Handmade food safe with white painted wooden frame and perforated zinc screen panels. Galvanised sheet roof. Raised four beveled legs. Two rectangular doors, bottom door large, opens to main area with one shelf. top door small, opens to triangular roof section. Movable latches of wood on both doors.No visible markingsdomestic items, food storage and preservation, food, safe, storage, pantry, carl ziebell

A pair of long handled vintage handmade blacksmith tongs with two handles called reins, which are riveted together to form a hinge joint for the flat edged tongs. The blacksmith opens and closes the tongs using the handles. They are made of flat mild steel. They were used for holding steel in position and turning it over during forging operations.blacksmithing tools, forging tools, metalworking tools, furnace tongs, tools

The flags were used for communicating messages to passing ships. Knowledge of visual signaling was mandatory for all lightkeepers and all stations maintained a set of these flags. Although used for centuries, visual flag signaling formally developed in the nineteenth century and was published internationally as a system in 1857. By the early twentieth century it had developed into an effective means of conveying all kinds of short range visual messages.The Cape Nelson Lightstation is architecturally and scientifically (technologically) important as the most intact complex of lightstation buildings in Victoria. The octagonal signal station is a unique feature which is all the more important for its complete set of signal flags’. Cape Nelson Lightstation’s complete set of 41 alphabetic and numeric visual signaling flags (including substitute and answering pennants) are made of bunting, a coarse fabric of worsted (open yarn wool) in various colour combinations, and some of the fabric is hand sewn and bears inscriptions. Attachments include handmade wooden toggles, brass clips and hemp rope.

Used in the 19th CenturyA large handmade wooden barrel shaped headed maul with two steel bands at each end. The handle is a metal pipe. It has a worn piece of a leather flap near the flanged join of the handle where it meets the head. A solid steel rectangular wedge which was used to split logs is displayed with the maul. It was used in the 19th Century.mauls, striking tools, long handled heavy wooden mallet, steel, wood, tools, wedge, splitting tools, splitting wedges, woodworking tools

This is the stamp used by Ernest Phillips to mark his tools and his products. It was used both on wood and metal surfaces. Ernest Brighton Phillips (1875-1924) was born in Warrnambool and was apprenticed as a cabinet maker at the Warrnambool Box Works. By the 1890s he had established a furniture shop at the corner of Liebig and Koroit Streets and by the beginning of the 20th century he had the largest furniture warehouse and factory in Victoria outside of Melbourne. His products were sold all over Australia. He and his family lived at ‘Heatherlie’ in Koroit Street and today this site is occupied by the flats complex for senior citizens called ‘Heatherlie’. This stamp is of interest because it belonged to Ernest Phillips, a prominent Warrnambool businessman (late 1800s to the early 1900s.) It is also of interest as an example of an early name stamp. This is a small piece of metal with a rounded flange top and a wider flattened end. The end is serrated and cut to hold the letters, ‘E. Phillips’. Some white paint has been splashed on the end section.‘E.Phillips’ (letters reversed for stamping purposes)ernest phillips, history of warrnambool

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. An early example of swimwear from when men were able to legally swim topless in the 1930s. The fashion originated in France in the early 1930s, and slowly caught on in other countries, although was often controversial. In Australia this was less so, and by 1940 it was common attire at the beach. Pair of dark blue, woollen bathing trunks. Front skirted flap. White woollen belt with silver-coloured metal buckle. White label with blue stitched text attached to rear. Label: "Alpha" Size: SMswimwear - men's, alpha swimwear, alpha - menswear designer

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Cut velvet pelerine featuring multicoloured garlands of flowers in shades of gold, brown and blue on a pink ground. Chenille trim and long silk fringe, Centre front hook and eye closure, Lined with pale pink silk.women's clothing, outerwear -- capes, fashion -- 1890s, fashion design

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton cutwork camisole. Tape insert around waist, ribbon insert around neckline. Front and back have a band of hand worked cutwork leaf sprays, as do the sleeves. The neckline is round. The garment is short sleevedlace, women's clothing, australian fashion

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Chemisette with a square neckline and three buttons down the front. It has an attached peplum. The sleeves and neckline are edged with lace. A row of ribbon insertion lace tape is attached to fabric of neckline. 30 mm in from the front of the neckline is a row of drawn thread work. Bodice is also decorated with 4 rows of triple pin tucking. The garment is short sleeved. The buttonholes are concealedlace, women's clothing, underwear, camisoles, chemisettes, undergarments

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Sleeveless chemisette with five concealed pearl buttons. Hand worked broderie anglais lace. Peplum is attached to an insert of ribbon tape lace. Neckline and bodice edged with lace. The same lace is also used to border an insert cutwork panel with concealed button holes lace, women's clothing, underwear, undergarments, chemisettes

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Sleeveless chemisette with 3 pearl buttons decorated with 4 rings of cut work flowers. Ribbon threaded around the neckline. Bodice gathered to attach to peplum at waist line. Handworked.fashion and textiles collection - kew historical society, lace, women's clothing, underwear, undergarments, chemisettes

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White muslin camisole with fabric made by machine joined tape lace. Sleeves have three layers tape lace between three pieces of muslin. Edges are of a layer of scalloped tape lace joined to sleeves by a ribbon insert tape lace.fashion and textiles collection - kew historical society, lace, women's clothing, australian fashion, night wear

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Circle of muslin, lace edged, with an attached bias tape to form a tube for gathering capfashion and textiles collection - kew historical society, lace, women's clothing, australian fashion

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton voile blouse with short sleeves. Neckline ornamented with collar and jabot style front edged with tape lace. Sleeves also ornamented with tape lace. Sleeves and neckline gathered with roulauxfashion and textiles collection - kew historical society, lace, women's clothing, australian fashion

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Rectangular silk organza chemisette, with inset embroidered net at the front and at the neck. The free-form, multicoloured silk embroidery includes abstract flowers, fruit and leaves, and may be of Chinese origin. The chemisette has five decorative mother-of-pearl buttons at the front and silk organza ties at the waist.lace, women's clothing, australian fashion, undergarments, chemisettes

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton jabot of Irish crotchet lace and machine made lace and machine sewn. Inserted lace layer has flat and three dimensional crotchet roses. Lace edging at the bottom has three 3 dimensional roses and shamrocksfashion and textiles collection - kew historical society, lace, women's clothing, australian fashion

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton voile puff sleeved chemisette with four engraved pearl buttons. Neck edged with an edging lace and narrow tape. Sleeves finished with two rows of pin tucking and edging lace. Insertion and tape lace at neckline.lace, women's clothing, underwear, undergarments

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Camisole with pearl buttons. Two circular floral motifs on either side of front buttons. Broderie finish to armholes and the back. Joined peplum for gatherhing tape at waist linelace, women's clothing, lingerie, broderie anglaise, undergarments

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Camisole comprised of three types of machine lace and an embroidered cotton joined together to form a fabric and backed with fine netting. There is a band of narrow lace at the square neckline, this is attached to a band of insertion lace with ribbon holes and then wide bands of insertion lace. At the upper midriff level there is a band of lace interspersed with embroidered butterflies. Garment is buttoned at the front.lace, women's clothing, lingerie, underwear, undergarments, chemisettes

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Crutchless Directoire knickers. Hand sewn muslin pant with a front central openingwomen's clothing, underwear, undergarments, directoire knickers

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton machine made net bolero with tambour work and a chemical lace medallion inserted centre backfashion and textiles collection - kew historical society, lace, women's clothing

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Two white engageantes with lace duffs. The stitching suggests that they were hand madelace, women's clothing, sleeve cuffs, engageantes

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Hand-embroidered apron. Possibly a Semco pattern. The apron is edged in yellow fabric and has multi-coloured sprays of embroidered flowers.clothing - women's, aprons, protective wear, fashion -- 1950s, fashion design

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. While cotton apron, edged with lace. There is a central panel of insertion lace.clothing - women's, aprons, protective wear, fashion design, fashion -- 1950s

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Apricot-coloured cotton apron, hand embroidered with a design of a woman in a garden. The apron has two symmetrically placed embroidered pockets. The apron may be a Semco pattern.clothing - women's, aprons, fashion design, fashion -- 1950s

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Rectangular white cotton apron, hand embroidered with a design of a basket of flowers. The apron may be created from a Semco pattern.clothing - women's, aprons, protective wear, fashion design, fashion -- 1940s

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton apron decorated with machine embroidery and appliqué. The apron is a commercially created item produced in China for the European market. clothing - women's, aprons, fashion & design collection - kew historical society, protective wear, fashion design, fashion -- 1960s

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne.White cotton apron, covering clothing front and back and joined by two buttoned tabs. Based on an examination of the sewing it is presumed that it is a hand-made item.clothing - women's, aprons, protective wear

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne.Black silk hostess apron embroidered with sprays of flowers using multi-coloured silk thread. The apron is bordered by black commercial lace. Based on an examination of the embroidery, it has been deemed to be a commercially produced item made in India.clothing - women's, aprons, protective wear, fashion design, fashion -- 1960s

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne.Black hostess apron embroidered with sprays of leaves using orange and yellow silk thread. The apron is bordered by commercial guipure lace. The apron is backed by the same black fabric. While the leaves are embroidered on the upper layer only, the pocket is embroidered on/through both layers.clothing - women's, aprons, protective wear, fashion design, fashion -- 1950s