Jim Kandiliotis and Arthur Lourantos are preparing food in the kitchen of the IPS clubrooms for a social gathering. Committee members would often cater for functions at the clubrooms. A coloured photograph of two men cooking meat at a barbecue.

PHOTOGRAPH OF 10000 GAL TANK WHICH WAS BUILT BY CONRAD WEICKHARDT FOR THE CRESWICK STATE FORESTRY.PHOTOGRAPH OF TWO MEN STANDING BESIDE WATER TANK.local history, photographs, weickhardt

PHOTOGRAPH OF MEN WORKING IN WEICKHARDT'S TANK FACTORY, CLUNESphotography, photographs, shops, weickhardt's tank factory, weickhardt

Black and white photo: group of men in military uniform.person, robert denis kelly, france, world war 1

Sepia photograph: 22 men standing and sitting. Men are wearing three piece suits, ties or bow ties, holding hats in hands. Men are pictured in front of a building, small paned window on either side of building. All men are wearing a ribbon on their lapel. Man on back LH side is holding a small male child, wearing a striped outfit, large white collar, and wide brimmed hat.person, group, male group, bendigo, male portrait

Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Standard size cream business card with black embossed lettering.front: TELEPHONE: 596 1489 / TINA KNITWEAR / FOR ALL MEN'S AND LADIES' WEAR / 17 ORCHARD STREET, NORTH BRIGHTON, 3186knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

The man on the left is R.H. Trethewey MLA presenting a Diggers Day Perpetual Bowls trophy to Jack Plant President of the Bendigo RSL Sub Branch. Refer Cat No 8094 for trophy with plaques of winners on. Refer Cat No 8129P for Jack Plants RSL history..1) Photograph B & W showing two men holding a trophy between them. .2) Photograph B & W showing a Bowls trophy held by the men in .1)brsl, smirsl, bowls, diggers day,

Black and white photograph of a row of men in dark uniforms and hats on motorcycles, each with a sidecar. There are also two standing men, one in uniform, one in a pale-coloured suit.Front: (no inscriptions) Back: Police patrol for Duke of Gloucester at Portland 1934postcard, royal visit portland, duke of gloucester

This is a portrait of Robert Graham's family. For further information about Robert Graham see "Victoria's Wonderland", pp 61-68 & 121.The photo shows a portrait of one woman (seated), two men at the back, three boys flanking the men and a young girl standing behind and to the right (photo left) of the woman.people, graham

The Orbost Workers' Band and the Orbost Town Band amalgamated in 1913 to form the Orbost Municipal Band under the conductorship of Mr Charles Spink. This photo, taken in 1907, is probably of the orbost Town Band. In the photo are : Percy Watt, Geoff Beattie, Bill Gluth, Charles Spink, Bert McCay, R. Cotterill, Fred Smooker, George Draffin and Jin Lynn. The various Orbost bands have played a major role in the Orbost community activities as well as providing entertainment and musical experiences for the many members. A black and white photograph of two rows of men,front row kneeling and back row standing. The men are dressed in suits with waistcoats and are wearing hats.Each is holding a brass instrument.

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men standing on a path inside a fenced garden. There are tall trees in the background. The men are Frank Wright and a friend, possibly at "Laura Villa" Smeaton.Stamped on the back - Printed at Scott's Pharmacy, (143) Sturt Street Ballaratfrank wright, cornet, conductor, ballarat, laura villa

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Sepia photograph of two men dressed in suits standing on the crest of a hill. One man is leaning his arm on the other's shoulder. The men are Frank Wright and Lin Jenkins.Handwritten on front - Lin to Frank January 1929. On back - printed - Kodak Print; P 612 - handwritten - Lin Jenkins & myself. Taken Black Hill, Jan 1929 by Noel Coxfrank wright, black hill, ballarat, cornet, lin jenkins, noel cox

Photograph: black and white photo of four men posing with clothes rack behind, and item of clothing in hands of two men on LH side, appears to be a mohair type jumper.unknownorganization, business, hanro, hanro, bendigo, clothing, manufacturing

Bound book of 313 pages published by The Education Department in 1959. Includes portraits and biographical notes on "the men who fell" and "the men who returned". At head of title 'Victoria'.collingwood technical school, preston technical school, staff, portraits, education department of victoria, nmit

Photographed by Australian Army personal for distribution to the internees in the photograph. Back row (left to right): P35574 Gerd Aberle; P36173 Theodor Wagner; R36853 Dr Wilhelm Eilers; R36754 Wilhelm Schmidt; R36476 Dr Erwin Gauba; R36366 Edgar Abineri; S3142 Werner Hebart. Front row: P36045 Dietrich Ruff; P35960 Otto Lobert; R36454 Hermann Exeler; P36201 Rolf Weller; R36861 Ernst Kropf. AWM accession number 030192/09.Black and white group photograph of 12 men internees at Loveday Camp, with number 31 displayed. One row of 7 men are standing, the others seated. Hut in background.loveday camp, camp 3, arbitur class, gerd aberle, theodor wagner, dr wilhelm eilers, wilhelm schmidt, dr erwin gauba, edgar abineri, werner hebart, dietrich ruff, otto lobert, hermann exeler, rolf weller, ernst kropf

Raymond Kaufmann, Alfred Illichmann, Wolfgang Weitbrecht, internees in Camp 1 Tatura. Foam backed copy in file.Black and white photograph of three men standing in amongst some flower gardens with 4 huts in the background. Two men in dark suits, the other in light shirt and trousers.raymond kaufmann, alfred illichmann, wolfgang weitbrecht, camp 1 internees

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo taken at Henry Best's Concongella vineyard, Great Western. Group of men and boys with horses and cart outside the Cellar. Two men and dog at left. winery, wine making

Because of the vast quantity of piles for harbour works Pettit Bros. of Geelong arranged for an addition siding to be installed at Ferguson on the north side of the station in 1913. They then laid a tramway in a northerly direction along the original alignment of Charley's Creek road to the top of Powneys Cutting, 1.8 km from Ferguson, where a log winch was sited. This powerful winch hauled carefully selected piles from the north-west. Jim Facey and Jim, Ted and Tom Cashin formed a partnership to log an area along the Charley's Creek Road six kilometres from Ferguson, operating full-time from 1934. After leasing three Crown sites and cutting them out the partners shifted logging operations to Powneys farm, which they had purchased, and laid a log trail into the farm. The old road reserve was also purchased, and the log tram continued along the road reserve for one kilometre to Powneys Cutting. Logs were winched up to the tramline and despatched to the mill along the falling grade of the road.B/W. 201mm x 268mm. Powneys Cutting being excavated by four men, two men on either side of the slope, and a horse at the end of the line, in c.1902.ferguson; powneys cutting; tramways; powneys farm; pettit; jim facey; jim cashin; ted cashin; tom cashin; charley's creek road;

Black and white photograph. Showing men and women standing in pairs for theatrical performance. Men in white powdered wigs and knee high stockings women in ringlets holding fans.photo, group, theatre performers

Four page fold out knitting pattern booklet featuring a colour image on the cover of two men wearing knitted jumpers and pants. Both men are holding umbrellas.front: [printed] Cleckheaton / Spectra / Cleckheaton 8 ply / Design 0141 / Sizes: 86-102 cm / Tempo / Clekheaton 8 plyknitting, pattern, fashion, knitwear, cleckheaton

Garrison officers and wardens Camp 4.Black and white photo of garrison officers and wardens, Camp 4. 6 men and 2 wardens standing, 2 kneeling and 2 men seated on the ground in front of a building.camp officers, camp warden officers

The Karametos family at the Year 12 Awards function at Ithaca House. Standing at the back from L-R: Anna Maria Megalogenis, Barbara and Jason Karametos and Ioakeim Megalogenis. Seated in the front from L-R: Stavros and Froso Karametos, and Eleni and George Karametos.Since its inception the Ithacan Philanthropic Society has held many functions throughout each year, some with a philanthropic purpose while others have been social functions. These events have given the members a sense of belonging and keep family and friendship groups together.A coloured photograph of a family group of three generations. There are four men and four women in the group. Two men and two ladies are seated in the front and the others are standing behind them.

Black and white photo: 9 men standing in rubble of brick building, damaged wall behind. Men dressed in military uniform, some in leather knee high boots.person, robert denis kelly, world war 1, france, soldiers

This is the story of the work of Father Tom Brophy, mainly concentrating on his work with youth in Warrnambool. Ordained as a Catholic priest in 1962, Fr Brophy worked in Ballarat and established a Ballarat Youth Centre and a Hostel for young men. He was moved to Warrnambool and arrived in early 1972. Although in Warrnambool for just two years Fr Brophy had an enormous impact in the community, establishing the Freedom Zone Youth Centre and the Warrnambool Home for Boys. He died at the early age of 45 and was buried in Warrnambool with a large number of local people attending his funeral. A Brophy Memorial Hostel was established and later developments include a Youth Centre in Timor Street and the present day Brophy Family and Youth Services organization. This book is of some importance as it outlines the work in Warrnambool of Father Tom Brophy, a Catholic priest whose name has become synonymous in Warrnambool with youth projects. He is one of the important community workers in Warrnambool in the 20th century and this book details his contribution and impact.This is a paper back book with a blue/yellow cover with a photograph of Father Tom Brophy in bluish tones on the front cover. It has 109 pages and contains printed material, photographs, illustrations and copies of newspaper extracts. The pages are glued together. Front cover: ‘Broph’ – The Story of Father Tom Brophy, the Catholic priest who gave his life to help troubled young men and inspired generations of care at Brophy Family and Youth Services. Brophy Family and Youth Services (logo) Written by Rick Bayne fr tom brophy, warrnambool, brophy house, brophy youth services, warrnambool freedom zone 1970's

Halls Gap once boasted a fine Bowling Green, ideally situated next door to the Kookaburra Cafe. These days lawn bowling has been replaced by another bowling game, Petanque, with regular meets taking place at the club's "piste" beside the recreation centre.Three men dressed in casual clothes, two men in slacks and white shirts,another man standing to the side is dressed in dark pants and vest with a hat on. One man is kneeling after bowling. A number of bowls are on the green, behind the men is a white picket fence. The Mt.William Range is in the background.On reverse M.Mair about 1952recreation, lawn bowling

Motor Cycle Traffic Police Football Club Smoke Night, with a row of seated men on either side of two long tables as well as a third row of men standing on the outside of the tables. All men are dressed in suits. The wall in the background reads "Past Grand Masters". Circa 1936police vehicles; wireless patrol; motor transport branch; motor transport section; motor cycle patrol; motor cycle traffic police; police football club

From a family who had three generations that worked for Dennys Lascelles. This image depicts Arthur Ganly as a young man taking a break from painting the inside of one of the Dennys Lascelles wool store buildings. Ganly is third from the left with arms folded smoking a pipe.Grey cardboard backing with black and white attached. Photo depicts six men seemingly taking a break from painting. Five of the men are smoking pipes. The men are covered with paint drops and there are paint buckets on the ground in front of them. Many areas of spotting/foxing across backing and photo.