A documentary record of a Harston family and farm 1903-2003. Contains family tree and photographsCream cover, black lettering. Photograph of Fenton Hall homestead on frontthe fenton hall story, crawford family, fenton hall, tatura, crawford families, books, history, local

Ladies cream kid gloves with three rows of plaited patterning on the back.

One of several illustrated envelopes, without letter, sketched by soldier/s during the second world war sent to Mrs MacDonald of WangarattaVictoria's 2/24th Infantry Battalion was raised in Wangaratta in July 1940. They were welcomed with open arms by the local community as they rapidly built up their numbers. The people of Wangaratta adopted the Battalion and they became known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. Many of the soldiers maintained life long friendships with the people of Wangaratta. Even though the Battation was disbanded in 1946 members and their families return each year, in November, for a commemorative service at the 2/24th Battalion Memorial Wall at the Wangaratta Cemetery.Cream paper envelope with sketch of palm trees and hut on left of scroll.Top left - AIR MAIL Top right - postage stamp Top left - AIF Censor stamp Right side Mrs M MacDonald "Monald" 32 Grey Street Wangaratta Victoria Australia ww2, envelope art

One of several illustrated envelopes without letter sketched by soldier/s during the second world war and sent to Mrs MacDonald of WangarattaVictoria's 2/24th Infantry Battalion was raised in Wangaratta in July 1940. They were welcomed with open arms by the local community as they rapidly built up their numbers. The people of Wangaratta adopted the Battalion and they became known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. Many of the soldiers maintained life long friendships with the people of Wangaratta. Even though the Battation was disbanded in 1946 members and their families return each year, in November, for a commemorative service at the 2/24th Battalion Memorial Wall at the Wangaratta Cemetery.Cream paper envelope with a circular sketch of an eagle holding shell/bomb Top left - Red Cross Top right - postage stamp Centre - AIF Censor stamp and signature Right side - Mrs M MacDonald "Monald" 32 Grey Street Wangaratta Victoria Australia Bottom Left - Australian Red Cross Society ww2, envelope art

AMF Certificate of discharge dated 23/7/1946 - VX148982 Private William Thomas LAWSON 12/32 Aust Infantry Battalion - CMF 5/1/42-11/4/44 - AIF 12/4/44-23/7/46 AMF Interim discharge certificate dated 25/5/1954 - 3/401136 L/CPL W.T. LAWSON AMF Service in Australia or Abroad certificate of discharge dated 22/6/1954 - 3/401136 Lance Corporal William Thomas LAWSONThree cream coloured laminated certificates with black type below crest.Discharge Certificate L/Cpl W.T Lawsonwilliam lawson, vx148982, 14/32 aust inft battalion, woods point

This mug was reproduced by courtesy of the Methodist Missionary Society and the Epworth Press. Round cream china mug with brown images and text and gold edging."REV JOHN WESLEY FOUNDER OF THE METHODIST CHURCH BORN AT EPWORTH LINCOLNSHIRE, JUNE 17TH 1703 BI-CENTENARY OF HIS CONVERSION, MAY 24TH, 1936" "THE FIRE AT EPWORTH RECTORY" On base: "TASMANIAN CELEBRATIONS"rev john wesley, epworth rectory

This object was used in the home for toilet requirements before the advent of the indoor toilet as it saved a trip out to the backyard toilet during the night. Most toilets were built outside so the 'night cart' could come and empty them during the night.A large cream coloured procelain chamber pot with one handle on the side. hoffman, chamber pots, toilets, ceramics, george evans collection

Cream Pure Silk centre Table Mat, Square Lace Border stawell clothing material

CLOTHES BRUSH WITH CREAM HORSE HAIR WITH SILVER BACK EMBOSSED WITH DRAGONlocal history, domestic items, cleaning, clothes brush

The genesis of this work was an exploration of materials and sustainability, which led to the use of jute twine as the base material - a humble, sustainable fibre, and an unlikely material for the creation of 3D forms. Machine sewn with a simple zig zag stitch, the work contrasts the most basic of materials and equipment with the creation of beautiful and sophisticated objects. Embedded textures are constructed with a variety of threads, yarns and techniques, allowing the minimal palette to highlight serendipitous interplays of form and texture.Wangaratta Art Gallery Collection5 twine bowls of various sizes in a colour palette of black and cream.fiona gavens, textile, twine bowl

Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under.

This was obtained by Ken Hirst who's Uncle Cedric Hirst was President and founder of The Geelong Association of Music and Art. The brochure was a program that included the playing of 'The Creation' from a music book originally owned by Godfrey Hirst.Small cream one page booklet outlining the acts for they performance 'The Creation'The Geelong Association of Music and Art Presents The/geelong Choral society In The Creation

Loaned to the Museum in 1994 by the Symes FamilyA hand operated wooden separator used for separating the cream from the milk.

See 359Glazed Border tile with black background and interlocking green and cream diamonds.(on back) '9' '676'ceramics, earthenware

From the collection of Bette JonesA square mat scalloped at edge worked in cream and grey. Hardanger work.handcrafts, embroidery

Child's cream synthetic fur fabric dog. Made in 1940/50s.toys, soft toys

Till CollectionCream cotton hand woven place mat. Slightly open weave.domestic items, table setting, handcrafts, weaving

Small plastic bag containing cream coloured substance with washing instruction.Dents, Glovewash. To be used for the washing of Dents washable gloves.domestic items, cleaning

Cream mug with handle and lip for shaving brush. Scene painted on front.Trade Mark: 'Made in Japan'ceramics, porcelain, personal effects-toilet requisites, shaving

Soft bristle brush with green handle . The handle has a cream top.Pure Bristle. Guarantee Vulcanised|Made in Germany.personal effects-toilet requisites, shaving

Bette Jones CollectionCream cotton crochet cake doyley with words CAKE and a rose design.handcrafts, crocheting or crochet work

Cream lisle gloves. Three pearl buttons and button holes at wrist.costume accessories, glove accessories

Cream silk man's handkerchief with 4cm hem and embroidered 'A' in one corner.costume accessories, male