China souvenir plate of Bendigo, off white fluted with holes around edge showing a sepia scene of miners panning for gold Bendigo 1800's.Norwood Ceramics Bendigo 1985 RWdomestic equipment, table setting, plate

Nucolorvue was a company who specialised in souvenirs and postcards, although they have also published some Australiana books. This postcard can be dated to late 1960's when the population of Bendigo was around 32,000 and before Australian measurements became metric in 1970. The company moved to its current site in Mulgrave c. 1973.A Souvenir of Beautiful Bendigo - Twelve hand coloured postcards of Bendigo, scenes include parks, churches, gardens and roadways, published by Nucolorvue Productions, Menton, Victoria.history, bendigo, winifred jennings collection, postcards of bendigo

Advertising material in the form of a circular fan, with mountain scene on one side, advertising: C.A. Baggaley, Covent Garden Fruiterer and Confectioner Mitchell Street, Bendigo

Double You brand Dutch cocoa tin, mauve, green & gold in colour with scenes of Holland on sides and hinged lid. Dutch pure & soluble cocoa.Made In Hollanddomestic equipment, containers, tin

Overview of missions and goals of Institute of Sustainable Irrigated Agriculture expansion: Cobram and KyabramIllustrated green cover. Green printing. Rural scenes and ltitle "Institute of Sustainable Irrigated Agriculture 1996-1997 Biennial Report" on front. 80 pages.as aboveagricultural, horticultural, victoria on the move, department of natural resources

Apiculture at Dadswells Bridge Fred Howard and children on right.Black and white photograph of a bushland scene with many bee hives in the foreground. A person holding a child and two children either side in front of the bee hives.dadswells bridge

The photograph is from the album of Ivy Child. The original black and white photograph is also in the album. The homestead shown belonged to Ivy's parents Ted and Ethel Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. A black and white photograph that has been coloured. It shows a scene of a homestead with a post and wire fence at the front and tress beside it. Hills can be seen in the distance.homestead, ivy child, ted child, ethel child, kalorama

Landcsape - Australian bush scene. Mounted & framed. Gold painted wood frame featuring textured light brown window mount with white and gold border.

BHS CollectionSoft cover book with purple and green colours. Front cover has a photo collage of Bendigo scenes. Back cover has a map of the area covered.plaques, monuments

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Monochrome postcard of view of the north bank of the Yarra River between Flinders and Russell Streets. Scene shows palm trees, boats and stores under embankmentThe Rose Series P. 2808yarra river, city of melbourne, postcards -- melbourne, christian-washfold collection

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. An unidentified woman seated on a chair outside. There is a house partially hidden in the trees on the right of the scene.wodonga pioneers, haeusler family, glass negatives, dry plate photography, wodonga families

Main Street Stawell c 1940 On left Bike Shop, Carters Boot Shop. On right under town Hall Tower is Stawell Post Office, T. Browns Furniture / Coles / Eales, Geo Mitchell & Sons, Norman A. Harding Men's Wear. J.T. Chaponnel.Main street scene looking west with bunting across street. Many 1940's vehicles in streetboth driving and parked. Delivery truck at centre of image.stawell streetscape

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor contained 86 post cards. See 1400. Purple violets surrounding a painted landscape scene surrounded by letters XMAS. Addressed to Miss Shatford from Jessie Simpson. Dated 22/12/08.postcard, collector, alice mcgregor

Some names associated with the photograph are written on the back as follows: Jack, Vince and Thelma Hayes, Edmund Hayes, Catherine Theresa Hayes (nee Carty) in front of fence.Framed black and white photograph of people in front of the Buninyong Racing Club Grandstand. There is a picket fence at the front of the scene. The frame has a flower-patterned edge. Some names associated with the photograph are written on the back as follows: Jack, Vince and Thelma Hayes, Edmund Hayes, Catherine Theresa Hayes (nee Carty) in front of fence.horse racing, buninyong, hayes family

Man standing on pathway on Church Hill Stawell West looking West. Anglican Manse and Houses are on right beyond the trees. Two story building is Grammar School residence in Smith Street. This pathway on Church Hill led to Christ Church, Church of England erected in 1861.Black & white photograph post card with two enlarged copies on a scene featuring gum trees. A person is standing on the pathway. A two storey house in background.On Church Hill, Stawell Weststawell education

Mrs Liddy, 59 River Street, Maidstone, VictoriaA maroon covered album containing Postcard scenes of Guernsey. Printed in Germany. The title is embossed in gold lettering and pattern on the front cover with a black spine binding.albums, books, photographs, guernsey

Colour photograph of scene from Mt Hotham showing Alps in distance and road to Omeo Victoria. Also a second colour photograph showing Mt Feathertop topography, roads and streets

The Wodonga Police register dated to 1855-1857 provides a record of the names of police officers and details of their day-to-day duties, including crimes committed and steps taken to trace and apprehend perpetrators. It has several references to Robert O'Hara Burke, who was a soldier, police officer in Victoria, and well-known explorer in the ill-fated Burke and Wills expedition.The Wodonga police register has local significance due to the detailed information and date in the 1850s, which was before Wodonga became a separate Shire from Yackandandah Shire. It is also significant on a state and national level as an example of early police records. The detailed information provides significant research and interpretive potential. Green leather and faded green and brown marbled paper bound register or diary, recording the day-to-day duties of the Wodonga Police in 1855-1857. Pale blue watermarked paper with faint lines in the interior. Every second page has been removed and there is staining on some of the pages.The entries are written in iron gall ink and are deteriorated/faded in places. Red-brown and green marbled paper on the interior front and back covers, with linen binding. There are three small red wax seals on the inside front cover used to secure an introductory page of writing. The paper around the seals is torn and the page has become detached. Fragmentary inscription written on paper on the green leather spine.wodonga police, robert o'hara burke, police records, police register, wodonga, police journal, police diary

This is a silk picture woven by the highly acclaimed French jacquard loom woven tapestry maker Neyret Freres. The scene is derived from a painting by Spanish artist Mariano Alonzo Perez (1853-1930). This style of weaving is referred to as a Stevengraph, named for their original creator, Thomas Stevens (1828-1888), a 19th century weaver from Coventry, England. Neyret Freres began manufacturing textiles in 1823, and are still in operation today. Silk embroidery in a decorative gilt frame. The scene depicts a Victorian era billiards room. An ornate billiard table is at the centre of the image. At the near end of the table, two men are crouching down and leaning over the table, examining billiard balls while holding billiard cues in their left hands. At the far end of the table, a woman is sitting on the corner of the billiard table while holding a billiard cue in her left hand, in an intimate face to face pose with a man standing behind the billiard table. All figures are depicted in Victorian era aristocratic dress. The bottom right corner of the images features the signature 'D'A. PEREZ'. Three small stickers for Gibson's Auctioneers are attached to the back of the artwork, as well as a sticker referencing the framer of the work and a shipping sticker for International Art Services. Two d-rings and a wire fitting are attached to the back of the artwork for hanging.

This is a silk picture woven by the highly acclaimed French jacquard loom woven tapestry maker Neyret Freres. The scene is derived from a painting by Spanish artist Mariano Alonzo Perez (1853-1930). This style of weaving is referred to as a Stevengraph, named for their original creator, Thomas Stevens (1828-1888), a 19th century weaver from Coventry, England. Neyret Freres began manufacturing textiles in 1823, and are still in operation today. Silk embroidery in a decorative gilt frame. The scene depicts a group of women taking a fencing lesson, under the guidance of a male teacher. Two women are pictured pointing sabres at each other at the centre of the image, while four other women look on at the right of the image. The teacher is shown on the left hand side of the image, holding a sabre in his right hand which is pointing downwards so that the tip of his sabre is resting against the floor. All figures in the image are wearing Victorian era dress. There is a sticker for Gibson's Auctioneers attached to the bottom right hand corner of the front of the artwork. Two small stickers for Gibson's Auctioneers are attached to the back of the artwork, as well as a sticker referencing the framer of the work and a shipping sticker for International Art Services. Two d-rings and a wire fitting are attached to the back of the artwork for hanging.

This is a scene of Cape Conran, in Far East East Gippsland .Orbost locals have been camping and picnicking at Cape Conran since at least the early 20th century. This photograph was taken at a time before Cape Conran Coastal Park a 11,700 hectare area was declared a coastal park under the National Parks Act in 1997. A black / white photograph photograph showing the rocks and ocean at Cape Conran in Far East Gippsland. There are three people on a rock with their backs to the camera.Two women are sitting and a man is reclining.cape-conran beach-east-gippsland

Black & white photos of WWI battle scenes in Europe. Seven Daily Mail battle pictures, black & white. Official war photos, Series VIII. No 57 Wounded. Tommy to Photographer: I'm not a German! No 58 Black Watch Pipers Playing to the Captors of Longueval. No 59 The Burial of two British Soldiers on the Battlefield. No 60 A Fag After a Fight. No 62 British Machine Gunners Wearing Gas Helmets. No 63 Tommy at Home in German Dugouts. No 64 A Big Mine Exploding.postcards - photographs, military history, passchendaele barracks trust

Photograph shows a bush scene in the northern suburbs of Melbourne.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.bushland