St Anne's Church of England in Moylan Street, East Ormond was closed in 1995. These plans were drawn up to add an extension to the existing church - but it was never built.Example of the progress of the Municipality of MoorabbinArchitectural Drawings for St Annes Church of England East Ormond - proposed plans for extension 2 pagesst anne's church of england, moylan street, east ormond, religion, building plans

Sultana worsted Axminster border made by John Crossley & Sons, Dean Clough Mills, Halifax, England. The border framed the edge to stripe of object 88.0048 (old registration number), laid to fill floor space. Part of the ten piece collection originally presented to the Queensland Museum by Mr Doug Glanville.Sultana worsted Axminster border made by John Crossley & Sons, Dean Clough Mills, Halifax, England. Sultana worsted Axminster border made by John Crossley & Sons, Dean Clough Mills, Halifax, England.Sultana worsted 3 1' 10 1/2" 5/8 Border Carpetweaving, john crossley and sons, carpet

The lathe-making business incorporated in 1902 as Drummond Bros Ltd originated in the fertile mind of Mr Arthur Drummond, said to have been living at that time at Pinks Hill, on the southern edge of Broad Street Common, west of Guildford. Mr Drummond, whose accomplishments included several pictures hung in the Royal Academy, was unable to find a lathe suitable for use in model engineering. In 1896 he designed for himself a ‘small centre lathe … which had a compound slide rest with feed-screws and adjustable slides’. He also designed and built ‘lathes of 4.5 inch and 5 inch centre height, which had beds of a special form whereby the use of a gap piece was eliminated but the advantages of a gap-bed lathe were retained’. Assisted by his brother, Mr Frank Drummond, who had served an apprenticeship to an engineering firm at Tunbridge Wells, the first lathes were made in a workshop adjoining Arthur Drummond’s house. The demand that speedily built up led to the decision to form a company and manufacture the lathes for sale commercially. Land was acquired nearby, at Rydes Hill, and the first factory built. The enterprise was a success, and the company quickly established ‘a high reputation in this country and abroad for multi-tool and copying lathes, and gear-cutting machines’. Other lathes were added to the range, including the first of the ’round bed’ machines for which the firm became widely known. A Drummond 3.5 inch lathe was among the equipment of Captain Scott’s 1912 expedition to the South Pole, and large numbers of 3.5 inch and 4 inch designs were exported to Australia, Canada and India. By the outbreak of war in 1914, 5 inch, 6 inch and 7 inch screw cutting lathes, arranged for power drive, were on sale. Large orders were received from the government for 3.5 inch lathes, for use in destroyers and submarines, and 5 inch lathes for the mechanised section of the Army Service Corps. The latter were used in mobile workshops. The factory worked night and day to supply the forces’ needs, until production was disrupted by a fire which destroyed a large part of the works in May 1915. As soon as rebuilding was complete work restarted. At the end of the war the entire production was being taken by the Government departments, a special feature being a precision screw lathe, bought by the Ministry of Munitions in 1918. Between the wars Drummond Bros Ltd introduced new machines for the motor vehicle, and later the aircraft industry, and the works were extended on many occasions to fulfill the increasing orders. The Maxicut multi-tool lathe (1925), designed for high-production turning operations, was one of the first machines of this type to be built in England. It was followed (1928) by an hydraulic version for turning gear blanks, and similar work. Further developments provided machines which, during the Second World War, turned all the crankshafts and propeller shafts for Bristol engines. Others, ordered by the Ministry of Supply were employed in turning shells, and many other specific needs of vehicle and aircraft manufacture were catered for by new types of Drummond lathes. Production of the small centre lathes ceased during the war when the company needed to concentrate on building multi-tool lathes and gear shapers. After the war a completely new Maxicut range was introduced, replacing the older versions, and fully automatic. The types were continually developed, and new versions manufactured until the end of the company’s life in 1980. The disappearance from the scene of Mr Arthur Drummond in 1946, and the end of the company’s autonomous existence in 1953 when the company was acquired by William Asquith Ltd, which was in turn bought by Staveley in 1966, meant that the factory at Rydes Hill became one – albeit very effective – part of a large national engineering company. Achievements at the Guildford works during its last years included the development of automated Maxicut gear-shapers in what was ‘probably the most fully automated gear shop in the country’, while a machine from Guildford was sent to the Osaka Fair in 1962. In 1963 an agreement was signed with Hindustan Machine Tools for the manufacture of Maxicut gear-shapers in state owned factories in Bangalore and Chandigarh. During 1963 the two largest multi-tool lathes ever made in the UK were installed in Ambrose Shardlow’s works in Sheffield for handling cranks up to 14 foot long. In 1976 Drummond lathes were included in Staveley’s £14,000,000 installation in Moscow of an automated production line for Zil motor cars. Up to the end invention continued at Guildford: a new Drummond Multi-turn memory-controlled machine was shown at the International Machine Tool Exhibition in 1977. This could not save the works from the pressures of the late 1970s, and Staveley Industries closed its Guildford site in 1980.An early example of a lathe that was designed primarily for the hobbyist model maker. It is in good condition and sought today by collectors as many of it's attributes were innovative at the time and lead to further development and incorporation of some of its features into more industrial models of production machinery. Lathe, round bed, treadle powered lathe, Drummond Type A, Serial number and maker's inscription. 1920-1923, Made by Drummond Brothers in Guildford, Surrey, England. Lathe is complete with Chuck, Tool post and Tail Stock in situ (30 extra parts)"MADE BY DRUMMOND BROTHERS LIMITED - PATENT TEES - RYDE'S HILL n GUILDFORD SURREY", "Serial Number 01470," "L44" or "L45 " flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, lathe 1920-1923, round bed lathe, treadle lathe, drummond type a, guildford surrey, drummond brothers guildford surrey england, tread'e

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Escalators into underground tube station, London, EnglandMade in Australia / 6 / AUG 64M / 13 (Handwritten)london, robin boyd, slide

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Possibly a transit hub, probably London, EnglandMade in Australia / 21 / AUG 64Mslide, robin boyd

These glass churns came in several different sizes. A 3 and 1/2 pint vessel could churn 2 pints of cream into butter. A similar glass churn is advertised in the mail order catalogue for D & W Chandler Ltd, Melbourne. Issue No.49, page 168. Listed as 'Butter machines (Glass) Makes butter equal to the best wooden churn, and quicker. Prices-2 qts, 9/6; 3 quts, 13/3; 4 qts, 14/6 each.'Taco butter churn with square clear glass jar with round mouth and round green painted metal lid with a small wedge of airholes. The lid has a round turning mechanism with attached wooden handle. A shaft with a metal paddle goes down into the jar to beat the cream. A paper label is attached to the bottom.'Taco Burnley England' on turning mechanism on lid, 'British Foreign Pats Pending' on reverse. 'Made in England' imprinted on base. Paper label attached to base 'Kraft Foods Ltd' 'M.G.'butter, allansford, dairy industry, dairy utensils, butter churns, kraft foods ltd, taco

Burford is a small town on the River Windrush in the Cotswold hills in west Oxfordshire, England, about 18 miles (29 km) west of Oxford, 22 miles (35 km) southeast of Cheltenham and only about 2 miles (3 km) from the Gloucestershire boundary. The toponym derives from the Old English words burh meaning fortified town or hilltown and ford, the crossing of a river. (Wikipedia)A streetscape photographic view of Burford, England showing buildings, cars and people. chatham family archive, burford

The early settlers of Victoria depended on horse drawn vehicles to farm, make roads and railways, deliver produce and transport people. Horse harnesses were an important requisite for all drivers and could be found wherever there were working horses. Horse Harnesses have played an essential role in different cultures throughout history. Simple, utilitarian horse harnesses made of leather straps and iron rings were being used in early China before AD 500 as well as ancient Greece and Rome, allowing horses to pull chariots and ploughs. The Greeks and Romans were the first to use a "horse collar" which distributed the weight of the harness evenly across the horse's chest rather than relying on a "throat harness" that could damage a horse's throat or choke them. During the medieval period, European horse harnesses became more elaborate and decorative. Variations of different horse harnesses were also found in Native American and Middle Eastern cultures. Horse Harnesses usually have four basic components which include - 1. Communication - the bridle, bit and reins allows the driver to communicate instructions and commands to the horse, guiding its movement and direction. 2. Draft - the collar, hame straps, hames, traces and chains enables the horse to draw and pull the load efficiently by distributing the weight and transferring the pulling force to the vehicle. 3. Stopping - the breeching band, pole straps and breast strap helps to control or stabilise the horse and vehicle when moving downhill or stopping. 4. Support - the back pad, backband, belly band and back saddle keep the harness in the correct position and proper alignment. This show harness was used by Mr. Andy Bourke when showing his Clydesdales at shows or demonstrations. Although a more modern example with decorative embellishments, it still has many essential components traditionally found in an everyday working horse harness. The original purpose of the "housen" for example, was to run rain or drizzle off the horse's neck when they had to work in wet conditions - it was laid flat for this purpose on the top of the collar. Nowadays it is purely for show and is often used to advertise a business or stud. Horse brasses and fly terrets were fastened to various parts of a horse's harness. In the early days they probably began as amulets to ward off evil and to bring good luck and continued to be used as a festive decoration. The heyday of horse brasses was between the years 1851 and 1900. Horse brasses are fastened to various parts of the harness with many of their designs being symbolic. The ornamentation on this harness (although not authentic horse brasses) are based on the horse brasses that were popular in the 19th century. This horse harness is a significant example of the equipment that was needed wherever heavy horses were being used - particularly in the early years of Victoria's settlement by white settlers. Harnesses such as this example were used with stage coaches, drays, farming equipment, delivery carts and personal transportation.A leather and metal horse harness used when showing a Clydesdale (or other breed of heavy horse). It is made up of a number of components. 1. Decorative leather cart saddle with two large cloth pads underneath (which have a scalloped leather and stud border), a raised leather pommel and a silver and red coloured metal back strap holder across the top. It has two symmetrical sets of ornamentation (silver hearts and circles) in the front and a wide strap or girth (with a maker's stamp reading "R. Mitchell Saddler") and buckle which attaches the saddle to the horse. 2. Pair of steel hames which are gently curved (to fit on a horse collar) and are topped with steel knobs. They have several steel rings and lugs (to hold straps and chains) and a "Made in England Warranted Steel" stamp. 3. Breeching harness which consists of a number of leather straps, chains and metal rings including a wide padded leather strap with a scalloped edge that sits on the back of the horse and a thick leather strap that goes around the hind quarters of a horse which is joined to the back strap with four shorter vertical straps and buckles. These straps feature silver and red patent leather trim and silver heart shaped ornamentation. The strap also features the maker's stamp of "R. Mitchell". 4. Decorative leather bridle with blinkers featuring the same silver and red patent leather trim on the cheek piece, brow band and throatlatch. It has a stainless steel "Liverpool Driving Bit" with a curb chain, a variety of decorative silver ornaments (rosettes, diamonds plus a heart and two circles) on each end of the forehead band, dropper and strap as well as a silver metal bell (sometimes known as a "fly terret" or "swinger") that sits on the headpiece of the bridle. 5. Leather "violin shaped" dropper (or hanger) with two silver rosette shaped ornaments and a stainless steel clip on the top 6. Stainless steel "Liverpool Driving Bit" with a straight mouthpiece which is ribbed on one side. It has three rein spots (spaces) and a curb chain. 7. Leather arch shaped "Housen" covered in black and red patent leather and decorated with silver studs (some spelling out F H) and bordered with a red fringe. It has a leather strap at the back and two leather loops on the front. 8. Leather padded backband (Australian style "Stallion Draught Roller") decorated with two groups of nine metal "horse brasses" or harness ornaments displaying horseshoe, starburst and horse head designs on blue, red and white striped webbing. The backband has three notched straps at each end, a buckle near the centre and the initial B stamped in two places underneath. 9. Bellyband made of leather and red, white and blue striped webbing. It has a set of three buckles at each end (which correspond with the notched straps of the backband). 10. Wide, thick leather strap which has a buckle and notches at each end. It also has the maker's stamp of "R. Mitchell Saddler". 11.One pair of long leather traces - each with a buckle and notched loop at one end, decorated with a small silver diamond shaped harness ornament. 12. Length of stainless steel heavy duty chain with two swivel connectors.Saddle - "R.MITCHELL / SADDLER" Hames - "MADE IN ENGLAND / WARRANTED / STEEL" "MADE IN ENGLAND / WARRANTED / unclear" Breeching Straps - "R. MITCHELL / MAKER / R. MITCHELL MAKER" Housen - "F H" Backband "B / B' Wide leather strap - "R. MITCHELL / SADDLER"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, harness, horse harness, show harness, clydesdale horses, andy bourke, horse drawn cart, housen, bridle, hames, breeching straps, dropper, bit, liverpool bit, backband, harness ornamentation, bellyband, back saddle, fly terret

The album was owned by Jack Grinton 1043, 38th Batt AIF. Part of the Grinton collection which included hundreds of negatives and developed photos that he took in England and France during WW1. He reproduced many himself in his hut in England prior to going to France. Refer Cat No 1280 for service details. Refer 1317P, 1320P. Dark blue photo album with string and tassels. Six pages, grey background with 22 B&W photos of England and France.Hand written remarks in ink under each photo.books- albums, photography - photographs

The Mutual Store, which sold this item, was Melbourne's first department store, which opened in 1872 on the corner of Flinders Street and Degraves Street. It closed in 1965, and housed the Council of Adult Education until about 2006. It is now apartments.Off-white vase with worn gilding around rim"Made in England for the Mutual Store Ltd Melbourne" Maker's name & logo illegible.vases

Theodolites have been used to measure horizontal and vertical angles by surveyors since the 1500s. A theodolite is a precision instrument for measuring angles in the horizontal and vertical planes. Theodolites are used mainly for surveying applications, and have been adapted for specialized purposes in fields like meteorology and rocket launch technology. Theodolites, such as this one, were instrumental to early surveyors, and would have played a significant part in their everyday work. The plumb bob was used to set the instrument exactly over a fixed survey marker.This theodolite was made by Troughton and Simms, who were significant scientific instrument makers of the 19th century and early 20th century. In 1782 John Troughton purchased Benjamin Cole's shop in Fleet Street, London enabling him to sell his own signed products. His instrument making business supported several dynasties of Troughtons before becoming Troughton and Simms and later still Cooke Troughton & Simms. This firm was one of the most well respected firms of instrument makers of the 1800s. A grey metal theodolite - probably made of brass. It has movable parts and there is a weight ( a plumb bob) attached with string.Cooke Troughton & Simms Yorke England V012318 Supplied by A. E. Parsons Melbournetheodolite scientific-instruments surveying

In the 19th and early 20th centuries, J. & G. Meakin were important, large-scale producers of good quality, ironstone tableware (‘White Granite’ ware) that met a ready market in the United States, South America, Australia, and other traditional British markets. By the 1890s the company was one of the world’s largest earthenware manufacturers. Although export teaware and tableware was the factory’s staple commodity, Meakin also manufactured toilet ware, kitchen ware and a wide range of fancy earthenware. The company was amongst the first British pottery firms to experiment with modernist designs associated with the art deco period. The Moderne' range was introduced in 1929 consisting of an angular shape decorated design with geometric patterns and often highlighted with silver or gold. This range remained in production through the 1930s. Post 1945 the company introduced the streamlined Studio shape (1953) and Horizon shape (1955) both heavily influenced by the Russell Wright ‘American Modern’ tableware. In 1964 a new Studio shape was released with tall streamlined coffee pots used as the background for many contemporary patterns now associated with the 1950s and 1960s. Designs by Jessie Tate and Eve Midwinter, some originally found on Midwinter shapes, also appear on 1970s Studio ware. The Studio range was one of Meakin’s most successful and continued in production until the late-1970s. The enormous range of floral, geometric, and abstract designs make Studio Ware collectible in its own right. In the 1970s and 1980s as part of the Wedgwood Group Meakin produced contemporary products under the ‘Bull in a China Shop’ and ‘Creative Tableware’ names. ‘Sol’ (c.1912-1963), ‘Studio’ (1953 on) and ‘Royal Staffordshire’ (post 1968) were important J. & G. Meakin Ltd trade names. Meakin marks are numerous, but all include the J. & G. Meakin name. The significance of this item and pottery generally is that often earthenware is portrayed as being a landmark in the evolution of humanity. This is because these items are the few things from the past that have survived in a tangible form. Pottery is an important functional part of society and it has a critical role to play as it helps archaeologists to date other artefacts of the same time period. Also, the decorations on pottery have told much about the beliefs, lifestyles and lives of the people who bought them and used them. In other words it gives us today a snapshot of society from the past and how people used these items in their daily lives, their likes as well as societal and design trends. Earthenware white glazed ironstoneJ & G Meakin Hanley England stamped to base, with white flora designwarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, pottery, earthenware, iron stone, alfred meakin, james meakin, george meakin, earthenware manufactures, chamber pot

An empty, circular tin with a lift off lid for steel dressmaking pin D.F.TAYLER & Co. Ltd. / DRESSMAKER’S STEEL PINS / TRADE MARK / MADE IN ENGLAND

36 inch long x 12 inches ruler with brass corner pieceJ Rabone & Sons, Birmingham Made in England, No 1513 Proportionate Waist Measure

8388.1 - Brass-faced spring-balance scales, with hook and rope-ring, rated up to 200 pounds.- Salter's spring balance No 20 made in England - Silvester's (?) patent to weigh 200lb

Commonly used during epidemics of Diptheria.1 metal case containing: 12 tracheostomy tubes various sizes.Case: "Curved Adapters" "Casualty". "MADE IN ENGLAND", "STAINLESS" "PART REF. 370699"tracheostomy tubes, paediatric, surgical instrument

Coronation mug souvenir of George 6th and Queen Elizabeth issued to celebrate the royal visit to Australia in 1949. White china mug with pictures of George 6th and Queen Elizabeth under crown and dated May 1937 with flags flanking them. On back marked "Issued to celebrate the royal visit to Australia 1949".Marked: BCM/Nelsonware. Made in England. Gold edging around rim and on handle.coronation mug 1937 issued 1949 australian visit

13 mathematical instruments in a fitted velvet lined case. An outer black pouch to hold case.Crown Mathematical Instruments. British Made. AO Thornton Ltd Manchester England.instruments, measuring

From Betty McPhee Collection of Sewing Equipment.Packet of Sewing Needles. Size Betweens 10 - Tailors BetweensT J Holyoaks Originals Tailors Betweens Made in England Est 1734handcrafts, equipment, handcrafts, dressmaking, handcrafts, embroidery, handcrafts, needlework, domestic items, sewing

Owned by the Burgi family.Ceramic plate with gold painted rim, burgundy edge and an illustration of a band and woman on a seat."Royal Victoria Pottery Made in England" "C. Burgi" in felt pen on the back.plates

Had four feet, Now Two Rusty Made of Metal Dome hand Press Hedged Still has Staples insideVelas Trade, park Model "c" Made in England Reg Design NO 813111

The pomander was worn or carried in a case as a protection against infection in times of pestilence or merely as a useful article to modify bad smells.Hand Carved Kokea Nut that is of South American origin. Carved in England. Used as a Pomander in the 1870s. The item has a lid which can be unscrewed into two pieces creating a lid and base with a cavity. Shaped like an egg. pomander, kokea nut

Clothing. Made in England by Bally, cream satin with a 5 cm high heel. Beautifully shaped rounded toe, and oval shaped front opening. Fully lined with fabric and leather. Heel area lined with cream kid leather. Hand marked inside heel ; H 3250916 823(possibly identifying style and maker). Still in original box: on box ''Carolz''9, possibly name of style. A6415 White Satin Pump Last 1381 8 1/2BBally Made in England. ( Even a piece of confetti inside the box and in one shoe).Bally England - gold lettering enclosed in a double ring, gold oval shaped logo. On sole 8 1/2 B. FABRIC UPPERS RESIN SOLE, MADE IN ENGLAND.costume accessories, female, cream satin ladies bridal shoes

Three head pirn winder made by George Hattersley and Sons, England. This is a small (non-industrial) pirn winder, used for winding the thread onto the pirns which were inserted into the bobbins used for weaving.HATTERSLEY Ltd ENGLANDweaving, george hattersley and sons ltd

This is an early example of an endotracheal tube (c.1932) invented by Ivan Magill. The shattered faces and jaws of wounded soldiers presented real difficulties for the administration of anaesthesia. Ivan Magill and Stanley Rowbotham developed endotracheal tubes for these procedures that were more efficient and practical than the earlier insufflation catheters.The attached safety pin was used to prevent the loss of the tube down the patient's nose. Orange/brown rubber tubing with a bevelled edge at one end a safety pin stuck through the other end. This tube was used for nasal endotracheal intubation.Printed in black ink on tube: NO. 5 NASAL A. CHARLES KING LTD. MAGILL'S TUBE 27 / BRITISH MADEmagill, endotracheal, intubation, nasal, a. charles king ltd, england

In the 18th century, spring scales appeared. To produce these scales, a manufacturer would use the resistance of a spring to calculate weights, which could be read automatically on the scale’s face. The ease of use of spring scales over balance scales is what led most post offices to outfit their clerks with spring postal scales. One of the most common types of spring scales was the kitchen scale—also known as a family or dial scale. Designed for horizontal surfaces, these scales used the weight of goods in a pan at the top of the scale to force the spring down. Such scales were common in early-20th-century households and were sold by Sears and Montgomery Ward. Many had flat weighing surfaces but some were topped by shallow pans. Companies such as Salters, Chatillon, and Fairbanks made both. SALTER HOUSEWARES began in the late 1760 in the village of Bilston, England. At this time Richard Salter, a spring maker, began making 'pocket steelyards', a scale similar to the fisherman's scale of today. By 1825 his nephew George had taken over the company, which became known as George Salter & Co. and later established a large, well equipped manufacturing site in the town of West Bromwich. The business thrived throughout the 1900s, and in 1972 the company was purchased by Staveley Industries Plc. In 2002, the management team at Salter Housewares Ltd, backed by Barclays Private Equity, bought the company out from the group, to concentrate on its consumer businesses. In 2004 was sold to the US-based HoMedics company, and in 2006, Salter Housewares USA and Taylor Precision Products Inc (also owned by HoMedics) merged. A portable, brass balance scale , 'Salters' for weighing items. A steel ring holds a brass plate marked with graduations 0 – 26 to which is attached a steel hook. ( rope & arrow TM ) / SALTER / POCKET / BALANCE / MADE IN ENGLAND Graduated 0 – 26 / PATENT / No. 8 Base rope & anchor S (trade mark) pioneers, early settlers, market gardeners, moorabbin, brighton, cheltenham, tools, craftsman, balance, scales, weights, imperial measure,, salter housewares pty ltd, west bromwich, england, salter george, salter richard, bilston england,

ST. PAULS CHURCH OF ENGLAND TENNIS TEAM, WINNERS OF THE "WEICKHARDT CUP" AFTER WINNING THE PREMIERSHIP FOR THREE CONSECUTIVE YEARS 1931/32/33FRAMED PHOTOGRAPH OF ST. PAULS CHURCH OF ENGLAND PREMIERSHIP TENNIS TEAM . RETAINED THE WEICKHARDT CUP 1931, 1932 AND 1933local history, photography, photographs, churches st. pauls anglican, sport

This mechanical candle snuffer tool was made in Birmingham, England, by Harris and Sheldon Ltd. The candle snuffer was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Street, Williamstown, Victoria. It was donated to Flagstaff HIll and is part of the St Nicholas Seamen's Church Collection The enterprise of Harris and Sheldon was established in 1880 by Sydney Harris. They made shop fittings such as cabinets, shelving, cupboards, tables and stationery. During WWII they made aircraft parts, ammunition boxes and pumps. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served the world's seafarers since 1856 in Great Britain. Its symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the orgainsation began in Williamstown in 1857. It was a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This candle snuffing tool is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. Candle snuffer tool. A bamboo and brass pole with a spring-action handle that operates a brass pinching mechanism at the other end. The mechanism has been inserted into the hollow bamboo handle. Maker's inscription on the pinching mechanism. Made in Birmingham, England, by Harris & Sheldon Ltd. This is one of the original items in our st Nicholas Seamen's Church Collection."HARRIS & SHELDON LTD.", "BIRMINGHAM"religious service, harris and sheldon ltd, birmingham manufacturer, sydney harris, sailors rest, ladies harbour light guild, mission to seamen williamstown, library tool, flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, bethel sailors’ church, bethel floating church, joy club for fighters, ladies lightkeepers’ auxiliary, mission to seafarers, flying angel’s club, st nicholas seamen’s church williamstown, st nicholas seamen’s church flagstaff hill, candle snuffer, candle extinguisher, flame snuffer, flame extinguisher