architect. manchester united independent order of oddfellows, eaglehawk hall, richard farrar, ray anderson

Has a strong association with five active members of the BTPS, c1985 standing in front of a BTPS reconstructed tramcar.Black and White photograph of five BTM/BTPS members standing in front of No. 26, c1985 on the depot fan. Left to right: Gavin Young, John Hickey, Dave Macartney, Richard Gilbert and Warren Doubleday. Has been used for display purposes.tramways, trams, btps, depot fan, tram 26

Black and white photo of the body of Horse Tram No. 1 on the trailer, being taken to the depot on Friday 13, December 1985. Richard Gilbert on trailer, is talking to the City of Ballaarat Town Clerk , Ian Smith. See Fares Please!, Jan. 1986On rear "Copyright, The Ballarat Courier Proprietary Limited" stamp, purple ink. On rear in black ink "2" in circle, "Ballarat Return to:" and in bottom left hand corner on a stamp "William F. Scott, P.O. Box 2550 / Cheltenham VIC 3192 Australia / (03) 9584 3679"tramways, trams, horse tram no. 1, btps, ballarat town hall, tramcars, tram 1

Parma House was bult by Italian born Fabrizio Crippa. It was restored from a burnt wreck to Villa Parma by Richard Rigby and Franchek. Walls were scraped back to the original, and burnt umber detailing added. The garden was created by Richard Rigby and Kevin Flintoff.A number of colour photographs of Villa Parma and garden in Main Road, Heburn Springs.villa parma, fabrizio crippa, parma house, richard rigby, kevin flintoff, garden, hepburn springs

Parma House was bult by Italian born Fabrizio Crippa. It was restored from a burnt wreck to Villa Parma by Richard Rigby and Franchek. Walls were scraped back to the original, and burnt umber detailing added. The garden was created by Richard Rigby and Kevin Flintoff.View from the second storey window of Parma House, Main Road, Hepburn Springs.villa parma, fabrizio crippa, parma house, richard rigby, kevin flintoff, garden, hepburn springs

Parma House was bult by Italian born Fabrizio Crippa. It was restored from a burnt wreck to Villa Parma by Richard Rigby and Franchek. Walls were scraped back to the original, and burnt umber detailing added. The garden was created by Richard Rigby and Kevin Flintoff.Interior view of the interior of Parma House, Main Road, Hepburn Springs.villa parma, fabrizio crippa, parma house, richard rigby, kevin flintoff, garden, hepburn springs, foyer

Parma House was bult by Italian born Fabrizio Crippa. It was restored from a burnt wreck to Villa Parma by Richard Rigby and Franchek. Walls were scraped back to the original, and burnt umber detailing added. The garden was created by Richard Rigby and Kevin Flintoff.Interior view of the staircase at Parma House, Main Road, Hepburn Springs.villa parma, fabrizio crippa, parma house, richard rigby, kevin flintoff, garden, hepburn springs, foyer

The timber display case was presented to Mr Richard Standcombe Harris of Warrnambool (1831-1923). He was a councillor (1875-1891) and predominant businessman. Mr C F Loggin had met Mr Harris while on a trip to Stratford upon Avon in the United Kingdom. Upon his return to Warrnambool, Mr Harris donated the item to the Warrnambool Museum and Art Gallery, (established 1886) where Joseph Archibald was Curator: he catalogued the case in 1894. THE LETTERS IN THE CASE The two letters contained within the display case confirm the authenticity of the oak wood sample. The first letter in the case includes the text; "[Stamped Header on banner] High Street, Stratford on Avon [Hand written] Sept. 22nd / 91. Mr. R. S. Harris, Dear Sir, Enclosed you will find [underlined next 3 words] every authentic proof of the Oak from Shakespeare's House (Birth place). I regret very much Sir, that you made a short-day at S. on A. I should have been delighted to have had the honour, & pleasure, of showing you around our Beautiful Country. You did not give [next 3 words underlined] me or yourself a fair chance. But however I hope that we may again some day have more time to go quietly around. With kind regards, and wishing you, Sir, a pleasant voyage, I remain, Dear Sir, Yours very truly, C.F. Loggin. P.S. A paper will be always acceptable to be as how you Jolly Warrnamboolites are desporting yourselves. “ The second letter includes text; “[Printed Letterhead with stamped impression] The Trustees and Guardians of Shakespeare’s Birthplace Incorporated by Act of 54 and 55, Vict. 1891 Secretary and Librarian - Richard Savage Shakespeare’s Birthplace Stratford-upon-Avon [handwritten] 22 Sept 1891 This piece of oak is a portion of what was cut away at at the restoration of Shakespeare’s Birthplace in 1857-58. C. F. Loggins Chemist 3 High Street Richard Savage Sec. – Shakespeare’s Birthplace Mr C F Loggin was connected with the Shakespeare Trust as the person who had originally donated a scion of Shakespeare's mulberry tree to the "Shakespearean Birthday Committee" in 1842. (The scion that was given to the Shakespearean Birthday Committee, from which the Mulberry sample is derived, still grows today in "New Place" garden.) Mr Richard Savage was the Secretary and Liberian of the then renamed “Trustees and Guardians of Shakespeare’s Birthplace when the display case was given to Mr Harris in 1891 by Mr Loggin. WILLIAM SHAKESPEARE Shakespeare was born in 1564 in Stratford-upon-Avon, where he also grew up. He married at 18 years and he and his wife, Anne Hathaway, had three children: They moved to London where he became successful as an actor, writer, and part-owner of a playing company. He later returned to Stratford and purchased his last home, which he called "New Place" in 1602 where he later died in 1616. For the next 150 years, it was known that there existed a black mulberry tree in the garden. At the time there was a fashion for planting mulberry trees. It was the early 17th century after King James had come to the throne, and he imported tens of thousands of saplings in an attempt to get landowners to start a silk industry in England. Unfortunately for posterity, Shakespeare's mulberry was felled around 1756, by the then owner of “New Place" the Reverend Francis Gastrell, who was apparently tired of continual visits by pilgrims asking to see the tree, so he chopped it down. Gastrell had applied for local permission to extend the garden but the application was rejected and his tax was increased. Gastrell retaliated by demolishing the house in 1759, this greatly outraged the local inhabitants. Gastrell was eventually forced to leave town having provoked the wrath of Stratford residents for committing such an act. Today only the garden remains where “New House" used to stand with a scion from the original mulberry tree still growing there. The wood from the felled mulberry tree at “New House" was purchased by an enterprising local clock-maker Thomas Sharp and he spent the next 40 years or so years making souvenirs from the wood. These became early tourist souvenirs and subsequently developed into a profitable sideline for various other makers, including George Cooper and John Marshall. These objects range from relatively small domestic wooden objects, such as snuff boxes and weight scales to large tea caddies and even tables. C. F. Loggin donated a scion or cutting from Shakespeare's mulberry tree to the Shakespeare Birthplace Trust in 1862, he was a chemist who lived and worked in Stratford. There is a note on the frame of the donation that the mulberry sample is from this scion, research shows that from Richard Savage's diary notes that there must have been a lot of wood taken from that scion over the years which was planted in the garden of “New Place” and is still growing there today. The "Trustees and Guardians of Shakespeare’s Birthplace" (1847 -1964) was formed after the house where Shakespeare is believed to have been born fell into disrepair. Subsequently in 1846 after the death of Thomas Court's widow the last owner. Interest in the house was revived when PT Barnum, the American showman, wanted to buy it and ship the house back to America. In response to this, the Shakespeare Birthday Committee was established (by a private Act of Parliament) with the help of such luminaries as Charles Dickens, the Committee of Trustees raised the necessary £3,000 and purchased the house the following year. Once the Committee had acquired the building, restoration work began. Originally the Birthplace formed part of a terrace with later houses built either side. The first stage in its conservation was their destruction. At the time it was thought necessary to avoid the risk of fire spreading to Shakespeare's birthplace. Reconstruction was carried out by the Shakespeare Trust between 1857 and 1864 that restored the outside of the building to its original 16th-century state. It is from this restoration that the donated piece of oak is derived, originally from a beam that was in the house. Communication from The Shakespeare Birthplace Trust, dated April 11th, 2019, confirms that the pieces displayed in this case have good provenance. The wood samples are significant for their association with the history of William Shakespeare. The display case and its content is significant to Warrnambool local history for its association with the establishment in 1886 of the Warrnambool Museum and Art Gallery. However, it should be noted that the letters of authentication that accompany the wood samples are only applicable to the oak sample. None the less, all the pieces have very good provenance, with Richard Savage's certificate of authenticity for the oak, and the mulberry sample with the letter to Mr Harris from Mr CF Loggin having also been the donor of the scion of mulberry in 1862 to the Shakespeare Birthplace Trust. This scion was then established at Shakespeare's garden at "New Home" that had been demolished by Rev Francis Gastrell in 1759. Two wood samples associated with William Shakespeare, presented in a hanging, timber and glass display case with metal trim around the frame. The case also contains two letters and a label printed on a card that refers to the contents, their origins and the donor. A card label with a printed number and a round adhesive label are attached on the back of the case. The left round section of wood is from a donated scion (or shoot) derived from the original mulberry tree planted by William Shakespeare at his last home "New Place", Stratford-upon-Avon. The outer section is light brown coloured while the centre is dark grain. The right wood sample in the case is a section of oak rafter from the house where Shakespeare was born in 1564. The wood is mid brown with a distinct grain. The included letters, each dated 22/9/1891, refer to only the oak sample. - The letter on the left comprises two handwritten pages from Mr CF Loggin to Mr Richard Standcombe Harris. The paper has the printed letterhead address of High Street, Stratford on Avon. - The letter on the right is a handwritten certificate of authenticity signed by Mr CF Loggin and counter signed by Mr Richard Savage, Secretary and Liberian of the Shakespeare Trust. It is on the printed letterhead of The Trustees and Guardians of Shakespeare’s Birthplace Cardboard label inside the glass case “Shakespeare Section of Mulberry Tree, traditionally said to have been planted by Shakespeare in his garden, “New Place,” Stratford-on-Avon. PORTION OF OAK RAFTER from the house in which Shakespeare was born. (Presented by R S Harris 1891.) Printed label on the back of the case “3 2 “ The handwritten adhesive label “0566” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shakespeare display case, wood samples, oak from shakespeare's birthplace, mulberry from shakespeare's home "new place", stratford-upon-avon, shakespeare's birthplace, the trustees and guardians of shakespeare's birthplace &c., shakespeare trust, shakespeare birthday committee, r.s. harris, brunswick, victoria, richard s harris, brunswick, victoria, c.f. loggins, chemist, 3 high street stratford-on-avon, richard savage, warrnambool museum and art gallery, thomas court, pt barnum, charles dickins, anne hathaway, black mulberry tree, reverend francis gastrell

Refer to the service of "Richard Noel Levy" No. 428329 RAAF WW2.This is a stylised model of a B25 Bomber -WW2. It is mounted by a stand to a heavy ashtray. All the metal is of a green tint. It probably used to be chromed brass. It has 2 radial engines and the propellors rotate. The model has twin tails.souvenir, ww2, b25, ashtray

Newspaper clippings and a photograph. Death notices for THOMPSON, Edward (Ted) Colton, died 15/12/1988, formerly of Bendigo, husband of Queenie and a photo of Ted, dated 1947. Newspaper clippings of 'Chemistry Teacher dies', Mr Richard Gaston Walker, died 14/01/?? A chemistry instructor, 50 years of teaching, he was known world wide, during WW1, he was given an important post in England handling chemistry projects in the war effort. On his return to Australia, he became attached to the Bendigo Technical College,(known as the School of Mines) for more than 40 years. On file there is a Richard Gaston Walker died 1965, aged 72, Death Reg.No.1953). Newspaper photo of Richard's son, David G.Walker, Member of the Order of Australia in the Australia Day Honours List. Also newspaper cutting of Two student members of the Faraday Club gave a lecture at the School of Mines.person, group, olive pell collection. edward(ted) colton thompson. richard gaston walker.

Email from Marie Wallington via Richard Carter (Carter Real Estate, Ringwood, Victoria) to G. Bruno (Real Estate Institute of Victoria), 31 October, 2008, with attachment: Proposal for The REIV to commission a history of land subdivisions around Melbourne from circa 1890s to circa 1960s. Subsequent Report to Past Presidents' Council dated 10th March 2009 including submission of proposed printing costs by Bounce Books, Rosanna, Victoria. Email from Allan Lord sent Monday, 4 April 2011 to Richard Carter, Subject: Wednesday Meeting, with list of names (for discussion?).

Newspaper clipping from The Courier, Ballarat, Monday 15/10/1990, titled "Tram rides remain inexpensive in 'hard times'". Item quotes a statement by the President of the BTPS, Richard Gilbert that the Society's AGM had determined to keep the fares at $1 for Adults and 50c for children. Item also has notes about the Society's activities and includes a photo of eight members pushing Horse Tram No. 1 outside the depot and No. 18 in the background. Photo has Richard Gilbert, John Phillips, Paul Jordan, Paul McDonald, Alan Bradley, Carolyn Dean, Bill Kingsley and Merv Mitchell.btps, fares, horse trams

Has a strong association with one of the founding members of the BTM and yields information about the closure of the tram system in Ballarat.Newspaper clipping from The Courier, 5 August 2008, titled "Remembering the Last Trams" in the Mr Story Our History - special publication of the day. Reports on an interview with Richard Gilbert and his memories on the last trams in Ballarat. Describes the formation of the BTPS. Features a photo of Richard by Lachlan Bence, standing by the door of No. 40. Other articles feature Bryan Nicholls and the Vietnam War, Don Kelly and the Linton fires of 1998 Keith Day and the Falkland Islands war, Herman Ruyg and the arrest of a murderer, Peter Davies and McDonalds at Bakery Hill and John Zulic and the construction of Sovereign Hill.btps, closure, last tram

Yields information about BTM activities, AGM and repainting of No. 33.Set of nine coloured photographs taken by Earl Ewers Oct. 2011. .1 - No. 18 at St Aidans Drive - 6-10-11 .2 - ditto at Depot Junction .3 - No. 33 being prepared for repainting - Alan Snowball .4 - ditto .5 - BTM AGM - 38 at Gardens Loop 23-10-2011 with Richard Gilbert and Graeme Cleak in the view. .6 - as for .3 .7 - BTM AGM - Richard Gilbert speaking, with Peter Winspur, Greg Rodgers, Carolyn Cleak. .8 - ditto .9 - BTM AGM - 38 at Gardens Loop, with Austin Brehaut.Earl has written captions on the rear of the photograph in green ink.trams, tramways, btm, agm, repainting, tram 18, tram 33, tram 38

Yields information about the Ballarat Tramway system through historic film collected by the BTPS and made into a Video tape. Has a strong association with those who provide the film, for example Bob Prentice and others.Video cassette tape and box with cover containing the video titled ""The Tramways of Ballarat" produced by the BTPS in 1993. The contents of this tape were subsequently used to make the DVD. Over a 1000 copies distributed. Material from BTV 6 used in the production. See rear cover for details of those whose film was used. Cover Photo Glen Mills, Script Richard Gilbert, Narration Bruce McLean and Produced by John Phillips and Richard Gilbert. Inside of the cassette paper cover is a map of the system. Produced by the Association of Railway Enthusiasts on behalf of the BTPS. Cost at the time $29.95, price sticker remains.ballarat, films, tv broadcasts, btv

Yields information about No. 27 about its repainting to an earlier colour scheme, May 1985.Set of seven black and white photographs of various photographs of the volunteers building the depot fan and resting late 1972. .1 - The Loddington's - John and Stuart .2 - Peter Winspur and Gavin Young .3 - Stuart Loddington, ? , Richard Gilbert .4 - Bill Jessup .5 - Geoff Cargeeg, Peter Winspur, ? Graeme Jordan .6 - The Loddington's and Rolf Jinks .7 - Richard Gilbert, Graeme Jordan, Peter Reece? Extract of .1 - see image i8 - added 28/3/2011 Extract of .4 - see image i9 - added 28/3/2011 Printed on Kodak Paper.On rear in ink and 8.1.75 and Nov. 74.trams, tramways, depot construction, btps, operations, volunteers

Yields information about the operation of the horse tram by the BTM in May 2012.Set of five colour photographs taken by Carolyn Cleak on 13/5/2012 of the operation of the horse tram and setting up the tent at Gardens Loop. .1 - turning the horses with No. 18 behind .2 - waiting at the loop with passengers boarding - Len Millar and Richard Gilbert in the photograph. .3 - ditto with Neil Lardner on top deck .4 - Setting up the tent - Graeme Cleak, Neville Hesketh, Peter Winspur, Alan Snowball and Richard Gilbert. .5 - ditto Printed on Fujichrome Crystal Archive paper. High Res image added 20-8-2016 of .1On rear of each photograph is date "13.5.12" and who the photo taken by in ink.trams, tramways, btm, horse tram, gardens loop, tram 1, tram 18

Owned by Richard Evans who lived in Chiltern Valley and served in WW1Religious instruction in question and answer format132mmx 80mm, Ochre coloured, lightweight paper cover. Interior pages light coffee coloured, black print on the front of cover, insignia of lions, Greek style black ink border. Back cover contains a multiplication table.No.69029 Pte R Evans, 16 Reinforcements, G I G Vic Aus Imperial Forces Abroad British and Foreign Bible Society Bible House 241-243 Flinders Lane Melbourne 20.11.18chiltern, chiltern valley, richard evans, shorter catechism, religion

Used by donor's father, Richard Paul Kelly during WW 1.Metal slide with two wide flat prongs. Slide went behind buttons on a inform and protected cloth while brass buttons were polished.military history, army

This shaving mug was owned by Mr. Richard Oliver of Lilydale and used in 1923.Brown and green shaving mug with gold trim.shaving mugs

This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities, are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to a lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up a home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. International Library of Famous Literature Vol 1 Edited by Richard Garnett Publisher: The Standard Date: 1900 Further Information: Selections from the World's Great Writers Ancient, Mediæval, and Modern, with Biographical and Explanatory Notes and Critical Essays by Many Eminent WritersThe label on the spine cover with typed text H808.8 GAR Paste down front end paper has a sticker from Corangamite Regional Library Service.flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, international library of famous literature vol 1, richard garnett