Written on backing sheet, "Harold Chivers (Armstrong Road)". However, RDHS was subsequently advised by a family member, Jan Williams, that this is actually a photo of her father, Lionel Chivers. She has a similar photo from his wedding to her mother. Title updated accordingly.

This collection of poems was written by Olive Harriet Hall (nee Duncan) post-1935 after her wedding to Harry Hall, given that the poems are signed with her married name. These poems reflect the author's sentiment and her attachment to the Australian bush, beach and domestic environments in which she found herself.This collection of poems has social and historic significance, being part of a sub-collection of material that provides a snapshot of the type of individuals involved in the Ladies Harbour Lights Guild and the activities carried out by that organisation. The collection holds artistic significance as an example of amateur poetry and are also descriptive of the society and environment of the period.Vanilla coloured envelope with hand written inscription, containing five typed poems by Olive Harriet Hall (nee Duncan). Written in biro on the envelope is "Poems by Olive Hall nee Duncan daughter of David Hood Duncan". Each poem contains its own unique text.ladies harbour lights guild, olive duncan, olive hall, poetry, poems, lhlg, lillie duncan

Tyree - Brown Wedding. Three photographs. 1864 Mary Hodgman (nee Tyree) Thomas Brown Timber Merchant Main Street Mary and Thomas Brown Thomas Brown died Melbourne 17/4/1879 aged 54. Mary was born in England and Died in Stawell 1/11/1898.3 B/W Photographs: 3413 Showing side on head and shoulders portrait of a woman. 3413a: showing a full portrait of a man standing next to a chair. 3413b: Portrait of 2 people a Man seated and a lady standing. 3413 has inscription - Barwell Photo No21 Collins Street East Melbournestawell

Fan was made for Mary Jane Schroder for her marriage to Ralph Pardy Rudd on 24th Nov 1886 in Ceylon. Later carried by three family members at weddings during 1941 by Mrs Kathleen Hubbert then Mrs Mary Barry in 1947 and finally by Sharlene Barry, now Mrs Ron Draeger.1886 bamboo fan mounted with white feathers. Spray of artificial flowers and cream satin ribbon tied in bows and wound round the bamboo handle. Back of fan has circle of boa to conceal joins of white feathers. See also Bodice NA3580, shoes NA3578 and bridal headdress NA3489.costume accessories, female

L.J. Barelli delivered bread to the local Mitcham residents by horse and buggy. He also advertised as a caterer for weddings and social functions. He had another bakery in Blackburn (1930 information). L.J. Barelli (Lou) was the father of Alan and Doug and the Grandfather of Ken who became the mayor of the City of Nunawading.Sepia photograph of Barelli's Bakery, and shop, which was on the north-west corner of Whitehorse and Britannia Streets, Mitchammitcham bakery, barelli, l. j.

One of a group of items including lace and crochet collars, a chid's dress and a wedding dress donated by KHS member, Kathryn (Kate) Gwynne Reeve (nee Marx) that belonged to members of her family. A jabot is a pleated frill of cloth or lace attached down the centre front of a woman's blouse or dress.Irish lace jabot. H 31.5 cm / W 35 cmjabots, lace

a. Wedding Card (Invitation) in form of folded (fold-out) card. Front: Mr & Mrs J H C Curnow, James H Curnow, 'Eumnana', Wills St, Bendigo. Inscribed on back : married on March 27th 1895; Cyril James Curnow born February 17th 1896; Vera Curnow born March 31st 1898; Born ?? 1869; b: envelope for a.person, individual, curnow collection

Five B&W family photographs 3a Holden photograph with woman driver 3b family group of three, Horrie, David & June Dated 1954 3c two teenagers on motorcycle - Leigh Campbell (18 years) and Bill Campbell (16 years) 3d Luxton wedding family group (bride and groom, two bridesmaids, two groomsmen, & two mothers

Off white wedding invitation. Embossed oval sonsisting of dots, circles, narrow ovals and scrolls. In the centre is a double silver circle with dots between the lines and inside are two silver hearts. On the left is a sign pointing left with 'Marr' printed on it and on the right is another sign pointing right with 'iage' printed on it. Silver printing inside. Card and insert held together with white cord.person, greeting cards, malone collection, malone collection, wedding invitation

Scouting For Boys a handbook for instruction in good citizenship through woodcraft by Sir Robert Baden-Powell twelfth edition 1926 contains 338 pages with illustrations & advertisements also contains 2 loose letters 1 regarding donations for Sir Robert and Lady Baden-Powell's silver wedding anniversary & other for donations of appreciation on the occasion of the retirement of Mr C A Hoadley.Sir Robert Baden-Powellbooks, technical, scouts

Heart shaped white good luck charm. White cardboard hollow heart enclosed in a ruffle of net. Four flowers of satin & net & pearl stamens decorate one side. White satin ribbon forms a loop to hang from wrist. See also items NA4579 - wedding dress NA5076 - Garter NA5078 - Bible NA5090 - Stocking NA5091 - Veil costume, femaie ceremonial, costume accessories, clothes accessories, femaie

Black and white photograph of the wedding of John Gervasoni and Santina Gervasoni at St Peter's Catholic Church, Daylesford. Back row: Tony Gervasoin, Mary Pavich, Battista Gervasoni, Gina Pavivh (or Eileen) 2nd row: Carlo {Cling} Gervasoni, Tottie Gervasoni (married Jack Sleeth), John Gervasoni (Groom), Tina Gervasoni (bride), Francis Gervasoni (married Carl Sartori) john gervasoni, santina gervasoni, tina gervasoni, tony gervasoni. mary pavich, carlo gervasoni, cling gervasoni, tottie gervasoni, tottie sleeth, francis gervasoni, francis sartori

From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library.This photograph confirms that the purple ballgown is/was part of the Coombs family donation of Victorian era costumes made to the Society in 1961. Therefore it is important for establishing the item's provenance. Display of costumes from the collection of the Kew Historical Society, exhibited during the Festival of Kew in 1979. Recognisable items include from left the 1890s purple ball gown, the 1860s white satin wedding dress and the blue two-piece 1880s outfit. All items are clearly from the Coombs donation of 1961, there being no other record of costumes occurring before 1979. Inscribed verso: "Taken during Festival of Kew 1979 / Kew Hist contribution / Exhibition of Family Treasures / Donated by Janet McDermott 1979"kew historical society -- exhibitions, festival of kew -- 1979

In 1999, an archaeological dig was undertaken at the Viewbank Homestead site in Viewbank. The house was built c1840 by James Williamson; it was later purchased by George Gear as a wedding gift to his daughter on her marriage to Dr Robert Martin. It became a grand mansion in the late 1800s but by the 1920s, it was stripped bare of materials and demolished in the 1920s. The archaeological dig was and insight into early life in the Viewbank HomesteadCopy of news clipping, black and white text and images.viewbank homestead, banyule road viewbank, viewbank, archaeological digs

In 1999, an archaeological dig was undertaken at the Viewbank Homestead site in Viewbank. The house was built c1840 by James Williamson; it was later purchased by George Gear as a wedding gift to his daughter on her marriage to Dr Robert Martin. It became a grand mansion in the late 1800s but by the 1920s, it was stripped bare of materials and demolished in the 1920s. The archaeological dig was an insight into early life in the Viewbank HomesteadMagazine clipping, colour text and images.viewbank homestead, banyule road viewbank, viewbank, archaeological digs

Photograph of Annie May Medhurst. Born 1884, Annie was the daughter of David Medhurst (1855-1939) and wife Martha Ruston Medhurst (1860-1943).who moved to Greensborough around 1898 and ran a store in Grimshaw Street. Annie May married William Partington in 1905 - this photo was taken on their wedding day.Digital copy of black and white studio photograph.annie may medhurst, annie may partington

Elizabeth Bennett (b. 1858), married William Todd (b. 1855) in 1882 and they had nine children. They were actively involved in the Linton community, particularly with the Church of England, where Mrs. Todd was organist for many years. They celebrated their Golden Wedding at Linton in 1932, by which time they were living in Ballarat.Scanned/modified copy of a photograph of the Todd family, believed to have been taken in Ballarat around 1905/1906. Members of the family are identified by names and dates, which have been printed across the photo.todd family, elizabeth todd, elizabeth bennett, william todd snr., arthur (paddy) todd, john (jack) todd, william j. (billy) todd, milton todd, susie (lucy agnes) todd, charles (charlie) todd, violet todd, millicent todd, stella todd

Wedding photograph of Lillian Ball and James Carlyle Bennett, who married in Adelaide in 1910. Lillian Ball was a daughter of Oscar Ball and his wife Elizabeth, née Mitchell. James Mitchell Carlyle Bennett was not related to the Bennett family which ran the butcher's shop. He was mine manager at Dawson's Dam.Black and white copy of original photograph showing a seated man in dark suit, holding hat. A lady standing next to man wearing dress, gloves and large floral hat in an outside setting.james mitchell carlyle bennett, lyle bennett, lillian bennett, lillian ball

Used for the marriage of Charlotte Edith (Tottie) Ryder (aunt of donor) to Alfred George Tooke (b 1898 England d 1998) held at Church of England, Thornbury on 13 March 1948.1. White satin horseshoe white loop cord silver foil leaves x2 3 cream coloured flowers with yellow centres Note attached All the best wished from Joy and Doug 2. White satin ruched ribbon loop and bow 3 tulle and ribbon flowers; sequins on each point4 sequins silver 2 on top 3. White satin and bronze metallic ribbon heart shape on white ribbon with ribbon bow and white ribbon on left 4. Pale blue ruched material horseshoe, pale blue ribbon loop -box 5. White ribbon loop with 4 tails each with silver painted wishbone attached One cream/yellowed wax flower at base of ribbon loop See also Knickers NA4921, Negligee Set NA4922, Wedding Dress NA4923 and Wedding Veil NA4925costume accessories, female

Mia Mia was a cottage on the other side of the bridge on Diamond Creek at Hurstbridge. Fred and Catherine Hurst first lived here after their marriage in 1897. For many years from at least 1916 through to 1941 it operated as the "Mia Mia" tearooms where wedding receptions and afternoon teas for convalescent soldiers were held.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, hurstbridge, cottage

The clothes brush was donated along with a vanity set owned by a local woman who lived in the Harbour Master's house at Warrnambool at the turn of the 19th century. The clothes brush and vanity set were possibly a wedding gift from her mother-in-law, a local business woman who was an importer of 'china and fancy goods'. The item is significant socially as an example of accessories available to, and used by, women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Timor and later Liebig St, Warrnambool, where it most likely came from. The top of the clothes brush has an ornate dragon design constructed from pressed metal (possibly tin or chrome). The natural bristles of the brush have been glued together in small clumps and placed in holes in a wooden base. The wooden base is held within the metal top using small nails.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, metal, pressed metal, tin, chrome, natural bristles, staffordshire house, harbour master’s house

Worn by Jessie Allan for her marriage to William Thomas Kenny on 13 May 1945 at St Stephens Church, Richmond. They lived in 19 Baldwin Road, Blackburn from 1965. Jessie deceased 1.4.2010. Funeral at St Alfred's Anglican Church, Blackburn South.1945 Cream satin wedding dress with a rouched bodice to a centre panel, high neckline and pointed collar. Bead work on centre panel and edge of bodice, long sleeves to a pointed wrist and beading. Thirty covered buttons down centre back. Skirt cut on cross and three metre train at back.|.2|Champagne coloured Wedding Veil - (approx 6ft in length) - complete with orange blossom 3 1/4' headdress. Headdress is handmade, attached to a wire frame|.3|Cream satin slipper. Machine stitched half in rows. Bow with satin loop and spray of wax orange blossom attached.|.4|Horse shoe shaped wedding item to hang over bride's arm. Rouched satin with ornamental - artificial (wax) orange blossom and buds with 2 mm ribbon to hang over arm. Cream coloured to match wedding dress.|.5|Satin horse shoe, rouched, with satin ribbon handle.|.6|Cream braided horse shoe with gilded wishbone and wax orange spray attached. A bow with long loop to hang on the arm.|.7|Satin Horseshoe Good Luck charm with 'petal' flowers surrounding it, made of cut material - ribbon bow with pearls in centre.|.8|Doll in taxi - Rosy-cheeked, dark hair, blue eyes, dressed in bridal dress with veil, with pearls and 'flowers' decorating the doll. The doll stood across the back seat, under the window. Lavender in base of stand.|.9|Bridal Ring Box - 'Good Luck' horseshoe charm box - in the shape of a prayer book. Cream box with silver motifs printed on.|.10|Groom's Buttonhole of spray of wax orange blossom - 4 flowers and 3 leaves. Cream flowers with yellow stamens - green leaves. 10 Items in total..7 'Wishing you all The Best' 'Good Luckcostume, female ceremonial

This rug was a gift and gesture of friendship from the local Muslim community to the City of Greater Bendigo. It was presented to Mayor, Cr Rod Fyffe on behalf of the people of Bendigo at a 2016 'Thank You Bendigo' dinner. In 2014 approval for a planning application from the Bendigo Islamic Association to build a community centre and mosque in East Bendigo prompted a series of public protests that captured widespread media attention. During this tumultuous period the Council identified the need for a community-wide plan to promote diversity and help address potentially divisive cultural issues. These events led to the COGB becoming the first local government area (LGA) formally accredited under Australia’s Welcoming Cities Standard. Community leaders emerged who wanted to show that the anti-mosque protesters did not reflect the views of the majority of Bendigo residents. The community lead ‘Believe in Bendigo’ movement gained momentum, and the Council and other local organisations joined forces to present a unified message that Bendigo residents do not tolerate racism. Muslims have made Central Victoria their home since the Goldrush, contributing to the community and the economy for the past 120 years. Traditional Islamic rugs, especially their patterns and motifs are intrinsically linked with the design of the Bendigo Mosque and Bendigo Islamic Community Centre providing important points of reference for the architects of the project. Typically, mosques are linked with specific cultural groups but not in the case of Bendigo where the Muslim community is made up of multi-ethnic groups. This meant the building's design was not fixed to a specific style or cultural iconography but instead needed to encompass many. The small local Muslim community selected a specific Australian architect because of their interest and knowledge of Islamic design and iconography gained through family collection of Islamic textiles. In thinking about the design of the mosque and community centre the architects wanted to acknowledge the role of Afghans in Australian history, especially tribal Afghans who helped build connections across the interior of Australia between First Nations communities, European settlers and Central Asian migrants. The gift of this Turkmen rugto the Bendigo community thus symbolises collaborative partnerships across faith and cultural groups based on friendship and mutual benefit. A Turkman rug was specifically chosen as it is the pinnacle of nomadic arts of the Islamic world. It was also important to the architects and the local Muslim community that the gift was a female artistic product as it was mainly a female Muslim architecture team that designed the mosque in Bendigo and there was a desire to select something that celebrated female artistry. This hand-woven rug is an engsi, made for a woman in preparation for marriage. Design work and weaving is a shared experience, between many generations of women and each rug hold the personal story of the woman it is made for and her family and thus holds deep symbolic meaning. There are often songs and poetry that are recited as the rug is made – helping the makers to memorisze the mathematical structure of the design. An engsi is put on the doorway to a yurt as part of a wedding ceremony. During the ceremony the groom turns the engsii upside down to check the quality of the rug makers weaving skills. The nomadic lifestyle of Yomut Turkman tribes determines the size of the rug as the loom can’t be carried. Its size is also restricted by the dimensions of the doorway of the yurt. This rug is dated as c 1880 because of the types of patterns used, the use of natural dyes (synthetic dyes were introduced to the area in 1890s) and with the smoother weaving on the back indicating the quality of craftsmanship dating to this time period. The Yomut engsi rug was made in Turkmenistan c1880 by Yomut Turkmen Tribes people and is designed to fit over the doorway of a yurt during a wedding ceremony. The main field motif is related to Turkoman jewelery design. The women and girls of the tribe spin the wool and design and weave the rugs. The men shear the sheep, dye the wool and clip the rug after it has been woven. The word “Turkoman” is thought to have been derived from Turk-iman, meaning the first nomadic Turkic tribes that began to follow Islam. Dyes used are natural including orange from madder root. bendigo mosque, bendigo islamic association, city of greater bendigo community partnerships, city of greater bendigo community groups

Mr and Mrs Gary Partington outside the Greensborough Methodist Church in October 1964. Background is Uncle Bill Leed and Jessie Scholes. Gary said he had to get his hair to grow with a part in it, he previously on had a crew cut but relatives told him to grow a decent head of hair for his wedding.This was one of the last weddings in this Church before its demolition prior to the development of Greensborough Plaza.Digital copy of black and white photographmethodist church greensborough, gary partington

Dr. Frank Longden was appointed as a newly-graduated doctor to Buninyong in 1888, and served the people of Buninyong and district until his death in 1938. This house was built in 1892 as a wedding present from his bride’s father to his daughter on the occasion of her marriage to Dr. Longden. The surgery was in the front room, and a dispensary was located in the garden.Built by prominent citizen, fine example of substantial doctor's residence and surgery, has been carefully restored.B/W photograph, double-story brick dwelling, bay window on left, verandahs both floors on right, with iron lace. Iron lace fence, brick pillars, trees in front yard.buninyong, dwelling, streetscape, learmonth street, longden

Black and white photograph, mounted on cream board. Wedding group comprising three females and three males. Bride wearing calf length dress. Bridesmaid seated, flower girl seated at left. Male attendants standing at back. Inscriptions: printed on centre bottom on front 'Lorne Studios, Baylis St., Wagga'. Hand written in R bottom corner 'Yours sincerely, Louie & Bob'person, group, wedding

2 creamy white wedding invitations and envelopes. Cards have pattern cut edges. Cards have an embossed oval behind an embossed rectangular scroll with several curls has 'Marriage' printed in silver. The inner leg of the M and the tail of the G are extended toward each other and cross under the word. Silver printing in the card. Card and insert held together with white cord.British Manufactureperson, greeting cards, malone collection, malone collection, greeting cards

Photograph. Wedding photograph of Mrs James Mitchell nee Ella Nicholls (Bendigo). Brown cardboard surround. Photograph - black and white 18.5cmX13.5cms. A .5cm wide dark brown border surrounds the photograph, and the edge of the mount. Bride wears a beautiful silk and lace gown, a floral head-dress holds a floor - length veil, and she wears fingerless gloves and carries a large round bouquet.Photo, Eden Studios Melbourne P697. On back of photograph: hand written - About 1912. Mrs James Mitchell nee Ella Nicholls (Bendigo).photograph, person, wedding photo of mrs james mitchell, refer research notes included in clothing box 136