Used for weighing produce for sale.Metal Spring weighing scales."Salters Spring Balance 50 lb. by 1/4 lb. BRITISH MADE PATENT"weighing scales, georgie ah ling, donald, market gardener, salters scales.

Rectangular wooden frame with 13 spindles, 2 rounded counting buttons on each spindle on the top section and 5 on each of the bottom section. Wooden frame slots into place with grooves cut out of the corners for joining together.wooden counting frame, abacus, georgie ah ling, donald, market gardener.

Round metal Tobacco Tin with green and black decoration. The central motif is of a man in a suit, smoking a pipe. Tobacco still in tin.tobacco tin, georgie ah ling, donald, market gardener.

Hand-made by Georgie Ah Ling from the root of a treeLong, wooden pipe handle with wider mouth piece. Tobacco bowl juts from end of pipe shaft at a 45 degree angle. Hole in bowl for tobacco to be lit.smoking pipe, georgie ah ling, donald, market gardener.

Round, tank-shaped tobacco bowl with wooden stem and narrow metal mouthpiece. Unpolished.wooden pipe bowl, georgie ah ling, donald, market gardener.

Round wooden pipe bowl with semi-circular curved stem and black mouth piece."K. & P. PETERSON" written on middle of silver piece joining stem and bowl. "PETERSON'S SYSTEM STANDARD" written on wooden bowl. wooden pipe bowl, georgie ah ling, donald, market gardener.

Georgie's food bowlPorcelain bowk with blue circular line around rim. The centre of the bowl is decorated with a blue and brown motif of 2 children playing.Base stamped "Made in Japan".porcelain bowl, georgie ah ling, donald, market gardener, food bowl

Porcelain bowl with blue circular line around rim. The centre of the bowl is decorated with a blue and brown motif of 2 children playingBase stamped "Made in Japan"porcelain bowl, georgie ah ling, donald, market gardener, food bowl

Porcelain bowl with blue circular line around rim. The centre of the bowl is decorated with a blue and brown motif of 2 children playing.porcelain bowl, georgie ah ling, donald, market gardener.

Description: - JINDIVIK DRAWINGS B4A-A00-001 TO B4A-A11-077/078 Level of Importance: National. Historical Details: DAP/GAF/ASTA constructed many overseas designs under licence in Australia (Beaufort, Beaufighter, Lincoln, Canberra and F18) however they also designed and constructed a number of significant local designs that were successful in oversea's markets includi

Rural City of Wangaratta Collection - Wangaratta Art Prize 1975A square painting that features blue, green and red brush strokes on a olive green backgroundwangaratta art gallery, christine cochran, painting

HOPE & SAFE presents the material results of Kate Just’s two recent public banner projects in the UK and Melbourne responding to violence against women and current media coverage of this issue. Referencing and reviving moments in feminist history in which collective action and craftwork were deployed to enact change, HOPE & SAFE invokes a utopian reimagining of women’s safety and agency within the urban environment. In 2013, Just travelled around the UK with her KNIT HOPE Project. It involved an invitation to individuals and communities to publicly join her in knitting a night-reflective fluorescent yellow banner that spells the word HOPE in silver block letters. Later, various HOPE walks were taken in public at night with it. Bearing the artist’s daughter’s name, the resulting HOPE Banner manifests the artist’s wish for a brighter future for women broadly and for her own child specifically. Materially and conceptually, the banner entwines dualities of male and female, public and private, individual and collective. The uniquely patterned individual pieces refer to the work of many hands, joined together to form a seamless whole. The durability of the builder’s line and the high-vis reflective material, which is worn by construction workers, police and cyclists, imbues the banner with a level of visibility and authority. The singular large scale photograph HOPE Walk (Leeds) extends these complexities, documenting a moment in which police on horseback, donning coordinated yellow and silver jackets, asked if they could join the ‘protest.’ On return from the UK in early 2014, Just undertook the KNIT SAFE Project in Melbourne. It involved the communal crafting of a sister banner, a night reflective black and silver ‘blanket’ that spells SAFE. The more sombre SAFE Banner operates as a shield or soft monument constructed in the shadow of recent high profile violent deaths of women in Melbourne including Jill Meagher, Tracey Connelly and Fiona Warzywoda. The photograph SAFE Walk (Melbourne) captures a small group of banner holders quietly interacting with each other in the warm glow of a street lamp, projecting an almost fictional ideal of collective resistance to the harsh realities of the world. Also presented in the exhibition is the book HOPE SAFE, documenting the projects in their entirety and featuring an in-depth essay by art critic and historian Dr Juliette Peers. Photograph by Simon Strong. Wangaratta Art Gallery Collection. Winner of the Wangaratta Contemporary Textile Award 2015.A rectangular banner with a background made up of black yarn square panels that vary in shape and size with different knitted and crocheted designs, with lettering applicated onto the background using reflective nylon thread. A metal pole has been threaded through the top of the banner to enable it to be carried.wangaratta art gallery, wcta, textile, kate just

The textile traditions and aesthetics of Japan have always influenced my textile practice and I have created a construct that reflects the way this work has been developed and assembled. The grouping of hand and digitally printed textile hexagons, represent a meta language of patterns and techniques. There are classical Japanese motifs and very contemporary images that have been captured digitally from my visits to Tokyo and Kyoto. My combining the old and the new forms of textile printing, I am creating a traditional and contemporary conversation between processes. This work was started in October 2010, it was put aside for a few months and then I re-imagined it again with the tragic news coming out of Fukushima and Miyagi provinces.Wangaratta Art Gallery Collection. Winner of 2011 Wangaratta Contemporary Textile Award.Hexagon pieces of patterned fabric in varying shades of green, pink and yellow, which are arranged together to form a map of Japan.wangaratta art gallery, textile, wcta, patrick snelling