.1 Knitted pillow sham, cream coloured, peaked border, centre area consists of five knitted panels separated by six lace effect panels .2 Hand worked snowflake design on netting, larger netting worked on the centre and four smaller ones in corners. Outside edge is manufactured lace handsewn onto the fabric of the shamNilpillow sham, hand sewn

Sepia photograph of music room in "Hazeldene" 8 Balwyn Road Canterbury, with the organ and grand piano.canterbury, balwyn road, hazeldene, pianos, organs, furnishings, danks family

264pages, illustrations, b =w and colour photos, includes bibliography and indexnon-fictionarchitectural styles, houses, fashion, furnishings, californian bungalows

Table of contents: Editorial, Obituary, Professor A. Mica Smith, The choice of an economical heat engine, The direct estimation of Antimony, Electrical developments, R. B. Lamb, Easter geological camp, Sumitomo Bessi; The Great Copper Mine of Japan, Sporting notes, Professor Mica Smith's 25th Anniversary and students' second annual dinner, Correspondence, Modern treatment of gold ores, Answers to correspondents, News and notes, Past students, New students, Editorial notes.Orange coloured booklet of originally 26 pages, pages 3 to 14 are missing.ballarat school of mines, students' magazine, obituary, john heath ray, professor alfred mica smith, a. d. galloway, w. e. figgis, l. seward, a. c. stanger-leathes, h. r. murphy, c. dawson, g. h. davenport, j. m. sutherland, s. k. heron, f. treloar, t. s. hart, thomas hart, a. e. tandy, e. e. booth, figgis, pearce, p. a. pratt, past students, p. lewis, j. a. reid, r. d. nevett, j. mcfeeters, p. d. elliott, j. farrell, f. merton, w. b. tucker, j. peart, h. r. kofoed, w. h. macready, a. e. tandy, arthur elton tandy, lewis westcott, m. marks, latham watson, j. wallace, duncan mcdougal, e. e. booth, l. g. coulter, f. beaumont, g. w. evans, j. davidson, f. howell, a. e. ebbels, r. a. clinton, a. g. campbell, j. sides, m. j. roberts, r. ingram-moore, l. g. w. buchner, f. harvey, h. crabbe, colin c. corrie, h. manchester, glyn evans

The curtains are significant for their comparative rarity of survival in Melbourne, and at the same time, are highly representative of opulent colonial taste in interior decor in the boom period. The curtain panels are of high quality materials and in unusually good condition, indicating they were used in a window with relatively little sunlight shining on them. They can be imagined in a grand room with one or more matching dressed windows.Collection of 7 panels of a sky blue and gold figured silk/wool damask curtain set; 6 tiebacks (3 pairs) with bullion tassels; padded and braided silk "rope" for draping; and 2 cards wound with detached braids and bullion fringe from further curtains and decorations which have not survived. The items appear to be the remains of very fine bay window decoration of the later 19th century, almost certainly used in a Melbourne mansion of the boom period, likely in the 1880s. The 3 sets of curtain tiebacks are particularly grand, featuring tassels made with gold ? bullion fringe. The original bright gold ? finish is still evident in the card on which many metres of detached fringe are wound - the inner layers have been protected from oxidation by the outer layers and are still bright. It is not known on what curtain part this fringe was used (it is clear that nothing has been removed from the 7 damask panels surviving). There may have been pelmets or further sets of curtains decorated with the fringe. The materials and workmanship of all items are of high quality, and would have looked magnificent, fulfilling the tastes of the richest inhabitants of Marvellous Melbourne.curtains, curtain furnishings, 19th century, tassels, window furnishings, gold boom melbourne, interior decoration - melbourne, upholstery trimmings, colonial taste-victoria

Board wrapped w c.17m of heavy bullion fringe in several pieces, evidently unpicked from curtains (DAD-035-0001), and/or possibly furniture items. The fringe is composed of metallic thread tightly wound over a cotton thread, attached to a narrow header braid with an ornamental design worked in metallic gimp cord. The colour was originally gold, now tarnished on all parts exposed to air, but sections of the fringe under the top layers retain the luxurious gold finish.

USED BY THE LUFF FAMILY OF CLUNESWHITE CROCHETED TEA COSY COVERlocal history, manchester, table linen,